No Guns Life – 04 – Spiders Are People Too

This week the sprawling gritty cyberpunk world of NGL shrinks considerably to a small area in the labyrinthine Kyusei pit where Tetsuro (via Juuzou’s body) is locked in a standoff with Cunningham, Anne, and Spider-Ende. Being trapped in this spot for a half episode gets increasingly claustrophobic, but also tedious. It actually felt more like an episode of a shounen anime…just not a particularly good one.

The bad guy spends a lot of time jabbering, Tetsuro’s inflexible morality is decried as selfish arrogance by Anne, poor Ende occasionally makes a peep, rinse repeat. But eventually something does happen, when Cunningham puts shoots Ende with a drug that puts her into a comatose state, such that there’s nothing keeping the spider part of her from going completely berserk.

Monster-Ende sends Anne flying, and while Tetsuro manages to somewhat cushion her impact with the wall, Juuzou’s body ain’t exactly soft, and she seemingly dies of her injuries just after telling Tetsuro to “save Ende in her place”. His connection with Juuzou’s body severed, all Tetsuro can do is use his Harmony, but he’s in luck: Juuzou comes to, and gets Tetsuro out of there.

From there, things get more interesting, as the episode is finally moving again. Monster-Ende’s relentless pursuit is particularly well done—not to mention very appropriate for Halloween. Once Juuzou and Tetsuro (and some poor bystander) are trapped in an elevator and Ende’s tearing apart its ceiling, Juuzou has no choice but to let Tetsuro fire the big gun that is his head.

That does the trick—Ende’s humanity is momentarily restored before she dies in the gun blast, and she seems to smile in gratitude that she’s finally freed of her constant torture. Only, as we learn later when Juuzou and Tetsuro are vacating the Kyusei Pit, Ende didn’t die…and neither did Anne. They’re both fine in Mary’s care.

When things started going badly for the two girls, I wondered why they featured so prominently in the OP—even appearing as a Polaroid on Juuzou’s bulletin board—if they were just going to kill them off here. It felt like a waste, so I’m glad they’re still alive. But that they are, and it’s announced quite suddenly in a new scene, sapped much of the drama and tragedy at the heart of the episode.

I’m also not sure what to make of Juuzou possibly being able to wrest control of his body back from Tetsuro, even though he said when he woke up that while he was conscious, he was just a “passenger.” There were definitely times when it made no sense to give him free rein, especially when it came to his overarching job of protecting Tetsuro.

So yeah, this wasn’t the best NGL, but it did still manage raise the stakes for Juuzou and Tetsuro. As we said, Juuzou isn’t welcome in the Kyusei Pit anymore, while Tetsuro’s status has evolved from “prey” to “enemy” of Berühren. Not to mention when Juuzou fired his gun, a woman with blue hair and lips took notice. She definitely looked like she meant business.

No Guns Life – 03 – Pulling the Strings

Juuzou politely declines a job offer from the imposing Brother Huang of the Kyusei group to find and eliminate someone stealing extended limbs from kids, because he thinks people should “wipe their own asses.” But what if someone can’t, either because they don’t have arms, or can’t move the ones they have?

Juuzou trusts actions over words, even what he deems are sincere words from Tetsuro about saving the other children imprisoned and tortured by Berühren as they speak…only Tetsuro isn’t really speaking with his own voice; he’s using a spare Extended head’s voice.

Similarly, in order to actually carry out the saving of those kids, he’ll need to rely on bodies other than his own, which was made all but useless by the company. Juuzou tells him any attempt would be futile; the world is an unfair place, and Tetsuro needs to count what blessings he has and move forward thinking about himself.

Tetsuro can’t accept that, and won’t sit back and do nothing. Instead, he uses Harmony to hack into Juuzou’s body, which he uses to carry his own body (lest Mary try to disconnect the two) as he heads out in search of the people hurting kids. When he almost falls victim to parts scavengers, he covers Juuzou’s head with a sack.

Then he seemingly lucks out when he spots two distressed-looking girls in gray frocks running from a man with swords for arms—just the kind of people he wants to save. Only Ende and Anne are not really on the run; they’re the very people stealing parts from kids, on orders from Berühren. They were also ordered not to let any witnesses survive, making Tetsuro/Juuzou their next target.

Of the two, Ende is capable of transforming into a monstrous mecha-spider woman, but even with Anne by her side for emotional support, she easily goes berserk, and in any case is in constant pain. Anne just hopes they can return home to Berühren for maintenance, and believes that Ende’s body will be put “back to normal” as a reward if they complete their mission.

Berühren’s stooge, however, considers the two to have failed their mission when he meets up with them, and orders the two test subjects immediately “retired” (in another nice nod to Blade Runner). Both he and the company never saw Ende and Anne as human beings, but mere puppets; tools to be used and discarded when the desired results aren’t achieved.

