Elfen Lied – 02 – One Or the Other

Things would have been so much easier—and far less bloodily—if Kouta hadn’t gotten angry and scared Nyu off. Instead, Bando and his tactical team arrive, and Bando is not particularly interested in anything other than killing the target. After the cops visit his house, Kouta somehow manages to get to Nyu first and tries to run away with her, but Bando gun-whips him and captures the target.

Yuka also briefly talks to the cops before tracking down Kouta, who is still dazed on the beach. Bando drags Nyu to another location, but when she won’t fight back he grows bored and orders his subordinate to kill her instead, since those are their orders. Instead, Nyu turns back into Lucy and does her thing, relieving the grunt of his chest, arm, head—you name it, she slices it off.

Suddenly intrigued, Bando tries to fight Lucy, but it’s really no contest; not when she’s tossing boats around and none of his bullets hit her. The fun ends when she closes the distance between them to the range of her telekinesis, and it’s seemingly game over, as she slices off his arm and gouges out his eyes. But Bando is spared when she suddenly turns back into Nyu.

Nyu runs off, and a young woman with a puppy finds the maimed Bando and runs for help. But when she returns, he’s gone. After a very brief stay in the hospital, Kouta takes a taxi and bids Yuka goodnight, only to find a soaked Nyu at his front door with a new shell to replace the one she broke.

Yuka returns just as Kouta is getting Nyu out of her wet clothes to keep her from catching cold, while the head researcher and his #2 prepare to deploy another human experiment like Lucy to go after her—a naked and bloody subject called “#7.”

Once again Elfen Lied delivers extensive blood and boobs, but if you’ve watched, say, True Blood (which didn’t premiere until four years after this show) you’re likely as desensitized as I am. What struck me more was just how much of a boorish asshole Bando was (and will likely continue to be, as he’s not dead yet), as well as the apparent heartlessness of the lab coats. Kouta may have messed up last week, but maybe now he understands how much Nyu needs him in her current state.

Elfen Lied – 01 – A Study in Extremis

The haunting opening credits feature Latin vocals and Klimt-inspired art, a blending of the sacred and the profane. A research subject breaks free of her industrial-strength restraints and goes on a harrowing homicidal rampage, lifting neither arm nor finger but utilizing a kind of telekinesis to relieve both guard and functionary of their heads and/or various limbs.

Every effort to stop or slow her steady march ends the same way: an abundance of blood and viscera staining an otherwise cold and sterile environment. She is finally seemingly neutralized by a shot to the head from an anti-tank round, and falls at least fifty feet into the inky ocean. But, of course this isn’t the end of Lucy…it’s only the beginning…of Elfen Lied.

Why am I watching and reviewing this show, which aired fifteen years ago in the season before Bleach premiered? Many reasons: A look at a show I missed because I wasn’t even into anime back then; a means of complementing today’s crisper, cleaner, and overall safer anime; and mere curiosity in a show notorious and controversial for its transgressive content; a show nearly as many people hate as love.

Also, it’s a show that gives you those first ten minutes, then follows it up by switching gears completely. What follows is a mundane, low-key romantic comedy without a hint of the supernatural horror or military intrigue of the prologue. College student Yuka meets up with her same-aged cousin Kouta in Kamakura, and end up on the beach reminiscing about his departed little sister, Kaede.

That’s when Yuka notices something, or rather someone quite out of place: a buck naked woman with pink hair: the research subject Lucy. Due to her head injury, she seems to have reverted to the developmental state of a young child, and can only say one word—nyu—which they eventually decide to name her.

Since Yuka and Kouta are decent folk, they do what anyone would do: offer Nyu clothes and then shelter at the otherwise vacant ten-room inn where Kouta and Yuka will be living. She confirms her developmental state by being unable to adequately communicate she has to use the bathroom, and relieves herself on the floor of the foyer.

As Lucy has profoundly changed and entered a profoundly different world than the lab where she no doubt lived and suffered for quite a while, her handlers are already planning an operation to hunt her down and eliminate her, as the lab’s chief researcher declares that an unbound Lucy in the outside world would spell the “end of mankind”.

