Re: Zero – 37 – Seven’s a Crowd

Returning by Death to the graveyard and Emilia, Subaru is more determined than ever to save her and the people of the sanctuary and mansion, even at the cost of his life. But upon returning and begging Echidna for an audience, he starts to experience what a voice much like his own voice calls “unthinkable presents”: visions of the worlds after he’d died and Returned by Death. Worlds that kept going without him.

Again and again, he witnesses what he’s indeed never considered: that in those worlds he leaves, those he leaves behind still suffer his loss, and he certainly feels both the crush of those deaths now compounded by his guilt over causing further pain to those he loves. Then again, this could be the second trial, and not true reality.

Those experiences flash by faster and faster, giving us not only a glimpse of how Emilia, Beatrice and Ram (among others) react to his demise, but serving as a kind of mini-montage of all the times he’s died period, starting from the very beginning. Then, all of a sudden, we hear a familiar voice…of Rem. Rem is there to comfort Subaru and urge him to basically lay down, rest, and let her shoulder his burdens.

Once the shock and elation of reuniting with a conscious Rem wears off, Subaru realizes this isn’t Rem. Rem may love and dote upon him, but at the same time, no one is stricter when it comes to him overcoming the pain and standing back up on his own two feet…Starting Over from Zero and such!

Turns out it’s not Rem after all, but a very flustered Carmilla, Witch of Lust, sent to the graveyard by Echidna to keep his mind from being totally worn away by the trial, an illusion that drew upon his memories. The trial, to, Subaru, would seem to present a series of failures, almost mocking his efforts as pointless.

However, Echidna assures him that he is where he is now due to everything he’s seen, done, and experience, good and bad. It mattered. None of it was a waste. To that end, since he’s here now, she wishes to enter into a formal contract with him, forming a bond between their souls that will enable her to help him when it’s needed, and will grant her the ability to Return by Death with him.

It’s hard to see her sudden dropping of this proposal to be the sum product of a deliberate and calculated effort on her part to butter him up and come across as a reasonable, even benevolent ally. To make her promise to help him achieve the future he wants—not to mention use her body, mind, and soul however he likes—appealing.

When the other witches (including Sekhmet, Witch of Sloth, who constantly yawns!) appear up one by one to warn Subaru not to take the deal—there’s too much fine print Echidna isn’t telling him—she launches into a passionate monologue describing in detail all of the ways she’ll help him, declaring it, essentially, a “vow of love.”

But as with Carmilla as Fake Rem, the vow feels hollow and performative to Subaru. Echidna may indeed be a kind, gentle, naïve maiden, but she’s also a witch, and the Witch of Greed, no less. It is her greed that primarily drives her wish to contract with him, as it would “contribute greatly” to the satisfaction of her curiosity. But that assumes she can ever be satisfied.

By the time miasma is coming off Echida and her face has become more demon-like, Subaru finally asks her what he wanted to from the moment he returned: Does she know Beatrice? Yes. Does she know “that person” whom Beatrice has waited? No. In fact, Echidna always intended, and has been waiting all these 400 years, to see whether Beatrice would choose “that person” herself.

Basically, Echidna is pointing out that she gave Beatrice a raw, cruel deal before asking Subaru to trust her enough to give her a “taste” of everything he is, was, and will be. And Subaru isn’t having it. He declines her offer, and while Echidna looks disappointed and even miffed, she probably doesn’t think her fight for Subaru and his Return by Death is over just because he refused once.

Still, before we see fully how she’ll deal with that refusal, the seventh witch, Satella, makes her appearance, just in time for the second season’s first cour finale next week. I’m hoping she has a bit more to say to Subie than “I love you”!

Golden Kamuy – 13 – The Taste of Spring

I take over Golden Kamuy reviewing duties from Preston as the last vestiges of summer fade and the colors start to turn, but it’s springtime in Hokkaido. It’s in the town of Yuubari where Lt. Tsurumi (himself very odd) meets perhaps the oddest and most colorful character yet on a show full of ’em: Edogai Yasaku. Whomever conceived of such a character has a twisted mind. Edogai seems normal at first, but it’s gradually made clear he’s anything but.

For instance, he doesn’t live with his mother, or anyone else, despite him hearing voices from a number of people in the back room. In fact, he’s just hearing voices, and the “people” are corpses he, a master taxidermist, has stuffed. He’s got a whole goddamn Signing of the Declaration of Independence in there. Is Tsurumi freaked out about this? Quite the contrary; he’s ecstatic: this guy is just who he needs to add more chaos to the tattoo hunt for his opponents.

