Nisekoi 2 – 07

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With the show lagging of late, it decides to finally introduce Kosaki’s little sister Haru. However she’s revealed in the source material, she’s possibly the Spring’s worst-kept secret owing to her prominent presence in the OP, and brought with her the potential to shake things up. Too bad she’s a dull, ill-informed, unfair, irritating conclusion-jumping, faint shadow of Kosaki; herself a shadow of Chitoge and even Tsugumi of late.

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Things start off okay, with Haru heading to her first day of co-ed high school after attending a girls-only middle school. She’s so un-used to guys, being confronted by a posse of goons causes her to pass out, but not before she realizes she’s being saved from said goons by an anonymous but possibly dreamy classmate, whom she dubs her “Prince” upon waking up in the nurse’s office.

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When Haru bumps into someone, scattering all her printouts, Raku, the guy who saved her, comes over to help, and she’s heartened to see there are kind and gentle guys at her school. Only when she hears he’s the Notorious Yakuza-Backed Demon School Casanova King Ichijou Raku, she backs way off, warning she won’t let him lay a hand on her sister ever again before an inexplicable wind blows her (extremely short) skirt up, giving Raku a peek at her bear-themed pantsu. Har har.

Granted, Raku makes two mistakes here: First, he doesn’t’ just come out and tell her he’s the one who saved her and carried her to the nurse’s office, which in addition to picking up the papers, means she actually witnessed three kind acts that disprove his seedy reputation. But his second error was not only to not turn around immediately at the sight of Haru’s skirt coming up, but even muttering about the bears like an idiot, killing any goodwill he may have had with her.

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This hallway scene draws attention to itself with its interminable length, but maybe that’s the point: it is used to demonstrate, simply by having all of the other girls in Raku walk through that hall one by one, that Raku is a player, and we can’t fault a relatively sheltered Haru for thinking that, especially with Marika clinging to him as his gorgeous  “girlfriend” stands by (Chitoge actualy finds Haru cute—and she is—but she doesn’t know her yet). But the fact neither Raku nor Kosaki can set the record straight is more frustrating than funny.

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Things take a turn for the absurd when Haru, apparently an animal lover, decides to check out the same club Raku’s in. She overhears him wishing Kosaki was around and uses that as an excuse to yell at him some more about infidelity, before the goose inexplicably flips her skirt a second time. C’mon now, that was lame the first time!

This episode is redeemed by Kosaki’s simple but heartfelt explanation for why she thinks Raku is so sweet, which Haru points out is really an explanation for why Kosaki loves him. Haru is still skeptical, and I imagine she’ll remain so for at least another episode or two, but I’m weary of the fact that every time he demonstrates he’s a good guy, that fucking skirt flies up in his face.

I’m hoping Haru isn’t a lost cause, but her long-awaited intro—Adventures in Angry Little Sisterland—bombed. I came away frustrated so much time was spent on her as opposed to, say, any other character…even Paula, who has apparently decided to transfer to Raku’s school.

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Nisekoi 2 – 04

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I suppose it was predictable that Hana-san would turn out to be a better person than last week made her out to be, so I’m glad I was on the right track in hoping there was love behind her tough, intimidation, uncaring exterior.

A great symbol that Raku and Chitoge were both wrong about her is the cut to her breaking off a piece of her cigarette and eating it. It’s candy she uses for her oral fixation; she quit cold turkey when she got pregnant with Chitoge.

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Even so, Hana is not the world’s best mother, though she provides for her daughter. She said all those harsh things out of the mistaken impression Chitoge hated her, for raising her strictly, as she was raised.

She has a drawer full of personally-chosen Christmas presents for her dating back ten years, but has never found the right opportunity to give them to her, and always asks her age because she’s nervous and isn’t sure how to treat her. There’s no bitterness or apathy here; only a lack of communication.

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Enter Raku, with his most selfless and awesome heroics yet. It’s up to him to get these two very similar women in his lives who love each other deeply to overcome their misunderstandings about each other, while getting Hana to stop hiding behind her job and face her daughter properly.

