The Executioner and Her Way of Life – 12 (Fin) – Something That Ended Ages Ago

The end of what I hope to be only the first of a split-cour series starts with the final boss battle between the unlikely but awesome duo of Menou and Ashuna and Centipede Pandemonium, whom I’ll henceforth call Centipan. The cent- is key, since around 100 people were sacrificed to create Centipan, which means she’ll have to be killed at least that many times to be defeated.

Unfortunately, every segment of Centipan that is broken off goes running off into the city to wreak havoc—this is Chaos Pure Concept, after all—forcing Ashuna to break off in order to save the people. Menou’s piss-poor ether capacity once again rears its ugly head, as Centipan relieves her of her Scripture and trusty dagger. That’s when Ashuna tosses her giant sword Menou’s way, since she can destroy the segments with her bare fists.

Menou swinging Ashuna’s sword around is #Goals, but the weapon quickly drains what little ether she has left. Fortunately, soon after telling Akari that there’s a way to go back to Japan, the other ‘Moni leaves Akari alone and flies off on wings made of shadow. This leaves Akari free to join the battle with Menou exactly when Menou needs her (and her ether) the most.

While the train episode was the only other time I can think of that Akari and Menou joined forces, it’s not “ticklish” to Akari this time, as the two simply combine forces to create a massive blade of flame that obliterates Centipan with a single satisfying swing.

All that’s left of Moni is her quickly dissolving head, but that’s enough of her to give Menou one last piece of advice: the Sword of Salt she once visited wth Flare? That’s powerful enough to kill any Pure Concept, even Akari. But true to her chaotic nature, Moni tells Menou this knowing that Menou isn’t totally 100% sure she wants to kill Akari, even if it’s her duty and probably the best thing for both Akari and the world writ large.

Ashuna congratulates Menou on her victory and decides to “let it slide”, “it” being the fact that Akari is an otherworlder. As for Moni, another version of her in a spooky graveyard resurrects Manon. At first Manon is confused why Moni would do this, she then remembers her mother telling her how she had a sister who was full of energy and loved movies. Moni was once just an ordinary movie buff from Japan, and she may now not remember who she was or that she had a sister. And yet she saved her sister all the same.

With the big battle taken care of not long after the halfway point of the episode, there’s adequate breathing room for some epilogues. A rapidly recovering Momo gets some quality time with Menou, who tells her about the Salt Sword. Menou thanks Pastor Sicilia, and as she walks back to her inn contemplates two different roads: one where she executes Akari with the Salt Sword, and the other where she discovers a way to “fix” Akari so she won’t destroy the world and herself if left unchecked.

And then, of course, there are the sweet, sisterly scenes between Menou and Akari, who greets her with a big hug and probably only grudgingly agrees to sleep in a separate bed from her. When Menou starts to say something like Akari is her…something, Akari is very vexed by her simply trailing off, gets out of bed and tussles her until Menou says she’s her “source of stress.”

The next morning, Menou and Akari take the first step out of Libelle and head back on the road to the “Sanctuary” hand-in-hand. The previous night, Momo resolved to execute Akari in Menou’s place, knowing that the more time she spends wth “Boobalicious”, the less inclined she’ll be to murder her.

The parting mic drop belongs to Flare, sitting on a throne and planning to kill her apprentice “for the zillilonth time”, crystalizing the reality that she’s been interfering in Akari’s attempts to get Menou to execute her by murdering Menou herself. It’s an enticing place to pause and hopefully not end, as there’s tons of material for this story to continue.

Rating: 4/5 Stars

The Executioner and Her Way of Life – 11 – Let’s Get Nuts!

Pandemonium is the ultimate agent and wielder of chaos. None of the Jokers have anything on this mirthful, pint-sized Giallo buff. Haruno Anzu typically voices her with a singsong child’s meter with a healthy share of “Maa’s!”, which rides the line between ironically effective and annoying, but also makes it that much creepier when ‘Moni speaks more quietly and seriously.

While Menou expends all of her ether on a mere warm-up fight with Moni, Akari seemingly heals Momo with her power, which made me think Momo would possibly play a role in the battle. Ashuna also gets reports of around a hundred people in town suddenly melting into red goo, making the princess primed to get involved in whatever’s up on the island.