After indulging Edogai in a hilariously macabre “human skin fashion show”, he tells him the plan: to create clever copies of the tattoo map skins he’s brought, covered in “nonsense” that will lead its readers astray. Edogai is eager to please his newest client, but when he can’t get the color of the skin just right (since its not fresh skin), he has a bit of a temper tantrum, riding his stuffer polar bear in one of his pieces of couture and exposing his arrested development.

So yeah, Edogai isn’t the most stable individual, but Tsurumi only needs him until the job’s done, even if it’s not done to Edogai’s exacting standards. Meanwhile, Asirpa and Sakamoto immediately avail themselves of the lush bounty of spring vegetables and fresh salmon, along with Shiraishi and Kuroranke.

But in Asirpa’s village where Tanigaki is still recovering, Inkarmat arrives with ill tidings: Asirpa’s life is in danger. Someone in her party will betray her, and it’s looking like it’s Kuroranke (if Shiraishi doesn’t do it first, of course). She joins Tanigaki on a mission to warn Asirpa, or to protect her from the threats she faces.

In her dreams, Asirpa remembers her father before his face was ruined, telling her she’d not only be a new kind of Ainu woman (which she certainly is), but one day be their outright leader. For that second prediction to come true, she’ll have to remain alive in an increasingly dangerous Hokkaido. But I wouldn’t bet against her.

Golden Kamuy – 12 (Fin) – Tricked by a Fox While Betting on the Ponies

GK’s first season decides to go out with a bit of a whimper rather than a bang, though there was a bang in last week’s far livelier episode. Shiraishi blew up all of the explosives the group bought for Abashiri. Somehow, Ienaga survived the blast, and has something to tell Ushiyama and Shiraishi.

Now they need more explosives, but are low on cash. Asirpa and Kiroranke recommend hunting for furs in the forest. There, Asirpa learns the money she lent Shiraishi was spent at the racetrack, where he promptly lost it all. Then, at her relatives’ camp, they meet a fortune teller, Inkarmat.

Inkarmat is a shrewd woman and knows how to trick those who let themselves be tricked; Shiraishi is one of those people, but Asirpa isn’t. She’s committed to being a “new kind of Ainu woman”, though when Inkarmat speaks of her father, Asirpa perks up a bit.

Inkarmat knows who the mark is among the party, and so goes to the horse races with Shiraishi, uses her fox skull to correctly predict the winner a few times in a row, and gets her cut in the form of selling various trinkets to Shiraishi. By the time Asirpa shows up, he’s acting like a big shot.

Kiroranke, who has been around horses his whole life and helped care for them with during the war, could probably predict the winners better than Inkarmat…if the races were fair. He learns the trainers are up to all manner of dirty tricks, drugging the horse they want to win and getting the one Kiroranke thinks should win to drink too much water.

Kiroranke is in luck; the jockey meant to ride the losing horse took off, so he takes his place, is determined to win, and does win. Shiraishi loses everything, but one of the tickets was for Kiroranke’s horse—a parting gift from Inkarmat—that Asirpa no doubt uses to re-procure their explosives.

With that, Shiraishi continues to make himself useful by telling Sugimoto and Asirpa what a “cutie” (really Ienaga) told him: of a fellow in Yuubari who has taxidermied human corpses bearing tattoos they’re interested. Sugimoto takes stock of their situation: they have five skins, Tsurumi at least one.

Meanwhile, he’s still unaware of the third player in this hunt for the gold, Hijikata Toushirou, to whom Ogata offers his services as bodyguard. There was way too much story left to tell before all’s said and done, so this week was a bit of a punt; taking stock, and some light comedy involving Shiraishi, Kuroranke, and the horses. A second season is coming this Fall, which should provide ample time and space to complete the story.

Golden Kamuy – 11 – And Now, Some Light Eyeball Licking

It all starts with a coincidence, as Sugimoto, Asirpa, Shiraishi and Kiroranke decide to spend the night at the Sapporo World Hotel, where Ushiyama also happens to check in. Both Ushiyama and Shiraishi are immediately smitten with the comely proprietess Ienaga Kano; unbeknownst to them, she’s running a murder hotel.

Ienaga takes an interest in Ushiyama due to his superhuman strength, and so dangles him along as she settles Sugimoto & Co into their room. While pursuing Ienaga, Siraishi almost crosses paths with Ushiyama, but doesn’t, thanks to a trap door that leads to Ienaga’s torture and dismemberment chamber.

