The World’s Finest Assassin – 12 (Fin) – Gungnir Big or Gae Bolg Home

We know it’s going to be a different kind of episode when we begin with the Robo-Goddess in her realm, which has taken on the stark monochromatic aesthetic of the OP (which remains my favorite of the Fall). It seems the World’s Finest Assassin is her latest and possibly last best hope against the Hero ending the world.

Back on that world, her champion Lugh is ready to burn Dia’s house down and whisk her away with the story that she committed suicide so that none of the sides in the war could have her. There’s just one problem: Setanta MacNess has arrived with Gae Bolg, and partially demolishes the castle before Lugh can implement his plan.

Lugh deflects Gae Bolg’s attack with one of his “grenades”, then launches the biggest cannon attack he has. Setanta survives the blast with some superficial wounds that soon heal, but the knight is amazed at having finally seen and tasted his own blood, goes into Berserk mode while maintaining his sense, and challenges Lugh to a duel.

Suspecting Setanta is indeed the Hero as Maha’s intelligence suggested, Lugh makes it clear to Dia that he can’t run from Setanta’s challenge, nor can he have a hope of winning a duel against him. That said, Lugh also reminds Dia he’s neither knight nor hero, but an assassin. Assassinating’s all he can do, and it’s all he will do against Setanta.

After a little trash talking and negotiating of the terms of the duel, Lugh gets Setanta to agree that the duel will begin when a coin he flips into the air hits the ground. This essentially locks Setanta’s gaze on the coin, so he doesn’t look up when a solid tungsten missile comes crashing down on top of him, causing an enormous explosion and shock wave.

That solid tungsten missle was initially casually launched into orbit while Lugh was still in Dia’s castle, but is the culmination of months of careful preparation and collaboration. He and Dia designed the spells to launch it, and he and Tarte scouted the island Maha found to test it. It even employes the same shielding Tarte used to help Lugh conserve his energy on the way to Dia. The name of the spell is Gungnir, which is fitting as Odin’s spear is believed to be the prototype of Cúchulainn’s Gae Bolg.

Lugh’s extremely aerospace-y and not necessarily assassin-y or knightly gambit pays off. He takes a considerable lick himself, but soon awakens to a concerned Dia, whom he’s so relieved is okay he kisses her just as the sun rises over the mountains. When Dia asks why he agreed to take on a non-Tuatha Dé matter, Lugh tells her he never forgot his promise to always come running.

As he promised Tarte, Lugh arrives home having failed his first assassination job ever yet still triumphant, because he brought Dia with him. Cian decides its best for now for Dia’s identity to be concealed; she’s to live with them in Tuatha Dé as Lugh’s younger sister, with her shared bloodlines with Esri making it a believable lie.

With that settled, Cian brings up another order of business: the Hero has apparently arrived in the Alvan Kingdom. Lugh’s confused by that, since he assumed Setanta was the Hero. Alas, he apparently wasn’t; the actual Hero, whose presence closely precedes the certain arrival of the Demon Lord, is one Lord Epona Rhiannon, and the close-up on his alternate-Lugh like visage is the last image we see in The World’s Finest Assassin.

Despite the fact there’s no immediate news of a second season, I can’t believe we won’t be getting one sometime down the road. There’s a lot of story left to tell and a lot of cute moments between Lugh/Dia, Lugh/Tarte, Lugh/Maha, or any other combinations therein. Not to mention…what if this Epona lad is just like Lugh: originally from another world?

That’s one of dozens of questions I’m hoping a sequel would explore. Until then, this was a bold ending to a thoroughly enjoyable and engrossing isekai series.

The World’s Finest Assassin – 11 – The Ultimate Tool

I’ll start with the only flaw of this episode, which is that it takes a while to get out of that drab brown room where Lugh’s dad explains…a lot. Turns out thee client for killing Dia is Dia’s father, but he only wants everyone else, including the enemy forces besieging Viekone Castle, to believe she’s been assassinated.

Lugh has the choice to turn down this job, as it involves getting mixed up in the affairs of kingdoms other than the Alvan royal family. But of course Lugh takes the job, because he owes Dia for teaching him magic, loves Dia, and promised he’d run to her if she ever asked for help, which he believes she did…just without words.

