O Maidens in Your Savage Season – 03 – Tough Kids Drink Milo

While Rika is checking a magazine to see how much she actually resembles Erika, Hitoha notices a new book has been published—but not her’s. Her editor says her stories aren’t “realistic” enough. For Hitoha, the message is clear: in order to break onto the young erotic fiction scene, she needs actual experience. So she arranges an IRL meet with “Milo” on the dirty chatroom.

When Izumi talks with Niina in private about the footage she shot, he doesn’t realize how much of a message he sent by taking her arm in class with everyone watching. Still, she’s impressed that he’s quicker on the uptake than she expected, taking her criticism and apologizing rather than bristling.

Even so Niina senses an “old-fashioned” quality to Izumi, and before returning to class (without saying she’d delete the footage) she assures him it’s not just boys who think about “doing it” all the time. Girls think about it too…even Kazusa. And it’s perhaps for that reason that every available male faculty member outright refuses to become the lit club’s adviser, keeping its future in jeopardy.

When Izumi’s mom drags Kazusa in to take home some meatloaf, she asks her to go up to his room to fetch the ketchup. Upon entering (again, without knocking! Girl!), she imagines him with his pants down at the desk again before it fades to an empty chair.

She gets a pang of nostalgia (which must come as a relief) when she sees the DVD for a Ghibli-like film on the desk, but when opening the case, she’s mortified to learn it’s something else entirely: a porn blu-ray, rather inartfully titled The Wheels on the Commuter Bus Go “Oh Yeah, Harder!”

Meanwhile, at the Hongou residence, Hitoha is ready to head out on her date when two misogynists on the TV talk about how mismatching underwear is a turnoff, and steals her sister’s blue bottoms to match her blue bra. As she waits until 1:00pm on the dot to leave the station and head for the statue where she’ll meet her date, she’s understandably nervous, repeating over and over to run if he looks like a shitty (or shitty-looking) guy.

So imagine her shock when “Milo” from the dirty chatroom is a handsome, glasses-less, stylishly-dressed…Yamagichi-sensei! Once he recognizes Hitoha, he bolts. I’d admire him for that, since it means he has no intention of sleeping with Hitoha, but then I wonder how he’d have reacted if it was a different girl her age, and immediately lose the ability to admire him for anything. Regardless, Hitoha follows; she can use this.

Desperate to learn something about sex, especially of the kind between the flowery literature or crass commuter bus porn (that’s quite a range), Kazusa beseeches her parents, who proceed to misunderstand her question and tell her about the day she was born, not the night they conceived her. They’re as ill-prepared to have “the talk” with their daughter as she is to ask them about it. Meanwhile, next door, Izumi panics over his lost porn…until he remembers Kazusa was in his room.

The next day, the principal and vice-principal, clearly scared of young women having a free and open forum to discuss literature of a mildly lascivious nature, are ready to pull the plug on the lit club after their unsuccessful search for an adviser, when Hitoha bursts into the office with a defeated, blackmailed Yamagishi by her side. He’ll be advising the club.

After Yamagishi eloquently analyzes Hitoha’s reading in the club, she twists the knife a little by giving him the same nickname in club (Milo-sensei)as his chatroom name, assuming it comes from Venus de Milo. Before he drives off, she thanks him for letting them continue the club, but he corrects her: he got it from something much more innocent: “Tough Kids Drink Milo,” the slogan of Nestle’s Milo chocolate drink (a personal favorite of mine…I guess I’m a tough kid!)

That evening, with the Norimotos apparently out, Kazusa uses the spare key to slip in and return Izumi’s porn DVD, but before doing so, has another ephiphany, realizing that her childhood friend, ever a lover of transportation, chose a commuter bus porn DVD rather than tarnish his even more beloved trains. Just as when she initially noticed the misleading Ghilbi case, Kazusa feels relieved, even happy that Izumi hasn’t changes as much as she thought.

It’s very sweet moment—and pretty hilarious!—moment. And then Izumi enters his room, correcting her on the format: it’s a Blu-Ray, not a DVD.

