Kill la Kill – 18

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Mother of God, what the heck is going on here? Kill la Kill is looking down on our Plebeian rating system! We’ve watched and written a lot of anime in the last few years, but it’s been a long while since we’ve seen a show string together so many awesome episodes in a row, including the two best episodes of the Winter (so far at least), back-to-back. Last week it threw a hundred balls up in the air; this week we learn all those balls were actually bombs, and they all get blown the fuck up.

Where to begin? Satsuki’s wholly terrifying upbringing, in which Ragyo used her as a life fiber test subject, tossing her baby sister away when she didn’t fit the genetic bill? Might as well, because that was the last straw for Satsuki’s dad Souichirou, who started Satsuki’s lifelong vendetta against her mom. It did look like her dad kinda stood by and let this crap happen to his children, but ultimately Ragyo killed him for opposing her. Junketsu was her inheritance: the garment with which she’d exact her revenge.

And so there you have it: Satsuki isn’t just after power, or the salvation of mankind; all that’s just a means of getting back at moms. The whole time she was looking down on Ryuuko, she was harboring the exact same base thirst for revenge. We’d always seen Satsuki and Ryuuko as two sides of the same coin, and we’d entertained the possibility they were really related, but the nature of the reveal knocked us back in our seats: Ryuuko was that discarded baby sister who ended up surviving. Her body is imbued with life fibers, just like Ragyo’s.

The tables in this episode must be sturdy, because they’re turned more times than an Ikea furniture testing facility. It’s a whiplash-inducing back and forth between Satsuki vs. Ragyo; the Elite Four vs. Nui; Satsuki’s Army vs. Satsuki, Ryuuko, and Nudist Beach; Nui vs. Ryuuko; Zombie Ryuuko vs. Satsuki; Satsuki’s katana vs. Ragyo’s neck. Everyone experiences victory and defeat, but nothing is permanent and there’s always another twist lurking. We’re left with both co-heroines out of commission, Ragyo in Junketsu, a sky full of angry COVERS, and the entire supporting cast left to pick up the pieces. This is finale-caliber shit going down, with nearly a quarter of the show left to go. Hold on; we’ve got a live one!


Rating: 10 (Masterpiece)

RABUJOI World Heritage List

Stray Observations:

  • Yup, all of Satsuki’s conflicts against Ryuuko were a means of testing whether she’d be a worthy ally. Everything she does seems to condescend to Ryuuko…but as she’s the elder sister, it makes perfect sense!
  • Mako reunites with her family, who weren’t bothered enough by being imprisoned by their clothes to even pause their gorging on free food. We love that family.
  • Good to see the Elite Four back in action. They do seem stronger.
  • Gamagoori orders Mako to help evacuate the crowds. We like their relationship.
  • We liked how Satsuki and Ragyo got into a bit of a light shine-off.
  • This episode and/or the last didn’t deserve 10s? Leave it out. We couldn’t rank ’em lower if we tried. We’re merely puppets of the producers at this point.

Kill la Kill – 17

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We’ll say this much: Kill la Kill does a “sports festival episode” like none other. We’ve spoken before about how sometimes a primarily building-up episode can surpass the payoff that follows, for the simple reason that the buildup episode is suffused with boundless promise even a great payoff would be hard-pressed to fulfill.

What we’re saying is, whatever the quality of the payoff that awaits us down the road, it won’t not diminish the excellence of the buildup that took place this week. Despite hardly solving anything, this just might be our favorite episode of Kill la Kill yet. We’re tempted to watch it again immediately, and again after that. Sometimes, buildup can be its own payoff.

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So what was this buildup we’re on about? Satsuki returns to Honnouji and announces a sports festival in her mother Ragyo’s honor. Ragyo oversees the global distribution of life fibers and prepares to head to Honnouji. All citizens of Honnou Town are invited to and issued dress uniforms for the catered affair, including Mako’s fam.

