Carole & Tuesday – 04 – Caveat Emptor Robotus

Unsuccessful in collabing with DJ Ertegun, Gus presents his second idea for Carole & Tuesday making it big: a music video. Despite my initial suspicion that they’d try to make it big without AI, they end up buying a 19-Woolong robot who will direct, film, and edit.

The low, low price immediately threw up a red flag for me, but the crew presses forward, throwing out a king’s ransom in pop culture references from Thriller to The Avengers, which the robot somehow manages to make sense of, and then provides a list of required things.

Gus meets with his stylish ex-wife Marie for her know-how with hair, makeup, and wardrobe. Perhaps impressed he’s off the bottle and serious about helping some new talent soar, Marie agrees, despite no upfront payment.

The SpielbergBot, AKA IDEA, turns out to be a beer fanatic in the vein of Futurama’s Bender, and mostly lazes around watching TV as C&T write a new song for the video (incidently, the one that plays over the end credits).

Meanwhile, Roddy manages to score an expensive car courtesy of DJ Ertegun. When Roddy is initially dishonest about knowing the girls, Ertegun flashes a number of looks at him—accompanied by hilarious EDM sounds—but ultimately helps his young friend out.

C&T meet Marie’s wardrobe friend and lover, then try on a number of outfits in another montage as Roddy practices his dance moves. When he shows up in the car all debonair an’ shit, the girls aren’t interested in him at all, only the car itself. Roddy also provides the “giant robot” in his ultra-rare limited-edition resin models, which IDEA will scale up in post.

The day of filming begins, and it’s a bit chaotic; befitting all the myriad ideas everyone threw out at the beginning. C&T jump from setting to setting and costume to costume with no real consistent narrative or theme, and from the look of Roddy by the end, something terrible happened to Ertegun’s car.

We then learn while IDEA is having a bath back at Carole’s place that he’s running some kind of scam on the humans, insulting their intelligence and threatening Carole’s owl alarm clock not to snitch.

Gus and Marie have a drink to celebrate the wrap of the video, and both admit to how much goshdarn fun they had getting back in the game like that. Marie even wonders what went wrong with their marriage, insinuating it wasn’t all Gus’ fault, then tells him she’s getting remarried to an amazing woman.

When IDEA is done editing, Carole, Tuesday and Gus prepare to watch with baited breath, while Roddy stays home and finds out on the news that IDEA is an AI scammer. It’s news delivered far too late, as after they watch his train wreck of a video (most of which isn’t even in focus), C, T, and G all glare menacingly at IDEA before boxing him up and sending him back to the fulfillment center.

After two episodes of relative realism (aided by coincidence and fate, but still realistic), C&T gets a little more madcap and cartoonish, and everyone is a little dumber for one episode as they put their complete trust, time, and effort in a totally dubious mechanism. Their “guerrilla” performances at the music hall and laundromat feel at once more effective and more sincere than any cut-rate video production anyway. When you’re broke, elegant minimalism is key. This was all too baroque.

Domestic na Kanojo – 04 – This Is How It Should Be…Right?

Deciding they can’t just hole up at Natsuo’s friend’s house, Natsuo and Rui spend the better part of half this episode stalking Hina, but coming up with absolutely nothing. They even steal her phone while she’s in the bath so Rui can try to imitate her sister’s voice and break up with Shuu. It all fails. But then something fortuitous happens: Hina and Shuu come to them, at the very cafe where Natsuo’s friend works and where Natsuo and Rui are discussing their next steps.

Things accelerate quickly, as Natsuo comes right out and demands Shuu end it. Shuu is non-committal, and when he tells Hina he still needs more time before he can divorce his wife, Rui throws a glass of water in Shuu’s face and runs off. Natsuo catches up to her, to be a shoulder to cry on. This whole process of confronting Hina’s affair has definitely brought Natsuo and Rui closer together. Neither of them are happy with how things turned out, and both are in agreement that they want Shuu out of the picture.

Ultimately, however, it’s up to Hina to make the choice. Shuu seems fine with the status quo being maintained indefinitely, where he’s with both women and doesn’t have to take responsibility one way or the other. The next morning, Rui’s eyes are puffy from crying all night, and doesn’t speak to Hina when she suggests they go shopping together for a birthday gift for their mom.

