Kill la Kill – 18

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Mother of God, what the heck is going on here? Kill la Kill is looking down on our Plebeian rating system! We’ve watched and written a lot of anime in the last few years, but it’s been a long while since we’ve seen a show string together so many awesome episodes in a row, including the two best episodes of the Winter (so far at least), back-to-back. Last week it threw a hundred balls up in the air; this week we learn all those balls were actually bombs, and they all get blown the fuck up.

Where to begin? Satsuki’s wholly terrifying upbringing, in which Ragyo used her as a life fiber test subject, tossing her baby sister away when she didn’t fit the genetic bill? Might as well, because that was the last straw for Satsuki’s dad Souichirou, who started Satsuki’s lifelong vendetta against her mom. It did look like her dad kinda stood by and let this crap happen to his children, but ultimately Ragyo killed him for opposing her. Junketsu was her inheritance: the garment with which she’d exact her revenge.

And so there you have it: Satsuki isn’t just after power, or the salvation of mankind; all that’s just a means of getting back at moms. The whole time she was looking down on Ryuuko, she was harboring the exact same base thirst for revenge. We’d always seen Satsuki and Ryuuko as two sides of the same coin, and we’d entertained the possibility they were really related, but the nature of the reveal knocked us back in our seats: Ryuuko was that discarded baby sister who ended up surviving. Her body is imbued with life fibers, just like Ragyo’s.

The tables in this episode must be sturdy, because they’re turned more times than an Ikea furniture testing facility. It’s a whiplash-inducing back and forth between Satsuki vs. Ragyo; the Elite Four vs. Nui; Satsuki’s Army vs. Satsuki, Ryuuko, and Nudist Beach; Nui vs. Ryuuko; Zombie Ryuuko vs. Satsuki; Satsuki’s katana vs. Ragyo’s neck. Everyone experiences victory and defeat, but nothing is permanent and there’s always another twist lurking. We’re left with both co-heroines out of commission, Ragyo in Junketsu, a sky full of angry COVERS, and the entire supporting cast left to pick up the pieces. This is finale-caliber shit going down, with nearly a quarter of the show left to go. Hold on; we’ve got a live one!


Rating: 10 (Masterpiece)

RABUJOI World Heritage List

Stray Observations:

  • Yup, all of Satsuki’s conflicts against Ryuuko were a means of testing whether she’d be a worthy ally. Everything she does seems to condescend to Ryuuko…but as she’s the elder sister, it makes perfect sense!
  • Mako reunites with her family, who weren’t bothered enough by being imprisoned by their clothes to even pause their gorging on free food. We love that family.
  • Good to see the Elite Four back in action. They do seem stronger.
  • Gamagoori orders Mako to help evacuate the crowds. We like their relationship.
  • We liked how Satsuki and Ragyo got into a bit of a light shine-off.
  • This episode and/or the last didn’t deserve 10s? Leave it out. We couldn’t rank ’em lower if we tried. We’re merely puppets of the producers at this point.
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Kill la Kill – 17

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We’ll say this much: Kill la Kill does a “sports festival episode” like none other. We’ve spoken before about how sometimes a primarily building-up episode can surpass the payoff that follows, for the simple reason that the buildup episode is suffused with boundless promise even a great payoff would be hard-pressed to fulfill.

What we’re saying is, whatever the quality of the payoff that awaits us down the road, it won’t not diminish the excellence of the buildup that took place this week. Despite hardly solving anything, this just might be our favorite episode of Kill la Kill yet. We’re tempted to watch it again immediately, and again after that. Sometimes, buildup can be its own payoff.

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So what was this buildup we’re on about? Satsuki returns to Honnouji and announces a sports festival in her mother Ragyo’s honor. Ragyo oversees the global distribution of life fibers and prepares to head to Honnouji. All citizens of Honnou Town are invited to and issued dress uniforms for the catered affair, including Mako’s fam.

Meanwhile, Mikisugi and Kinagase observe the academy from hidden cameras and complete Ryuuko’s education, telling her the academy and surrounding town are one big laboratory for testing human resistance to life fibers. The student body and townsfolk are the white rats, and the dress uniforms provided by Ragyo are snakes that, when she presses a red button, start to feed on the people.

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The good guys swoop in to the stadium to save the day, stare down the bad guys and “To Be Continued” flashes on the screen in those big chunky red letters…Right? Well, not so fast: as Ragyo is talking (down) to Ryuuko, Satsuki plunges her katana into her own mother’s back, announcing she’s rebelling against the life fibers. Ohoho, now we’re talking.