Lugh’s dad, who similarly only broke his oath of loyalty to Alvan for the sake of his wife Esri (also a daughter of House Viekone, by the way) is both proud and amused his son turned out to choose his love from the same family.

Lugh’s dad also chose him because he’s probably the only one who can pull this off; his pops knows that with the mana it will take to reach the castle in time, he’ll be too depleted to be effective. Tarte also knows she can’t go with him because she won’t be able to keep up with him, but she does offer to “carry him” at least partway there.

Tarte does so by creating a wind cowl and running just ahead of Lugh. These things in concert greatly reduce the physical and magical strain on Lugh, allowing him to conserve his strength for the trials that await at his destination. I frankly love how Tarte has scienced the shit out of this; it’s a brilliant, elegant, and very cool-looking solution.

As the pair pick up speed and scream across huge vistas that give the episode a Lord of the Rings-like epic, sprawling vibe, Tarte’s inner monologue reiterates that she knew all along Lugh didn’t save her life for her sake, but so he could make her into a tool. She hastens to add that while many might be saddened by that, it made her happy.

She’d been discarded by her family as a useless extra mouth, but he gave her a use, a purpose, a reason to keep breathing. And if Lugh so thoroughly rejects the idea of becoming a tool, Tarte is resolved to become the ultmate tool for him, doing whatever needs to be done, whenever it needs to be done for him.

When Tarte tuns out of mana, her wind cowl shatters, and she’s sent flying by the sudden burst of unshielded wind, Lugh catches her in his arms and keeps her from injuring herself. Lugh thanks her for helping him conserve, and marvels at how far he’s come in so little time.

Tarte asks Lugh if he really loves Dia like he says; Lugh answers in the affirmative. So Dia asks Lugh to promise he’ll return with Dia. He does, then dashes off, leaving Tarte alone in a vast field of grass, bathed in the gorgeous sunset, with a majestic mountain backdrop, and Tarte begins to weep…because Lugh, whom she loves so much, didn’t choose her.

We still get our goddess moment-of-the-week, but like previous ones it’s more of a brief and well-timed interstitial that doesn’t break the episode’s momentum. It is odd how all of a sudden the Goddess is talking like a robot, but one thing is clear: as of 14 years ago, she found a soul suitable for stopping the Hero’s rampage, and awaits his death.

Lugh arrives to find 1,500 enemy troops besieging a Viekone Castle with less than 200, but they seem to be holding the enemy off, thanks in large part to the “metal pellets” of Dia’s magic rifle. Lugh’s first task is to ensure the Castle isn’t sacked before he can fake Dia’s assassination, and he does so by wrecking the enemy forces’ shit.

Identifying all of the high-ranking magic users with his eyes of appraisal, he takes them out first. When the troops start huddling together for defense, he uses a Fahr stone to replicate the power of a grenade launcher, taking out large groups of the enemy at once. With the enemy in disarray, the Viekone forces use the opportunity to exit the castle to mop up.

After having used wind magic to listen in on the besieging army’s communications, he uses that same magic to detect a path devoid of sound, where he knows he won’t run into anyone. That path leads him all the way to Dia, who almost seems to sense he’s watching when she says “It’s all right. I trust you.”

Lugh reaches her and her father Count Viekone without being detected, and Dia rushes to hug him, absolutely overjoyed to see he actually came. But there’s still hard work ahead, including “killing” Dia and getting both her vassals and the army to believe she’s really dead, all without killing her. I hope he can keep his promise to return to Tuatha Dé together with Dia.

The World’s Finest Assassin – 10 – Carpe Dia

With an opening featuring Lugh and Tarte sailing in their swimsuits to meet Maha on the beach, this week’s WFA had the makings of a dawdle before the inevitable Shit went down. But sexy as it seems, their trip to a tropical island was purely about magical training in private, while Maha provides crucial intel on the Hero, believing him to be Setanta MacNess. MacNess is a soldier in the forces rebelling against the royal family in Swoigel.

Dia’s House Viekone is in Swoigel, so the next time Lugh visits her, it’s under the assumption that he’ll swoop in to rescue her from her kingdom’s civil war. Even when he says the Hero could be among the rebels (with Gae Bolg, a Divine Treasure I’ve heard of once or twice in other properties), Dia holds firm that she’s not fleeing her home.

