Yoshino is shot in the arm, but not seriously hurt. Hanemura attacks the Genesis pillar, but his blows aren’t strong enough, and the tree viciously retaliates. Samon, Natsumuura and Tetsuma use magic to protect the nearby ships to minimize casualties. Hanemura sinks into the water, but the Sword of Exodus teleports to his location, and he uses it to destroy Genesis once and for all. All the magic in the world goes with it, leaving the Kusaribe clan powerless. Crime, war, and strife returns to the world, but it was not reset. Yoshino and Mahiro watch the goodbye video Aika recorded for them. Mahiro vows to keep working to one day save the world. Hakaze leaves her village and travels to Yoshino.
Everything came together very nicely in the finale to what turned out to be one of the highest-rated we’ve ever watched. That means most of it was gripping, powerful drama tinged with a surprising amount of comedy; a story about grant plans for the world and rival gods that did not forget about little moments between two people, however oddly-matched. Enemies became friends and then family. The hero who saves the world this time (Hanemura) is merely creating the opportunity for it to be saved again (Mahiro). The grief of a lost love is mitigated by all the good that loss did, and by a new potential love.
The final battle with the pillar, Eva-inspired super-weapons and all, was great fun, but the emotional heart of this episode is in the aftermath, in a world with no more magic. It’s striking how cheerful Samon and his men are, for one, but then why wouldn’t they be, the world’s been saved! People get on with their lives, and Aika gives her brother and boyfriend a properly Aika goodbye, complete with one last tease. But Mahiro gets all philosophical, pointing out that while everything came to a very good end doesn’t mean he has to like her means. She lived her life by a script not of her own making (that he knew of) and played her destined role, but he’s going to write his own script and shape his own destiny.
We’ll close with a quote by the initially reluctant but ultimately successful hero:
[This is] a story about those who seemed to have lost something, but were able to gain something by coming together.
Rating: 9 (Superior)
- The old crones strike again, laying down a stunning salvo of harsh burns upon the young Hakaze, no longer a mage, but still not an ordinary girl (since she can’t cook, for one!) We’d still marry her. Yoshino better.
- Hanemura’s ex agreed to meet with him, but we like how his scene ends with her simply showing up (we don’t even see her face). It’s a scene that doesn’t give us any answers, but is replete of possibilities.
- Even Mahiro may have found love, in the form of a pen pal he made of a girl whose life he helped save. Good for him! Aika’s methods may have been too rigid, but she was right about one thing: the best way to remember her is to live full, happy lives.
- We like the idea of the world with magic being akin to a dream world; and now that the trees and magic are gone, civilization has woken up. It’s not a perfect world, but it never is.
The team heads to the shore, where they’ll make their final preparations to implement their plan. Yoshino and Mahiro insist on being involved. This angers Hakaze, as Yoshino knows how she feels about him, but he convinces her to go along with it. When the day arrives, Hakaze disguises herself as the Mage of Exodus and attacks the fleet. Hanemura, dressed as the Dancing Princess, gets the fleet to back him up in fighting the Mage of Exodus, drawing them away from the pillar. When he’s close enough, Hanemura and Tetsuma switch places, Hanemura heads for the tree, and Yoshino and Mahiro hijack the survey boat. While their backs are turned on their hostages, one pulls a gun and shoots Yoshino.
How do seven people and one boat take on a armada of one hundred cruisers? Deception, and lots of it. Mahiro is the director of the ballet to save the world, and everyone has a specific role to play. Hanemura plays the classic hero, only hopefully someone who won’t go out with the Tree of Genesis and have to rely on Mahiro tracking down his ex-girlfriend (he forgets that if he fails, everyone’s screwed). Hakaze plays the evil Mage of Exodus, and Hanemura’s costume fits her just fine…like magic! Samon, Junichiro, Yamamoto, and Natsumura Tetsuma all play supporting roles. And while Aika decided hers would be a one-woman-play, tactically declining his help, Yoshino refuses to stand on the sidelines as others he cares about – including Hakaze – fight and sacrifice.