Especially last week, the show’s been going out of its way to humanize Satsuki and facilitate empathy for her; she was, like Ryuuko, dropped into her current role by her parent, after all. By contrast, Ragyo and Nui, for that matter, only vaguely resemble humans both physically and emotionally.

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In any case, those two are clearly not on the side of humanity—which isn’t to say Satsuki’s suddenly turned into a “good guy”, but she’s certainly become an even more compelling and likable co-protagonist alongside Ryuuko. Frankly, there’s a lot we still don’t know: Ragyo’s fate; Nui’s response; the fate of all those people (save Mataro) being eaten by their clothes; how Satsuki will deal with Ryuuko & Co.; what she’ll actually do with the throne she seeks to take; what the life fibers have to say about all this.

In any case, Satsuki has obviously worked diligently to maintain the illusion of a dutiful daughter while plotting her mother’s downfall behind her back. In reality, for a while now Satsuki hasn’t seen Ragyo as her mother at all, but as a rival to be defeated; and Ragyo has been too blinded by her own splendor and hubris to notice.  Everything that built up to this fresh batch of questions was impeccably engineered for maximum entertainment value. It was at times serious, introspective, fascist, funny, and florid, and took us (like Ryuuko) completely by surprise. We couldn’t have asked for much more.


Rating: 10 (Masterpiece)

RABUJOI World Heritage List

Kill la Kill – 16

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Leave it to Kill la Kill to earnestly, regretfully inform us from the start that this is the recap episode we’ve been dreading, only to blaze through said recap in less than two minutes, occupying only the cold open before a brand new (and quite spiffy) OP. It’s a great little psychout, and one more reminder Kill la Kill isn’t just kicking ass telling its own story, but also an ongoing commentary of anime in general.

To whit: this week we learn the deep dark secrets of life fibers and kamui, and Ryuuko is revealed as the “Chosen One” who will curtail the Kiryuuins’ seemingly infinite ambitions. But Ryuuko isn’t the only chosen one here; so is Satsuki, who surprisingly undergoes an education parallel to Ryuuko’s: here we were thinking she was in the know about everything (she certainly didn’t hesitate to make Ryuuko think that was the case), but she wasn’t.

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It’s fitting then, that it’s confirmed to both her and Ryuuko at the same time what they had already suspected: each girl is the savior and hope of their respective faction, which makes them diametrically opposed enemies.That deep dark truth? In short, Life Fibers are aliens. They helped humanity evolve to its present level of physical and mental sophistication, and then, like creator gods, they simply sat back and admired what they had wrought. Like farmers, they awaited the fattening of their herds, for Life Fibers use humans as food.

As such, humans didn’t choose clothing, clothing chose them – a concept as absurd as it is awesome. Kiryuuin Ragyo re-initiated contact and has been essentially doing their bidding, distributing dormant fibers to the population on a global scale. Now possessed of this knowledge and their expected roles in the great battle to come, Ryuuko and Satsuki react in appropriately opposite ways.

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When the hatch to the helicopter closed, Satsuki collapsed from exhaustion and her kamui had to be sedated. Her activities have taken a far greater toll than Ryuuko or anyone beneath her know, but she refuses to give in to fatigue or pain. And yet even after her mother essentially fondles her in the bath (what is it with rich people?), and even though there are times when Satsuki seems taken aback by the things she’s learning, she doesn’t (outwardly) hesitate in answering her call to duty.

Meanwhlie, Ryuuko says “fuck that.” Because she doesn’t want to fight? Because she can’t handle that level of responsibility? No: because she doesn’t want her friend Senketsu to be forced into fighting his own kind just because Matoi Isshin made him good at it. At the end of the day, the only one who chose her to be the “Chosen One” was her dad, just as the only one who chose Satsuki was her mom. But we’re certain Senketsu will choose to fight with Ryuuko.

9_superiorRating: 9 (Superior)

Stray Observations:

  • Ryuuko’s dad used to work for Ragyo. This is just speculation, but were they once lovers too, making Ryuuko and Satsuki sisters? It would certainly be fitting.
  • Ryuuko’s dad also founded Nudist Beach, which has an actual nudist beach underground. Neat!
  • Mako isn’t going to stay behind while Ryuuko fights…though she’s not quite resolved to go nude.
  • The new ED is very Mako-centric (not a bad thing), and is what we imagine is what the inside of her head looks like. Kinda like how Kenneth in 30 Rock sees everyone as Muppets.