She laughs off their little fight and suggests that since her father and his attendants are away, the two of them should go out. To satisfy Lugh’s desire for security, she dyes her hair brown like his when they go out. What ensues is their first official date in this, the first episode in a long while to focus on Dia and Lugh exclusively.

As you’d expect of two people who love each other, they have an absolute blast, whether it’s Lugh instructing Dia on how to use a bow and arrow to win a bear, to working together to find a lost child’s mother, to enjoying lasagna on a veranda overlooking a grand mountain vista. It’s pretty much the perfect date.

It gets even perfect-er when Dia takes Lugh to a hot spring she had reserved just for the two of them. One thing Dia is not reserved about is being naked in front of Lugh, as the two end up skinny dipping in what may well be better descirbed as a heated pool.

There, as comfortably and content as they can possibly be, Dia tells Lugh that she loves her home and everyone in it, just as he loves Tuatha Dé, and she’ll serve its interests until the very end. They embrace, and kiss, and their hair changes back to normal.

From this perfect moment in the hot spring, things get a bit dark. Lugh promising to make Dia lasagna when she visits his home felt like a flag of some kind, and there’s something very iffy about Dia’s “I’ll call you” with regards to when theyll meet next, which it seems won’t be next month.

Then I remembered when they were in town and Lugh could sense a lot of strength and murderous intent around him. Turns out that’s because everyone they encountered were Viekone soldiers in disguise, carefully watching over Dia. They strip of their street clothes and stand at attention as she strides by, her chestnut hair returning to silver.

After a particularly beautiful rendition of the ending theme by Dia’s amazing seiyu Ueda Reina (seriously, this is some of her finest work yet), we get the mother of all cliffhangers: Lugh is summoned into his house by Tarte where his parents are tending to a seriously injured man. His dad tells him the man has a job for them: assassinate Dia Veikone, the woman Lugh loves.

Everything had been going Lugh’s way, so it was about time he ran into a setback. But by god what a turn. While Dia loves Lugh more than anyone else, her duty to her country comes first, hence this first and last ideal date. I’d also considered that maybe Dia is the Hero (with MacGee simply a red herring) but honestly it makes more sense if she’s the one he has to save from the hero.

To do so, he’ll have to practice what he’s preached about no longer being a tool, but choosing who he kills. And I can’t believe Lugh would ever choose to kill Dia. I guess we’re about to find out.

The World’s Finest Assassin – 09 – First Job

Lugh may be busy planning his first official assassination job, but his mom Esri is thinking bigger-picture. For instance, she’s excited by the fact that he’s “growing up” as dutifully reported to her by Tarte, and also has some fine young noble ladies lined up, one of whom she hopes he’ll marry and giver her grandchildren before she’s too old.

This is historically typical aristocratic mom stuff, but it’s also clear this isn’t just duty for Esri. There’s no one she loves more in this world than her son Lugh, and she only wants happiness for him. If that means not marrying a noblewoman and having a family with Tarte, so be it. She becomes a granny either way.

While Esri is looking forward to Lugh’s future as a Zaddy, Lugh and Tarte pay a visit to Pisear, the second-largest merchant town after Milteu and also the prime market for Count Azba Venkaur’s drugs. They both detect that the innocent girl selling gooseberry jam in a dark alley is actually being forced to sell the drug-laced jam to pay for drugs for her addicted mom.

Lugh and Tarte beat up the low-level thugs controlling the girl, and Lugh uses magic to lift the girl’s mom’s physical dependence, but he knows he can only do so much without dealing with the root cause of this drug problem: the Count bringing in the drugs to begin with.

While Lugh and Tarte took a street-level view of how bad things were, Maha used her not inconsiderable intelligence resources on Venkaur’s operation. Then she accompanies Lugh-as-Illig Balor as the directors of Orna, which just so happens to be the Count’s wife Bridgette’s favorite brand. On the wagon ride to the Venkaur estate, Maha asks Lugh if he’s made any “progress” with Tarte.

A month on her own has made Maha even more confident and direct, and she makes it clear to Lugh that she and Tarte don’t see Lugh as just a brother, friend, or young master any more, and it’s time for him to look at them in a different way. Maha, for one, is biding her time until she becomes utterly indispensable to Lugh, at which point she’ll be on equal footing to negotiate an arrangement. Call it the “To Big to Fail” strategy.

