Are those bags of human remains Satou’s former classmates, Shio’s parents…or her former Aunt? Flashes back to her past seem to strongly suggest the emotional toll from that past is what molded her into what she is today, only clinging to normalcy with the knowledge there’ll be a cute Shio waiting for her at home…but how long will that remain the case?
It certainly feels so far like that aunt let her down after her parents died, and after having to deal with an awful adult in the cafe manager last week, this time Satou’s adult nemesis is a teacher at her school—one who the other girls fawn over for being “single and hot” but who is not only married with a kid, but gets off on the thrill of stalking girls.
This time, he stalked the wrong girl.
Satou pulls a personal alarm, and the teacher slinks away, and she’s able to get home to Shio and cancel out the adult’s bitterness with Shio’s almost overwhelming sweetness. The next morning Satou is at the gate of the teacher’s house, and his wife almost sees her unbuttoning her blouse.
Satou knows threatening an M like him will only get him excited, but she still does it to make it perfectly clear she won’t brook any more nonsense from him, especially comparing his version of love to hers. She also makes him dispose of her body part bags…which he also likes.
Meanwhile, we get some Shio day-in-the-life, where she tries to help out by cleaning but can’t grasp the need to plug in a vacuum, and has no idea how to cook. She also notices the locked door to Satou’s death room, and actually passes out when the outside balcony triggers a flashback of her own; perhaps to the time when Satou first snatched her.
Of course, it isn’t just adults who are awful on this show. Mitsuboshi, who starts work at Satou’s other cafe, may be a victim of an older woman (and the trauma makes him nauseous whenever another older woman touches him), but he privately reveals he’s a lolicon, with specific hots for Shio, who he knows from the missing posters Shio’s older brother has distributed.
Strange connections are made when Satou’s co-worker Shoko, then Mitsuboshi come across the brother getting beaten up by punks. The brother’s state of hygiene suggests his parents are dead and he’s all alone on the streets, desperate to find Shio. Mitsuboshi brings him to the cafe break room, where the brother starts muttering the same “marriage vows” she and Shio made.
All alone with the brother, who is a direct risk to her only recently-stabilized happy sugar life, Satou snaps into the mode she deems necessary to preserve and protect that life, and prepares to brain the brother with a crowbar. Does she end up killing him right there in her very public workspace?