Higehiro – 10 – A Warm Place

While Yoshida does his level best to hide it, Mishima and Hashimoto can tell he’s devastated by Sayu’s imminent departure, and how he’s mitigating it by trying to bury himself in his work. While he has many reasons to worry about the welcome Sayu will received from her mother upon returning to Hokkaido, her big brother Issa isn’t one of them.

Issa meets with Yoshida after work to bow in apology for the rude things he said the other day, while also asking him earnestly to continue taking care of Sayu in the time they have left together. He reveals how Sayu was their mother’s last best chance to keep their womanizing dad around, refusing to get an abortion. Alas, the asshole left them anyway.

Sayu’s mom wasn’t equipped to love a girl who was the symbol of her failure to keep the man she loved in her life, and so Sayu received no parental love whatsoever, something Issa believes every child needs. Honestly, it’s a wonder Sayu isn’t a lot more scarred.

While it’s nice to be reminded that Sayu’s brother is a legit good guy, if what he’s said is true, Sayu’s mom may simply be incapable of loving Sayu—or if she does love her on a fundamental/biological level, has never been able to express it. Why would that change when she returns home?

Later, Sayu presents Yoshida with a parting gift: a hand-written and illustrated cookbook with all of his favorite dishes she’s made for him over time. I couldn’t help but let out a loud awwwwwww that a roommate must’ve thought was me reacting to a cute puppy video. It’s such a cute, warm gift, and filled with love.

Sayu’s next parting gift is to share with Yoshida the view Asami shared with her, along with the wisdom she imparted about how even the tiniest stares have pasts and futures. Asami accepted Sayu and became her first real girl friend, just as Yoshida took her in with only the best intentions when everyone before had the worst.

Sayu doesn’t see Yoshida as simply “some guy who shared his apartment with her” for a while. That she met him when she did may well have saved her life, and she’ll never forget that, looking back fondly on the time she stopped running away, settled down, and found a way back.

Sayu admits that she’s tried to leave a few times while Yoshida wasn’t home, but has been unable to do so. Ultimately, he means enough to her not to want to leave without saying a proper goodbye. Because in all honesty, she kinda wants to stay with him forever. But she can’t settle her past unless she goes home.

Ichinose Kana does some really lovely voice work here, and has indeed done much of the heavy lifting in a show that doesn’t have the best production values. She even moves Yoshida to tears, because a part of him doesn’t want her to leave, both because he fears what might go down in Hokkaido, and because he’s become so accustomed to her living with him. He’d no doubt say she saved him just as he saved her.

Back at work, the ever-practical Mishima, independent of her individual crusade to win Yoshida’s heart, says if it’s so unbearable to say goodbye to and part with Sayu, then mabe he shouldn’t, and should instead follow her to Hokkaido. Sure, it would mean leaving his job, but both Mishima and Hashimoto doubt he considers his job or whatever project he’s working on to be anywhere near as important to him as Sayu.

In fact, it pisses Hashimoto off to no end that Yoshida tries—badly—to pretend otherwise, like when Asami calls him saying Sayu has disappeared and isn’t answering her phone. It takes Hashimoto telling Airi that Yoshida are feeling sick and going home early, and Mishima taking over Yoshida’s work for the day, to get him out of there.

While giving him a ride, Hashimoto expresses to Yoshida how it pisses him off that his best friend knows what to care about the most, but pretending he doesn’t. As his best friend, Hashimoto knows what Yoshida won’t admit: wanting what’s best for Sayu, or wanting whatever will make her happy, and his own fear of being apart from her aren’t mutually exclusive.

Sayu is fine (don’t scare me like that, show!); her phone simply died while she was waiting outside Yoshida’s office to surprise him and see where he worked; he and Hashimoto must’ve just missed crossing paths with her. Airi and Asami are there with her, and Yoshida acts like a worried dad when he sees her. This marks the first time Hashimoto lays eyes on Sayu, and seeing her makes him immediately understand why Yoshida is scared of losing her.

That night, the very last night together in Yoshida’s apartment, Sayu asks if she can climb into bed with him. Not for anything weird, but just for some warmth and human contact between two people who have come to mean much more to each other than they’d initially expected.

Sayu asks if she’d have grown up into a “normal girl” if Yoshida had been her dad. Yoshida should’ve answered by saying there’s nothing abnormal about her, she’s a lovely person who has admirably hung in there under abnormal and suboptimal circumstances. Okay, maybe that’s a little too wonky for the mood of that scene.

But whether he had decided earlier that evening, or right there in that bed, Yoshida tells Sayu he’ll come to Hokkaido with her, to keep an eye on her and see her mom with her. Sayu can’t contain her elation upon hearing those words. There’s nothing wrong with going back home to settle your past, but there’s nothing saying you have to do it alone…particularly if you’re someone who’s experienced enough loneliness for a lifetime.

Rating: 4/5 Stars

Fruits Basket – 59 – Useful Idiots


What does Tooru do when a soaked, filthy Akito approaches her with a knife, saying she stole everything from her? First, Tooru sees her mother standing behind Akito, echoing her words about being left behind and abandoned.

Instead of running away, Tooru runs towards Akito, who is startled and slashes her arm. But no amount of non-lethal dagger strikes or ghost moms will be enough to stop Tooru’s—and time’s—inexorable march forward.


Tooru admits to Akito that even as she rejected the eternity of the Zodiac curse, she wished for the same things: for unchanging feelings and eternal bonds, like she had for her mother. But then she fell in love with Kyou, and even if he doesn’t love her back (he does), she’s going on ahead without her mom. People and feelings can’t be bound down.

Tooru’s words (and complete lack of regard for her life) disarm Akito, literally and figuratively, but Akito’s anxiety remains. How can she live life with “strangers”, lacking promises or bonds or eternity? Tooru asks Akito to start over with her, here and now, and holds out her hand. Akito worries Tooru get sick of her if she cries, but Tooru keeps that hand of friendship out, and Akito is about to take it…when the earth below Tooru suddenly gives way.


The old Akito would have relished a scenario where Tooru was seriously injured and there was no one around; all she’d have to do is nothing. But even though she wasn’t quite able to take Tooru’s hand, Tooru still changed Akito in that moment. Instead of doing nothing, Akito screams her lungs out and runs for help, finding Shigure and Yuki, who calls an ambulance.

Yuki locates Tooru, who is still alive, and thanks to Akito calling for help immediately, she’s likely to stay that way. But for Kyou, who also heard Akito’s screams, that’s by no means a sure thing. In fact, it must feel like a second case of deja vu after the deaths of his mother and Kyouko for which he blames himself. Still, Tooru raises her hand to Kyou’s face and says “it’s all right now”, and then Kyou kisses her.

That night, Yuki is prepared to stay at the hospital all night, but Tooru’s gramps tells him to go home and go to school tomorrow, or Tooru will fret. He also asks where the “redhead” is. It’s clear Kyou doesn’t feel he deserves to visit Tooru considering his running away from her led to this.


But one person who is done running away from everything—from the inevitability of the future to the deeds she committed in the name of stopping that future—is Akito. She visits Kureno at the hospital, and he quickly forgives her. She’s waiting outside when Momiji arrives, and calls both Kureno and Tooru “idiots” for forgiving her no matter what she says or does

Momiji says that “idiots are useful”, since Akito isn’t guilty of her crimes thanks to the two of them being idiots. If they were less kind, soft-heared, loving people, they’d pressed charges at the very least and possibly hated her forever. But that’s not who Kureno and Tooru are.

Momiji tells Akito to treasure them from now on, and that’s just what she does, starting with visiting Tooru in her hospital room, where shes awake, sitting up, her arm outstretched in friendship. Akito blushes and smiles, happy beyond words that a wretch like her can still be forgiven and welcomed.

Those of you who have zero tolerance for an Akito redemption arc will likely be disappointed in where things went this week, but I for one am all for it. Akito may have dished out no shortage of cruelty and suffering upon the other Zodiac members, but if Tooru and Kureno are willing to forgive her, and she’s willing to step out of the shadows and move forward, then that’s all good with me!