More importantly, the Immortal Sugimoto and Undefeated Ushiyama finally meet, and test one anothers’ prowess with Judo, leading to this hilarous quote from Ushi: “At this rate, we’ll end up killing each other…I like you. Drinks are on me.” With that, Ushiyama treats Sugimoto, Asirpa, and Kiroranke to drinks and dinner, including a dish Asirpa believes to be poop, leading to another one of her priceless faces.

They all get ruinously drunk; Asirpa and Kuroranke pass out, but fortunately Sugimoto can hold his alcohol enough to stop Ienaga when she starts licking Asirpa’s eyes. Shiraishi remembers who “Ienaga Kano” really is: a fellow prisoner from Abashiri, a mad doctor who believed he could achieve perfection by taking the best parts from others.

It’s left up in the air is whether Ienaga is simply posing as a woman or has actually completed full gender reassignment as a result of their quest for perfection. One thing’s for sure, Ushiyama doesn’t care who Ienaga was or is; he’s just committed to screwing them.

That doesn’t happen, as Ienaga triggers the hotel self-destruct system, blowing the whole place to kingdom come. Sugimoto, Asirpa, Shiraishi and Kuroranke escape in one piece (albeit lightly singed) and decide to continue their journey to Abashiri to meet Nopperabo.

They assume they lost not one but two tattooed prisoners in Ushiyama and Ienaga in the blast, but after the credits Ushiyama emerges with an apparently alive (or at least intact) Ienaga, which means Team Hijikata just became one tattoo closer to completing the map.

This episode managed to move the overarching story forward while confined within one crazy kooky hotel and threw together a lot of strong personalities to see how they’d mingle. And it was an absolute riot.

Sabagebu! – 07

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While lost in the mountains, the Survival Club stumbles upon a village in distress. Vermin (raccoons, deer, etc) are devouring the village’s food supply — but the girls can’t bring themselves to shoot the cute little creatures. Then they meet an old hunter and learn about hunting culture in Japan and, ultimately, are incensed to become legal hunters. (end act 1)

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The girls attempt to ‘feel like men’ by dressing up but Momoka can’t get it right. Enter Kaya’s cosplay skills and soon Momoka is transformed into a mega hottie prince. Being Momoka, she wanders off from the group and tests her skills as a lady-killer. It goes great until she goes to far and all the wolfishly boy-hungry girls of her girls-only-school chase her around. 

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Trapped in a room with a tiny window, Momoka is forced to strip and smear herself in oil to escape. The clothes she left behind start the myth of a fairy boy living on campus and being naked in the bushes leads to some awkward photographs. Also, some leg-grindingly awkward molestation by Urara.

What am I watching? Love Stage?? (end act 2)

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A stranger invades the school and the club sees their chance to shine…only to get completely destroyed. Uraura’s bangs are cut straight, Maya ends up in a track suit with french braids, Miou ends up in pig tails. Even with a minigun the attacker can not be stopped!

Turns out it’s Momoka’s mom, who wanted to slip onto campus undetected in order to give Momoka lunch without embarrassing her in front of her class mates. It’s weird. It’s funny. It’s another sign that Momoka’s mom is not what she appears!

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There’s a great “im going off to die” warrior vibe to the old man hunter, musically and visually. it’s snot bubble funny too, since the last gunshot he fires off in the distance would usually signifying his death…but he’s fighting cute and physically harmless woodland creatures!

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Additionally, the opening arc was very very very very talky about the decline of hunting in japan and the process to get a license and the law around it. I can’t verify how accurate the info was but it’s interesting to think that an bonkers crazy anime could actually be an effective marketing tool for a societal concern.

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Act 2 was a little weaker than average. I guess it was funny but it was so short, like the Yakuza plot last week, it just didn’t grab me that much.

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Act 3 was short too, and light on humor but, because it flashes back to Act 2, the segment felt like it was part of something larger. Besides, who doesn’t like Momoka’s weird ninja mom?!

I can’t wait for a Momoka’s Dad episode. Who knows what kind of weirdness that’ll cook up.

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Another good week but a hair down from last week and certainly Sabagebu! is struggling to top the toilet incident two weeks ago. I can’t really complain though. The weirdness is just more specific and more personal than the other B-list comedy competitors this season.

Above all else, the Survival Club Girls are having FUN! And it’s fun to watch them have it.

7_ogk