Bando, the man they choose to lead the manhunt, is about as heartless and despicable as they come. He’s bored with simulated kills, slaps the shit out of unwitting assistants, and desires nothing but the opportunity to kill without restraint. In effect, he’s a “Lucy” by choice. In any case, he surely won’t hold his fire just because Lucy isn’t quite herself.

After sharing a meal of onigiri with Yuka and Nyu, Kouta takes out a shell that he keeps as a memento of his deceased sister, who died suddenly of an illness. Nyu interprets his connection to the shell as something making him sad (not necessarily wrong) and breaks it into pieces, throwing Kouta into a rage. He shouts and fumes and tells her to get out, and she does.

Returning to the now rain-soaked spot of beach where they found her, Nyu stares out into the ocean and tears start to fall from her eyes, as Bando & Co. close in on her via helicopter. Roll Credits.

* * *

Elfen Lied is a compelling blast from the past with a first episode that packs a vicious punch in its first act before easing into its more domestic latter two. It’s an exploration of extremes, be it between Lucy and Nyu, the research facility and the sleepy Japanese town, the blunt lethality of Bando and innocence of Kouta, and yes, the warmth of human flesh and blood and the chill of metal and concrete.

It sets things up superbly for one hell of a clash of worlds and personalities—between parties that seek to simply live their quiet little lives, and those who seek to end a life, before, as they claim, it threatens to end all life. Having no previous knowledge of Elfen Lied or where it goes, a great start is no indication of a great anime, but most definitely warrants further viewing.

To Aru Majutsu no Index III – 17 – Angelic Gibberish

Two former Aztec comrades come to kill Etzali, apparently independent of anything else going on in this episode. Thankfully this tangent doesn’t drag on too long, since I’m not sure what it’s supposed to be about or why. Like last time with Xochitl, Etzali seems to hang around the fringes of the show only to be suddenly confronted by old comrades who want to kill him, but always end up failing.

Moving on! Kinuhata uses a bottle of nitrogen she always keeps on her person in case someone tries to neutralize her powers by filling the combat space with flames, as Stephanie Goofyname does. The nitro enables Kinuhata to rush at Steph and punch her in the face, thus defeating her (?) and allowing Hamazura to escape with Takitsubo.

But Kinuhata is immediately arrested by SWAT under the command of the Girl in the Dress. She informs Kinuhata that the chase isn’t over for Hammy, as apparently all of Academy City’s forces are after him. He’s an unpredictable element that Aleister Crowley would rather eliminate than worry about mucking up his carefully-laid plans (whatever they are).

Next Up: Accelerator. His fight with Koga doesn’t last long, since whatever clever trick Koga tried on him ended up getting flipped around by another clever trick by Accelerator involving his electrode and walking cane.

I won’t get into the technical details because frankly I forgot what they were, but suffice it to say, as expected, Mr. Random Smoking Dude is not the one to do in everyone’s favorite unhinged Index antihero.

GROUP reunites and tries to get Shiokishi to spill the beans about what DRAGON is, when DRAGON itself appears, knocking everyone out but Accelerator. Appearing as a brightly-lit angel-like being, DRAGON reveals his real name is “Aiwass”, and he’s a being that was both summoned by and mentor to Crowley.

The two are now pitted in some kind of supernatural philosophical debate about the value of people’s independent actions versus the efficiency of using people, or something to that effect. Honestly it’s a lot of mumbo-jumbo that purports to get closer to the core of what exactly Crowley is up to, but doesn’t seem to have much to do with the events of the last couple episodes, except that Crowley and Aiwass were able to observe different kinds of heroes in action.

Did I mention the show brought back Mugino, mostly so she could tell Hamazura that Kakine Teitoku is still alive too, and so could kill her again in an aircraft testing chamber. Hamazura and Takitsubo escape on a military plane headed out of Academy City, while Accelerator grabs Last Order and boards a train out of Academy City.

Accelerator is headed to Russia, where Touma has just arrived, and seems to be a bit underdressed for the climate. Perhaps Hamazura will head there too. All three guys have gals they want to protect, while all three gals are in danger of having their lives snuffed out by current events. Perhaps we’ll find more clarity and focus in Russia…or maybe Etzali will run into more friends while Aiwass speaks to them in tongues…