Tetsuro returns to Juuzou’s agency with an upgraded voice, and is shocked and moved to hear Juuzou not only apologize for putting him in harm’s way, but to thank him for everything he’s done to help him. It must be tough hearing these gestures now, when Wachowski and Spitzbergen have directed him to unleash his true monstrous form via Harmony.
But while Tetsuro wrestles with his friendship to Juuzou and newly split loyalties, an absolute DAME enters the office, with a classic noir case: find my lost husband. The dame in question is Emma Kurtz, and her husband Edmund is an over-Extended like Juuzou. Edmund was actually in the same unit as her fiancee Theodore during the war, but when both were caught in a bomb-disposal mishap, only Edmund returned, and Emma married him.
Juuzou checks the official records, but finds out that like him Edmund is restricted, which means higher-ups don’t want him found. It’s lucky, then, that Mary happens to find him lying unconscious in the street, having pumped himself full of sedatives. It becomes apparent that Edmund is looking for Juuzou, and looking to fight him, but has nothing but nice things to say about Mary, who helped revive him.
Instead, Edmund leads Juuzou out into the alley, gives some kids candy money to buzz off, and launches right into a fight, using an innovative baseball bat-like club that injects little needles into Juuzou’s arms and chest (at first I thought they were fired bullets). He then uses his Tesla Coil-like custom arm extension to prepare a massive attack—only for one of the kids to come back early, forcing Edmund to shoot straight up into the air, missing everyone.
When Ed sees that Juuzou saved a kid over himself, he realizes he’s fighting the wrong guy; the partner from his unit he’s looking for is named Five, whom Juuzou himself already killed years ago. Then Emma arrives to call Ed back, confessing to him that she’s known all along he wasn’t really “Edmund” at all, but Theodore. Despite the new body he came home in, she could still sense her fiancee within.
As the couple reunites, Juuzou and Tetsuro are very much out of their element, as romance simply isn’t anything with which either of them know how to deal. Another noiry case-of-the-week with ample, effective comedy and a nice side-helping of romance? I’d call this another successful outing.