I’ll tell you what: nothing good! Giant four-eyed rats with human legs sticking out of their backs? No freakin’ thank you! But it’s par for the course for the B-movie-obsessed Moni. She’s not trying to take over the world. She’s just trying to be as entertained as she can possibly be watching humans try their absolute best…then die horribly.

When Menou does run out of her own paltry stores of ether, Moni shoves her out of the castle with a giant hand, but that’s when Ashuna officially joins the battle, pretending she’s meeting Menou for the first time and offering her own seemingly unlimited stores of ether for Menou, who is far better-equipped to use it.

The duo of Menou and Ashuna proves extremely successful, at least at first, as Menou connects the earthly and heavenly veins, builds a massive Pseudo-Cathedral atop the castle isle, and sucks Moni into a bloody singularity, then an endless loop of detainment. Logically, the battle should be over. It’s not.

That’s because with Moni around, chaos reigns. Kill her once or a hundred times, it may not even be the real one you’re killing. Moni not only survives, but summons a gigantic eldritch abomination from the fog in order to show just how tough a cookie she is.

The kaiju obliterates the castle isle in one blow (which is sad, that was a hell cool-looking isle; reminded me of Ico) but the dashing Princess Ashuna saves Menou with a princess carry—just before that, she showed genuine affection and concern for her reluctant bae Momo.

So the giant monster is out there, but Menou soon determines it’s not a real threat; it’s still basically trapped in its current location by the fog, and that fog soon starts advancing on both the monster and Moni. While all this is going on, Akari is kept from joining Menou and Ashuna in battle by another Moni, who prefers mind games to blood and gore.

Moni felt like chatting with a fellow Japanese. Moni knows Akari can only use her Pure Concept of Time so much before it starts to degrade her soul into nothingness. There’s also the side effect of losing your memories from your previous life, but Akari, who was bullied at school in her old life, is only concerned with keeping her memories of Menou.

Akari destroys Moni with one shot from her fingertip, but Moni soon comes back and continues to mess with Akari, telling her that there’s a reason she’s failed so many times. Someone more powerful is impeding her efforts—someone with access to something called the “Astral Archive”, an entity composed of all the collected memories of the planet, the source of the power of ether, and the origin of the lord written in the scriptures of the Faust.

In other words, it’s probably Flare. So as Moni threatens to wear out her welcome by transforming into a CGI centipede girl (which while creepy and menacing, lacks visual mass and weight and is thus less impressive than the kaiju she summoned), she’s looking more and more like an intermediate boss on the way to the true big bad: Menou’s mordant mentor.

Rating: 4/5 Stars

The Executioner and Her Way of Life – 10 – From Letdown to Taboo

Manon isn’t that surprised or intimidated by Akari Prime’s time magic, while it’s Akari who keeps getting surprised by this current iteration of the world. Manon was the child of a Lost One, a Japanese woman who was not intentionally summoned but simply appeared. Lord Libelle, Manon’s father, married the woman to bolster his power with her pure concept, but ended up never forcing her to use it, because he fell in love with her.


Manon is right that it’s a lovely story, but it has a cruel ending, as one day Flare executed Manon’s mom right in front of her, and didn’t even bother to kill her too. Manon grew up with everyone having great expectations for the child of a Lost One, only for her to have no magical power whatsoever. Branded a great letdown, Manon became mired in a life of uselessness an ennui…until she decided to embrace the dark side and become taboo.

This is why Manon doesn’t fear Akari in the least, nor Menou when she shows up to save Akari from certain death by Chaos magecraft. Not because she’s particularly powerful—Menou basically freezes her with her gaze then lops her arm off—but because, in short, Manon isn’t greedy. She’s had fun as a rebel and a taboo, but ultimately she’s just a vessel and sacrifice for something much, much worse…the little girl in the Iron Maiden who almost blew Momo up.

This girl is creepy and frightening as fuck, successfully toeing the line between twee and terrifying. Menou slits her throat, and she simply sheds her old skin and pops out of her dead body good as new. Then she twists her own head around dozens of times and stretches it vertically until it pops off to create a fountain of blood.