It’s unfortunate Raku and Chitoge’s entire class, including the rest of his harem, is present when Raku whisks her off to a five-star hotel room, but there’s simply no time to explain. :3

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Not knowing initially what his gesture’s all about, Chitoge is also flustered and overwhelmed, but when Raku explains on the way and asks her to simply “trust in him”, she does so without a fuss, nestling her head into Raku’s back as he pedals with all his might for her and Hana’s sakes.

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Hana almost gets away on her private jet, but Raku manages to catch her on the phone, and puts Chitoge on the line to basically beg Hana to come back. Like any momma, the distressed cries of her young create a powerful urge for her to return to her offsprings’ side.

The resulting reunion on the runway goes from hilarious (Raku and Chitoge have to avoid being run down by the landing jet) to so heartwarming one forgets it’s Christmas and snowing out. Nice work, Raku!

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Raku gives the hotel room to Hana to spend some quality time with her daughter after they go out to eat, and Chitoge finally learns why she treasures her red ribbon so much: it was the same as a character in a book she loved as a child, and ten years ago during the summer they spent together, Raku told her she’d look good in it.

All this time she’s treasured it because it was a connection to her distant mom, but it also connects her to Raku, which combined with her current feelings for him, lends Chitoge an extra layer of destiny to their reunion ten years later.

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With that, Hana tells Chitoge to be a good girlfriend and go to the one who made their wonderful evening of reconciliation possible. Raku really worked his ass of this week like none other, so Chitoge doesn’t wake him up, but puts his head in her lap and enjoys the warmed of the guy she loves.

As for Raku himself, Hana doesn’t offer any revelations about his locket, but does figure out they’re pretend-dating, and wonders out loud if his feelings are really a sham. We know they’re not, and Chitoge’s certainly aren’t, but it’s more complicated than just that, especially in a post-credits scene with Kosaki expressing her relief to Ruri that Raku and Chitoge didn’t really spend the night in a hotel. Kosaki isn’t the best girl right now, but Raku likes her a lot too, so the battle is far from over.

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Nisekoi 2 – 02

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Unlike the kind yet shy Onodera and the confident, aggressive Marika, Tsugumi and Chitoge are actually pretty similar characters, with strong tsundere tendencies. But while Chitoge seems to be coming to terms with the fact she has real feelings for Raku, Tsugumi is still in denial like a past version of Chitoge, but with the added wrinkle of guarding the girl who is with the guy she likes.

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Tsugumi is a professional, so she can live with Chitoge and Raku as a false couple, especially since she’s unaware of Chitoge’s own feelings for him, leaving us with a love triangle in which Chitoge has the distinct advantage. But it’s also because of Tsugumi’s profession, and her past in America, that Raku ends up in the middle of a different triangle: one of score-setting and acknowledgement. Tsugumi’s challenger: her fellow hitman and former partner, Paula McCoy.

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Paula has been watching Tsugumi for a while now, and believes she’s gone soft, and has come to finally beat the girl who always beat her in jobs, pay, efficiency, and everything else one keeps score of in the hitman business. She also rightly suspects Tsugumi likes Raku, though considering Tsugumi’s reactions, Paula would have to be pretty dumb not to suspect that!

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But Paula sees Raku, and guys in general, as Tsugumi’s kryptonite, and gets her to accept a challenge before she knows what it is: whoever steals a kiss from Raku wins, and if Paula wins, Tsugumi goes back to the U.S. Cue suspension of disbelief, because we all know Tsugumi isn’t going anywhere in the second episode.

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I kinda also suspected neither Paula nor Tsugumi would actually lock lips with Raku, who aside from delivering some solid compliments to Tsugumi early in the ep, has very little to do other than not get shot by the resulting spray of bullets. Sure enough, Tsugumi gets Raku into position but can’t pull the trigger on the  only weapons that matter in this challenge: her lips.

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Paula gets away and ties Raku up in an abandoned warehouse (why is no one renting that place?!) where Raku tells Paula flat out he doesn’t want his treasured first kiss to happen under such circumstances, and even though Paula claims to not care when, where and with whom her first kiss is with, Raku protests for both their sakes.

