Koe no Katachi isn’t just the redemption story of a guy who bullied a deaf girl in elementary school, got caught, became ostracized, and came a hair’s length from offing himself. It’s more than just the tale of a deaf girl trying to do the best she can to fit into a world in which everyone else can hear. It isn’t just the story of a little sister being so worried about her big sister that she neglects her own life.
It’s all of those things, and far more. It’s really a story about all of us, because we all have flaws. We can’t always fix those flaws, either due to lack of understanding or guidance. All of us have at some point or another hurt others, or been selfish, just as others have hurt us or been selfish themselves. These are not unique qualities to have, they are the things that make us human.
Can people truly love themselves, or anyone else, completely unconditionally? Rarely. There are always conditions and compromises, and transactions. Words fly and are heard or not heard, but actions are felt, and ultimately they define us. Not one action or two, but all of the actions in one’s life, good or bad. And the sequence of those actions are crucial.
Ishida Shouya WAS a colossal dick in elementary school. He DID bully Nishimiya Shouko mercilessly until she had to transfer out. When confronted with his crimes, he DID lash out at his friends, who then turned on him one by one. But he’s trying to make things right; he’s trying to make amends. And he’s lucky; Shouko is as kind and forgiving in the present as she was in the past; almost to a fault.
And yet meeting Shouko again, seeing that she harbored no ill will, and even seemed interested in being friends with him aftrer all that happened, changes everything for Shouya. One by one, he makes friends again, through acts of kindness, forgiveness, and selflessness. Yet he learns that friendship isn’t a right attained by fulfilling qualifications or conditions, but about the simple gesture of reaching out and grasping someone else’s hand.
Of course, friendships can and almost always do get a lot more complicated. Back in elementary school, Shouya likely did what he did not just for personal amusement, but for approval and acceptance. When those things suddenly didn’t work, and in fact had the opposite effect, he was suddenly un-moored, and left with nothing but his own regret for all of the pain he caused.
But as long as there are other people in the world who will even consider sharing the same space or breathing the same air, recognizing pain and sharing it is the best way to go. We are social creatures. We may hurt each other sometimes, but we need each other to survive; to help each other live.
Whew…that’s probably enough pretentious babbling like I’m some kind of expert in psychology or sociology for one sitting! It’s just that Koe no Kotachi, as I said, is far more than the sum of its parts, and even those parts are phenomenal in their construction and presentation, be it its fully-realized and complex characters, KyoAni’s seemingly more obsessive-than-usual attention to human and environmental detail, marvelous dialogue, voice acting, music, etc.
Koe no Kotachi is BIG, and it’s often messy, much like life. There are moments of despair and disgust, but also moments of grace and astonishing beauty. Scenes filled with hate and loathing mixed with scenes of love, understanding, and camaraderie.
It’s immensely though-provoking and impeccably performed. You’ll laugh, you’ll cry (probably more than you’ll laugh) but mostly it will tear your heart to pieces and then meticulously reconstruct it, bigger and better than ever. Mostly it’s just really really good. I highly recommend it!