As for how all of this seemingly went according to Shigure’s plan, well…that was one hell of a convoluted, risky plan! One wonders if his novels are similarly chaotic…

Fruits Basket – 58 – Forgiven for Existing

Kyou’s a real big jerk in this episode, not letting poor Tooru get a word in edgewise, and even then rejecting those words and running off, ignoring her feelings entirely. Then again, it was about time we heard Kyou’s full backstory, including how he met Kyouko quite by chance one day, as she noticed how his hair matched hers.

In this meeting of orange-haired Kyous, Kyou finally met someone who didn’t curse his existence; an intermittent surrogate mom of sorts, who treated him the way his real parents should have treated him, instead of blaming a mere child for everything wrong with their lives. For a boy thus psychologically tortured, Kyouko was a ray of light and hope—as was her daughter, whom Kyou only ever saw once, watching her from behind.

When Tooru went missing that day, Kyou made “a man’s promise” to Kyouko that he’d find and protect her. But while he searched all night and into the day, it was ultimately Yuki who found her and brought her home, all while wearing the blue cap he claimed from Kyou when the wind blew it his way.

Kyou was never going to accept a hat touched by someone he deemed his  mortal enemy and nemesis; a “bad guy” title he bestowed upon Yuki because a bad guy was needed. Kyouko urged him not to live his life that way, and even when Kyou pushed her aside, she assured him she’d hold him to his promise he made “another day.”

Lonely because he felt betrayed and ashamed because he couldn’t help, Kyou stopped seeing Kyouko, until one day by chance they were at the same crosswalk. When an out of control car careened towards her, he was ready to pull her towards him to save her, but if he did that, he’d transform, so he “let her die” to protect himself.

Despite hating himself so much, and wishing he could go away and disappear, he always saves himself in the end by running away. Even now, after all he and Tooru have been through, he can’t look at her face, so afraid he is that she loves the wretch who let her mother die. If that mother’s last words were what he thought they were: “I’ll never forgive you”, how could he ever forgive himself?

With his ray of light and hope extinguished, and wracked with the guilt of having done nothing to stop it, Kyou shut down. Shisho took him to the mountains and tried to get him to “keep living”. He began to refocus on Yuki as the bad guy who stole all of his hope, and Akito egged him on by promising to acknowledge him as an official member of the Zodiac and cease calling him a monster if he “defeated” Yuki by high school graduation.

This gave Yuki another reason to hate and compete with Yuki, so he followed him to Shigure’s house…only to come across the last person he expected to see: the late Kyouko’s daughter and treasure, Tooru.

Despite growing closer to Tooru since then, Kyou can’t forgive himself, and doesn’t want her to forgive him either. He’s the real bad guy, not Yuki, and he feels he doesn’t deserve hope, or love, or forgiveness. Finally given a chance to speak as the two are pelted by the rain, Tooru declares that if her mother really said she’d never forgive Kyou, then she’ll just have to “rebel against mom”.

She asks if there’s any way Kyou can accept that she loves him, and he in turns says he’s “disappointed in her”, even after saying he wouldn’t when nothing but a sheet separated them. Kyou then runs off, not letting her say anymore, and Yuki, who had been observing from a respectful distance, chases after him.

That leaves Tooru alone and vulnerable to attack from a dirty and clearly unhinged Akito, who approaches Tooru bearing a knife clearly intent on doing away with the one she’s deemed the bad guy. And while this is by far the most overt threat on Tooru’s life in all these fifty-eight weeks of Fruits Basket, something tells this non-reader that Tooru won’t be joining her mom quite yet…

Vivy: Fluorite Eye’s Song – 09 – Diva’s Final Curtain

Matsumoto, always entertaining when thrown for a loop, finds himself speaking to Antonio through Ophelia, as he decides the best way to fulfill his mission to support her was to become her, sparing her the burden of fame and the pursuit of perfection, but also sparing her an independent existence. He considers his mission far more noble than Matsumoto’s designs to prevent her suicide, though he might not say that if he knew the bigger picture.

Speaking of that, Kakitani’s youth is promptly explained: he’s an AI copy of the human, and his mission is to get an answer he couldn’t from his teacher, which only Vivy could provide. That means infecting the captured Diva with a custom logic palette that “doesn’t belong in this era” which, throughout the episode, slowly erases Diva’s personality, eventually leaving only Vivy behind to answer him.

Thankfully, it’s a slow countdown, and while it is technically a ticking clock, because it’s only one of several spinning plates in this arc finale, it feels earned rather than cliched. That it is an inevitability even Matsumoto’s hacking skillz cannot override also adds gravitas to every moment Diva is on screen, because they’ll be her last.

It also assures that the titular Vivy we know and love, who can neither act like a human nor sing half as well as Diva, will ultimately return. It occurs to me that at the conclusion of every previous arc, we didn’t just say goodbye to one of Vivy’s sisters, but a part of Vivy as well, as her interactions with them helped her grow, both as a songstress and a person.

This time we don’t just say goodbye to a part of Vivy, but an entire alternate version of her, who lived for sixty years. It’s a tough loss…but before she goes Diva makes sure she puts absolutely everything she’s got in all the time she has left to be the best temporary partner to Matsumoto he could ask for…and vice versa.

While packed with drama, pathos, tragedy and romance, Wit Studio flexes its muscles like never before in this episode, as we cut between the parallel battles, one of the more abstract electronic variety, one more down-and-dirty hand-to-hand combat, but both equally gorgeous an awesome to watch unfold.

That Kakitani is also an AI means both he and Diva can take the fight to levels humans would not be able to survive, while Matsumoto manages to copy himself into enough cubes to fight his battle with Antonio while supporting Diva. Compare this to Antonio, who happily accepted Kakitani’s help but is otherwise not working towards the same mission, making them inherently weaker against a united front.

Among other Kakitani’s surprises is an elaborate arm cannon (always a sharp feature when going on a timeline-bending crusade to avenge his mentor—and a special knife that seems to act as an EMP, deactivating the Matsumoto cubes aiding Diva.

All the while, Diva tries to impress upon Kakitani the fact that she’s not Vivy, and has no answers for him he’ll find satisfying. When she says she puts everything she has into her singing to make people happy, that includes everything about Vivy, despite her knowing next to nothing about her.

On the Antonio side of things, Matsumoto says he almost turned into him, discarding his partner as part of his “perfect calculations”. Looking at what’s become of Antonio, he’s not glad he didn’t eliminate her. As for his mission, it was never specifically to stop Ophelia’s suicide; it was to carry out the Singularity Project with his partner.

Even taking over Ophelia couldn’t satisfy Antonio, because no matter how happy the crowds were with his performances, he always knew he wouldn’t be able to match the power of the true Ophelia’s singing. In fact, it irked him that their standards for excellence were so low, resenting the very people it was Ophelia’s mission to make happy.

The Matsumoto cubes manage to hack both Antonio and Kakitani and disable both, and transfers Antonio back into his own clunky body. It’s only then in his last moments that he admits that all he really wanted was for Ophelia to sing for him and no one else. Ophelia, regaining consciousness before shutting down, admits she only wanted to sing for him; to make him smile.

In the end, their mutual love and devotion to each other corrupted their missions. In true Shakespearian tragic fashion, it was a love that could never be. In that same vein, the moment Kakitani uploaded that logic palette, Diva was a version of Vivy that could never be, even though she did a bang-up job serving as Matsumoto’s partner. Before Kakitani shuts down, he tries to twist the knife once more, telling Diva “there were humans who suffered because you existed!”

That line might’ve worked on Vivy, but it doesn’t faze Diva that much. And in true Diva fashion, she gives one last snap and tells Matsumoto she’s going to use her last five or so minutes of existence doing what she was built to do: dazzle the stage, put her heart into her singing, and make everyone in attendance happy to be there. As she performs, she simultaneously opens a dialogue with Vivy within the Construct.