Natsuo, meanwhile, is off to visit his mother’s grave. We get a flashback to ten years ago: Natsuo was in first grade, and a crybaby. Worried about, well, worrying his mom once she passes away, he resolves not to cry, even at the funeral where it’s expected. He wishes she were still alive, and wonders how life would be if that were so.

Then he’s surprised to find Hina and Rui join him at the grave. They’ve come to formally introduce themselves to his mom and give offerings. Hina also informs Natsuo that she’s broken up with Shuu. Natsuo is delighted, and Rui is beaming. Hina even says she’s been thinking about doing it anyway due to Shuu’s half-year-long reluctance to leave his wife.

What stopped her from leaving him was her genuine love for him…but ultimately family came first. She couldn’t go on with Shuu knowing it made them so unhappy. The show seems to be taking Natsuo and Rui’s side in this instance, but will things really be that simple as Hina pulling the plug? And what of Shuu’s observation that Hina doesn’t seem to treat Natsuo like a kid? I forsee more potholes on the road of familial bliss. This is a drama, after all—not…some kind of…“constantly happy times-having” show…

Domestic na Kanojo – 03 – The Scary Realm of Adults

Natsuo visits his best friend at the cafe where he works, and describes the incident with Hina and her boyfriend last night. His friend diagnoses Natsuo as jealous, and he can relate. He observes women stuck in non-ideal or flat-out bad relationships at the cafe all the time, and jokingly(?) wishes they’d just break up and date him. Like the young “office lady” who is in an affair with a married man. His friend later spots that woman outside, and to Natsuo’s shock, it’s Hina.

Not only is Hina doing something morally questionable by sleeping with someone else’s husband, but she’s doing something contrary to Natsuo’s perfect ideal of her up to that point. Like catching her crying on the rooftop and then watching her drink herself to sleep, it’s another crack in that facade.

When he confronts her at home, she kindly tells him to stay out of her business, as she dwells within the world of adults where kids like him shouldn’t set foot, and that’s basically that. Then Natsuo kisses her, she shoves him back, slaps him, then kisses him back.

Before Natsuo knows it, he’s being pushed onto the bed by Hina, but she stops when she sees his eyes, which she immediately detects as those of a child. He may have thought his stolen kiss was bold and cool, but she can sense his fear now that she’s responded to it.

With that, she gets off of him and shows him the door. It may have been harsh, but Hina is right that her business is her own, and she gave him fair warning not to stray into it. Also, Natsuo initiated with the kiss. That being said, she doesn’t feel good about having but Natsuo in his place. Indeed, she feels like shit/

The next day Natsuo’s father finds a note from him saying he’s gone to his friend’s house for a couple days. Pops and his wife quickly assume it’s a move protesting the marriage, but Rui knows better why Natsuo left, and Hina’s not great at hiding from Rui that she knows as well.

Natsuo moulders away in his friend’s room, not even moving for the entirety of a cafe shift. But as luck would have it, Natsuo is looking out the window when Rui walks past, clearly looking for someone. They meet eyes and he meets her downstairs, and his friend’s mom invites them in.

Rui isn’t copying Natsuo, she’s simply “boycotting” Hina’s affair, much like Natsuo, if for different reasons. One reason they share is that they both had a higher idea of who Hina is, and she’s letting them down with her adultery, and if she wants her little sister and stepbrother in her life, she’ll have to make a difficult choice.

After a strategy session with Natsuo’s friend , he and Rui return to a dark house where their folks are considering signing divorce papers. Such is the result of Natsuo and Rui not telling their folks what’s actually troubling them; they make the most obvious assumption based on the little they’ve been given.

Natsuo and Rui reassure their folks they don’t oppose the marriage, but don’t tell them why they ran away from home. They’re back now, and willing to endure one more awkward day with Hina until they set their plan into motion. We’ll see if the show leans more toward their side, even as it’s offered little hints that explain, if not entirely justify, Hina’s behavior.

She likes this guy, wants to be with him, and wants to make it legit by having him divorce. She feels things neither Rui nor Natsuo have ever felt, and thus dismisses their concerns out of hand in addition to looking down on them as simple kids. I wonder if some compromise or middle ground can be found.