And yet, even though Anne and Ende tried to kill Tetsuro/Juuzou, he still comes to their rescue here, since he already knows what they’ve only just figured out: Berühren can’t be trusted, and can only be opposed. The girls don’t trust adults, but hopefully someone who can transform into a mecha-spider woman can come to believe Tetsuro when he insists he’s one of them, and is merely controlling the big burly adult body they see. It’s a tough sell, I know.

Astra Lost in Space – 12 (Fin) – Lost No Longer

We’re blessed with a double-length Astra finale, which really gives the show time and space to breathe and finish telling the story it’s apparent it always wanted to tell, and more importantly treated a loyal audience to a proper sendoff of the characters we’ve gradually come to love—and who have grown to love one another—one by one.

The first half, itself the length of a normal episode, is devoted to the return trip home. With Charce’s suicide plan foiled and Kanata down an arm but otherwise fine, the work of restocking the ship for the journey back to Astra. Kanata has to rest while the others work outside, but Aries quells his loneliness and FOMO by keeping him company.

Once they’re off Planet Galem, there’s ample time for the crew to assemble and hear Charce’s story of the history of their world—the real history, corroborating and continuing the story begun by Polina. Turns out the plan to relocate humanity’s population was so fraught with conflict, half of that population was killed in bitter wars for land on the new planet before the migration even took place.

The survivors of the conflict vowed never to let anything like that occur again, and so abolished nations and religions on Astra. Furthermore, the first generation to move and live there was the last to know about the true history of Earth; an alternate history of WWIII was fabricated, and the very timeline of humanity turned back 100 years.

All this time, the crew thought they were living in the year 2063, when it has actually been 2163; over one hundred years since the migration was successfully completed. It also means Polina wasn’t asleep for twelve years, but one hundred and twelve—yet doesn’t look a day over 29!

The crew decides that the world can’t go on living with a false history, but understands that telling the world the wrong way could be disastrous, not just to them but to the world.

Ulgar suggests they contact a trustworthy police lieutenant, and an detailed message is sent to him through Aries’ mom, including photos and videos of the still very much alive crew of Camp B5 and the log Aries has been making throughout the show (a nice touch).

By the time the Astra reaches orbit of Planet Astra, Lt. Grace is already at work arresting the King of Vixia, as well as his successor for his role in Princess Seira’s murder. Nothing a cop likes more than a bonanza of hard evidence. Very satisfying to watch these jerk-ass crooks made to pay for their heinous crimes.

The kids are met by an armed fleet in orbit, but after a few tense moments, contact is made and they identify themselves as friendly escorts, reporting that their originals have been apprehended and they are free to land. This is one of those instances where the extra length really counts, as we get to savor the crew’s arrival home and their ship’s final landing.

Once they arrive, and they get to tell their story to every media outlet on the planet, the crew become instant celebrities. Kanata and Charce tell the higher authorities about the need to spread the truth, something the higher-ups ultimately go with.

That bitter pill of truth is washed down without excessive unrest due in no small part to the charm of the crew, including the humanizing memoir about their five-month odyssey written by Kanata…not to mention the modelling chops of Quitterie and King Charce.

The length of the episode not only means it gets to take its time with a happy ending, but jumps seven years into the future, when the bulk of the crew is now 24. Everyone has changed their look a bit, but remain themselves and more importantly, remain good friends with one another, as you’d expect from what they went through. Yunhua sings a song inspired by those experiences, which essentially plays the series out.

Quitterie is married to Zack, while Funi is in high school and looks just like Quitterie (and has Polina as a teacher). Ulgar is now a serious journalist, while Kanata has achieved his goal of becoming a captain in seven years. His new ship is his old ship; buying the over 100-year-old Astra with funds earned from his book and fame.

With his past and present trusty mates Zack and Charce, they take off to chart the exit points of the wormholes and beyond, but they’ll be back. After all, Charce has kingly duties to get back to; Zack has a wife to get back to, and Kanata has to get back to Aries so they can marry and have a daughter they can name Seira.

And there you have it: Kanata no Astra, not just an epic survival story of a group of extraordinary kids, but herald to a bold new truth for humanity. One could say almost too much befell these kids; that they’re too special. But to that I say…what do you expect? They are, after all, the clones of people rich and powerful and ambitious enough to, well, clone themselves.

They were always destined for greatness, but it wasn’t going to be given to them; they were literally left for dead. But their originals made one critical blunder, forgetting about the presence of one last ship in old Earth’s orbit, the chariot of their downfall and their clones’ salvation. In the end, the clones surpassed their originals to become entirely different people—better people.

People who, rather than lying and cheating and stealing their way through life, scratched and tore and screamed to break the bonds of their origins, united together in love and fellowship, and changed the goddamned world. Hell of a story if you ask me.