In this lovely parallel scene, their positions couldn’t be better illustrated, as Diva is both on stage and in the brightly lit classroom, while Vivy is relegated to a dark, shadowy, morose office. The pair lean against the same door, and Diva says she hears how Vivy had been struggling with putting her heart into her singing. She says the answer is to simply to hear the song she’s singing now, in her final performance, as in the Construct she slowly dissolves away into cybernetic oblivion.

And yet, as Vivy opens the door and steps into the light, then wakes up on stage to a deliriously ecstatic crowd cheering the song Diva just sang, Vivy still doesn’t understand. Then again, she only just woke back up; maybe she needs a few decades to process what she heard and what it means. Thanks to Diva, she has her existence back, which means anything is possible for her. As long as she sticks with her partner Matsumoto, who promised Diva he’d take care of her.

Fruits Basket – 51 (S3 01) – There’s No Night that Doesn’t End

Where we last left off, Kureno had just revealed to Tooru that not only was Akito a woman. No matter how much he loved Arisa, he couldn’t leave Akito’s side, not even after being freed from the curse—or especially because of that. He further explains that Akito was raised a male from birth because it was decreed by her mother Ren, to whom we are finally introduced.

Ren still lives on the grounds, but as Kureno puts it she has “some…troubles, mentally and physically.” Akito freaks out when Ren even tries to touch Hatori, while Ren insists Akito’s belief that her bonds with the Zodiac animals are real love and eternally unchanging is nothing but fantasy.

Her cruel taunting of her daughter—whom she made into a sun by pure will—causes Akito to fly into a rage, but Ren wouldn’t mind being killed, because it would mean reuniting with Akira, Akito’s late father. In a flashback Akira tells Akito she was “born to be loved”, but to Akira that probably doesn’t mean being venerated as a god.

The thing is, Ren may question whether the Zodiac bonds are right or even real, Kureno, Shigure, Hatori, and Ayame all woke up in tears the same morning Akito was conceived. Before appearing in Ren’s belly, Akito came to them in a dream, and the four kids ran to Ren, who didn’t even know she was pregnant.

From that day, Kureno felt the other self that lived inside him, in his blood, and knew he could never betray her. Even if the bond was unnatural, or painful, he simply could never push away a crying Akito, and so can’t see Arisa. Because just as Akito wounds others, she herself is wounded.

Kureno said all of this to properly explain why he can’t leave Akito ever, and that the choice to stay with her is his alone, not guided by any curse. As he leaves her in the courtyard, the DVD falls out of Tooru’s hands and she cannot move for some time, frozen by the weight of this new information.

Her scarf flies away, she falls to her knees. Rin, her ally in ending the curse, watches this from afar. Kureno explains how he went out for fresh air, gets a vicious slap from Akito, and then the two gently embrace. Then, like a gothic fairy, Saki approaches Tooru, flanked by Megumi, and announces she is “here to save the day. Ta-da.”

After informing Yuki that Tooru is in her “custody” and will be her’s “all night” (phrasing!) Saki prepares a “Nightgown Festival” to soothe Tooru’s troubled soul. She tells Tooru that she was able to detect Tooru crying in a voice no one else could hear, but was deafening to her. Tooru explains how she tried to bring Kureno and Arisa together, to make up for all the things people like Arisa did to help her…but she failed, so she’s useless.

As we see Kyou spot Tooru’s scarf lying in the street, Tooru tells Saki how Kureno is someone who puts others’ feelings before his own. I’m glad Saki’s there to essentially say “look in the mirror…that’s you!”. Saki worries if Tooru keeps taking everyone’s feelings on her shoulders, it will crush her, and her smile will disappear. Arisa enters Saki’s room to add that if Tooru’s smile disappears, “it will be the end of the world.” Neither of them will let that happen.

Arisa sits with Tooru and says she’s “trash” for maing her cry. Tooru says she’s not trash, and Arisa in turn says Tooru isn’t useless. What she is is a dummy, just as Kureno is a dummy, and Arisa can’t help but love dummies. But because she loves them, she doesn’t want to cause problems for them, so she gathers Tooru in a hug and assures her she needn’t worry; she’ll be fine. With that, the Nightgown Festival commences in earnest, and Megumi’s heart pounds as he’s surrounded by older women, the little scamp!

Rin continues slinking around the Souma compound, only to be caught by Ren, who asks her if she wants any “help.” No doubt Ren would love to lift the curse, though it’s interesting that she only comes into the picture now.

Fatigued by their emotional exertions, Tooru and Arisa fall asleep early. Megumi asks Saki if she thinks it’s really hopeless for Arisa and Kureno. Who can say? Arisa may have said “that’s it”, but Megumi isn’t so sure. Sometimes it takes a long time for lovers to find each other.

The next morning, Tooru comes home, all cheered up, and becomes even more cheered up when she finds her scarf waiting for her, courtesy of Kyou, who even washed it (though some stains remain, which is apropos!) Tooru bops him with a pom-pom once more, then Yuki and Shigure bid her good morning. As Tooru gets on with her life—no mean feat after what she’s learned—she resolves to gradually think upon the thinks Kureno told her bit by bit.

With this beautiful, magical, heartrending-and-mending opening outing, Fruits Basket continues to prove it is the final word in supernatural romantic comedy/dramas. After two exquisite seasons of painstakingly introducing characters, delivering their backstories and developing and strengthening relationships, this third, The Final, will introduce and execute the endgame.

Some of the darkest and most painful episodes may be yet to come, but I’ll happily endure them with Tooru, Arisa, Saki, Yuki, Kyou, and everyone else to see how things turn out!

Horimiya – 13 (Fin) – Gifting the Sky

Like Yuru Camp, Horimiya ends with an ending, namely high school graduation, and all the bitter-sweetness that comes with such an event. Kyouko and Shuu had been gradually emptying out their lockers day by day, but no one else thought to do so, which means they’re forced by default to help Yuki, Izumi, and Tooru with her much larger loads.

While cleaning up the StuCo office, Remi, Kakeru, Sakura, and Akane all agree to go on a post-graduation trip once one of them gets a driver’s license. Remi momentarily feels a bit lonely about the prospect of her boyfriend being able to drive far away from her, but…he’d never actually do that!

Speaking of hypotheticals, while Kyouko is napping in Izumi’s lap (a cute quiet couple moment I wish there’d been more of), he ponders what might have been were it not for all of the little coincidences—like saving Souta—that led to him not only befriending and falling for Kyouko, but everyone else in their circle of friends.

He imagines an alternate reality in which no one ever approached him or interacted with him, but things simply happened around him. Remi has shorter hair for some reason, Sakura doesn’t know Tooru, while Kyouko and an unnamed friend ogle Akane.

Kyouko wakes up, snaps him out of his daydream, sits in his lap, and says it must be fate that brought them together. But even if fate didn’t exist, Izumi likes to think the world would gradually move in the direction he wanted.

Graduation Day arrives, and as StuCo president and class rep, Kakeru is ready to give his big speech, only for Izumi to sneeze loudly before he can get a full word out, causing the entire class to start snickering. After the speech, Kakeru chases a contrite Izumi, who hides up on the roof.

There, he encounters his old, lonely self, tells him how well things have gone and how happy he is, and then looks at his old self for the first time, promising he won’t look away again. The old Izumi, in turn, decides he’ll “disappear” for him, no longer needed.

A parade of farewells and see-you-laters ensue. Tooru stumbles over a goodbye with Sakura before she holds her hand out for him to shake, and tells him she genuinely had the most fun ever this year, and he was a part of that. Awww. Similarly, Akane tells Yuki how he wants to join everyone on a post-graduation trip, and Yuki preemptively thanks him for doing the driving.

Kyousuke arrives after school to see Izumi, much to Hori’s chagrin, and is momentarily mistaken for Izumi’s dad (as opposed to future dad-in-law). Finally, Motoko gets a taste of Iura’s loud, peppy high school persona, and it’s a shock to say the least, though no doubt she’s happy to see that side of her brother.