Meanwhile, Mikisugi and Kinagase observe the academy from hidden cameras and complete Ryuuko’s education, telling her the academy and surrounding town are one big laboratory for testing human resistance to life fibers. The student body and townsfolk are the white rats, and the dress uniforms provided by Ragyo are snakes that, when she presses a red button, start to feed on the people.

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The good guys swoop in to the stadium to save the day, stare down the bad guys and “To Be Continued” flashes on the screen in those big chunky red letters…Right? Well, not so fast: as Ragyo is talking (down) to Ryuuko, Satsuki plunges her katana into her own mother’s back, announcing she’s rebelling against the life fibers. Ohoho, now we’re talking.

Especially last week, the show’s been going out of its way to humanize Satsuki and facilitate empathy for her; she was, like Ryuuko, dropped into her current role by her parent, after all. By contrast, Ragyo and Nui, for that matter, only vaguely resemble humans both physically and emotionally.

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In any case, those two are clearly not on the side of humanity—which isn’t to say Satsuki’s suddenly turned into a “good guy”, but she’s certainly become an even more compelling and likable co-protagonist alongside Ryuuko. Frankly, there’s a lot we still don’t know: Ragyo’s fate; Nui’s response; the fate of all those people (save Mataro) being eaten by their clothes; how Satsuki will deal with Ryuuko & Co.; what she’ll actually do with the throne she seeks to take; what the life fibers have to say about all this.

In any case, Satsuki has obviously worked diligently to maintain the illusion of a dutiful daughter while plotting her mother’s downfall behind her back. In reality, for a while now Satsuki hasn’t seen Ragyo as her mother at all, but as a rival to be defeated; and Ragyo has been too blinded by her own splendor and hubris to notice.  Everything that built up to this fresh batch of questions was impeccably engineered for maximum entertainment value. It was at times serious, introspective, fascist, funny, and florid, and took us (like Ryuuko) completely by surprise. We couldn’t have asked for much more.


Rating: 10 (Masterpiece)

RABUJOI World Heritage List

Kill la Kill – 16

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Leave it to Kill la Kill to earnestly, regretfully inform us from the start that this is the recap episode we’ve been dreading, only to blaze through said recap in less than two minutes, occupying only the cold open before a brand new (and quite spiffy) OP. It’s a great little psychout, and one more reminder Kill la Kill isn’t just kicking ass telling its own story, but also an ongoing commentary of anime in general.

To whit: this week we learn the deep dark secrets of life fibers and kamui, and Ryuuko is revealed as the “Chosen One” who will curtail the Kiryuuins’ seemingly infinite ambitions. But Ryuuko isn’t the only chosen one here; so is Satsuki, who surprisingly undergoes an education parallel to Ryuuko’s: here we were thinking she was in the know about everything (she certainly didn’t hesitate to make Ryuuko think that was the case), but she wasn’t.

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It’s fitting then, that it’s confirmed to both her and Ryuuko at the same time what they had already suspected: each girl is the savior and hope of their respective faction, which makes them diametrically opposed enemies.That deep dark truth? In short, Life Fibers are aliens. They helped humanity evolve to its present level of physical and mental sophistication, and then, like creator gods, they simply sat back and admired what they had wrought. Like farmers, they awaited the fattening of their herds, for Life Fibers use humans as food.

As such, humans didn’t choose clothing, clothing chose them – a concept as absurd as it is awesome. Kiryuuin Ragyo re-initiated contact and has been essentially doing their bidding, distributing dormant fibers to the population on a global scale. Now possessed of this knowledge and their expected roles in the great battle to come, Ryuuko and Satsuki react in appropriately opposite ways.

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When the hatch to the helicopter closed, Satsuki collapsed from exhaustion and her kamui had to be sedated. Her activities have taken a far greater toll than Ryuuko or anyone beneath her know, but she refuses to give in to fatigue or pain. And yet even after her mother essentially fondles her in the bath (what is it with rich people?), and even though there are times when Satsuki seems taken aback by the things she’s learning, she doesn’t (outwardly) hesitate in answering her call to duty.