They arrive to find Countess Bridgette to be an exceedingly warm and lovely woman for someone of such high station, and Lugh gets to shake the hand of his target, Count Azba. As the evening rolls on and he charms his mostly female guests of the Orna-branded party, Lugh catches glimpses of both Azba and Bridgette. He really gets to know the people whose lives he’s going to ruin.

Azba is a bad guy who sells drugs that destroy people and families and the very social fabric atop which he stands. He doesn’t deserve the pure love of his wife Bridgette, but he has it anyway. Lugh doesn’t want to hurt Bridgette, who never hurt him and knows nothing of her husband’s dealings. But he has a job to do for the betterment of the kingdom.

Mind you, he doesn’t do it because it’s his job. He’s no longer the finely-honed but ultimately will-less tool he was in his past life. He chooses who to kill, and after seeing what his crimes do to people, he’s chosen Azba as his first target. Moments after taking the shot and ending his life from several hundred meters away, Lugh’s magnifying vision lingers on the balcony until he sees a heartbroken Bridgette run out, grab Azba’s lifeless body, staining her face (covered in Orba-brand cosmetics) and her fancy clothes with the blood of the man she loved most in the world.

And Lugh feels something, after having never felt anything after assassinating in his old life. A distinct and strong pang of pain. He hastens to clarify he won’t regret this first kill, but he won’t forget it either. When he one day looks deep into the eyes of his sons and daughters—whoever their mother may be—a part of him will always see the blood-stained face of the poor Countess Bridgette Venkaur.

The World’s Finest Assassin – 08 – The Only Way to Live

Last week aptly documented Lugh’s happy and successful life as Illig Balor with his right-hand women Tarte and Maha. Now two years have passed. While before Maha was powerless to save her friends from criminals, here she keeps an eye out for them when they’re out late and dispatches their would-be muggers with ease.

Lugh has learned that given a chance (and adequate resources), Maha has not only become someone who can protect herself and her friends, but thrive as a merchant. We learn that the shop purchased as the HQ of his now booming cosmetic brand was the first shop Maha’s father opened when he was a merchant. Both Maha and her friends are eternally grateful for Illig’s help giving them their new happy and successful lives.

But for Illig, this life is now over and it’s time to return home and to being Lugh Tuatha Dé. He leaves his thriving business in Maha’s capable hands, while Maha asks that if her Prince can spare a day a month for Dia, surely he can come see her sometime as well. Maha and Tarte also leave on warm, happy, and mutually respecting terms. They don’t see themselves as rivals for Lugh’s heart, because in their view there’s plenty of that heart to go around.

On the wagon ride home they run into some wolf monsters, which Tarteuses the skills Lugh taught her to easily defeat without Lugh having to lift a finger. Once they reach Tuatha Dé lands and he sees the new soybean fields, he gets out of the wagon to receive a warm welcome—and a big basket of produce—from his adoring people.

Unlike Maha and Tarte, they may not know there’s a lot of calculation in his behavior, but even if they did, like Maha and Tarte it’s his actions, not the motivations behind them, that would likely matter most to them.

Has the assassin from our world who is now Tuatha Dé become more sentimental now that he’s been in this world for fourteen years? It’s hard to say, but if he has, it hasn’t softened his edge one bit. When his father reveals that one of the most important reasons for sending him to be a Balor was to give his son the choice he no longer has: to walk away from the thankless life of an assassin anyone in the kingdom could betray and abandon at any time.

Lugh’s answer is a firm no, for the simple reason that he isn’t a Balor, or a merchant: he’s an assassin and a Tuatha Dé. Honor and duty to the kingdom mean nothing to him, but the happiness of the people he cares about means everything. Also, he mentions that he’s in love with Dia, and can’t marry her if he abandons his noble station to be a merchant. It’s another calculated move, but one that doesn’t preclude that he is in love with Dia, and simply calling it something more pragmatic.