Finally, our cozy lovey-dovey titular couple walk together to get some sushi with Kyouko’s fam, hand-in-hand. Izumi remarks how he once feared all the boundaries between him and Kyouko, but no longer. The two are so close, they might as well share the name Horimiya…and that’s fine with him, because wherever she goes, sunny days follow.

The spring sky looks bluer and more beautiful than he’s ever seen—so much so that he wishes he could repay Kyouko for shattering his old reality and wanting a future with him…by gifting her that sky. The vivid colors, soft focus, and dancing sakura petals add to the sense that Kyouko and Izumi are on cloud nine. If this ends up being the last we see them in anime form, I couldn’t ask for a lovelier parting shot!

Horimiya was by no means perfect. I didn’t always agree with some of the narrative choices made after the couple slept together, and there were ultimately a few too many characters to juggle (with Shuu, Akane, and Sawada getting particularly short shrift) but at its best the central romance was as fun and electric as anything I’ve seen in the genre. It certainly won’t be a series I’ll be forgetting anytime soon.

Rating: 4/5 Stars

The Quintessential Quintuplets – 24 (Fin) – Kyoto Accords

When a despairing Miku is worried that she simply can’t compete with Nino or Ichika, Nino makes the observation that they’re all cute—they’re quintuplets—but Miku will never get her feelings through Fuutarou’s thick skull unless she tells him; telepathy sadly isn’t an option for the meekest quint. Nino also makes it clear she always considered Miku a legitimate rival and threat. Miku not even putting up a fight simply leaves a bad taste.

Meanwhile, Ichika asked Fuutarou in the hall to “hear Miku out”, only to disguise herself as Miku once more and take Fuu on the same walk he went on with Rena to jog his memory. After their day out, he recalls spending more time with Rena at the inn playing cards, but then asks if she’s done, removing her wig to reveal she’s Ichika.

He deduces she was the one in the hall, and when Ichika tries to redirect the conversation by saying she was the one he met that day, he tells her he can’t trust her anymore, and leaves her to cry in the pouring rain. All five quints agree that if this keeps up no one will be happy, including Fuu, so they’ll decide who’ll spend the last day with him by choosing each of the five elective field trips, leaving it up to chance.

Yet even here Ichika has a scheme afoot, only this time it’s to help Miku, not hurt her, even though she knows it’s not enough to excuse what she’s done so far. Having overheard which trip Fuu and his group would choose, Ichika switches hers with Miku so she ends up with him. Not only that, but Ichika, Nino, Yotsuba and Itsuki all decide independently to call in sick from their trips and instead follow Miku and Fuutarou to make sure their day goes well.

Thanks to impersonating Miku one more time, Ichika gets Miku to dress up period style along with Fuutarou, while Nino “deals” with the other guys—hopefully by drugging them and stuffing them somewhere, in keeping with her ruthless M.O.!

Seriously though, thanks to the efforts of her four sisters, Miku eventually stops running and starts talking normally and having fun with Fuutarou while they go on one of the more adorable dates in a show that’s been full of them, quasi-or-otherwise. The period environs and clothing suit the history buff Miku best anyway!

Not content to enjoy the date vicariously through Miku, Nino has a momentary lapse where she pushes herself into Fuutarou’s back, insisting she’s not simply going to let Miku have him. Fuutarou ends up bumping into Miku, who ends up in the drink. Soaked to her underwear, Itsuki sneaks the racy underwear she bought “in case of emergency”—call it Chekhov’s Thong—into Miku’s dressing room. Miku is mortified, but it’s better than going commando!

Miku and Fuu have a seat under an umbrella, and suddenly her croissants appear next to her, having been rushed there by the ever-athletic Yotsuba. Naturally, Fuu scarfs the croissants right down, and while he admits he may not have the most refined palate, he can appreciate how hard she worked to make them.

The four other sisters watch from inside the building behind them as Miku gets more and more comfortable talking with Fuutarou. She tells him how she wants to learn so much more about him, then starts to point out all the things around them she loves, ending by pointing at him and saying “I love you”, shocking her sisters.

Ichika breaks down, and we learn that Yotsuba was indeed “Rena” for most of the day, while Ichika was the one to play cards with him at the inn—she wasn’t lying! Still, through falling tears, Ichika resolves to be on better terms with her sisters from now on, especially since they now get to talk about something they all like for once.

However, Miku’s confession wasn’t what either they or Fuutarou thought: she was actually pointing at her sisters she could hear behind the wall when she said “I love you”. Fuutarou is flabberghasted by the fake-out, but Ichika is so happy she gives Miku a huge hug.

Fuutarou shuffles off, leaving the quintuplets alone together to share in the pain of falling in love, something they all now understand better having seen the various was they reacted to it (and yes, Itsuki admits she was trying to be alone with Fuu too). Ichika later catches up to Fuu to apologize, and he apologizes in turn. She teases him by saying “it’s all a lie” while kissing him on the cheek, a kiss he continues to feel on the train home.

It will not surprise you, then, to learn that we do not learn who Fuutarou ultimately ends up marrying quite yet. That final revelation will be saved for an already-announced sequel (though what form it takes—movie, OVA, third season—remains up in the air). But I’m not mad! In fact, I’m not even bothering with the rankings this week, just as I ended up juking the stats to make it a five-way tie at the end of last season.

Despite being a presumably zero-sum game, the journeys—all five of them—have continued to prove themselves far more important than the destination; i.e. who marries Fuutarou. The sisters called a cease-fire in Kyoto and more or less negotiated a pact in which they’ll all fight openly and honestly for Fuutarou’s heart from now on.

I’m not even mad Fuutarou is no closer to knowing who—if anyone—to choose above the others. It can be hard to choose from scene to scene! Perhaps the sequel will finally depict him earnestly wrestling with that choice, now that he has a good idea where most of the sisters stand. Until then!

Re: Zero – 50 (S2 Fin) – Number One Knight

The only thing standing between Subaru & Co. and winning the day is one of the Three Great Mabeasts, the Great Rabbit, who surround the Graveyard just as Subaru returns from the mansion with a newly-revitalized Beatrice. What with the weakness of her contractor (Subie) and the length of time since her last real battle (400+ years), Beako deems she has just the right handicap to make the fight interesting.

With that, she unleashes El Minya—a shower of pink crystal shards that obliterate bunnies on contact. They keep coming, but her contractor, Subaru maintains hand contact and uses El Minya as well until the Rabbits, not being truly infinite, reach their maximum number. Subie then builds a crystal paddock to restrain them, which Emilia traces and reinforces with her ice magic, rising them off the ground.

Having been given sufficient time to prepare it, Beako finishes the Rabbit off with Al Shamac, transporting it in its entirety to an isolated space—like the forbidden library—from which it will never be able to return. A great psychological weight lifts from everyone—and myself!—when they realize that the battle is over, and they won.

Just when Beako is hoping for a little more enthusiastic celebration, she gets more than she bargained for when Subie lifts her up and spins her around in elation. Beako and Roswaal pay their respects to Echidna, their mother and teacher. Beako realizes for the first time that the Roswaal before her is the Roswaal she knew—the product of soul transcription, Echidna’s dream was realized.

Given some time to themselves outside the graveyard during a gorgeous sunrise, Emilia bashfully, adorably broaches the topic of “the baby in her belly!” It’s a phrase that nearly causes Subie to jump out of his shoes, but is only the result of some god-level trolling on Puck’s part, who convinced Lia that a mere kiss like the one she shared with Subie is enough to create life!

What follows is a “purification ritual” at the chapel, in which everyone in the main circle Roswaal wronged is given a much deserved slap or slug to the face. Ram, who is recovering quickly thanks to Beako, doesn’t stop them, as not even she can deny he’s made mistakes—one of them never being aware how much she loves him until now.