Meanwhlie, Ryuuko says “fuck that.” Because she doesn’t want to fight? Because she can’t handle that level of responsibility? No: because she doesn’t want her friend Senketsu to be forced into fighting his own kind just because Matoi Isshin made him good at it. At the end of the day, the only one who chose her to be the “Chosen One” was her dad, just as the only one who chose Satsuki was her mom. But we’re certain Senketsu will choose to fight with Ryuuko.

9_superiorRating: 9 (Superior)

Stray Observations:

  • Ryuuko’s dad used to work for Ragyo. This is just speculation, but were they once lovers too, making Ryuuko and Satsuki sisters? It would certainly be fitting.
  • Ryuuko’s dad also founded Nudist Beach, which has an actual nudist beach underground. Neat!
  • Mako isn’t going to stay behind while Ryuuko fights…though she’s not quite resolved to go nude.
  • The new ED is very Mako-centric (not a bad thing), and is what we imagine is what the inside of her head looks like. Kinda like how Kenneth in 30 Rock sees everyone as Muppets.

Kill la Kill – 15

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When Kill la Kill goes all out, it’s truly something to behold. Osaka’s forces continue to put up a fight thanks to Takarada Kaneo’s deep pockets, but then Satsuki arrives and teaches him that it’s fear, not money, that rules the hearts of mankind, scaring all his forces away. Cornered and alone, Kaneo counters with a giant crab mecha, but the new 3-Star Goku uniforms arrive just in time, and Uzu defeats him easily, sticking his katana where the sun don’t shine.

Satsuki & Co. are acting so cool, and Takarada is so loathsome, that up to this point they look like the protagonists. But at the end of the day Kaneo is the wronged party, defending his territory from aggressors, and he’s the one (momentarily) saved by the timely arrival of a very reinvigorated Matoi Ryuuko. Satsuki knows  Ryuuko can’t transform without the glove in her possession, and wastes no time wiping her face in it. That proved to be a miscalculation, as it only convinces Ryuuko to take the next step in her symbiotic relationship with her kamui and allow Senketsu to use her skin to synchronize.

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Satsuki had been treating Ryuuko like a pesky housefly, but underestimated the lengths Ryuuko would go to, and also failed to divine Ryuuko’s new motivation, which is no longer wholly revenge. The more grand plans for conquest and subjugation Satsuki carries out, the more forcefully Ryuuko will butt in; no longer a housefly but a formidable, unpredictable hornet. Ryuuko’s not afraid to gamble with her own life to attain victory, but unlike Satsuki she’s unwilling to let others sacrifice their lives in the service of her selfish goals. Now Ryuuko’s goals align with those of Nudist Beach, much of which seemed to have been wiped out by Jakuzure while Ryuuko fought Satsuki.

And theirs is a hell of a fight, winding through (and ultimately obliterating) a souped-up Osaka tower in some of the best and most manically-animated combat of the series. It’s also an immensely satisfying battle, as Ryuuko is able to fight toe-to-toe and even deliver a crippling punch to Satsuki, albeit by playing “dirty” (the ol’ sword-blood in the face trick). More than anything, Ryuuko and Satsuki displayed quite a bit of mutual respect; Ryuuko’s no longer after Satsuki’s head, but wants to convince her to stop her villainy; while Satsuki gets a refresher in Ryuuko’s staying power and seemingly bottomless font of spirit. One could totally see the two as friends, were circumstances different.

9_superiorRating: 9 (Superior)

Stray Observations:

  • We really dug the “Ryuuko Entrance Fanfare” of these last two eps, which always started with her motorbike’s engine revving.
  • We reiterate: Takarada never looked anything other than lame and slimy, but the Elite Four in their new threads look simultaneously mighty and correct.
  • Ira doesn’t want to hurt Mako…another cool quasi-friendship in the making.
  • We like how Ryuuko tells Mako to go somewhere safe, which Mako determines is by Ryuuko’s side.
  • We finally see Nudist Beach forces, who were Satsuki’s ultimate target (of course). They don’t wear any more than they need to, so they’re certainly the polar opposite of uniform-obsessed Honnouji.
  • The more encounters Satsuki has with Ryuuko, the more emotion she seems to express.