The mission commences in a wonderfully-drawn and paced sequence of the mission being carried out interspersed with Mahiro describing it. We love how pissed off Samon and Tetsuma are to be dressed like tourists, and that Hanemura must endure at least one more indignity by dressing in drag. Everything goes off without a hitch until Yoshino and Mahiro turn their backs on their prisoners, betraying their relative inexperience with terrorism. The cliffhanger wants us to believe Yoshino’s life is in danger again, and maybe it is, but we also know he’s been cut in half before, and survived. The question is: will Hanemura succeed in destroying Genesis?
Rating: 9 (Superior)
Hakaze returns to the present with Aika’s letters for Yoshino and Mahiro, and tells them the full truth about her actions. They accept her decision calmly, as Aika predicted. Their lack of outward passion angers Hanemura, who as it happens is the only one with the power to defeat the Tree of Genesis, the Heart of which has been surrounded by a naval blockade of many nations, who have decided to protect Genesis at all costs, unaware it will lead to the resetting of civilization.
Mahiro’s entire raison d’être throughout this series was to exact revenge on the person who killed his sister. With this episode, that reason has gone kaput. She killed herself, so there’s no revenge to be taken, except, perhaps, on the Tree of Genesis itself, Aika’s natural enemy. Now that he and Yoshino know of Aika’s fate and her intentions, they are willing to follow through with the destruction of Genesis. As we learned last week, her death brought together the people required to save the world as they know it, including her reluctant backup, Hanemura.
This week, we learn how Mahiro, Yoshino, and Aika first came together. As it happens, both Mahiro’s father and Yoshino’s mother – who were marrying – bailed on their kids, but Mahiro brought Yoshino along. Thus, the guys both met Yoshino’s stepsister on the very same night. The bookend style of this flashback is a thing of beauty, as the three size each other up and decide on how they’ll address one another (informally). If Aika knew she was the Mage of Exodus back then, did she also already know how integral these lads would prove in her destined fight against Genesis? Or was she just happy a couple of amusing characters added some comedy to her tragedy?
Rating: 9 (Superior)
Hakaze prepares to transport back to the past to investigate Aika’s murder and report back. Her findings will determine against whom Mahiro exacts his revenge, even if Hakaze herself turns out to be the murderer. She transports her flesh to the skeleton on the island and uses magic to travel to Aika’s hometown. She runs into her on the street just after she arrives four hours before she meets her end, but it’s no coincidence. Aika follows Hakaze to a rooftop and introduces herself as the true Mage of Exodus, then draws a massive magic sword.
Aha…of course Aika is the real Mage of Exodus! Without going into excessive detail (or resorting to whiteboard diagrams), it makes sense after everything we’ve seen. Aika always seemed to possess an aura of wisdom and sageiness beyond her years, and being the mage explains that. If she wants to confront her Genesis counterpart (no, not Collins), it also explains why Hakaze would fall for Yoshino. The desire to determine the truth for the man she loves led her right into Aika’s burdock-like clutches. The moment they cross paths is filled with tension, and that’s before Aika tells Hakaze who she really is.
As soon as Hakaze announced she was going back in time, the gears in our heads started to turn. That decision leads to a course of action that leads to her confrontation with and, at least in the first go-round, eventual killing of Aika, which results in the present timeline these past twenty episodes inhabited. It’s a chicken-and-egg paradox: Hakaze becomes the very person she was looking for: Aika’s killer. She needs to die as she did before if the timeline is to be preserved…but judging from the size of that sword, killing her won’t be easy, assuming that’s what Hakaze intends to do.
Rating: 9 (Superior)
P.S. Samon finds another opportunity to demonstrate his singular wit – that wig joke was GOLD.
When Hakaze learns Aika is Yoshino’s girlfriend, she blames herself for her demise, even if he doesn’t. After getting him to show some emotion over the loss he’s carried for so long, she devises a plan to determine once and for all whether the Tree of Genesis follows her will – and will submit to its own destruction – or is only using her as a tool to revive itself. She and Yoshino part ways and she flies to Yokohama in a costume to face Hanemura in a highly public duel in which she helps him push his powers to their maximum potential.
Tempest is a show that isn’t afraid to present lots of discussion, debate, introspection, and analysis, while lacking a defined weekly action sequence in which nearly all episodes climax (a la Bones’ Star Driver). Because of this, when it does break out the action, it’s almost always unexpected and novel. We would have never thought Hanemura would evolve into the classic superhero…but we expected Hakaze to fly into the air in a gaudy outfit and play along with him even less. That being said, it’s a pretty awesome turn of events.