Emilia and Subaru knows they need Roswaal’s power for the Royal Selection and Battles to Come, but what’s stopping him from turning on them again? He removes his shirt to show just that: an oath sealed by a curse, which he received after losing to Subaru (on whose chest it would have appeared had he lost). Gar and Petra object anyway, but defer to everyone else, while Lia is sufficiently satisfied upon hearing a simple “I’m sorry” from the margrave.

A little time passes, but not much. With Roswaal’s mansion in ruins, the house of Annerose Miload, of a Mathers branch family, serves as the venue for the knighting of one Natsuki Subaru by one Emilia. Before the ceremony, Roswaal informs Subaru that he still intends to bring Echidna back, blood, breath, and soul.

Because he lacks the Tome of Wisdom, and the pain of losing what may be lost in his quest to revive teacher might surely cause him to Burn Everything Down, he instead vows to keep a close eye on Subaru and the path he walks. Like Roswaal, Subaru has lost so much, but every time he picks up the pieces, refusing to lose anything, bearing every wound those initial losses create.

After some flowery dialogue, the deed is done; Subaru officially becomes Sir Subaru. Subaru marks the occasion by telling Emilia how sexy and cute she looks in her be-knighting outfit, and in another sign of how much stronger she’s become, Lia laughs it off and sticks out her tongue rather than crumbling before praise. More importantly, Subaru now dons world-appropriate clothes that match Emilia’s white-and-purple theme.

As the well-earned party rages indoors, Subaru goes out onto the balcony for some quiet contemplation, and Emilia soon joins him, accurately accusing him of being drunk…on himself and the atmosphere, not booze. Emilia tells him there’s something she wants to talk to him about, and asks him to come to her room later to do so, employing a pinky swear to seal their agreement.

Subaru assures her no matter what she needs to say, he’ll never become “disenchanted” with her. After all, she just made him her Number One Knight! Emilia compliments Subaru’s sweet face, and remarks that the scene they’re beholding just might be her “ideal”, and she’ll never forget it. It was at this point I was convinced a shoe or two would drop, pulling the rug from everyone’s feet and plunging the celebratory mood into some fresh devilry as White Fox often does.

But it didn’t! The fact Rem never woke up aside, this was a totally happy ending, not leaving us with any cliffhanger we’d have to stew with for an unknown duration until a third season arrived to sate our hunger anew. And I’m very happy about that, and where everyone stands at this stopping point.

The gorgeous way the episode fades to white as Subaru and Emilia dance a waltz while surrounded by friends and allies—that’s pretty much my ideal too! Emilia finally got the character-building arc she deserved, and cemented her role as Best Girl. The Royal Selection, Rem’s reawakening, and dealing with the Sin Archbishops can wait. For now, Let’s party!

The Quintessential Quintuplets – 23 – Give and Take Five

Yotsuba walks in on Itsuki just as she’s hiding the photo of Fuu with “Rena”. Commenting on how things aren’t so hot among the sisters, Yotsuba invites Itsuki out shopping, where they run into Fuu and Raiha, who is imparting on Fuu the importance of buying belated birthday gifts for the quints. Raiha also mentions “the photo”, and Yotsuba demands to know details. Raiha goes on to say the girl in the photo was her bro’s first love.

On the Shinkansen to Kyoto, Ichika, Nino, and Miku continue their war through spirited card games, while Itsuki joins in just for the card competition, while Yotsuba is a little intimidated by how heated things have gotten. She’s hoping this trip can be an opportunity for the five of them to make up…but also an opportunity for Miku to give Fuu her clandestinely-made baked goods.

Nino unilaterally decides to follow Fuutarou’s group up the temple steps, and while the others don’t have any objections, Yotsuba brandishes her card game victory on the train to insist that she and Miku go up the right steps while Ichika, Nino and Itsuki will go up the left steps. Some mild sniping between Ichika and Nino ensues, while Itsuki is left bemused.

When Itsuki and Nino use the restroom, Ichika abandons them and continues her descent, determined to see Fuu first and calculating she can beat the faster Yotsuba as Miku is surely slowing her down. Unwilling to take back the lie she’s already told Fuu, all Ichika thinks she can do to stay in the fighting is continue to lie and block Miku by posing as her.

But while she’s the first to reach the top, Fuu isn’t there. The next to arrive is Yotsuba, with Miku on her back, and they both see that Ichika is impersonating Miku. When asked for an explanation, Yotsuba says Ichika is trying to get in the way of Miku’s confession to Fuu. She says this just as Fuu makes it to the top, and hears what she said.

Miku runs off in tears as Nino and Itsuki arrive, and Nino has had it with Ichika’s bullshit now that she’s made someone cry. But Ichika doesn’t want to hear about it, considering how cutthroat Nino has been. It’s here where Nino admits she was being overly harsh, and that in reality she’d want to celebrate with whoever ended up “winning” because the bond between the five of them was just as important to her as Fuu.

Speaking of Fuu, he tries to lower the temperature, but it’s too late; Nino is already also crying, and orders him to chase after Miku. He’s unsuccessful, but Itsuki ran after her earlier and saw her get on a bus back to the hotel, so Fuu gets on the next bus, and Yotsuba joins him. She blames herself for making Miku cry, and may have created a monster by encouraging Ichika.

Fuu assures Yotsuba that he was already pretty sure of Miku’s feelings, such that the Fake Miku seemed fake even to him, “Uesugi the Dense.” He tells her she worries about the others too much, but Yotsuba still feels she owes them for making them follow her to another school when she was the only one to flunk out.

She wants to know how everyone can be happy, but Fuu tells her there’s only so far you can go; ultimately someone’s happiness must be gained by taking it from someone else. Like, say, when many girls like the same boy.

Back at the hotel during dinner, Nino informs Yotsuba and Itsuki that there’s a creep sneaking photos of them (as evidenced by the shutter sounds she’s heard behind her several times). When the three decide to go check on Miku and Ichika, Miku doesn’t answer the door, but they all hear another shutter and freak out.

Ichika, meanwhile, manages to bump into Fuu in the hall, and asks if he’s free tomorrow, because she needs to talk to him about something. Hopefully to come clean about impersonating Miku…but probably not! Meanwhile, Nino calls Miku to ask if she’s free to talk tomorrow.

The next day, Fuu ends up running into Itsuki and Yotsuba again, this time from the top of Kiyomizu Temple. Itsuki all of a sudden adopts a super-affectionate and clingy attitude, having Yotsuba snap a picture of them with the view as a backdrop. She’s hoping to jog his memory about another certain photo from six years ago.

Nino gets to stay at the hotel by impersonating Miku (which is apparently all the rage these days) and when Miku asks her what she wants, Nino jumps on top of her in order to rattle her cage. She says her rival “backed down by herself” on this class trip that should have been a golden opportunity for her to make progress. Now all she needs to do is defeat Ichika, that “sly fox”. Long story short: Nino is taking Fuu.

Miku may have fallen for him first, but as far as Nino’s concerned she loves him the most, even if it’s her first time in love and she’s not sure what’s right or wrong. To this, Miku voices her protest, insisting she’s not done fighting for him yet. It’s just…she’s scared. Scared that she’s not good enough; scared of fighting fair and square; more scared than she thought she’d be. But even if it’s scary, she’s not going to quit…not yet.

That’s good, because Itsuki knows for a fact that the sister who posed with Fuu in that six-year-old photo is none other than Yotsuba!