Kill la Kill – 14

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This week chronicled the threefold raids on Kobe, Kyoto, and Osaka by Gamagoori, Jakuzure (with Inumuta), and Sanageyama, respectively, and it’s a thrilling powerhouse of an episode. The Honnouji forces, enrobed in Goku uniforms and supplemented by shards of Senketsu, come up against stronger resistance than we’d foreseen, and that resistance comes in the form of the cities’ unique cultural attributes—distilled and amplified to a ridiculous degree, of course.

Kobe’s defense is bolstered by students in American football armor, tanks, and Kobe beef; Kyoto is protected by illusion-conjuring sorcerers, and Osaka is under the control of a powerful conglomerate like Kiryuins, which uses cash to mobilize every man woman and child in the city to resist Sanageyama’s onslaught. Mako ended up in the Osaka contingent, and she quickly shirks her duty to explore Osaka’s abundant culinary bounty.

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As Satsuki said to them earlier, the Elite Four’s loss to Senketsu was merely a rite of passage; something that prepared them for the campaigns they’re now heading up. It’s clear from the relish with which they press their attacks that they’ve all got their mojo back, and it’s fun to see them in action again, even if they’re ostensibly the bad guys. That brings us to the good guys: Mako is just goofing off, so what’s up with Ryuuko? Well, that small scrap of Senketsu she managed to hold on to happened to be his eye, and he can still communicate with her.

Much to our delight, Ryuuko doesn’t spend a whole lot of time sulking at rock bottom, donning a sweet tracksuit and red motorcycle, crashing the three already gloriously chaotic battles, and snatching back every last scrap of her friend. In the process she demonstrates that even with just a scrap of Senketsu round her neck, she’s become a formidable warrior. The last piece of him left is naturally on Satsuki’s person, setting up their next one-on-one confrontation. It should be a good one.

9_superiorRating: 9 (Superior)

Kill la Kill – 13

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In the previous episode, things went too far for Ryuko. She allowed her rage consume her, and were it not for Mako, she’d probably be dead. So for much of this episode, she’s out of commission; skulking in the dark, refusing to put Senketsu back on not because she fears him, but because she fears herself while wearing him.

Satsuki is not so idle this week: she’s mobilized Honnouji for war against the Kansai academies, moving at breakneck speed with a laser-focus on her goals while Ryuko stands still, defeated and paralyzed. When a free-speech-loving former school newspaper editor gets beaten badly enough in front of her to stir her to action protecting the weak from the forces of oppression, it looks for a moment like she’s got her groove back. But even that proves to be a deception.

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The show’s trend of having Ryuko falling victim to the machinations of others continues, with devastating results. Even with Satsuki paying a personal visit to her rainbow-haired mom Ragyo asking about Nui, we didn’t expect the newspaper guy to be Nui, and we certainly didn’t expect Ryuko’s rehab to be so quickly “cut” short by the destruction of Senketsu. By the time Satsuki collects the scraps for R&D and Mako is conscripted into Raid Trip service, Ryuko has hit rock bottom…which just means she has to stage an even more stunning comeback!

But while Satsuki sits high and mighty in her double-rotor helicopter, it’s clear she’s being played too. Her mother is obsessed with Kaizen and the notion 99% market share is a defeat; only 100% is victory. Satsuki is tool in Ragyo’s quest for world domination, and by letting Nui harass her, she’s hoping to witness the extent of a kamui’s power, so that they can harness and control it. Whether Satsuki is being the dutiful daughter or secretly vying for her mom’s throne top the World of Adults, it’s clear she won’t have to worry about Ryuko anytime soon.