Rating: 4/5 Stars

The World’s Finest Assassin – 07 – You Gotta Moisturize

“You know, I’ve tried all sorts of moisturizers. I even went fragrance-free for a whole year. Now my sister, she uses some kind of uh… uh… uh… uh… aloe vera with a little sunscreen in it, and ideally, we should all wear gloves when going to bed, but I found out that that creates a kind of an interference with my… “social agenda”, you know what I mean.”—Frank Catton, Ocean’s Eleven

“It’s all going according to plan”—‘Illig’ thinks this as he lay in bed flanked by the undyingly loyal Tarte and Maha. He says the loss of their parents makes them seek human warmth, and their infatuation with him has made them his “pawns”—he continues to insist in his head that there’s a distance between artifice of his precious Plan and the reality as the girls see it: that is and has been kind and generous enough to demand that their loyalty and love.

After Illig heals his father’s legitimate son with his Tuathe Dé skills, his father agrees to adopt Maha as Illig’s sister, and also agrees that no matter when this charade ends, Illig or Lugh will always have a home to go back to in Milteu—a smart backup plan Just in Case.

As far as the merchant world goes, Illig takes to it like a fish to water and intends to make a huge first splash, converting one of his father’s failed liquor stores in the city into a cosmetics and confectionary shop focused on women. Knowing brand trumps quality in this competitive industry, he has an ace up his sleeve: there are no moisturizers in this world.

Not only does Illig impress his father, but his mother too, though she’ll still always hate him as a symbol of her husband’s impropriety. I’m sure Illig appreciates her directness. Six months pass, and Illig and Tarte watch the women and the money pour into the store. Illig further galvanizes Maha’s loyalty and love by making her the store manager, who hires her friends.

Maha and her friends are now living the dream they dreamt while living on the streets before being captured. Maha couldn’t be more content, and we learn Illig has also trained her in the skills of assassination. Such are her and Tarte’s depth of devotion to their master and brother, they’ll happily brutally torture a corporate spy in the night. Illig didn’t even have to be there.

This week is the wackiest Goddess interlude yet—in which she’s rap-dueling with The World’s Greatest MC, only to learn that 30 years later he’s done nothing because all he does is insult people. But while they provide a measure of comic relief, they also show us that of all the Worlds Best ___’s the Goddess has brought to a new world, Illig seems to be faring the best.

We also learn that once a month Illig travels to hang out with Dia, who is essentially his big sister. They collaborate on new spells and catch up. Just one day a month must be lonely (that bittersweet loneliness has been beautifully expressed in the Dia-centric ED), but even if Illig cynically thinks he’s just keeping another pawn loyal to him, there’s clearly more going on than that.

While Illig’s constant assurance to himself everything is going according to plan make me nervous for some kind of unanticipated setback, the first instance is pretty low-key: his body has arrived at puberty, and after a mana-intensive day at Dia’s, he sleeps soundly between Tarte and Maha…and wakes up to learn his body has had its first wet dream.

Tarte and Maha immediately assure him that in the future they will be able to “take care” of this new development without issue or delay, and Illig, who didn’t seem like much of a ladies man in his past life, is understandably flustered. While this first crack in his plan is mostly silly, the fact he now has less than five years to defeat the hero provides potential for many more. So much remains unknown of the hero, from their gender to the possibility of fulfilling his mission without killing them.

Rating: 4/5 Stars

The World’s Finest Assassin – 06 – The Merchant’s Daughter

Warning: This episode deals with some upsetting and potentially triggering themes, including rape and sexual assault, physical, mental, emotional, verbal, and sexual abuse, child abuse/pedophilia, and self-injurious behavior. 

Our cold open features Lugh and Tarte donning their new threads as they prepare to live their new lives as Illig Balor and his servant. But after the credits, we pivot to the much-anticipated story of third member of Lugh’s assassination team from the first episode: Maha. Herself the daughter of merchants but now an orphan on the streets, she and five other girls survive by giving sightseeing tours to travelers.

They’re close to making enough money for better clothes, and one day Maha dreams of them making enough to buy a house in which to live together. But one stormy day that dream is stamped out when all six girls are captured by men hired to round up kids for his lord’s “orphanage.” I knew shit was going to get bad, but had no idea how bad.

Ironically, Maha and the others get what they were dreaming of: a roof under their heads, food to cook and eat together at a table. But it happens to come at the price of their own freedom. They are essentially slaves, doing whatever is asked of them and being beaten when their captors feel like it. It gradually wears their once enterprising spirits down into the dirt.

