Eizouken ni wa Te wo Dasu na! – 08 – Forward March!

There’s a palpable sense of anticipation in the sight the Eizouken putting the finishing audio touches on the cultural festival preview of SHIBA8 vs The Pistol Crabtle, lit only by a single office lamp and the editing monitor. As director Midori displays a uncanny knack for knowing when to time music and sound effects to the visuals.

Unfortunately they didn’t have time to record the voice actors so they’ll be doing it live in the auditorium, adding another set of things that could go wrong, from both technical and personnel-wise. But the show must go on, and it will. The main challenge is to create sufficient buzz at the festival to lure a sufficiently large audience.

Throughout this episode from start to finish, Tsubame’s rich actor parents loom large, but not as villains ready to undermine the Eizouken, but rather as parents who find they’ll have time to visit their daughter’s school festival. They almost seem eager to do so, well aware of how their careers have made it tough for her to get a fair share of time with them throughout her childhood.

Like just about every shot in this episode before the festival starts, the scene of Tsubame’s mom discovering she never came home is lit so beautifully, with the light of dawn just behind the horizon but already lending a hazy blue color to the sky.

Even more magical is the scene of the Eizouken trio tucking into campfire ramen outside their ramshackle studio. The warm firelight dancing off their relaxed figures as the ethereal purple dawn rises in the background. There’s an intoxicating combination of comfort, coziness, and a sense of impending drama.

The three don’t seem to notice how gorgeous and almost iconic their surroundings are, but that goes without saying: they’ve been working without sleep for who-knows-how-long and are in strict ramen-scarfing mode. Will they remember this meager fireside feast before the premiere of their first large scale effort, or will the day’s excitement cloud these quiet, delicate, hauntingly gorgeous earlier moments? I hope not.

Just as the Eizouken’s robot project dwarfs their gas mask short in size and complexity, Shibahama’s Cultural Festival’s unrestrained chaos makes the earlier budgetary committee look quaint by comparison. Competition ferocity is on par with the Serengeti, and one could see Midori and/or Tsubame getting absolutely lost in the stampede.

Fortunately, both Sayaka and the Robot Club have taken care of everything and are prepared for virtually every eventuality. The Robot Club also breaks a few school rules, using water rockets and megaphones to amplify their cause. This draws the ire of the StuCo and Security Clubs, who initially target Tsubame as the amateur-model-ringleader for arrest.

Thanks to the expert distribution of similar-looking cardboard robot costumes and Sayaka’s birds-eye-view of the premises, Tsubame is able to take direction from Sayaka via walkie-talkie and gradually navigate her way to the designated auditorium where the screening will take place—and where her notoriety is key to drawing a big chunk of the crowd.

Sayaka also successfully blackmails the normally untouchable HVAC club (all of whom are caught wasting A/C on a hot day) into ensuring the auditorium will be enticingly cool for audience members coming in from the outside. Sure, Tsubame enough could be a good draw, but the A/C draws in even those few who don’t know her or about robots or anime.

In another impressive demonstration of intricate planning, logistics, timing, and luck, Robot Club’s Ono takes a zipline across the breadth of the campus, with a huge banner trailing behind him notifying the gawking masses of the impending screening.

Like Tsubame, the cat-and-mouse chase between him and those who would shut them down takes on the feel of a madcap video game, complete with platforms, mazes, obstacles, and end-goals. It’s just a tremendous amount of fun and imagination—and all before we see a single frame of the movie!

Everything goes off without a hitch. The auditorium is nice and cool and the crowd is huge. Even Tsubame’s parents attend, eager to see what their daughter has been up to (turns out using MIBs to discourage her from anime pursuits was her dad’s idea). There are no technical difficulties with the video or audio or the live-voicing setup.

The crowd watches the robot-crabtle battle with stunned looks, the screen glowing in their eyes. Tsubame’s parents admire the animation with prime, and are able to see Tsubame’s love of capturing motion through art in this manner. Pride washes over their faces. They realize this, not live-action acting, is what their daughter loves and excels at.