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Rating: 8 
(Great)

Kill la Kill – 12

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Nui Harime and Ryuko fight, and Nui’s flippant attitude enrages her more and more until Senketsu explodes out of control, merging with Ryuko into a grotesque monster. Mikisugi and Kinagase’s efforts to neutralize her fail. Satsuki dons Junketsu and steps in to put Ryuko out of her misery, but before she kills her Mako races to Ryuko’s side and slaps her back into coherence. Satsuki bans Nui from Honnouji. Days later Satsuki tells Ryuko thanks to her battles, she’s helped her perfect her Goku uniforms, which she’ll deploy immediately to conquer the western academy administrators.

Amidst all the outrageous, expressionistic, sometimes psychedelic as-all-get-out Trigger action, this episode was a ripe opportunity to explore the relationships the arch-rivals Ryuko and Satsuki possess. First of all, Nui Harime is basically a thoroughly irritating thorn in everyone’s side, but to Satsuki, she’s also something of an employee. If Nui were to blatantly disobey an order or otherwise oppose Satsuki, there’d be hell to pay, hell Nui isn’t immediately interested in seeing.

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Jakuzure, meanwhile, is one of Satsuki’s officers, unqeustionably obedient and at the mercy of her whims. Like the other Elite Three and the rest of the student body, Satsuki is essentially their goddess. Then you have Mako: Ryuko owes her very life to the very nearly suicidal intervention of her best friend Mako, who didn’t merely save her out of the kindness or love, but also to repay a debt: when Mako was drunk on power and lost, Ryuko brought her back.

What that means is that Mako is no underling, servant, or acolyte of Ryuko’s—they are equals. Amigas. Buds. They keep each other honest…and alive. Even Satsuki sees this, and acknowledges Mako by name as Ryuko’s savior. There’s a glint of appreciation in her face, as we kinda doubt Satsuki wanted victory the way it was going. And though it’s highly unlikely she’s wired this way, given her affluent upbringing, it’s possible that for a nanosecond Satsuki was jealous that Ryuko had a real, true friend: something she didn’t.

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Rating: 9 (Superior)

Kill la Kill – 11

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After Ryuuko seemingly defeats Jakuzure in an aerial clash, she bounces back with an encore in her “Da Capo” Symphony Regalia, paralyzing Senketsu with Beethoven’s Fifth. Ryuuko negates the attack with the sound of her own heart, and turns the sound on Jakuzure, who falls in defeat. Uzu faces her next, but their battle is interrupted by Nui Harime, Grand Couturier of Revoc, an organization led by Satsuki’s mother Kiryuin Ragyo. Nui brandishes the other half of Ryuuko’s scissors and tells her she was the one who killed her father.

“Things are getting more complicated by the minute,” Mikisugi laments when Harime Nui (voiced by the lovely Tamura Yukari) makes her appearance. We personally couldn’t be happier with the significant raising of stakes. Satsuki is fresh out of three-stars, and the self-amplifying dynamic of the show demanded that eventually Ryuuko’s conflict was going to soar far beyond the walls of Honnouji Academy. Here we were thinking Satsuki was unquestionably Ryuuko’s dad’s murderer, but in comes Nui, turning our (and Ryuuko’s) assumption on its head.

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Not only is Satsuki not the culprit, but she’s not even Ryuuko’s greatest threat anymore. The show really underlines Ragyo’s magnificence by making her literally shine with a blinding light. As pumped as we are for the ramifications of all these new introductions, which will reverberate across the second half of the series, we commend the episode for resisting the urge to dispatch Jakuzure too quickly. Satsuki’s right-hand woman deserved a longer, more intense fight against Ryuuko than those who preceded her, and got it. (Also cool: the theme to Ryuuko’s heart sounds like Aoi Eir!)