Mobile Suit Gundam: Iron-Blooded Orphans – 18

gibo181

This is largely an episode that is doing the practical work of moving pieces on the master game board, as well as introducing a few new faces. But it also has some of the most powerful scenes of the entire series, and one of those new faces happens to be the new face of the Maiden of Revolution, Kudelia Aina Bernstein.

Wounded by the loss of Fumitan but now hardened by the wider plight of the people who believe in her, she takes up the baton of destiny. While before she was wide-eyed and often seemed lost, here her stare has grown a lot more resolved and aware.

But this episode is called “Voice”, so it’s not just a new face she’s found in herself, but her voice as well. It’s a voice that’s powerful enough to inspire the larger revolution she didn’t know she was the idol of, and strong enough to stop the Gjallarhorn fleet without firing a shot. Mika is understandably impressed, as am I.

gibo182

So is McMask (who continues to have Mustachirato around). He contacts Tekkadan with a business proposal on behalf of the “Montag Company.” It looks like he’s decides to enlist Kudelia’s aid on his crusade to reform Gjallarhorn.

McGillis’ long game has gotten so long, it makes thinking about a potential Gundam rematch with Mika seem like a dinky whim. They’re for all intents and purposes on the same side, due to his and Kudelia’s shared desire for change.

On the other hand, there are some who aren’t so inspired by Kudelia’s voice, like the Gjallarhorn fleet that only stopped because they were ordered to; Gaelio, who’s only looking for a piece of the action, and most notably Ein, who is actually half-Martian and thus mercilessly discriminated against for being “less than human”, which is what Gaelio warns him he’ll become if he undergoes the A-V procedure.

Ein is still inspired by the voice of his late mentor Crank, who for all his toughness was someone who didn’t believe in judging people by lumping them into ordered groups (they chat in a brief but strong flashback scene). He treated everyone equally, and encouraged Ein not to worry about what others think of him. If the A-V can help Ein defeat Tekkadan, so be it.

In terms of wild cards, Ein’s not as flashy as McMask, but he could still exert some influence before the end. In another Gundam, he indeed might be the protagonist, and we can actually empathize with his desire for revenge. However much I like and support Tekkadan and Mika, Mika did kill Crank.

gibo183

Another great scene is after McMask’s introductory meeting with Kudelia, Orga, and Naze, in which Orga and Biscuit learn that McMurdo and Nobliss were in cahoots without their knowledge. Biscuit is somewhat miffed by being left out, but Orga isn’t the slightest bit surprised, nor does he feel betrayed

His aniki simply hasn’t deemed him or Tekkadan quite ready for that kind of information, that’s all. His “scurrying at the feet” of greater men who are in the business of outwitting each other. And while Tekkadan are largely now a means to an end – protecting Kudelia – Orga’s talk reminds us they’re not done changing.

In one of the funniest moments of the series, and a very knowing one from the production staff, Mika immediately recognizes McMask as the Chocolate Guy. Yet McGillis doesn’t even skip a beat; after all, he’s not wearing the mask to conceal himself from them, but from his peers.

McMask cannot yet show his hand to the world, but there’s no harm in letting Orga, Biscuit, and Mika (but only them for now) in on his secret, and tell them of his plans to transform Gjallarhorn, and how his goals align with Kudelia.

gibo184

But realistically speaking, this has been an extraordinarily rough, draining few days for Kudelia, and she’s continuing to push herself, not sleeping or eating while furiously preparing for negotiations. Atra noticed her legs shaking during her televised speech – something I’m glad we learned through her rather than when it happened. At the time, the show itself, like us, was focused on the voice of Kudelia the Revolutionary; Atra was focused on Kudelia the flesh-and-blood human being.

We’re briefly introduced to the charismatic female commander of the Outer Earth Orbit Regulatory Fleet, who digs eye makeup and may be afflicted with the Gundam equivalent of Chuunibyou, though with the firepower to back up her theatricality. She looks to be a fun and formidable foil to Gaelio as well as Tekkadan. We also meet a female politician and an old whitebeard who considers Kudelia his “Prince Charming.”

Finally, as Akihito trains Shino in the simulators on the Hammerhead, Laffter seems to be throwing out restless vibes that suggest she may have a thing for Akihito. I could totally see her dumping Naze for someone who can give her their full attention…but this could all be just wishful thinking on my part.

gibo185

But what puts this episode over the top for me is the final scene, which is definitely be in my Top 5 of the series so far. It had just about had me in tears needing to be held and consoled by Mika. It’s a scene that rekindles Atra’s strange, beautiful, adorable fantasy, but also shows how Kudelia will find the strength to keep pushing forward.

The burden of her responsibility literally pounding at her head, a lonely Kudelia is joined by Atra, who came to deliver her some lunch, but also comfort and solidarity. Atra wants Kudelia and her to talk to each other more, so that they can share the burden she’s carrying alone. Atra actually forgot the lunch, but Mika brings it, hears their conversation, and joins in. Kudelia may think herself powerless, but that’s the strain of her burden speaking.