Episode Eleven Quintuplet Ranking:

  1. Nino: Nino was busy this week! She was the sister who decided they were following Fuutarou’s group, setting some potentially cathartic scenes in motion. Calls out Ichika’s scheming, but also admits that she’s just as ruthless in trying to get what she wants. Most importantly, when Miku runs away crying, Nino puts the war on hold and sends Fuu after her. Finally, is the one to rattle Miku’s cage. Total Points: 43 (1st)
  2. Yotsuba: Turns in another strong showing by hanging with Fuu at the mall, serving as Miku’s emotional support, winning the card game so the sisters were forced to split up the way she dictated, literally carries Miku on her back, and has a solemn and frank convo with Fuu on the bus about the limits of happiness for all. Oh, and she’s the damn girl in the photo! Total Points: 34 (2nd)
  3. Ichika: Love or hate her, there’s no denying Ichika is a woman on a mission, and it’s take-no-prisoners. Her second use of the Miku disguise compounds the throne of lies upon which she sits, but when it backfires she doesn’t want to hear Nino scold her when Nino said she’d step over anyone who got between her and her man.  Total Points: 29 (Tied for 4th)
  4. Itsuki: There’s actual signs life in Camp Itsuki this week, as she plays big sister to Raiha at the mall. However, her cute photo moment with Fuu at the temple wasn’t self-serving so much as designed to get him to remember the Kyoto trip years ago. Total Points: 30 (3rd)
  5. Miku: While Ichika’s Fake Miku act didn’t work on Fuu, the fact Yotsuba blurted out her desire to confess sent her into a spiral of inadequacy, and she remained confined to her hotel room far too much to do anything. That said, she has nowhere to go but up! Total Points: 29 (4th)

Yuru Camp△ 2 – 09 – You’ll Never Ride Alone

Nadeshiko is back from her solo trip, and admits that after her dinner of foil-wrapped salmon (the veggies were apparently only an appetizer!), things got a little boring. With bad cell signal, she looked out at the scenery and thought, and came to the conclusion that she wanted to go camping with everyone again. It’s not that she dislikes solo camping, but she’ll definitely be staggering solo trips with group trips.

When Nade, Chiaki, and Aoi go to Toba-sensei to voice their intention to go on another trip, she’s ready with the suggestion of Izu in March. For one thing, she wants to visit the Iida’s to thank them for saving her students—left unsaid: she also wants more of that sake! Izu won’t be cheap, hence setting the date a month in the future. That’ll give the girls time to make some extra money to fund the trip and time to study for finals.

When Rin and Ena get the invite, it doesn’t take long for Rin to agree to go “if she can go”. While on her way out, Ena mentions how good a person Rin is to have gone all the way to Fujikawa to check on Nadeshiko, leaving Rin wondering how the hell Ena found out about that!

Chiaki mentions that Aoi’s birthday is March 4…which as it happens, is also Nadeshiko’s birthday! It’s also the birthday of historical figure Ohshio Heihachirou, leading to one of the more disturbing cutaway shot of the two girls with Ohshio’s face…pure Nightmare Fuel! I’ll take Ojou-sama Nadeshiko any day! When home, Aoi learns that her little sis Akari wants to go with them, not necessarily for the camping, but because there are capybarasHot spring capybaras.

The next day during club Toba-sensei informs everyone of the loose itinerary, starting with a night by the shore at Shimoda, followed by a night on a mountaintop with a view of Suruga Bay and Fujiyama. She approves Akari coming, and when asked how all seven of them will be transported, Toba-sensei says she’ll be borrowing her sister’s minivan.

Rin respectfully asks that she be allowed to go on her moped, but not because she’s worried the van trip will be too rambunctious. Instead, it’s because her initial New Years plans to ride to Izu were cancelled, and she’d been rearing to go ever since.

With the whens and where’s settled, all that’s left is to get to the date. A month passes in pleasant montage form, with Chiaki, Aoi, Rin, and Nadeshiko hard at work at their jobs (only Ena’s job isn’t shown). The group minus Rin also studies together in the library (though Rin isn’t far away), and Chiaki, the one everyone was most worried about, ends up passing the finals along with everyone else.

Chiaki also reaches out to Rin and Ena about pitching in to buy a gift with which to surprise Nadeshiko and Aoi on their birthday. It’s from Caribou, so it must be camping equipment. It’s also reasonably priced, so it’s definitely not the huggable Caribou statue, which costs the equivalent of $3300!

Rin plans her route, choosing to leave early and take the long way so she’s riding along the coast as the sun comes up. Nadeshiko is trying to think of recipes for their meals without success and gets some pointers from her dad (Izu is known for its wasabi, alfonsino, and deep sea fish). He also plans to slip her some petty cash with which to buy tasty souvenirs.

The night before Rin leaves, she gets her package containing a luggage rack and phone clip, which combined with a windshield her grandfather has lying around will make her moped journey significantly easier and more comfortable. Her dad comes home having gotten her moped serviced, inspected, and thoroughly cleaned.

Rin and her dad spend some quality time installing the rack and clip, but when her grandfather arrives for dinner and inspects the ignition switch, he notices something amiss: the phone keeps charging even with the engine off, which will drain the battery if she forgets to unplug it. Even though dinner is almost ready, he hops right back on his motorcycle to buy a relay in Kofu.

By the time he returns and has the relay installed, it’s almost nine, so the Shimas have a late dinner. We learn that both of Rin’s parents used to ride, and her mom in particular was extremely talented. Her dad even mentions some photos of her mom from that time, which really spark Rin’s curiosity —and her mom’s embarrassment—but Rin needs to head to bed since she’s got an early start.

When her alarm wakes her at three in the morning, Rin suits up and prepares to leave, only to find her grandfather in the genkan also gearing up. He’s not just leaving at the same time, but no doubt inspired by the reminiscing during dinner, he proposes they ride together for a little while.

Grandfather and granddaughter ride out in the middle of the night, two birds of a feather both in the way they might appear cool and distant at first glance but in actuality are two of the nicest, warmest, and most caring souls you could ever meet. There’s a quiet thrill in watching them ride together through dramatically lit tunnels and a past a slumbering Fujiyama, both the visuals and music rising to the occasion.

They stop at a konbini for a quick coffee before parting ways. Before riding off, her grandfather, not a man of many words or extreme emotions, expresses how happy he is he got to ride with his precious granddaughter. After this episode, you could say the Shimas’ hearts pump two-stroke fuel, and now in at least its generation with Rin, the family legacy is still going strong. Onward, to Izu!

Re: Zero – 49 – Every Moment Matters

Episode 48 turned the action up to 11 and supplemented it with a fair amount of effective comedy to keep things grounded and hopeful despite everything being on the line. This week the action is turned down considerably and the comedy excised entirely in favor of a number of dramatic set pieces that complete the table-setting for the season two finale.

We begin with Emilia emerging from the Graveyard and encountering the snowstorm. Fortunately the villagers are safe thanks to a shield of ice Puck created around them, though he told them they had Lia to thank for it. She asks everyone to seek shelter in the Graveyard and stay safe and patient.

Emilia runs to the tree of ice from where much mana seems to be emanating, and it shatters and transforms into Puck’s familiar green spirit form, which leads her into the giant crystal room. There she finds a whole mess of Ryuzus, with Shima preparing to “fulfill her role”.

With a flash of white, the crystal containing the Ryuzus’ progenitor and that forms the core of the barrier vanishes. Emilia asks Birma where Roswaal and Ram are, and finds them freezing to death in a field. With his tome of wisdom destroyed, Roswaal is lost and feels that “nothing matters.” Even so, he is healing Ram, who lets out a breath, proving to Emilia she’s still alive.

The first wave of demon bunnies approach, but Emilia freezes them solid with her magic. She then creates a clear and solid ice road above the deepening snows so the Ryuzus can take both Roswaal and Ram to safety. To Emilia, nothing doesn’t matter, so she’ll stand strong and keep fighting until she can’t anymore.

From the freezing sanctuary to the burning mansion, Beatrice laments her present situation and looks back on her past, when Echidna left her in charge of the Forbidden Library full of her knowledge, and asked her to wait for someone “suitable to inherit” that knowledge, which she simply called “that person.” Echidna used those particular words simply for the sake of getting the pertinent information to Beatrice.