Musings:

  • Natsuo’s pal puts the pieces together pretty fast that Hina’s affair is what triggered Rui into sleeping with Natsuo. Rui doesn’t really mind Natsuo telling his friend, as he doesn’t attend their school.
  • I like how we get a little snapshot of Natsuo’s friend’s family life. Everyone wears glasses there, his mom is really nice, and his sister is eager to see him with a girlfriend.
  • That said, Natsuo’s friend’s boss at the cafe was…uh…something.
  • Speaking of parents, Natsuo’s pops and Rui’s mom really are kind and generous people who’d put their happiness aside for their kids’ sake.
  • Who else thought Hina was going to take it further after ripping Natsuo’s shirt open? Yikesy…

Dies Irae – 01

There wasn’t much I liked about Die Irae’s episode 00, and not much reason to continue with it—other than the fact 00 was a prologue and the first “regular” episode might totally different, better, or more promising.

Well, this first episode certainly is different; totally different. We’re now in modern-day Japan, following Fujii Ren, a regular high school kid, around as he’s discharged from the hospital after a fight with his best friend Shirou, who then dropped out of school and ran away.

After almost dying in an epic rooftop fight, Ren’s friend Ayase Kasumi (who he calls BAkasumi) thinks he’d enjoy going to a sword exhibition, but then they come across a rusty guillotine that shouldn’t be there and both of them get freaked out. Ren, in particular, has a vision of a beautiful woman flying out of the guillotine.

He awakens in his room, which we learn Ayase can access at any time from a hole in the wall. Her room, Ren’s, and Shriou’s are connected this way. Ren has another vision in which the blonde woman sings a song about beheading people, then finds himself locked into a guillotine, and his head goes flying with a fountain of blood. When he wakes up screaming, sirens can he heard outside: someone has been murdered…by beheading.

His other female friend Himuro Rea spends a good deal of time teasing Ren before telling him she and someone named Sister Riza saw the body. She mostly wants to make sure Ren’s okay after leaving the hospital.

As much as he may want his high school life to go back to normal, Shirou’s absence, the physical and emotional scars he left, and these sudden visions and real-life murder all conspire to prevent that normalcy from returning, perhaps ever.

Finally tying this episode into the prologue, we begin seeing some of Heydrich’s supermen/women appearing in the city, apparently ready to sacrifice it for the sake of their lord, believing nothing they do, not matter how awful, will be seen as a sin in the eyes of that lord.

So yes, this episode was pretty different from the first. Was it better? Hard to say. It at least fleshed out its characters a little better, but Ren, Kasumi and Rea aren’t anyone we haven’t seen in anime a hundred times over; both girls laid on their shtick pretty thick.

It remains to be seen if impending doom makes them anyone we met this week more interesting. The bottom line is that more questions arose here than were answered. On one hand that’s frustrating; on the other, a part of me still wants to watch on to see what happens…time permitting.

Dies Irae – 00 (First Impressions)

Dies Irae takes people from real-world history (namely Reinhard Heydrich and Karl Krafft) in the midst of a real-world conflict (WWII) and mixes it up into some kind of occulty Nazi X-Men-type milieu. And while the metal soundtrack was very apropos, much of the episode was what Heydrich initially aimed to be: boring.

That boredom arises from a lack of a strong character to root for. If you’re going to give a fictional character the name of one of history’s greatest monsters, well, I ain’t rooting for him, whether his mini-arc in this episode somewhat resembles Kotomine Kirei’s or not. There’s also an introduction to a good number of people with long flowery names who don’t make much of an impact.

It’s a jumble of overly-baroque (and in the case of the floating skeleton cities, somewhat silly) settings and thin characters with unclear motivations. Krafft seems to have tried and succeeded to bring out Heydrich’s full potential, leading to the creation of a badass nazi kill squad, with the aim of—wait for it—“creating a new world.” “Loving and destroying” are also the same thing, don’t you know.

Yeah, not sure I’m feeling Dies Irae. Episode one, still to come, may be totally different, and succeed where zero failed to hook me…but I won’t hold my breath.