The debate gives Tsugumi time to stew in the suffocating dread of knowing somewhere out there Paula might be kissing Raku, the guy she likes even if she won’t admit it to herself or anyone else, until she finally blows, instantly  pinpoints Paula’s hideout, and scared the bejesus out of her by fully unleashing the “Black Tiger”.

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With Paula thoroughly subdued, all that stands in the way of Tsugumi’s victory is that kiss, and she creates a workaround by touching Raku’s lips than her own, thus “stealing a kiss from his lips” without her lips ever touching them. Paula is in no position to protest, scared as she is Tsugumi might do to her what she did to a giant concrete pillar (don’t mess up that cool warehouse!)

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Tsugumi may be aethetically the most masculine of Raku’s girls, but that doesn’t mean she doesn’t have an adorable feminine side, nicely demonstrated on her good-winner lap, as she embraces, comforts, and praises Paula, giving her the acknowledgment she wanted all along.

Before returning to the U.S., Paula asks Tsugumi if she’s really okay with Raku dating the young mistress, and Tsugumi is responds with a very professional, warm domestic bodyguard smile, claiming not to know what Paula’s talking about. It’s kind of sad, but what else can Tsugumi do right now?

Paula discovered a lot more sides to the Black Tiger she thought she knew, and also learned that her skills haven’t dulled; on the contrary, she’s tougher than ever. And part of that toughness is having to perform all her official duties while bearing the pain of not being in Raku’s crosshairs. I’m sure Paula will root for her, and this week at least, I was in her court, too.

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Nisekoi 2 – 01 (First Impressions)

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To be honest, I didn’t NEED a second season of Nisekoi, but this first episode gradually sucked me in and now I’ve totally bought in anew, emerging late as the best striaght-up romantic comedy I’ve seen this Spring. I accomplished this by delivering more of what we loved about the first season, but also by subverting expectations along with Chitoge’s.

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The premiere also struck a good balance between re-introducing the series premise, and later focusing on one girl exclusively. I say “good” because the first third of the episode was a high 7, tops. The locket is back in play as a plot device, but it inexplicably still can’t be opened, which seemed a bit of a cheat. In any case, the significance of its contents have grown far less important compared to the development between the various characters.

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I preferred if the show moved on from the damn locket, and to its credit, it does at least move on in this episode. CHITOGEISTHEBESTGIRL is a popular refrain on the interwebs, and after a Chitoge showcase like the final two-thirds of this episode, it’s pretty damn hard to argue with that group of smushed together words.

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We’re given unfettered access to every thought and insecurity in Chitoge’s strawberry blond head, from her newly-acquired self-honesty with the fact that yes, she is in love with Raku, to the anxiety and suffering she endures trying to get Raku to notice changes she makes to her appearance in order to engender compliments.

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She’s well aware, as we are, how dense Raku can be about such things, and she was hoping against hope that he’d surprise her, but it’s nothing doing. The episode also does a great job accentuating her changes, be it her lip gloss, shampoo, nails, or ribbon (she thankfully stops short of wearing special panties…this ain’t Punchline!). This makes Raku look all the denser and more idiotic for failing to notice any of it…not to mention make us angry at him for frustrating Chitoge so.

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We wouldn’t be so pissed at him if we didn’t know exactly how hard Chitoge is trying and how futile it all is, which is underscored by Nisekoi’s trademark tremendous close-ups, showing Chitoge’s face in increasing levels of contortion and torture at the sheer cluenessness of this boy. When she asks “why did it have to be him”, I can’t help but agree with her, at least after all this. Chitoge may be being petty and superficial, but that’s her goddamn right, as far as I’m concerned. Call me old-fashioned if you must!

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Was Nisekoi simply going to torture Chitoge for the final two acts and keep the wall up between Chitoge and Raku? No, and that’s what really made this episode for me: the subversion of all of her expectations. It’s all well and good to paint a picture of Raku as a villainously clueless twerp when we’re constantly in Chitoge’s head.