Kill la Kill – 15

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When Kill la Kill goes all out, it’s truly something to behold. Osaka’s forces continue to put up a fight thanks to Takarada Kaneo’s deep pockets, but then Satsuki arrives and teaches him that it’s fear, not money, that rules the hearts of mankind, scaring all his forces away. Cornered and alone, Kaneo counters with a giant crab mecha, but the new 3-Star Goku uniforms arrive just in time, and Uzu defeats him easily, sticking his katana where the sun don’t shine.

Satsuki & Co. are acting so cool, and Takarada is so loathsome, that up to this point they look like the protagonists. But at the end of the day Kaneo is the wronged party, defending his territory from aggressors, and he’s the one (momentarily) saved by the timely arrival of a very reinvigorated Matoi Ryuuko. Satsuki knows  Ryuuko can’t transform without the glove in her possession, and wastes no time wiping her face in it. That proved to be a miscalculation, as it only convinces Ryuuko to take the next step in her symbiotic relationship with her kamui and allow Senketsu to use her skin to synchronize.

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Satsuki had been treating Ryuuko like a pesky housefly, but underestimated the lengths Ryuuko would go to, and also failed to divine Ryuuko’s new motivation, which is no longer wholly revenge. The more grand plans for conquest and subjugation Satsuki carries out, the more forcefully Ryuuko will butt in; no longer a housefly but a formidable, unpredictable hornet. Ryuuko’s not afraid to gamble with her own life to attain victory, but unlike Satsuki she’s unwilling to let others sacrifice their lives in the service of her selfish goals. Now Ryuuko’s goals align with those of Nudist Beach, much of which seemed to have been wiped out by Jakuzure while Ryuuko fought Satsuki.

And theirs is a hell of a fight, winding through (and ultimately obliterating) a souped-up Osaka tower in some of the best and most manically-animated combat of the series. It’s also an immensely satisfying battle, as Ryuuko is able to fight toe-to-toe and even deliver a crippling punch to Satsuki, albeit by playing “dirty” (the ol’ sword-blood in the face trick). More than anything, Ryuuko and Satsuki displayed quite a bit of mutual respect; Ryuuko’s no longer after Satsuki’s head, but wants to convince her to stop her villainy; while Satsuki gets a refresher in Ryuuko’s staying power and seemingly bottomless font of spirit. One could totally see the two as friends, were circumstances different.

9_superiorRating: 9 (Superior)

Stray Observations:

  • We really dug the “Ryuuko Entrance Fanfare” of these last two eps, which always started with her motorbike’s engine revving.
  • We reiterate: Takarada never looked anything other than lame and slimy, but the Elite Four in their new threads look simultaneously mighty and correct.
  • Ira doesn’t want to hurt Mako…another cool quasi-friendship in the making.
  • We like how Ryuuko tells Mako to go somewhere safe, which Mako determines is by Ryuuko’s side.
  • We finally see Nudist Beach forces, who were Satsuki’s ultimate target (of course). They don’t wear any more than they need to, so they’re certainly the polar opposite of uniform-obsessed Honnouji.
  • The more encounters Satsuki has with Ryuuko, the more emotion she seems to express.

Kill la Kill – 12

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Nui Harime and Ryuko fight, and Nui’s flippant attitude enrages her more and more until Senketsu explodes out of control, merging with Ryuko into a grotesque monster. Mikisugi and Kinagase’s efforts to neutralize her fail. Satsuki dons Junketsu and steps in to put Ryuko out of her misery, but before she kills her Mako races to Ryuko’s side and slaps her back into coherence. Satsuki bans Nui from Honnouji. Days later Satsuki tells Ryuko thanks to her battles, she’s helped her perfect her Goku uniforms, which she’ll deploy immediately to conquer the western academy administrators.

Amidst all the outrageous, expressionistic, sometimes psychedelic as-all-get-out Trigger action, this episode was a ripe opportunity to explore the relationships the arch-rivals Ryuko and Satsuki possess. First of all, Nui Harime is basically a thoroughly irritating thorn in everyone’s side, but to Satsuki, she’s also something of an employee. If Nui were to blatantly disobey an order or otherwise oppose Satsuki, there’d be hell to pay, hell Nui isn’t immediately interested in seeing.