However, she’s treated them like a rigid gospel, and they gradually turned into a curse. For 400 years, various Mathers descendants would visit the library but rarely speak to her, instead looking through the library’s books. By the time Emilia the “half-devil girl” showed up, she killed her emotions and stopped talking. Then Natsuki Subaru arrived, and for a time felt like he was “that person” for whom Echidna had entrusted her to wait.

But last week, as we saw, Subaru said flat out “there’s no way I could ever be whoever ‘that person’ is…”, and she threw him out with her telekinesis. Even if Subaru didn’t even understand what she meant by “that person” anymore than she did, because the two words Echidna used were so imprecise. Four centuries of time may have given them more weight and importance they didn’t deserve.

When Subaru first makes it back in the library, Beako is ready to toss him out without any further discussion, but he holds on to the door and manages to stay in the library. He tells her even if he isn’t that person, he wants to stay with her, to end her days of loneliness. His argument isn’t strong enough, and Beako de-reses the library, banishing him seemingly for good with a “farewell.”

Of course, that’s not enough for Subie to give up either; not as long as there’s still a door in the mansion left to open. He finds it in the secret underground passage, and even though smoke billows and flame lick at its seams and the knob burns his hand, he puts his faith in Beatrice that she won’t let him die when he opens it.

Since this is probably his last chance (there are no more doors), rather than say he’s come to take her away or save her, Subaru tries a different tack: he needs her to save him, by agreeing to stay with him. Otherwise, he’d be too sad to go on living. Beako’s refrain is that he’ll ultimately leave her by dint of his far shorter lifespan.

But even if Subaru’s life is only a moment in Beako’s, if she gives him a chance he promises to engrave that moment into her soul. Rather than fear their inevitable goodbye, he asks her to embrace a guaranteed Subaru’s lifetime’s worth of tomorrows, in which she’ll be too busy taking care of him to be bored or lonely. Unlike the other memories we saw, the moments with him will never fade to sepia.

Subaru’s speech finally does the trick, and just as the library is about to collapse into the flames, Beatrice takes Subaru—whom he calls by his name for the first time—and flies out of the burning ruins of the Mathers mansion in a gleaming purple-pink streak of light. That color, as brilliant as her sepia memories were dull, happens to be a combination of the blue of the freezing sanctuary and the red of the burning mansion.

The destination of that streak of light is the entrance to the Graveyard, where Emilia is fighting the good fight against the bunnies but starting to run out of steam. Subaru, with Beako’s hand in his, tells Emilia he needs to “make a revision” to his first battle, while Beako tells Subie not to blame her for “whatever may happen next.”

I don’t know what will happen next, but hopefully it involves the defeat of the Great Rabbit the ending of the snowstorm, and the final lifting of the barrier, resulting in a victory for Emilia and Subaru without the need for Return by Death. Then again, I’ll remain firmly on guard for the possibility of Re:Zero throwing a final wrench or two into the works—even unto the final moments of the second season finale. After all, every moment matters!

Rating: 4/5 Stars

The Quintessential Quintuplets – 22 – One Thing They Agree On

Takeda Yusuke, the glittery prettyboy teased last week finally reveals what his deal is: he’s the son of the school’s president, and has been nipping at Fuutarou’s heels in grades for two years. Fuutarou has never heard of him, nor does he care about school rankings.

Still, Takeda challenges him to prove the quints aren’t holding him back, by placing in the top one hundred of the upcoming national mock exams. Fuu sees that challenge and raises the stakes to top ten, all while helping the quints study for theirs. It won’t be easy, but his pride and their honor is on the line.

The quints are also aware that Fuutarou’s birthday is coming up. Ichika puts out the suggestion that they all hold off from giving him their gifts until after the exams. In truth, she intends to betray them all by being the only sister to give him a gift. She even stops Miku from talking to Fuu, knowing as far as Fuu knows, Miku told him Ichika likes him.

Ichika soon pays for her continued underhanded measures when she sees Nino already has a gift for Fuu and is planning to give it to him when she damn well feels like it. The group text put the brakes on the others, but Nino Train’s brakes don’t work!

When Nino brings up how Ichika failed to keep their dad occupied at the spa, frustration and desperation conspire to lend Ichika the courage to finally say what needs to be said: Despite the two having different tastes in everything else, they both like Fuutarou, and Ichika doesn’t intend to let Nino have him without a fight.

As both girls are planning to break the pact and give Fuu their gifts early, they walk in on Yotsuba making paper cranes for Fuu’s health and good luck, and then raking herself over the coals for not realizing the cranes would technically comprise a gift, thus making her a “horrible human being.” Naturally, Miku is also ready with her gift of couples tickets to the gym.

Seeing that she’s getting nowhere with this strategy, Ichika again suggests all of them give him his gift at once, after the exams. When Nino asks if she’s really okay with this, Ichika says none of them “get” Fuutarou. She’s confident he’ll like her gift—presumably a gift card—the best.

We get a rare Itsuki sighting, as she visits a fatigued Fuu and gives him an energy drink, which I guess technically makes her the first to actually give him a gift of any kind! She also tells him she’s going to aim to improve her academic capabilities while assisting Shimoda-san with tutoring, in hopes of getting a look at education in action. Education sans Fuutarou, it seems…

The mocks come and go, and Fuutarou buries Takeda, ranking third to his eighth, as Takeda reports to the quints’ dad. He also reports that all five of the quints have made considerable progress. Everyone then gives Fuu his gifts at once, though oddly enough we don’t get to watch his reactions.

Yotsuba checks in on Miku at her bakery, where she first serves a croissant that resembles a rock, then one that looks dead. The third time’s the charm, and while it’s not quite up to spec with something the bakery would charge money for, her manager is happy with her progress.

Miku seems to be putting all her efforts into lunch on the first day of the school trip, which is their class’s responsibility. Unfazed by the drubbing Nino gave her, she intends to impress Fuutarou with her best cooking yet in Kyoto. The only problem is, she doesn’t know for sure if they’re in the same touring group.

In fact, no one knows what group Fuutarou will choose, only that the groups can only be a maximum of five people. Again Ichika attempts to gain advantage by pulling Yotsuba aside and pretty much dictating that the two of them and Fuutarou will form their own group.

Presumably, Ichika isn’t aware of Yotsuba’s feelings for Fuu any more than Nino was aware of Ichika’s. And fate just so happens to smile on Yotsuba this week, perhaps because she’s not acting like a backstabbing hussy! Raiha reminds her brother that he needs to thank Yotsuba for helping him at school camp.

Fuutarou isn’t about to disobey his sister, so he stops by to ask Yotsuba what she wants as a thank you gift, not to exceed ¥1500. They end up spending the entire day and evening together, and while Yotsuba doesn’t come out and say it, that’s what she wanted. Not lunch, or a movie, or clothes—though they do all those things.

While wondering where Yotsuba ran off to, Ichika notices a strange box in the middle of the living room of their apartment that Itsuki says is hers. A quick peek inside reveals the Rena disguise, and as she carries it away, that famous photo of Young Fuu and one of the sisters falls out. She notes it’s from Kyoto, then says “I see.” You see what?!

When Fuutarou finally presses Yotsuba to tell him what she wants, she takes him to a playground after dark, a special place she goes to swing when she’s feeling bummed. She effortlessly manages to get the ever-serious, practical, and logical Fuutaoru to stand on the swing and see how high he can go, which is precisely what she does in order to get a better view of the city at night, seeing a family in each one of the countless glowing lights and feeling warm inside.

After Yotsuba executes a perfect dismount with record distance, Fuutarou tries the same, but ends up completely inverted, freaking both him and Yotsuba out. When he returns to right-side-up, he smiles and bursts into raucous laughter, and while he still thinks he wasn’t able to give Yotsuba anything, she got everything she wanted.

The next day, the class trip group composition comes up, and Ichika is ready to go with her suggestion that she and Yotsuba form a group with Fuutarou, attempting to pressure Yotsuba to go along with her. Instead, Yotsuba sacrifices herself (of course), suggesting the other five form a group; she’ll have no trouble finding another group, gregarious as she is.