But not only did Raku really notice the gloss and the shampoo and the nails, but he also noticed a lot more, like when she was hungry, or when she changed her lunch choice from beef to ham (he is a chef, after all). If anything, he’s acting more like a dutiful husband, a domestic partner; something even deeper than a casual boyfriend, since he’s so comfortable with her he assumed he was beyond dishing out embarrassing compliments.

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Perhaps he’s learned that even someone he can be himself with wants a little bit of superficial praise now and again, just for the heck of it…because, well…just look at that face! And maybe he’ll keep his eyes open in the future for things such as the new ribbon he failed to notice. Hey, nobody’s perfect. Neither was this episode, but it was pretty great nonetheless.

Now, let’s see if the show makes us shift our allegiance to another girl next week, as it tended to do its first season!

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Nisekoi – 16

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Well, how about that: an entire episode devoted to Kosaki and Raku? I‘m on board. In fact, I’m just as giddy about it as the two of them were at the prospect of spending some time alone together, even if the other doesn’t know just how much the other likes them, because neither of them will ever get the point unless one of them tells the other directly, and possibly draws a diagram – which neither of them will ever do.

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But who cares about that? This week Nisekoi places Chitoge and Marika on the back burner and gives us All Kosaki, All The Time, showing that Kosaki may be down, but she’s not out, and she’s not ready to give up the fight. And one should never count a HanaKana character out. In addition to being almost sickeningly adorable and endearing throughout, the mere fact she asked Raku to come and work in her family’s shop is proof that she’s getting better at looking out for her own interests.

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This is also one of the funnier episodes of Nisekoi, from the manic energy of Kosaki and Raku during their initial nervousness, to Raku imagining all of the things Kosaki does in her room, calling to mind the final act of 2001: A Space Odyssey, to Raku cursing the typhoon for not being able to “read a room.” We enjoyed the brief appearance by Kosaki’s mom, who is the opposite of Kosaki in that she’s forceful and speaks her mind, embarrassing both Kosaki and Raku, but not saying anything that isn’t true, either.

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Her mom doesn’t have to convince Raku to marry into the family; it’s something part of him already wants to do, and the more fun he and Kosaki have together, the stronger the feeling gets. The only things stopping him are an impending mob war and the ire of the police commissioner, and at least three partially broken hearts.

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The episode ends with Raku going home, both he and Kosaki proud of themselves for the progress they made, but at this point in the game, I still think they should have said a little bit more to each other. Raku at least gets Kosaki’s e-mail at last, and she comes SO FRIKKING CLOSE to texting him that she had a crush on him, but deletes the words, retreating again.

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The divine punishment Kosaki worried about after such a perfect day with Raku is already in effect from what we’ve seen: despite being the perfect couple in so many ways; despite knowing each other so well, and sticking out to each other in photos, neither is capable of believing the other likes them.

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Nisekoi – 15

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Last week I lauded the addition of Tachibana Marika to the cast, and my positive impressions were only reinforced this week. Among the hesitant, dilatory Kosaki and the tsunderes Seishirou and Chitoge, Marika is a breath of fresh air. She’s aggressive about her feelings for (and legal claim to) Raku in a way the others simply haven’t been, and it feels like her approach is already influencing Raku while simultaneously making his choice a lot more difficult.

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The memory of meeting and falling for Raku is still fresh in Marika’s mind, as she tells the story of how he visited and played with her while she was bedridden. Even back then, Raku was a kind, decent fellow. When she brought up the subject of what kind of girls he likes, Raku told her, and ever since then, she’s made herself into that ideal. She put the work in and kept the flame burning, something you can’t say of any of his other suitors.

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Raku also finally gets Kosaki, Chitoge and Marika together to brief them on the situation: there are three keys, but only one locket. Marika doesn’t remember anything about the other two any more than the other girls do, only the memories involving her and Raku, and the locket is still being repaired, so the moment of truth is postponed. But regardless of whose key opens the locket, Marika is working to make Raku hers, even as Raku clings to his certainty that Kosaki is the one he presently loves.

