Ridley Scott intended for his cyberpunk/future noir film Blade Runner to have an ambiguous, non cut-and-dry ending, but the original American theatrical release in 1982, the studio insisted on a cheesy voiceover by Harrison Ford at the end, essentially pulling a “perfect happy ending” out of nowhere. The 2007 Final Cut, which we were lucky enough to experience on the big screen, ditched that voiceover and restored the open ending.
Why are we bringing up Blade Runner’s alternate endings? Because for us, this Future Diary OVA was that voiceover ending: tacked-on, cheesy, and unnecessary. We didn’t have a powerful need for a happy ending; the original one was fine. We were fine with Yuno and all of the others involved in the game returning to their normal lives, and the ambiguity of Yuno kinda sorta remembering someone. We were fine with Yukiteru brooding in the void for millennia with only Murmur and his brain for company.
Okay, so maybe we’re being a bit harsh. It’s been over two years since Mirai Nikki wrapped, and for many it was probably a thrill to see all the characters alive and well simply enjoying regular life. There were probably quite a few who relished Yuno picking at the scab in her brain until she finally ended up in the position to get her memories fully restored, enabling her to find Yukkii and reunite with him. And that’s fine. We’re just saying it wasn’t really our thing.
Rating: 4 (Fair)
Stray Observation: The strange realm in which Yuno races to the Murmur holding her memories looks a bit like Orphan’s Cradle, the final dungeon in FFXIII…only less pretty.
The time comes for the school groups to pair off into boy-girl pairs for school duties, ceremonial preparation, and eventually, procreation. A handsome guy named Ryou tells Saki he’ll choose her, but she’s not so sure who he is. Ryou seems to have replaced Shun in everyone’s minds, but Saki and Satoru still remember him. Saki also finds a mirror with her sister’s name etched in, as well as the girl who was in their group years ago. Itou freaks out, and Maria tells Saki to drop it. She can’t give up, but she won’t bring it up again. Two officials from the Ethics Committee appear before them, and the three are brought to the committee’s head, Asahina Tomiko, starting with Saki.
Whatever methods the powers that be employ – be they the Ethics Committee or their bosses – to ensure the people remain blissfully ignorant and only believe and remember what they’re told, they simply haven’t worked on Saki. Aonuma Shun’s growing power, whether from ‘illness’ or ‘ascendance’ was an immediate existential threat to the almighty status quo, and it was dealt with by allowing him to self-destruct in isolation, then swept under the rug. But Saki’s power – that of intense, piercing curiosity and doubt – is far more insidious. One by one, it spreads to her three remaining friends, though they exhibit varying degrees of enthusiasm.
Saki gets things started. Satoru is willing to hear anything out. Maria is unnerved. Mamoru is terrified. This may also be the order from worst to best sense of self-preservation, because not long after the matter between the friends is more or less resolved, a couple of kind, friendly-looking adults shows up, essentially arresting Maria, Satoru, and Saki. Has the Ethics Committee finally had enough of Wantanabe Saki and her incessant digging? They may well wish to ‘purge’ or ‘dispose of’ her, but with all the nice manners, smiles, and insistence that ‘there’s no reason to be nervous’, they may have another use for her altogether – one even she can’t fathom.
Rating: 8 (Great)
Tiger faces the Heroes with no plan, Kaede drops in and restores their memories, but Barnaby is absent, so he remains convinced Kotetsu murdered his Auntie Sam. Tiger goes all “come at me bro” and the two former allies chase each other all over Sternbild. Meanwhile, the other heroes face Fake Tiger, and unmask him to reveal…well, they don’t actually show his face…
Well now, how could I have forgotten that Kaede was touched on the head by Maverick? Well I did…Oops! So she isn’t really a deus ex machina, because the logic of her character and the plot allowed her to have those powers.Still, her arrival in the knick of time was awfully convenient. As for the heroes, they’re extremely susceptable to mediocre stalling tactics.
The second half was all Tiger & Bunny going at it. Tiger decides for some reason that it’s better for him to lead Bunny away from the other heroes and make him give chase on a crowded expressway and through city intersections, putting thousands of Sterbilders at mortal risk. Considering Tiger’s commitment to protecting the public, this was either a lapse of judgement on his part – or the writers.
Yet another solid outing for Dantalian no Shoka. What the famous courtesan Viola lacks in memories and answers, she makes up for in charm and beauty, such that no less than five wealthy suitors propose to marry her, promising to retrieve five phantom books for some unspecified use.
Turns out this Viola lady is too good to be true, as in she’s a homonculus, created by a true magician of a level that surprises even Dalian. Count Megar is his name, and he has a mustache to twirl and everything. He wants her back so he can dissect her, so he unleashes magical attacks her hapless suitors cannot hope to defend. This makes for some excellent action sequences.
Enter Dalian, who lets Huey unlock the biblioteca and grab the real books. The magician’s illusory magic is neutralized, and the battle ends with a stalemate, though everyone is saved. We also see the lilac-haried Inner Dalian, who interacts with young Huey, and tells him she’d forgotten about lonliness until he arrived. She may give him a hard time, but there’s definitely affection there, and Huey knows it.