Then the captors start getting rapey, pimping the girls out one by one to those with the coin to purchase them for the night. The oldest of them, Ifa, is the first to go through this, and Maha is forced to bathe, dress, and apply makeup to her, essentially making her the involuntary preparer of the lamb to the slaughter.

The sequence of this preparation is plenty disheartening, but then the episode’s absolutely brutal transitions have Ifa being doused three times in a row, succinctly indicating how many times she’s endured hell; the light in her eyes fading more each time.

For anyone still thinking it wouldn’t simply get worse from there, the episode is ready to change your minds in a hurry. At first Ifa is the only one sent away, until one day one of the other girls asks why they never get to go.

Then they go, one by one, each being subjected to the same pre-hell ritual of washing and dressing up as Ifa was. One of Maha’s friends decides the only way to protect herself from further torment is to cut up her face with a sickle; Maha is too late to stop her. It doesn’t matter; her torment doesn’t end.

One day, Maha overhears her captors talking about her being next, despite her having only just turned twelve. Having witnessed the aftermath of what all the other girls went thorough, Maha rushes to the barn, and is ready to cut her face when she’s stopped by a familiar figure, at least to us: “Illig Balor”.

Illig has come to purchase one of the girls—not for a night, but for good. He chooses Maha, and gives her captor more than enough gold. Even so, the captor asks for and is granted three days, during which he intends to pimp Maha out to make some extra money on top of what Illig paid, then rape her himself.

At first, on her way to one of those clients, Maha is trying to put on a brave face; she’ll only have to endure three days of hell, and then she’ll be in heaven with her “prince”. Then her captor has his hands all over her, and she can’t do it. She uses her mana to escape the wagon, but is quickly caught by the captor’s henchman, who also uses mana.

The henchman seems intent on being the first to rape her, but he is incapacitated by Illig, who tells the captor he saw Maha calling for help with her eyes when he bought her. When the captor and his ilk try to take Illig out, Illig has no trouble at all taking them out.

Meanwhile, Tarte sets up a honey trap to get the pervert Viscount arrested, and the hellish orphanage is shut down. The girl who scarred her face even gets it healed by Illig. Maha then joins Illig, her “Prince’s” party, and all’s well that ends well, tempered of course by all of the other mental and physical scars the girls still carry.

Maha had by far the most intense and fucked-up backstory of the trio. Lugh came from another world where he was the finest assassin; Tarte suffered and endured, but for a briefer time. Maha saw and went through some shit.

I left the episode exhausted by the horrors Maha and her friends endured, but also happy relieved they’re now free and safe. The two-plus years that passed in this episode were the crucible in which a future Maha—an assassin Maha—was first forged.

Rating: 4/5 Stars

The World’s Finest Assassin – 01 (First Impressions) – One Last Job

From it’s bold, brash OP, TWFS has the confident swagger of a James Bond film, placing us right in the middle of a highly distasteful Rich Guy Girl Auction, run by the diabolical Lady Collide. Little does she know that two of her lots are undercover magical assassins, who make it a point to kill every last dusty pedo in the joint. It’s stylish fantasy pulp, and the action and teamwork keeps me interested…

…But then the story takes a 90-degree turn off to an entirely different world—our own. There, an elite but grizzled assassin is on One Last Job that he completes to the letter, not hearing a word of his young apprentice’s desire to be a hero of justice and kill all the mafia guys. This guy may be old, but he’s still sharp as a diamond-cutter, as he demonstrates again and again that his student has indeed much to still learn.

But between an unexpected drone/car chase and the presence of the relative newbie, “Allen Smith” is sufficiently thrown off his game enough to board a commercial airliner not thinking the “Organization” who raised him would kill everyone on that plane to assassinate him. That’s just what goes down, and the sardonic assassin can only chortle and admire the “marvelous coffin” his employers arranged for him

But when he dies and ends up in a deep ocean of darkness (naked, thus balancing out the fanservice quota somewhat) all he feels is bitter frustration. He was prepared to end his career as an assassin, but wasn’t done training others.

Fortunately for him it’s not the end: an aloof and somewhat eccentric goddess (Tamura Yukari) plucks him out of oblivion and prepares to drop him into a world of swords and sorcery. She’s got a new job for him, which provides a great hook for the second episode: assassinate the hero of that world. After the baffling choices and disappointing visuals of The Detective is Already Dead, I’m game for something like this.

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