He goes on to try to explain and clarify that while he does watch porn (something now painfully clear), that doesn’t mean he’s interested in doing it with anyone; not Asada or any of the other girls at school, and not her, either. No doubt he probably doesn’t think he’s hurting Kazusa with those words, but he cuts her to the quick, and as her eyes well up she races out of the room, so fast that she stumbles down the stairs, and Izumi tumbles after her.

He lands on top of her at the bottom of the stairs, his face just an inch from her’s. How Kazusa doesn’t suffer a concussion in that fall I have no idea, but it’s a contrived-enough fall without an accidental kiss! Izumi jumps back to his feet and reiterates he doesn’t want to do it with “just anyone” and honestly isn’t even thinking about it that much. Kazusa responds by asking him to say “Willy’s Real Rear Wheel” ten times fast, while she slowly gets up and walks out.

It’s probably going to be like this for a while, as these two are nowhere near on the same wavelength and may not even want the same thing. Things will get even more dire for Kazusa if the more assertive Niina starts cultivating an interest in “Mr. Old Fashioned.”

But whatever hardship befall these five girls (well, four, anyway; Momo barely registers) and Izumi, I’m thoroughly enjoying this highly approachable, engaging, down-to-earth coming-of-age drama that reminds of my own awkward, clueless, stumbling, yearning younger self.

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O Maidens in Your Savage Season – 02 – Holey War

After Kazusa reads about masturbation at the bookstore (no doubt learning it’s natural and healthy and thus way less of a big deal than either she or Izumi are making it out to be, even if it was super-embarrassing) she finds Niina in the clutches of some mouth-breather, and gets a text asking her to follow, along with other instructions.

When Kazusa joins them at the cafe, Niina is acting like “a different person”, talking about having to “take on three guys at once” later, then asking the dude if he’d hook up with her “super slutty friend” instead. That’s when Kazusa declares, loudly and proudly, that her crotch is really itchy. The guy flees.

Turns out it was all according to a script Niina’s friend at a theater troupe gave her to use as a defense against the many guys of all types who have projected their fantasies on her due to her ethereal, girlish good looks, and in doing so push past normal social boundaries. It’s a sad but very accurate commentary on the need to know how to deal with such men; many of whom won’t take rejection well.

Because of her looks, Niina grew up a little faster than the other girls. As for Kazusa, she really only grew up when she walked in on Izumi, who her clueless dad invites over for pizza. Izumi and Kazusa have a mature and productive chat about it briefly tries to make Kazusa forget by grabbing her head and shaking it (the childhood friend rambunctiousness coming out at the worst time) but ultimately would prefer if she just forgot it ever happened.

Later that night, in the shower, Kasuza puts herself in Izumi’s shoes, and of all the things she’d want to cover if he walked in on her, she determines she’d probably most want to hide her face, as if like an ostrich with its head in the ground, it wouldn’t be happening if she couldn’t see it.

At lit club, Rika instructs each member to come up with ten more “literary” words to use in place of the inartful English word “sex”, since it’s an otherwise unavoidable word with the works they’re reading. Then the writer among them gets a call from a potential editor, telling her she’s not quite there yet, but coming by his place will “probably help her chances.”

Then Rika gets “bothered by the chidings of lascivious beasts,” causing her to hurt her crotchal area on the vault; one of the girls doesn’t laugh and wonders out loud if she just “broke her hymen”; Rika later admits to herself she “doesn’t know how to check”.

It’s just and overall unpleasant-as-hell experience, but as she’s washing her face in the sink, Amagi comes by and calls her cute again, even comparing her to a model. There’s no reason to think the kid is messing with her, but Amagi isn’t prepared for the praise, and flees in a cloud of dust.

Then, the inevitable: the girl who boasted to her friend she’d take Izumi’s virginity makes her move. Kazusa is instinctively ready to riot, even tossing out the lame excuse of “having to keep an eye on him while his mother is busy with work!” She ends up getting to watch the meeting thanks to Niina paying her back for “having an STD for her” the other day.

Izumi ends up turning Asada down, but when she learns he doesn’t like anyone in particular, gets him to agree to “think about it,” as she’ll wait for him “forever.”