Mika thinks she’s amazing, having stopped an attacking fleet in its tracks with her voice. No one can overstate how rare a gift that is, no matter how much luck may have played a role. Mika admits even Orga couldn’t have done what Kudelia did. Mika knows he’s out of the loop about a lot of things and knows he can only do so much, but he also knows what he can do, which is support Kudelia with everything he’s got (which, as we know, is a lot).

Atra concurs with his ‘amazing’ label, and Kudelia is moved to tears, prompting Atra to order Mika to take her in his arms and console her. She’s surprised at first, then leans into the hug. When Atra starts to cry, Mika surprises her by bringing her into the hug as well, simply going by the rules Atra herself laid out regarding consoling ladies.

The three just float there Atra and Kudelia crying it out, and you can just about feel the weight of Kudelia’s burden lessening as it’s distributed among the other two. It’s a beautiful moment, full stop. When she later informs Naze of her approval of the McMask deal, her eyes are still raw from tears, but they’ve never looked more strong or determined, because she has friends who love her and who have her back.

9_brav2

Mobile Suit Gundam: Iron-Blooded Orphans – 17

gibo171

As news of the failed uprising on Dort 3 spreads, other Dort colonies’ workers mobilize for war, just as the “Regulatory Bureau” intended. Those workers soon discover their weapons have been rendered useless and the main Arianrhod fleet lies in wait just beyond the colonies to mop up. All Tekkadan can do is watch it all on TV in the space port.

That is, until Kudelia makes a bold decision that changes the course of every iron-blooded orphan under her employ, as well as her own. She can’t retreat and continue on to Earth after witnessing all this. She’s done running; she’s going to become the hope these downtrodden people need. And she’s issuing new orders for Tekkadan to assist her.

It’s been a long time coming, but now that Kudelia fully understands what’s going on, she is compelled to act.

gibo172

In a stroke of luck, the crack Dort news team that has been covering the uprising and subsequent bombings is ordered to cease their reporting by the Reg Bureau, determining the reports are not conducive to maintaining public peace and calm.

The news team isn’t particularly okay with that, so when they spot some “workers” sneaking around, suddenly Kudelia and Tekkadan have exactly what they need: a means off the colony, and a means to get her voice out there, to both the workers and masters everywhere.

Orga informs Naze of the change of orders, and while the Turbines can get involved, they give Tekkadan their blessing, and Akihito sorties in his recently-finished Gundam. The Isaribi sends Barbatos out for Mika, who EVAs out alone to meet it.

Naze seems frustrated that he’s so “soft” on Tekkadan, but also that he can’t join such an interesting and noble battle. Mika remarks how amazing Kudelia is, and he’s frustrated too – perhaps he feels he hasn’t done enough yet (even though, let’s face it, he’s done plenty to be called amazing himself).

gibo173

Mika stops some of the helpless workers from getting massacred, but is soon challenged by Gaelio and Ein, the former piloting his shiny family heirloom, Gundam Kimaris, which McGillis recognizes, observing the battle from the bridge of his own ship.

Like Barbatos and Gusion, Kimaris has no beam weapons, and is armed with a good old-fashioned spear with which to crunch into his foes. Kimaris is very fast, sometimes overwhelmingly so, but it’s not a game-changer; the combat here remains wonderfully primitive and visceral.

gibo174

When Gaelio and Ein notice Mika’s true intent – to shield the news launch – I felt a quick pang of Flay-end-itis, but the Isaribi meets the launch and the crew make it back safe and sound. Akihito and Shino join Mika in battling Gaelio, Ein, and the other Gjallarhorn forces, with Shino re-naming Crank’s Graze “Ryusei-go”, which raises the eyebrows of the mechanics in a funny little aside.

gibo175

Mika comes close to taking out Gaelio, but Ein shields him with his own suit, getting damaged in the process. With the main fleet closing in, Gaelio and Ein retreat as their “further intervention will become a problem.” As all this is going on outside, Kudelia Aina Bernstein, Maiden of the Revolution, dons her own armor – her stately red dress.

After contacting Nobliss Gordon (a move that intrigues him greatly), she begins to broadcast using the news team’s camera and feed signal, to tell everyone out there what’s really going on in the Dort Colonies. If she’s to have any credibility on Earth or Mars, she must own the fact that she was here when everything started to boil over, and shed a light on what’s going on.

With her decision to take up the mantle of authority bestowed to her by the powers that be and actually run with it, Kudelia may have just proven to Nobliss she has the potential to becomes something more than a pawn in a plot, and thus is worth more to his goals alive, even if it’s just to continue to be surprised and entertained by what he observes.

9_brav2