Out of that blood, multiple eldritch beasts emerge, and feast upon her corpse. Then she pops out of one of the monster’s mouths, once again whole. It’s an atmosphere-upsetting enough incident for Ashuna, still getting over Momo standing her up (though to be fair, Momo is bedridden), to sense from the mainland.

Yes, the girl herself is the Human Error Pandemonium, having escaped her prison of fog and is now ready to finish off the world she almost destroyed once before. Like Menou’s conundrum with Akari, how can you kill someone that won’t die when you kill them? We’ll surely find out in what’s looking like a season-capping final battle that’s sure to include more than just Menou as it progresses.

The Executioner and Her Way of Life – 09 – Too Much Is Different

Despite her priestess garb, Akari sticks out like a sore thumb among the aristocrats at the ball. Menou warns her not to eat or drink anything, then scouts around the castle grounds and ends up crossing paths with Princess Ashuna. Meanwhile, Momo again demonstrates her impeccable competence by knocking out the guard and gaining access to the Monstrine operation without breaking a sweat. Ashuna doesn’t know who Menou is (she hides her face with magecraft), but she can tell Menou is a strong fighter.

Unfortunately for Menou (but fortunately for us), that means Ashuna wants to fight her. A lusty battle ensues, with Ashuna hitting nothing but air and Menou showing her just how much more mastery over ether she has. Ashuna merely gets toyed with, but still has a blast…even when she’s almost literally blasted. Does Ashuna feels somewhat shoehorned in here just so she can spar with Menou? Maybe…but I don’t mind because even when she’s getting her ass kicked, Ashuna is awesome as hell.

Akari is lamenting how the ball is no fun alone when the big boom and column of flame occur. Then Lady Manon sidles up to her, wanting to know more about where Akari comes from. Akari tells the truth: there’s very little she remembers of Japan, but there’s something about the way Manon likens Akari’s hair her mom’s that suggests some kind of connection. After Manon leaves her, Akari Prime awakens, and is concerned: way to much is happening in Libelle that has not happened in previous loops.

Akari really wants Menou to kill her in this loop, but not having the advantage of knowing how the future will unfold will make that tougher than she’d like. Speaking of tough, Momo soon finds the Iron Maiden and lets her guard down when she frees the young bloodied girl inside.

Helping the girl—not opening the Maiden—springs an explosion trap, and Momo gets a poison spike to the side. Manon is alerted to the trap being set off, and revels in the possibility this could be the day she finally gets her revenge.

The next morning Momo wakes up in rough shape, but with a proud senpai standing over her and patting her head in gratitude. Either the spike or the poison would have surely killed weaker folk, but thanks to her massive stores of ether, Sicilia believes she’ll pull through. Menou, meanwhile, is fed up with half-measures. She wants the Fourth rounded up and their drug ring shut down.

Sicilia, noting how Flarette, unlike Flare, isn’t afraid to rely on others, grants an operation and goes to negotiate with the knights. The Fourth nobles are holed up in Manon’s castle, but suddenly they’re all frozen in time. Akari Prime emerges from behind a cabinet, intent on talking in private with the Lady of Libelle.

Is Akari trying to mitigate the fact she’s no longer sure what the future holds by securing an alliance with someone who can mess up her plans? We may not know what exactly Akari wants with Menou, but we do know her goal, and that she’ll stop at nothing to achieve it.

Rating: 4/5 Stars

The Executioner and Her Way of Life – 08 – Better the Watermelon You Know

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Giving up on killing Akari in Libelle for now, Menou instead takes her target to the bustling marketplace, which is not only a festival of new sights, smells, and tastes for Akari, but establishes both ancient etheric tools as vessels for ether and the penchant of this new arc’s villain for using food as a means of control.

That villain, Lady Manon, is standing not ten feet from Menou when some members of Fourth attack and take Akari hostage, but Menou can only sense their boorish intent on attacking her. She dispatches them easily, but they soon transform into vicious monsters the knights have to then put down.

Libelle’s chief Faust Pastor Sicilia isn’t happy with Menou’s expense reports talking of delivering the still un-executed Lost One to the “Sanctuary”, and isn’t willing to spend further church funds on such vague and dubious promises. Instead, she’ll fund Menou’s pilgramage if she investigates a new drug called “Monstrine”, which the Fourth members took and turned them into monsters.

