Personal preference for something even as trivial as chicken wing condiments can nonetheless cleave normally ironclad alliances. Tanya and Ainz may usually get along, but she’s a salt-and-pepper gal. Ram may love Subaru, but not enough to put mayo on her wings. Cocytus may be a loyal subject of Lord Ainz, but not to the point of using ketchup.
Rerugen sees that he won’t make any progress in class until the conflict is resolved, so he recommends the three factions play each other in condiment preference dodgeball, conscripting Shield Hero, Raphtalia and Filo to round out the teams. Visha and the butcher provide play-by-play and color commentary.
Darkness is predictably the first to be out, as the notorious M makes no effort to avoid a hard-thrown ball. Ram, Rem, and the Bello twins match kick attacks before Rerugen warns them that kicking is disallowed. Aqua’s God Blow is blocked by Albedo’s Walls of Jericho. The cats are not normal.
Eventually, Ainz and Megumin launch an explosive combo attack that Tanya manages to block with a magical barrier, only for the ball to burst. No one remembers what they were bickering about, so they decide to let the matter rest and go out for croquettes…only to start another argument about condiment preference.
Isekai Quartet is all about bringing all these heroes and villains down to a more realistic and normal planet earth, to a place more like where we live, and where in lieu of daily dramatic life-or-death disagreements, we place outsized importance on silly things like Coke-or-Pepsi (it’s Coke, obviously).
Nicknames, olive branches, and sisters who are opposites – San-San’s second episode covers a lot, but at a gentle yet lively pace. We meet Serina, Hayama’s self-appointed rival, whom Hayama always makes a fool of with the sweetest demeanor possible.
Their verbal sparring is quite good, but so is the truce they reach when Hayama, who beneath the blackness within has a kind heart, offers a kitten to replace Serina’s last cat who died.
After Yamagi insists Hayama and Futaba refer to his master as “Yoko-sama”, the nickname sticks, and it’s time for Hayama. When Futaba and Yoko learn her first name is Teru, I like how Futaba has a little fun with it before agreeing with Yoko it’s actually a nice name (and it is!).
The one who yells “Teru” in the hall is Teru’s own big sister Kou, who is part-angel, part-airhead, who likes putting strange combinations of health food ingredients into candy.
The girls end up running into each other in the shopping district, where Yoko shows how serious she is about squeezing every penny (to their embarrassment) and Teru figures out that her (healthy, lucky) sister got on the health food kick in order to ensure her little sister—always sickly and unlucky as a small child—gets proper nourishment.
That doesn’t make her strange onigiri any easier to choke down, but Teru and Yoko choke it down nonetheless. For Yoko, wasting food is an insult and a sin; for Teru, she wants her sister to know she appreciates her care. San-San, like Shounen Maid, is pleasant low-stakes slice-of-life, but edges it out in cast chemistry and comedic pacing.