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Jakuzure, meanwhile, is one of Satsuki’s officers, unqeustionably obedient and at the mercy of her whims. Like the other Elite Three and the rest of the student body, Satsuki is essentially their goddess. Then you have Mako: Ryuko owes her very life to the very nearly suicidal intervention of her best friend Mako, who didn’t merely save her out of the kindness or love, but also to repay a debt: when Mako was drunk on power and lost, Ryuko brought her back.

What that means is that Mako is no underling, servant, or acolyte of Ryuko’s—they are equals. Amigas. Buds. They keep each other honest…and alive. Even Satsuki sees this, and acknowledges Mako by name as Ryuko’s savior. There’s a glint of appreciation in her face, as we kinda doubt Satsuki wanted victory the way it was going. And though it’s highly unlikely she’s wired this way, given her affluent upbringing, it’s possible that for a nanosecond Satsuki was jealous that Ryuko had a real, true friend: something she didn’t.

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Rating: 9 (Superior)

Kill la Kill – 11

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After Ryuuko seemingly defeats Jakuzure in an aerial clash, she bounces back with an encore in her “Da Capo” Symphony Regalia, paralyzing Senketsu with Beethoven’s Fifth. Ryuuko negates the attack with the sound of her own heart, and turns the sound on Jakuzure, who falls in defeat. Uzu faces her next, but their battle is interrupted by Nui Harime, Grand Couturier of Revoc, an organization led by Satsuki’s mother Kiryuin Ragyo. Nui brandishes the other half of Ryuuko’s scissors and tells her she was the one who killed her father.

“Things are getting more complicated by the minute,” Mikisugi laments when Harime Nui (voiced by the lovely Tamura Yukari) makes her appearance. We personally couldn’t be happier with the significant raising of stakes. Satsuki is fresh out of three-stars, and the self-amplifying dynamic of the show demanded that eventually Ryuuko’s conflict was going to soar far beyond the walls of Honnouji Academy. Here we were thinking Satsuki was unquestionably Ryuuko’s dad’s murderer, but in comes Nui, turning our (and Ryuuko’s) assumption on its head.

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Not only is Satsuki not the culprit, but she’s not even Ryuuko’s greatest threat anymore. The show really underlines Ragyo’s magnificence by making her literally shine with a blinding light. As pumped as we are for the ramifications of all these new introductions, which will reverberate across the second half of the series, we commend the episode for resisting the urge to dispatch Jakuzure too quickly. Satsuki’s right-hand woman deserved a longer, more intense fight against Ryuuko than those who preceded her, and got it. (Also cool: the theme to Ryuuko’s heart sounds like Aoi Eir!)

We also appreciated the running gags of the losers sitting with Mako, Gamagoori gradually warming up to her, and her family’s struggles to catch all the action. Let’s not forget that by summoning Fukuroda and commissioning a bullet made of life fibers, Mikisugi sure looked like he was fixing to “subdue” Ryuuko lest she get out of control, perhaps. But both his plans and Ryuuko’s battle with Uzu were cut short (quite hilariously in the latter case) by this whimsically-attired young lady who can dispatch a three-star with one finger, and cheerfully admit to killing Ryuuko’s dad with a smirk on her face. The Anti-Ryuuko.

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Rating: 9 (Superior)

Kill la Kill – 10

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Inumuta Houka, who was recruited by Satsuki five years ago when he hacked into her company’s stocks, faces off against Ryuuko. She has Senketsu enlarge his eye to the size of the battle area, neutralizing his optical camo. Not wanting to lose his data, Inumuta elects to forfeit, so Jakuzure Nonon, who has known Satsuki since Kindergarten, is next. She initially overpowers Ryuuko with sound and even takes to the skyin her uniform, but Ryuuko joins her there as Senketsu evolves and achieves flight too. Concerned the kamui is evolving too fast, Mikisugi calls Kinagase, who heads to Honnouji.

We admire a show that knows exactly what it’s doing…and simply gets on with it. To that end, this week isn’t just Inumuta’s battle—as he forfeits barely halfway in—but Jakuzure’s too. As she promises, she puts on quite a different show than the two guys who preceded her. As Satsuki-sama’s oldest disciple (and the closest thing to a friend), it seems she has the best toys and the most leeway to bend the rules of combat, i.e. leaving the battle area by air or laying waste to the entire arena with a recorder-missile barrage. The proceedings are kept quite jaunty and proper with the orchestral accompaniment, and Kill la Kill pulls out all the stops meshing shonen and mecha battle tropes with a whimsical musical aesthetic.