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As I said, she’s succeeding due to her uncompromising devotion and aggression. It doesn’t matter if he hasn’t accepted the engagement; as far as she’s concerned, they’re all but married already. As such, she invites Raku to her penthouse home to meet her father, who is frikkin’ HILARIOUS. In addition to being voiced with gusto by Tachiki Fumihiko, he’s scary as all get-out; far scarier than any yakuza Raku’s met. There’s abundant comedy just in watching Raku squirm, and it’s just as funny how Marika acts naturally through all of her father’s intense outbursts.

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When it comes down to it, though, Marika’s father gets the full truth out of Raku, and turns out to be a fair, perceptive man who obviously cares for his daughter. Whatever Raku has going on, be it another girlfriend or a girl he’s really in love with, he reiterates that at the end of the day he must keep his promise and make Marika happy. There’s no threat in this statement; it’s simply plain words from one man to another, both of whom have staked their honor on this arrangement.

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Perhaps the best part of this episode of all is when Marika asks Raku in the hallway how she could further transform herself to make herself more desirable to him. Taking a page out of her book, Raku is truthful and aggressive, heaping all the praise she deserves upon her, and telling her she’s cute, awesome, and sweet, regardless of her hairstyle or accent. I’m inclined to agree.

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Nisekoi – 12

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Aw, screw it, how about if RURI was the one Raku made a promise with?! Her offhand comment about Raku and Kosaki getting on her nerves echoes are own feelings on the matter. Like Banri’s surly neighbor Nana in Golden Time, Nisekoi wouldn’t be the same without Ruri, both to say what we’re thinking and to try her darnedest to nudge Kosaki to where she wants to go.

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But now that Raku has been told by both Kosaki and Chitoge that they both made a promise to a boy ten years ago (and each have a key), things are more complicated. Not to mention while Raku continues to crush hard on Kosaki (and she him), there’s no denying there’s a totally different (and no less mutual) romantic dynamic between him and his fake girlfriend.

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His quandary now is, how come there are two girls and two keys? Note to anyone trying to discover the truth about the past regarding a girl or girls you know: ask your damn parents! They weren’t five at the time, after all, and are likely to remember a whole lot more about ten years ago than you. Raku learns this entirely by chance by bumping into Chitoge’s dad (who seems like a decent guy) who confirms Raku not only knew Chitoge ten years ago, but that they got along famously…and the Onodera kid hung out with them, too.

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Now it could be that both of them made a promise to Raku, but each of them is missing the specific memories to be sure. Or maybe he gave the correct key to the girl he loves and the wrong key to the other…which would be f-ed up thing for a five-year-old kid to do! Hell, maybe they all work. In any case, perhaps Raku will learn more when he goes through the photos from that time his dad has stored away…and when the locket comes back repaired. We hope so!
7_very_goodRating:7 (Very Good)

 

Nisekoi – 11

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Jeez-o-Pete…is it really that common for five-year-old Japanese kids to make these kinds of promises? At least two girls seem to be convinced (or hopeful, in Kosaki’s case), that Raku is the one they made the promise to ten years ago. But of course, it can’t be both of them.

The sorting out once-and-for-all is put off though, due to two big events: first, Chitoge’s sixteenth birthday, and second, Ruri’s pairing up of Kosaki and Raku to go out together to find gifts for her. About the first part: the first sorta-not-really date between them is lovely to behold, the starting with Kosaki making sure she looks correct in the reflection of the same cafe window Raku is sitting behind.

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The two are still under the mistaken impression that neither is interested in the other, until Kosaki finally exhibits some initiative, first by showing Raku her secret vantage point of the city (which is gorgeous and calls to mind the end of Whisper of the Heart, of all things), but also calls him by name. Flustered by all this sudden affection, rather than ask what Kosaki’s birthday is, Raku accidentally asks if she was the girl from ten years ago.

Her affirmative response shocks him even more, along with us: we don’t know what’s gotten into Kosaki, but we like it: no longer mincing words or hiding her feelings. She and Raku come so close to embracing when Raku’s phone rings, which is incredibly lame, but that’s okay; some progress has been made. Not as much as we (or Ruri) would hope for, but some.