We also appreciated the running gags of the losers sitting with Mako, Gamagoori gradually warming up to her, and her family’s struggles to catch all the action. Let’s not forget that by summoning Fukuroda and commissioning a bullet made of life fibers, Mikisugi sure looked like he was fixing to “subdue” Ryuuko lest she get out of control, perhaps. But both his plans and Ryuuko’s battle with Uzu were cut short (quite hilariously in the latter case) by this whimsically-attired young lady who can dispatch a three-star with one finger, and cheerfully admit to killing Ryuuko’s dad with a smirk on her face. The Anti-Ryuuko.

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Rating: 9 (Superior)

Kill la Kill – 10

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Inumuta Houka, who was recruited by Satsuki five years ago when he hacked into her company’s stocks, faces off against Ryuuko. She has Senketsu enlarge his eye to the size of the battle area, neutralizing his optical camo. Not wanting to lose his data, Inumuta elects to forfeit, so Jakuzure Nonon, who has known Satsuki since Kindergarten, is next. She initially overpowers Ryuuko with sound and even takes to the skyin her uniform, but Ryuuko joins her there as Senketsu evolves and achieves flight too. Concerned the kamui is evolving too fast, Mikisugi calls Kinagase, who heads to Honnouji.

We admire a show that knows exactly what it’s doing…and simply gets on with it. To that end, this week isn’t just Inumuta’s battle—as he forfeits barely halfway in—but Jakuzure’s too. As she promises, she puts on quite a different show than the two guys who preceded her. As Satsuki-sama’s oldest disciple (and the closest thing to a friend), it seems she has the best toys and the most leeway to bend the rules of combat, i.e. leaving the battle area by air or laying waste to the entire arena with a recorder-missile barrage. The proceedings are kept quite jaunty and proper with the orchestral accompaniment, and Kill la Kill pulls out all the stops meshing shonen and mecha battle tropes with a whimsical musical aesthetic.

Ryuuko looks utterly outclassed as the very ground beneath her feet crumbles, but then the episode reminds us, she and Senketsu are on a roll, and they’re not going to let cloaking devices, sound-waves or the power of flight bring them down (we also dug the use of Mako as her calming device). If Jakuzure can fly, so will Senketsu; that’s the power of a 100% life fiber kamui. The reveal of her “Gale” regalia is an awesome moment, but it’s also a cause of growing concern for Mikisugi. We also got the feeling Ryuuko is letting herself get too swept up in her power and trying to do too much to fast, which could lead to everything blowing up in her face at the worst possible time.

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Rating: 9 (Superior)

Kill la Kill – 09

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Kiryuin appoints Gamagoori Ira as Ryuuko’s first opponent, due to him having defeated the least cannon fodder out of the Elite Four. Her scissor can’t penetrate the cloth armor protecting the life fiber within, so when he launches his regalia, she and Senketsu bite into his whips with his teeth, and get thrust inside his uniform. Senketsu transforms into “Senjin” mode, becoming covered in blades that tear Gamagoori’s uniform to shreds.

The first of Ryuuko’s battles with the Elite Four committee chairs was immensly fun to watch. It was well-established last week that Gamagoori wasn’t going to be a cakewalk, a notion reinforced by his flashback battle with the adorable Lil’ Kiryuin, in which he managed to snatch the scabbard of her sword to prevent himself from kneeling before her. Last week we saw what he was capable of tactically; this week we find out why he does it: his self-punishes as an example to the student body to correct their own behavior of their own accord. When Ryuuko refuses to do the same, he revokes her independence and threatens to mold her into a model student. Mold literally, like taiyaki, which is hilarious. We also like how the battle was initially delayed, another example of Gamagoori’s devotion to protocol.

But both the intensity of Gamagoori’s resolve and his dogged desire to impress his mistress form another shield: one of arrogance. He’s too busy getting the job done (and punishing himself) to realize Ryuuko and Senketsu have a plan; they adjust their tactics to the mechanics of this particular battle (she also ate Mako’s mom’s bento, ensuring victory!) Senketsu’s new look is even more ridiculous and extreme in keeping with the show’s escalatory nature. No doubt other transformations will reveal themselves as Ryuuko faces the other three. But we’re wondering why Mikisugi won’t tell her anything, doesn’t want her to fight the elite four, and isn’t “happy about it” when she beats Gamagoori. Will the truth implicate him in some way, or otherwise make Ryuuko even more angry and unsatisfied?