Ryuuko looks utterly outclassed as the very ground beneath her feet crumbles, but then the episode reminds us, she and Senketsu are on a roll, and they’re not going to let cloaking devices, sound-waves or the power of flight bring them down (we also dug the use of Mako as her calming device). If Jakuzure can fly, so will Senketsu; that’s the power of a 100% life fiber kamui. The reveal of her “Gale” regalia is an awesome moment, but it’s also a cause of growing concern for Mikisugi. We also got the feeling Ryuuko is letting herself get too swept up in her power and trying to do too much to fast, which could lead to everything blowing up in her face at the worst possible time.

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Rating: 9 (Superior)

Kill la Kill – 06

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Ryuuko is challenged to a duel by Athletic Committee Chair Sanageyama Uzu, whose “Tengantsu” ability enables him to see every movement she makes. Ryuuko turns the tables by slicing bits off Senkatsu, which cover Sanageyama’s eyes, enabling him to be defeated easily. The next day he challenges her again, but has had his eyes sewn shut, using his goku uniform as his eyes and other senses. With this new “Shingantsu” he overwhelms Ryuuko, but his goku overheats before he can finish her, and she escapes.

Mikisugi tells Ryuuko he’ll tell her more about her father and his organization, Nudist Beach when he trusts her more; by that, we assume he means when she’s been through a few more battles with Senketsu. While his original intent was to destroy the kamui, Kinagase ended up helping Ryuuko bond even further with it. As a result, she’s a lot more confident and even cocky in how she carries herself in Senketsu. She’s come a long way…but as Sanageyama shows her in his second duel, she has a long way to go.

This episode also made an effort to show us more about Ryuuko’s opponent, even flashing back to when Satsuki first recruits him. Watching Ryuuko fight Sanageyama and then fight him again without knowing anything about who he is or what motivates him may well have still been enjoyable, but his exchanges with Satsuki before, during, and after fighting her adds texture to his character (and Satsuki’s), making them at least as important in this episode as Ryuuko herself, which is fine with us. Ryuuko’s further development will come; Sanageyama and the rest of the Elite Four will make sure of that.

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Rating: 8 
(Great)

Kill la Kill – 05

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“Anti-Uniform Guerilla” Kinagase Tsumugu of the Nudist Beach organization arrives at Konnouji to eliminate Ryuuko’s Kamui. His first attempt is interrupted by his old friend Mikisugi who asks him not to target her. Kinagase refuses, certain that if left alone Senketsu could grow even more dangerous than Kiryuin. Satsuki sends Non-Athletic Committee Chair Jakuzure Nonon to deal with him.

Kinagase quickly dispatches the small-fry clubs she deploys, and corners Ryuuko again, and Senketsu flies off her to save her, and he’s pinned down, but Mako puts the kamui back to Ryuuko arms before leaving. When Kinagase threatens to harm Ryuuko, he can hear Senketsu speak and learns the kamui cares about her. Jakuzure arrives and he makes a quick getaway with Ryuuko, leaving her in Mikisugi’s office, telling him he’ll give Ryuuko a chance.

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Last week’s self-contained “no-late-day” story gives way to some meatier story wherein a third party enters the fray between Ryuuko and Satsuki. In the real world, most nudists are regarded as harmless weirdos, but Kinagase is more of a revolutionary, wielding a sewing machine-like gun and utterly devoted to eradicating the scourge of life fibers, which he sees as parasites. We can’t really fault his motives, considering the damage we’ve seen the uniforms do even when their wearers are in mostly full control of them.

But as much as the guy scowls and threatens to strip girls, he’s not so bad a guy: when he sees that Ryuuko and Senketsu aren’t just a parasite and host but actual friends, he has a change of heart, even saving Ryuuko from Jakuzure. Jakuzure’s role on the periphery of Kinagase’s pursuit of Ryuuko is a calculation by her and Satsuki; sending cannon fodder at him in order to collect combat data. Even if it’s a rout, it’s a highly enjoyable one, as Jakuzure conducts an orchestra as the battle unfolds.