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That brings us to the ridiculous party Claude and the rest of Chitoge’s yakuza family have prepared, complete with Claude’s Claudey, gaudy gift of a Maybach Excelro, which is indeed quite exclusive; we love how the license-less Chitoge could care less. We also like how Raku’s gift of a gorilla doll that looks kinda like Chitoge moved her much more.

When the two end up on her balcony, she asks if he still likes the girl he made the promise to, thinking it was her, and he says yes, thinking it was Kosaki. But it isn’t as if he doesn’t like Chitoge too. Slowly, information is being distributed to various parties, but the matter of who made a promise to whom back then remains a vexing mystery.

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Rating: 8 
(Great)

Nisekoi – 10

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If we had to choose a girl we wanted Raku to choose, we’d have to say we’d still choose Kosaki, even though she’s unfathomably inept at expressing her feelings for him as he is, and even though she may not even be the girl he made a pact with when younger. It’s hard not to root for any Hana-Kana-voiced character—unless she’s trying to kill all the other characters, or is simply annoying.

However, we have to say Chitoge probably won this week’s round. All Raku wanted was to be paired with Kosaki for the test of courage, during which they’d have to hold hands the whole time. As it happens, all Kosaki wants is to be paired with Raku. When the show decides not to pull a fast one and actually pair them up, it’s almost too good to be true; and it’s another case of the two being virtually paralyzed by their mutual (but oddly not fully mutually detected) attraction.

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But the moment Raku learns that Chitoge is lost and alone in the dark woods with a broken flashlight, he grudgingly abandons Kosaki’s soft, warm, possibly nervous hand and goes to his fake girlfriend’s aid. Kosaki loses, but nevertheless Raku’s actions reinforce why she loves him: he won’t stand by while a friend is in trouble. Raku can deny caring or worrying about Chitoge all he wants, but we know better, and so should he.

And just as Kosaki was as enthusiastic about being with Raku as he with her, Chitoge is just as hopeful the boy who loves her will come to her rescue. Raku arrives on cue, and while the two exchange forced gestures of indifference towards each other, the fact Chitoge insists she and Raku start addressing each other by first name is less about being seen as a more convincing fake couple, and more about unwittingly becoming a real one.

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Rating: 8 
(Great)

Nisekoi – 09

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Chitoge’s interest has been piqued by the mystery of her first love, but further investigation is put on hold by “open-air school.” Maiko fixes it so their team consists of him, Raku, Ruri, Kosaki, Seishirou…and her. Once again, Nisekoi shows that nobody airing can match its close-ups of characters’ faces—not even Kill la Kill.

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Whether its everyone’s reactions to learning they’re in the same group (and have to share the cramped bench in the back of the bus), or their hapless attempts at poker faces during a game of Old Maid (which had just as much intensity and pressure of a karuta match in Chihayafuru), this episode was a veritable cornucopia of heated emotions, not the least of which because Chitoge is starting to entertain the notion that Raku could be her first love. He’s got a scar, after all.

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And in Anime Land there are few stages better-suited for the proliferation of high-level discomfort and tension than a hot spring inn, which is ironic, because in real life they’re probably exactly the opposite. Thanks to Claude switching up the gender-specific curtains the the bath entrances (which shouldn’t be that easy to do in the 21st century), Raku ends up in the enviable but potentially disastrous position of being a boy in the girl’s bath.

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There are many obvious ways of proceeding with such a scenario; many of them involving much physical punishment and social ostracism being exacted upon Raku. To it’s credit, the episode doesn’t make Chitoge a conclusion-jumping idiot (this time at least), and not only doesn’t blame Raku, but even does everything she can to get him out of there without being seen. Despite some very close calls (and an accidental kiss to Raku’s upper backside), she even succeeds!