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Rating: 8 
(Great)

 

Kill la Kill – 08

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Satsuki holds the first “Naturals Election”, challenging all students to fight one another for their status. During the week of fighting, Ryuuko and Mako take a scooter to Ryuuko’s family home for clues, but find none. On the way home they run out of gas, but Gamagoori Ira offers them lift. The combined Automotive/Airsoft clubs ambushes Gamagoori, and Ryuuko and Mako watch as he employs his goku uniform’s “Shackle” and “Scourge Regalia” to defeat them. Back at school, the runoffs begin, culminating in a king of the hill-style final battle in which each of the elite four will fight Ryuuko, starting with Gamagoori.

As good as last week was, and while it developed Ryuuko and Mako’s friendship, it didn’t really progress Ryuuko’s central quest for answers regarding her father and Senketsu. It’s nice to see the Mankanshoku’s still recalling last week’s trials and being content not to participate in the fray. Ryuuko doesn’t have that luxury, however, as the only way she’ll get the answers she seeks is by beating the shit out of a lot of people. Satsuki used her and Mako to reveal the weaknesses in Honnouji’s power structure, and for that she’s repaying Ryuuko in a way by offering those answers. All Satsuki has to do is get through the Elite Four. Piece of cake, right?

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Well, no. As we found out from the Sanageyama Uzu-centric episode, they are very tough customers indeed, and all of them grew stronger and more confident after meeting with Satsuki, as we see in more flashbacks. Satsuki makes the distinction between letting her powerful connections take care of things for her, or taking hold of that power herself and using it without holding back. And indeed, the former leaders of her junior high school were definitely the former. Depending only on others and not oneself is a weakness Satsuki has overcome.

We like how the bad guys on this show aren’t the bad guys 24/7, as demonstrated by Gamagoori helping out Ryuuko and Mako, and keeping them out of his fight against the Automotive Airsoft Club. It’s his duty to help fellow students in need—even those who openly oppose his beloved Satsuki—and it’s pointless to fight before it actually counts for something anyway. And the runoff election battle will certainly count. Ryuuko’s next four opponents have been lined up, and we know they’re no slouches. We look forward to the impending battles.

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Rating: 8 
(Great)

Stray Observations:

  • We learned quite a bit about Gamagoori this week: 
  • he’s 20, having held himself back to be with Satsuki; 
  • he has excellent taste in cars (that car is reminiscent of a ’59 Cadillac Eldorado Biarritz);
  • his goku uniform has two stages of transformation, meaning any battle with him will have two stages;
  • he’s a masochist who gets off on physical punishment;
  • his parents are neither owners of a company nor high-ranking police officials.
  • She may be the villanous, but Satsuki’s swift takedown of the haughty kids whose parents were in those positions is pretty damn satisfying. And she did that in the sixth grade!
  • We also learn that while Ryuuko came from money, she spent most of her childhood in boarding schools picking fights and becoming a delinquent.

Kill la Kill – 07

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When students start starting obscure new clubs to go after Ryuuko, she forms a Fight Club, naming Mako president when she sees the level of paperwork involved. As Ryuuko piles up victories, the club rises in stature according to Satsuki’s merit-based system, and Mako’s family moves from the slums to the middle-class neighborhood and eventually, to their own manor and the lap of super-luxury. The Mankanshokus start to drift apart.

When Mako sees how their newfound wealth is corrupting the family, she resigns from the club. Satsuki awards Mako a two-star goku uniform and orders her to fight Ryuuko. Mako obliges, beating Ryuuko to a pulp, but at the last moment pulls back the killing blow, aiming for the ground instead. She and her family beg Ryuuko for forgiveness, and they return to the slums. Satsuki admits to her elites that she allowed Ryuuko’s club so she could identify which weak teams to purge in the next elections.