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Rating: 9 (Superior)

Stray Observations:

  • We’re amused at how raucous and nutty Mako’s family behaves, and yet they’re concerned about Ryuuko being weird just because she talks to her uni.
  • Jakuzure is voiced by none other than Shintani Mayumi, whom we hadn’t heard since her role as Haruko in FLCL.
  • Mako proves she’s a brave and loyal friend by standing up to Kinagase and delivering another long-winded, passionate monologue.

Kill la Kill – 03

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Ryuuko learns that Mikisugi was her father’s assistant, who received a letter from him instructing him to give his daughter Senketsu in the event of his death. Suspecting Satsuki as her father’s murderer, Ryuuko vows to beat the answers she wants out of her. Enraged that Ryuuko “beat her” to donning a Kamui, Satsuki breaks into her manor’s inner sanctum and puts on her kamui Junketsu. The next day the two spar, and Satsuki easily overpowers her, but when Ryuuko realizes her modesty is holding Senketsu, she “gets naked”, treating him like her skin, and the battle balances out. Ryuuko promises to “crush” Satsuki’s ambitions, and Satsuki accepts the challenge. She’ll duel Ryuuko again if she defeats her entire school.

As good as they were, the chaotic, kaleidoscopic visuals of the first two episodes were merely warming up compared to the mayhem of this week. The brilliance of this series and others its creators have wrought is that there is literally never a dull moment. Even scenes that would be mundane in other series – walking down a hall, getting an infodump from a faculty member, getting ready for bed, everything is done with the utmost panache and playfulness, while the powering-up and battle scenes are even more insane. If we were to whip out some engine metaphors, your average anime is the steady clatter of a diesel truck; Kill la Kill is the unhinged scream of a 21,000 RPM F1 engine.

It’s just as nuts – i.e., creative – with its concepts, like the whole idea of “life fibers”, and the way in which Satsuki is experimenting to create stronger uniforms. Take Ryuuko’s main conflict this week: not lack of confidence or spirit, but a lack of immodesty. We thought it would be a running gag that her face would always be beet red while fighting in her sleazy kamui. But it turns out her embarrassment was preventing her from fully contracting with Senketsu. Mikisugi’s advances on her actually serve to desensitize her to that kind of behavior: guy and girl alike are going to gawk at her; she has to learn to deal with it. Ironically, she learns this from her adversary Satsuki, who doesn’t feel the slightest hint of shame, despite showing slightly more skin than Ryuuko.

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Rating: 9 (Superior)

Kill la Kill – 02

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After her battle with Fukuroda, Ryuuko passes out from blood lost to her uniform, which she names “Senketsu.” She wakes up in Mako’s house in the slums and spends the night there. Satsuki awards tennis club captain Hakodate Omiko a two-star goku uniform with orders to launch an armed suppression in the guise of an interleague match. The next day Ryuuko steps in to protect Mako from Hakodate’s hazing, but cannot get Senketsu to activate, and gets beaten, and falls down a sewer.

She wakes up in the office of her homeroom teacher Mikisugi Aikurou, who confirms to her that her father Isshin made her uniform, called a “Kamui”, which is awakened by her blood and can surpass goku uniforms. He gives her Seji Tekko, a glove that will help her easily activate Senketsu, and sends her up to battle Hakodate. Athletic chair Sanageyama Uzu makes Ryuuko fight Hakodate in a tennis match, and after some faults, Ryuuko is victorious. Satsuki comes down to cross swords with her, but low on blood, Ryuuko retreats.

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As you can see above, this series wreaks havoc on the desire for as concise a summary as possible. It quite literally has about four episodes worth of your typical shounen anime stuffed into one episode, liberally seasoned with kooky violence, creative fanservice, and avant-garde environments. It covers a lot quickly and doesn’t stop and wait for the audience to catch up, but those who keep up are rewarded to an experience quite unlike anything else this season; the same thing that can be said of greats like FLCL and Gurren Lagann. They take anime conventions and stretch, contort, and julienne them to their limit and beyond.

Kill la Kill is window-lickingly insane in its presentation, but it’s also audacious, backing Ryuuko into some pretty dark corners this week. The first instance involves Mako’s father, a back-alley doctor who sure looks like he’s dry humping her when she wakes up (the whole Mankanshoku family scene was a trip and a half) As for Mikisugi, he seems to have her best interests at heart, but he should probably choose his words more carefully (and not strip in front of her). Like Ryuuko’s new uni, this show digs into you and doesn’t let go until you’re winded…but quite satisfied.

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Rating: 8 
(Great)