7_very_goodRating:7 (Very Good)

Nisekoi – 08

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This episode was probably a bit of a slog for those not enamored with Tsugumi Seishirou. Fortunately, we like her just fine, and we also liked this very Seishirou-centric episode, in which odd changes in her body start to occur and she seeks answers and advice from her acquaintances. Her description of her “symptoms” are so precise and clinical, both Chitoge and Claude initially recommend she seek medical attention. Thankfully Seishirou doesn’t stop with those two, and eventually the common refrain of more normal people is that she’s suffering a bad case of love.

Seishirou may claim to not know anything about love, but we know that’s bullshit from the way she devotes herself to Chitoge and enjoys being by her side. She’s just never met a guy who has caused these reactions, and is totally at a loss for how to process them. Nothing Raku does to her deserves the harsh physical reprisals she visits upon him—on the contrary, he’s nothing but a decent, sweet and chivalrous fellow to her—but in the absence of any guidebook or roadmap or training in matters of love, she goes to her default assassin setting.

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Knowing her odd upbringing and years of conditioning meant to erase her femininity, suddenly becoming a slave to her heart is akin to being faced with an unknown enemy, so it’s logical and understandable for her to lash out, as offense is the best defense in her normal workings. The many closeups of her expressions as she wrestles with these strange emotions are enough to illustrate the intensity of her internal dilemma, as is her complete loss of concentration in assembling her gun at the mere mention of Raku by Claude. She’ll only be able to hide her compromised state from her mentor for so long; though Claude is a pretty dense fellow, even if he’s more suspicious than the other people around the fake couple.

But while Seishirou is growing into an interesting, if somewhat frustrating character in her own right, she also serves and important purpose in the central “fake” romance: she is the link to a past Chitoge has forgotten. Seishirou again betrays the fact she does indeed know at least something about love since she witnessed it betwen Chitoge and her first love, and waxes nostalgic about it, to the point Chitoge’s interest is sufficiently piqued that she digs up her old diary from the time and discovers that not only did she fall in love and make a promise to a kid with a distinctive scar, but that the diary also contained a key that looks very similar to Raku’s locket.

7_very_goodRating:7 (Very Good)

Nisekoi – 06

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We’ll be honest: right now Nisekoi is doing some things that always throw up warning signs for a long slog (not to mention piss us off to no end): relying too much on information omission, poor communication, and sheer coincidence to draw out the romantic tension. Like a wad of gum, it can only be stretched so thin before it separates, and with it our support of the show’s story. In other words: whatever Nisekoi is planning, it needs to get on with it already!

At the same time, Nisekoi is (so far) providing adequate cover for what would otherwise be construed as stalling: specifically, that both Chitoge and Kosaki both end up in positions in which they must suddenly readjust both their thinking and behavior. For Chitoge, it’s realizing Raku saved her from drowning, isn’t such a bad guy, and deserves thanks, not a beating. For Kosaki, it’s the realization that Raku and Chitoge aren’t really dating, which is terrific news for her, but she isn’t quite ready to act yet, and her reasons are understandable.

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Chitoge has been wrestling with the increasing probability Raku isn’t a moron bean sprout for some time now, but Kosaki obviously already knows she loves him and why. When Ruri runs off (in a rapid manner normally employed by Kosaki) and leaves her in an empty classroom with the one she loves, he’s even kind enough to unknowingly demonstrate it to her, which gives her the strength to start her confession.

Unfortunately, a baseball interrupts the end of her sentence. But while the baseball was an incredibly lazy, stupid way to torpedo her attempt, the fact of the matter is she’s making progress, and her knowledge Raku leaves her re-energized with hope. She’s not even that miffed about failing at that particular time. For one, it isn’t as if she dislikes the friendship she and Raku have now, and once she confesses, it will change, so she wants to enjoy it a little longer.

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And then there’s the fact that she can’t simply jump on top of Raku while he and Chitoge are the key to an uneasy peace between their families. Chitoge swears her to secrecy, warning that the city will be decimated if they fail to deliver (and as this is SHAFT series, it’s possible she’s not overstating matters). So Kosaki remains in a tough spot: she can neither confess too quickly nor afford to hold it off too long. Raku, meanwhile, is still agonizingly unaware of the possibility Kosaki likes him, despite overwhelming evidence to the contrary; nor has he confided in Kosaki that he’s not really dating.