We also continue to admire Hanemura’s inconvenient perceptiveness as he casually opines that Aika is totally Yoshino’s girlfriend, and he’s never told Mahiro because Mahiro loves Aika too (he doesn’t say this bit aloud). But the comedy is again nicely balanced by plenty of poignant drama. Mahiro’s reaction to Hanemura’s theory is to simply sod off and clean the kitchen. But Hakaze’s reaction is far more involved. She even gets Yoshino to have a badly-needed cry in her bosom. Her love of Yoshino is no longer a distraction, but a key motivator in her future plans for the Tree of Genesis.
Rating: 9 (Superior)
Hanemura’s Genesis-busting services are sought near and far. Such is his success, Hayakawa is reinstated, though his superiors are suspicious of events. Back in Japan, as Hanemura rests up, Mahiro, Samon and Junichirou begin a brainstorming session to determine who Yoshino’s girlfriend is, as he may carry the heart of Exodus and she could influence him. Meanwhile, after spending so much time with him, Hakaze has no choice but to confess to him, explaining how her love could kill his girlfriend. As Hanemura puts two and two together to suggest it’s Aika, Yoshino finally tells Hakaze that’s just who it is…or was.
Well, that’s it! Cat’s outta the bag! At least as far as Hakaze was concerned. Here she was, stewing and fuming and torturing herself, when all she needed to do was tell Yoshino she loved him and didn’t want to kill off his girlfriend to learn that that isn’t a possibility, ’cause she’s already been dead for a year. After everything these guys have been through, it’s amazing it’s never come up. But so deep and constant is Yoshino’s grief for his lost love, you can forgive him for not making a big deal of Hakaze’s increasingly erratic schizoid behavior. We get more beautiful, sad flashbacks of Yoshino with his Ophelia. When he finally revealed the photo to Hakaze, we couldn’t help but well up a little.
And yet, the episode manages to balance the drama with more bawdy comedy. Hakaze’s inner voice is pretty funny (and Sawashiro Miyuki certainly sells it) but the centerpiece was the brainstorming session between Mahiro, Samon, and Junichirou, with an exhausted Hanemura in the middle of it. They set up a frikkin’ whiteboard (so official!) and proceed to come up with every hairbrained possibility of who the girlfriend is (Teacher? Married woman? Big Boobs? Nurse?…Loli?), but it takes someone with a little more distance from everything (Hanemura) to suggest the most logical possibility…it’s Mahiro’s sister, stupid.
Rating: 9 (Superior)
Samon and Yamamoto implement their plan to make Hanemura a very flashy public hero. Meanwhile Hakaze and Yoshino return to Kusaribe village to investigate a possible spy there trying to expose the villagers’ use of magic. Hakaze struggles to keep her feelings for Yoshino in check. When the spy reveals himself, takes a hostage, and sets fire to the shrine, Yoshino tries to resolve the situation without magic. The spy is apprehended, and Hakaze cannot help but embrace him. Yoshino’s effect on Hakaze has Tetsuma convinced he’s the real mage of Exodus.
Ever since Hakaze met Yoshino, she’s been extremely intrigued by him. Now that they’re spending so much time together in person, she’s constantly retreating into her thoughts, simultaneously worried about whether Yoshino finds her attractive and trying to convince herself that there’s nothing too these strange feelings. But the old ladies of the village see right through her: she’s got it bad for Yoshino, and by episode’s end she’s in his arms. She has no choice. The question is, is this just a girl falling for a guy, or is it the mage of Genesis being seduced by the mage of Exodus by some kind of calculation?
We as viewers know that Yoshino’s girlfriend is dead, but Hakaze doesn’t, and part of her reluctance was Junichiro’s warning that her intensified interest in Yoshino would lead the tree of Genesis killing his girlfriend. But even that isn’t enough, as Yoshino sticks his neck out and risks his life to save Sana, a village girl who’d already suffered enough, while also trying to preserve the secrets of the village. All the while characters heavily reference the Shakespeare works, leading us to wonder where this series is ultimately headed: to the tragic end of Hamlet, or the happy ending of The Tempest.
Rating: 8 (Great)