After delegating part of this investigation to Momo (who is all too happy to make life easier for her beloved Menou) and Menou defensively leaping out of bed when Akari tries to curl up with her, Lady Manon tightens her grip on the city’s elite by informing them she laced their food with Monstrine, then has one of them transform and strangle heself to death. The child she put in the iron maiden provides the Sin Magecraft source of the drug.

I’ll admit I was disappointed by the dearth of Princess Ashuna last week, but while her scenes with Momo are very choppily edited and suggest possible animation issues or shortfalls, it’s still great to see our swole queen, who can’t help but compete with Momo (whom she clearly likes) on the Monstrine investigation. Just seeing them having drinks at the bar…they just look right together, even if Momo’s heart belongs to another.

Speaking of, when Ashuna brings up an evening ball Lady Manon is holding tomorrow night, Momo learns in her next meeting with Menou that her mistress also got a ticket. Momo won’t let her pose as a simple priestess, but instead uses the opportunity to dress Menou up to the nines. To Momo’s later envy, Akari also tags along in an elegant priestess clothes.

As soon as Menou spots the hostess Lady Manon, I would hope she’d be extra-careful about what she eats or drinks. That said, Menou has no idea the lengths and depths to which Manon has gone specifically to take her revenge against Flare for killing her mother.

I imagine Akari’s presence at the ball may portend the use of time magic should Manon succeed in killing Menou. In any case, these two episodes did an adequate job setting the table. Knowing this series’ ability to ramp up at the drop of a hat, the resulting meal should be a good one.

P.S. Manon is voiced by Iwami Manaka, whom I will always remember as the voice of Honda Tooru, one of the kindest, gentlest characters in all of anime-dom. Lending her voice to an evil villainess must have been fun.

The Executioner and Her Way of Life – 07 – Going Fourth

With the Orwell ordeal behind them, Menou commences her pilgrimage with Akari, a two-month journey all the way to a purported “sanctuary” for Lost Ones. And if she comes up with a way to execute Akari along the way, so much the better. Akari wouldn’t have it any other way. Their first stop after two weeks is the port town of Libelle, which sits in the shadow of a perpetual curtain of fog known as Pandemonium.

Menou and Akari trade the ominous fog for the steam of a public bath, which constitutes “splurging” for someone like Menou who lives in “honorable poverty.” Notably, Akari neither tries any hanky-panky nor compares her boobs to Menou’s—both points in her favor. Instead she simply revels in being in the presence of her “emotional oasis”.

It’s not a role Menou is particularly comfortable or experienced in playing, but she continues to play it nonetheless. Momo, who arrived at Libelle sooner by a more dangerous route (and claims to have gotten Ashuna killed in the process), gives Menou a report on the “Fourth”—a terrorist group who reject the three other classes of society—in the town. She also suggests Menou try to kill Akari with the Pandemonium.

Menou didn’t even think to do such a thing until Momo brought it up, which adds fuel to the argument that she’s now actively hesitating in execution Akari in any kind of timely fashion, using what’s at hand. That’s remedied the next day, as Menou takes Akari out on a boat ride to get a closer look at the imposing Libelle Castle, home to Countess Manon Libelle.

Akari takes her “anti-nausea medicine” without question and soon passes out. Menou, in what is an oddly Wile E. Coyote-style move, tosses Akari on a rubber raft and lets her drift into the Pandemonium. There, Akari Prime revives, immediately recognizes where she is, spots an odd beam of light cast on her head that wasn’t in previous loops, and is then gobbled up by a monster. She resets right back next to Menou, reminding her that fulfilling her solemn duty isn’t going to be so easy.

Still, that odd beam of light Akari Prime did not expect is just one of many little odd things that fill the episode’s periphery. The other odd things involve the aforementioned Manon—the leader of the Fourth in Libelle—who isn’t taken seriously by her court of older adults but may well be poisoning them with spam sandwiches while paling around with a little girl with wide eyes who is always humming…even when she’s placed into an iron maiden and gooshed. I have no idea what Manon is up to, but I’m definitely intrigued…and a little weirded out.

Rating: 4/5 Stars

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