Back to that fateful baseball: it’s use in nixing Kosaki’s confession makes a little more sense later in the episode. Chitoge finally finds a way to thank Raku to his face (in pretty good English) finds his locket on the ground; its chain having been busted by her multiple assaults on him that day. She has it fixed and delivers it to him, making them once again even in her eyes. On the car ride home she suddenly remembers she made a promise to someone too, years ago. Since we still haven’t seen Kosaki’s key unlock Raku’s locket, we’re still not 100% sure she was the girl he promised his heart too—now a glimmer of possibility exists it was actually Chitoge.

7_very_goodRating:7 (Very Good)

Stray Observations:

  • Chitoge’s failed three stages of apology were some great exercises in mutual cognitive dissonance.
  • Even though Kosaki’s confession wasn’t to be, it was beautifully staged, what with Raku mistaking her embarrassment for a fever and going into full Help Mode.
  • Ruri warns Kosaki if she wusses out again, they won’t be friends. We’re with Ruri. Damn the consequences; more than anything else, Raku needs to learn the truth.
  • In a dilapidated warehouse that wouldn’t be out of place in the world of the Monogatari Series, Claude assigns a mission to his shadowy apprentice: save the poor “Princess” Chitoge from the clutches from the “prick” Raku. He’s confident she can do it. We smell the next love interest.

 

Nisekoi – 05

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Still suspicious of the nature of Raku and Chitoge’s relationship, Ruri presses forward in her crusade to help Kosaki win Raku’s heart. Kosaki herself has reservations about stealing him from Chitoge, but if Ruri can confirm they’re not really together, and that Raku has a crush on Kosaki…well, that’s different, isn’t it? To that end, we get a pool episode replete with graceful swimsuit and changing fanservice.

It doesn’t detract so much as call attention to the fact that this is a SHAFT series and Shinbo doesn’t skimp on close-ups, no matter what it’s a close-up of. In contrast to last week’s ill-fated study session, Raku and Kosaki fare much better during his one-on-one swimming lesson; though Raku does have to run to the nearest seaside cliff to shout his desire to make her his wife. Being in swimsuits also means the locket and key aren’t on their respective persons, only the show teases us yet again by having Raku use the wrong key.

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The picture is very, very slowly being pieced together in the slow-churning minds of the star-crossed lovers: both are entertaining the possibility that the other is the one they made the promise to, but progress remains slow. Meanwhile, while it’s clear Raku has a crush on Kosaki, Ruri is growing more and more perplexed with Raku and Chitoge, probably beause she sees as we do without even knowing it that the fake relationship grows more and more real the more time they spend with each other.

Yet again Raku and Kosaki’s progress is mitigated by a similar development with Chitoge, as he is the one to drop everything and dive in after her when she cramps in the pool. Kosaki is spared having to see them lock lips (she doesn’t need mouth-to-mouth, though Shuu tries to make it happen for Raku), but Chitoge learns yet again that Raku isn’t the gutless bean sprout she’d created in her mind…except, apparently, when it comes to going after who he truly wants.

7_very_goodRating:7 (Very Good)

Stray Observations:

  • The Girl’s locker room is apparently “very retro”, which is why the key is so easily mistakable for an ornate locket.
  • We don’t know if the voices of the characters are sped up in production, but if they’re not Touyama Nao and Uchiyama Kouki deserve props for some seriously articulate high-speed, spirited arguing this week.
  • There’s no official episode count for Nisekoi as of yet, but it’s starting to look likely there’ll be two cours, since there’s two main characters hiding in the shadows of the OP that haven’t even been introduced yet.
  • We like how the omakes typically add texture to the main story, rather than act as random standalones. To whit: we catch insightful glimpses of Chitoge, Raku and Kosaki dealing with Valentines Day in junior high.
  • After that, Chitoge visits Raku’s house for New Years and learns he’s a kickass Enka singer. Nothing much manlier than that!