After the screening, and a brief autograph/handshake session, Tsubame is dispatched to get lunch for Midori and Sayaka, and runs into her parents. The three have a cordial mini-lunch together, and Tsubame draws upon her parents’ careers as artists for perhaps the first time, asking if they’re ever satisfied after a performance.

She’s relieved to hear neither of them are, because neither is she…and we no neither is Midori. They’re relieved Tsubame has been off doing her own thing, and it’s something they’re not going to try to hold her back from anymore. To do so would be to prevent her from “performing” the way she knows best: with pencil and paper.

Finally, her parents poke their heads in a shed where the Eizouken 3 are taking a break from all the hubbub, and about to scarf down the lunch Tsubame brought. Her parents ask if these are her friends; Midori responds that they’re comrades. The bonds of comrades, joined not by blood but by common cause and common fate, surpass mere friendship, for even the best of friends can have vastly different goals.

It’s no surprise Midori is donned in full camo combat fatigues. The cultural festival was the Eizouken’s greatest battle yet, and victory was achieved. Not flawlessly, mind you—Midori estimates she’s only 20% satisfied with the product they presented—but enough to get the job done.

The fact Tsubame’s parents can no longer be counted among their enemies is both strategically advantageous and a timely boost to unit morale. On to the next battle!

Shokugeki no Souma 3 – 03

Day One of the Moon Festival…doesn’t go so well for Souma and Megumi. Kuga’s big flashy restaurant rakes in all the customers, while Souma’s little bun cart only manages a couple dozen sales. Kuga makes sure to stop by to gloat and patronize Souma as further punishment for challenging someone out of his league. Unfortunately for Megumi, she’s tied her cart—and her fate at Totsuki—to Souma’s. For once, Souma can’t just laugh this off.

Joining Souma and Megumi in the red on the first day are Alice, Ryou and Akira, which draws the ire of Erina, considering all three were Autumn Elections finalists. Souma still offers her and the others dinner in the form of leftover buns, but the fact remains all five are in dire straits.

The next day, to Kuga’s surprise, Souma’s cart does a little better, jumping from 40th to 35th in the area rankings, and you can just a comeback mounting. Wait…that’s actually the smell of Sadatsuka Nao’s grotesque cuisine. As Megumi says, she and Yukihira make quite the pair as culinary sadists.

Turns out Souma’s increased sales were due to the fact he used some bun dough to make fresh handmade noodles, and by moving around the area and giving away samples, he hopes to stoke up a marketing campaign that will get him and Megumi the customers they need to get back in the black.

While I admire Souma’s generosity, surely it only hurts his bottom line to be not only feeding his friends after the first day, but giving out so many freebies on the second night. I guess it’s a matter of him not compromising his values just to profit…but he’s only making things tougher for himself when Kuga has made things plenty tough.

I imagine Alice, Ryou and Akira will also be expelled unless they get their shit together, but Akira thinks Ryou’s years of spoiling Alice has ruined any possibility of them climbing out of the hole they’ve made the first two days (though a naan lollipop does sound intriguing). Then Alice concedes that they should focus not on her ambitious and expensive experiments, but on a more customer-focused menu.

Meanwhile, Souma knows he needs more than buns and noodles, and Megumi is sticking with him to the bitter end, so he prepares for an all-nighter. Meanwhile, his old hometown friend Mayumi notices the Yukihira Diner’s lights are on, and upon entering, receives a terrible shock…

Meet Internet Explorer 11…the Magical Girl?

inori2

So now there’s apparently an anime personification of Microsoft Internet Explorer 11, in the person of 18-year-old magical girl Inori Aizawa, with a Facebook page and everything.

FWIW we’ll probably stick with Chrome for the time being, and her design is fairly generic (at first glance she wouldn’t look out of place in Vividred), but we like the concept.

More companies and products need anime personifications, as far as we’re concerned. We’re strange like that!