Nino pipes up, saying no one wants that arrangement, then declares not only what she wants, but what is going to happen: she’ll form a group with Fuutarou, and warns him to be grateful about it. But while her honesty and straightforwardness should be commended, the fact of the matter is Fuutarou is already in a group with some guys, including Takeda.

So for the class trip, the five sisters will form a group together. Their classmates assume it’s because they’re so tight-knit, but in truth it’s something none of them are looking forward to, since most of them are now at war with each other. Should be a fun trip!

Rating: 4/5 Stars

Episode Ten Quintuplet Ranking:

  1. Yotsuba: Explanation isn’t really necessary here; while everyone else was plotting and scheming, Yotsuba got an actual date and some truly magial moments with Fuu, and not out of the blue, but because she helped him out in the past. Still, it was disconcerting how quickly she volunteered to be the odd girl out for the class trip. Total Points: 30 (2nd)
  2. Nino: It was pretty close, but I’m calling Nino the winner from among the schemers, due to her continued dedication to saying exactly what’s on her mind without any possibility of misunderstandings. Total Points: 38 (1st)
  3. Miku: Is legitimately improving her cooking skills and has a plan of action, but is still unwittingly suffering the effect of Ichika’s conniving. She’ll need to remain extra vigilant against… Total Points: 28 (Tied for 4th)
  4. Ichika: Her underhanded tactics plumb new depths this week. She’s convinced the only way she can fight is dirty, but get very little to show for it. Try to stop the Nino train and see what happens, Ich. Total Points: 26 (5th)
  5. Itsuki: Remains very elusive and squirrelly this week, but that disguise was super sketch…she’s up to something, and very much still in the game.  Total Points: 28 (Tied for 4th)

Re: Zero – 48 – Crunch Time

“Love Me Down to My Blood and Guts” almost feels like a finale. At the very least, it feels like the start of the climax of a epic blockbuster film. Every stop is pulled out and not a single moment of its 29+ minutes is wasted. You get a little bit of everything, starting with a well-balanced combination of badass action and lighthearted comedy.

Every wound Garfiel gives Elsa is instantly healed, but he doesn’t consider his fight futile, because he’s not necessarily fighting to beat her. He’s fighting to support his “Boss” Subaru, and no matter how many times Elsa heals and charges, he’ll keep meeting her steel with his.

That’s where we get a couple of impeccably-timed jokes, first with Garfiel boasting that the mabeasts will be no sweat for Boss, followed by the mabeasts being too much for Boss to handle. Subie also strikes out when he tries to demonstrate his real-world knowledge of dust fires, only to need to be bailed out by Otto and Petra igniting the beast with oil.

Those fires defeat the main mabeast but also beging to envelop the mansion. Subaru entrusts Rem and Petra to Otto while he runs into the flames to rescue Beako, whether she wants to go or not.

While the flames rage at the mansion, Emilia’s part of the episode serves as a calming, centering breath. Sure, she watched a number of unpleasant futures, but they come as a jumbled rush of voices and images, ultimately collectively blunting their individual discouraging effects.

There’s also the fact that they’re only “possible” futures, as Minerva tells her after the third trial ends. That means none of them are absolutely the real future, which means Emilia and those she loves will be able to avert disaster if and when it rears its ugly head.

Minerva appears to meet with Emilia in Bliss because Echidna was still “mad” at Lia for how the other two trials went, particularly the second. Perhaps Echidna really would have preferred to greedily feed off Emilia’s despair, but after reckoning with her past in the first trial, the witch’s prediction the other two would be a cakewalk turned out to be accurate.

Minerva is decidedly unwrathful in her interactions with Emilia. In fact, she treats her a lot like Mother Fortuna treated her, with tenderness and love, embracing her when Emilia turns back to see her. I suppose Minerva knew her mother, and maybe even knew Emilia as a baby, which is why she’s so aunt-like here?

In any case, Emilia has passed all three trials, and gains access to a tomb where the intricate barrier spell emanates from the deceased Echidna’s chest. With a cute little “Hi-yah!” Emilia deactivates the barrier and exits the graveyard, only to be welcomed by a raging winter storm.

Elsa and Garfiel are still going at it in the midst of the spreading flames when Maylie bursts through the outer wall with her giant hippo. Frederica isn’t far behind, turning the duel into a battle between sibling duos. After some trash talk the four get down to business, in a fury of bloody, kick-ass combat.

Frederica takes on all of Maylie’s other mabeasts, then Garfiel starts getting serious by transforming into his beast mode, ripping half of Elsa’s face off then not only going toe-to-toe with the hippo, but twisting and ripping it’s damn head off. Unlike the hippo, even Gar’s most vicious attacks fail to faze Elsa.

It’s at this point Garfiel realizes he’s dealing with a vampire. Elsa takes a few moments to tell the story of where she came from, and how she suffered to get to this kind of existence. When she was caught and stripped by an shop owner while stealing off starvation, Elsa reached for a shard of glass and opened the man’s belly.

Elsa, who’d previously only known the cold bleakness of her homeland, was both soothed and excited by the warmth of blood and innards, and never looked back. She tells Garfiel all of this because she finds him so precious and endearing. When he says there’s already a girl he likes, she clarifies that she only has business with his insides, and her love for him will begin after she kills him.

It’s a stirring final monologue for a baddie who has been around since Subaru first arrived, and distinguished by the utter inability to kill her. However, thanks to an assist by Frederica using Maylie to distract her, Gar gets in close and bites Elsa in the neck. Elsa bites him back, but he gives as good as he gets.

Before Elsa’s wound heals (or perhaps it won’t heal because of where he bit her), Gar lifts up the giant headless hippo and throws it on top of her. In her final moments, she recalls the very first thrill of disemboweling someone, then exclaims “What a thrill” in sheer ecstasy before being crushed with an ugly crunch. Hard cut to the title card and that oh-so fitting title, “Love Me Down to My Blood and Guts”.

At this point we’ve reached the 21-minute mark, which is when most other anime are rolling credits. Re:Zero keeps it going with an entire extra act, which is perhaps the most visually stunning and emotionally affecting in an episode that’s already full of those.

It deals with Ram and Puck fighting Roswaal, a battle that moves outside to protect Ryuzu Meyer’s crystal. Roswaal stirs shit by confessing to messing with Puck’s contract with Emilia when she was depressed after her fight with Subaru, essentially kicking her while she’s down in hopes Subie would scoop her up and do everything for her.

Roswaal admits to always looking back on the past, and with fondness, deeming all the wonderful things that ever happened to be in the past, and all that exists now is a phony standing atop a pile of corpses. Puck name-drops Beatrice, provoking him into launching fire attack.

Roswaal is disappointed in Ram’s weak outing thus far; as he wanted her to exact justice for her brethren and find happiness by defeating him. That’s when Ram drops a bombshell on him: he never properly realized her true intention: that she really was a demon, and not someone who was in love with Roswaal.

It’s a confession she delivers while both of her eyes exposed, a trademark of the demon maid sisters. When Roswaal asks her what of keeping her promise to her brethren, Ram simply says she’s prioritizing her own feelings over those of the dead. Puck, energized by Ram’s confession, grows to mammoth size (though maintaining his cute appearance) and seals Roswaal in a giant ring of ice, through which he can spot multiple Rams flitting back and forth.

Roswaal begins destroying the ice walls and the giant ice crystal attacks Puck rains down on him, but in the process he ends up with one of the crystals directly behind him. It shatters on its own and out comes the real Ram, snatching the gospel Echidna gave him, while suffering a horrific wound. Calling it “the root of all evil”, she drops the book in the fire, destroying it.

She wears a smile as she says “Now, at last…” before being hit by Roswaal’s retaliatory flames, which cause a huge explosion that consumes them both. Then the credits roll, and for me at least, the process of starting to breathe again commenced. As it has demonstrated many times in its previous forty-seven episodes, when Re:Zero decides to go big and epic, it does not disappoint.


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