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Every time the Mankanshoku’s appear on the screen, it’s like shotgunning a can of the late, lamented SURGE cola; they’re a jolt of energy and a ton of fun to watch as they go about their lives, a veritable tornado of love-tinged activity that Ryuuko’s very much glad she’s in the middle of, after a lonely childhood. It’s even better when we watch them inspect their new middle-class digs with mirthful amazement; thanks to Ryuuko, their quality of life has improved. And mind you, they’re not gaming Satsuki’s system; they’re playing by the rules…and winning.

But then Ryuuko wins more; Mako gets shrewder and more ambitious; the family moves to an opulent mansion and everyone has separate evening plans, and the family cohesion Ryuko treasured melts away in a cauldron of avarice. Now Ryuuko eats alone again. And there is never enough champagne or Godiva chocolate. Mako is, to borrow a Gainax title, Aiming for the Top!, so when Ryuuko gets in the way, she’s threatening Mako’s status and her family’s, and becomes the enemy. It’s an audacious turn of events—Ryuuko forced to fight her best friend, who happily dons a bad-ass two-star goku and goes to town.

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But the situation is made perfectly plausible by all that preceded it. Whether you’re born into wealth or have it heaped upon you like Mako’s family, it can very easily make you its slave. That’s what Satsuki was hoping for: another family ensnared in her system built upon greed and obedience through fear of losing it all. She didn’t get that, but the system still stands, and even worse, thanks to Ryuuko and Mako, Satsuki knows exactly what to do to make the forces protecting that system even stronger. So while Ryuuko and the Mankanshokus are cool again, Ryuuko’s future trials are only going to get tougher.

Like Mako’s family (briefly), this episode had it all. It grabbed and held our interest. It made Ryuuko the architect of her own near-downfall through a seemingly harmless choice. It rocketed us along with the family during their meteoric rise, not skimping on the details of the ritzier life they gain. It slowed them way down when they grew rich and stuffy. Perhaps most impressive was Mako’s transformation from kooky comic relief sidekick to serious foe who doesn’t hesitate to turn on Ryuuko despite all they’d been through. It was a veritable windfall of magnificence, and our favorite Kill la Kill to date.


Rating: 9 (Superior)

RABUJOI World Heritage List

Kill la Kill – 06

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Ryuuko is challenged to a duel by Athletic Committee Chair Sanageyama Uzu, whose “Tengantsu” ability enables him to see every movement she makes. Ryuuko turns the tables by slicing bits off Senkatsu, which cover Sanageyama’s eyes, enabling him to be defeated easily. The next day he challenges her again, but has had his eyes sewn shut, using his goku uniform as his eyes and other senses. With this new “Shingantsu” he overwhelms Ryuuko, but his goku overheats before he can finish her, and she escapes.

Mikisugi tells Ryuuko he’ll tell her more about her father and his organization, Nudist Beach when he trusts her more; by that, we assume he means when she’s been through a few more battles with Senketsu. While his original intent was to destroy the kamui, Kinagase ended up helping Ryuuko bond even further with it. As a result, she’s a lot more confident and even cocky in how she carries herself in Senketsu. She’s come a long way…but as Sanageyama shows her in his second duel, she has a long way to go.

This episode also made an effort to show us more about Ryuuko’s opponent, even flashing back to when Satsuki first recruits him. Watching Ryuuko fight Sanageyama and then fight him again without knowing anything about who he is or what motivates him may well have still been enjoyable, but his exchanges with Satsuki before, during, and after fighting her adds texture to his character (and Satsuki’s), making them at least as important in this episode as Ryuuko herself, which is fine with us. Ryuuko’s further development will come; Sanageyama and the rest of the Elite Four will make sure of that.

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Rating: 8 
(Great)