After Asada leaves, Izumi spots Niina snooping and recording, but Kasuza comes between them and tells the truth: Yes, they were snooping, but he didn’t give the girl a straight “no.” Then she asks if he just wants to “do it” with girls, and Izumi doesn’t understand, she blurts out a variant of one of the club’s euphemisms: “Ess Eee Ecks!” before running off.

The next day, with the whiteboard full of vulgar words and phrases, the principal and vice principal, both men, declare that absent a faculty advisor to keep them in line, the lit club will be dissolved. Kasuza starts weeping form the news; she doesn’t know what she’ll do if there’s no lit club (answer: they can always meet up somewhere after school and in the summer).

But Niina knows better. She knows Kasuza’s tears that just won’t stop aren’t just about the threat of the club dissolving. She gets Kasuza to admit that a “storm is raging in her heart”, and that if she absolutely had to “do it” with someone, it would be Izumi, which indicates she likes him. This may be something we’ve known for a while now, but only then, on the riverbank, does she finally have the official epiphany. She’s in luuuuuuve.

O Maidens in Your Savage Season – 01 (First Impressions) – Crazy Train

Onodera Kazusa is an almost aggressively normal high school girl. She doesn’t really stand out anywhere, and is part of a literature club whose members include both a budding author, a glasses-wearing prudish type, and a serene senpai who is perfectly comfortable reciting very steamy sex scenes in the book they’re all reading.

Kazusa has a best friend in fellow lit club member Sudou Momoko, and she has a childhood friend in the train-loving Norimoto Izumi. She and Momoko are each other’s main source of verbal and emotional support in these trying adolescent times. She and Izumi were once as close as brother and sister, but have drawn further apart due to his increasing popularity—particularly with other girls.

Kazusa is voiced by relative newcomer Kono Hiyori, who does a splendid job modulating her voice for Kazusa’s vulnerable and frustrated inner monologues. It also helps that she closely resembles Shizuku from Whisper of the Heart, a rare Ghibli film grounded in contemporary life and one of my favorite anime works.

It helps because Shizuku never strayed past the “pure and innocent” phase of her romance with Seiji; the film ended (spoilers!) with her suddenly proposing marriage after they bike up the highest points in West Tokyo and watch the sun rise on the city. It’s beautiful, and it marks a major milestone in their trudge toward adulthood…but it’s incomplete.

O Maidens in Your Savage Season (written by the great Okada Mari) is not incomplete. It reveals all of the insecurities and worries and downright dilemmas far beyond simply developing feelings for someone and being frustrated by one’s comparative lack of accomplishment. By the end, we have a nearly complete picture of who Kazusa is (just a kid), what she is gradually becoming mentally and physically (an adult) and how she feels about that (not so great so far!)

When Kazusa’s mom—whom she says many describe as “child-like” even though she’s most definitely not a virgin due to Kazusa’s existence—asks her to take some food to Izumi’s next door, the comfort of their familiarity is evident, but so is a growing awkwardness punctuated when Izumi asks if he should talk to her around other people.

Kazusa’s wishy-washy reply (depends on who and where) doesn’t help matters. Talking about their issues clearly would be optimal, but again…these are kids. She’s aware enough to know she didn’t handle her interaction with Izumi in a satisfying way, leaving so much up in the air and unclear, but she doesn’t yet possess the tools to do so, hence her frustration and very Shizuku-like private mope on Izumi’s front stoop.

Back in lit club, Sugawara Niina, with her confident stride, ever-calm tone, and shorter skirt, all indicate she’s more mature than the other four members. To put it far more harshly, some boys consider her a diamond atop a pile of dung. But when a story with the premise of “doing something before you die” comes up, she blurts out “have sex,” because as mature as she looks and sounds, she’s still a virgin—still in the bubble with the rest of them. Despite all the classy smut they’ve read, it’s still a totally unknown world.

But her stated desire to have sex before death brings that subject too the forefront, like poking at the bubble until it bursts. Now sex is the first thing on the minds of the four other girls, from Rika (glasses) telling some gals to shut up about sex and being verbally abused by some classmates and then complimented by another; to Kazusa overhearing two of the girls who like Izumi talk very openly about wanting to take his virginity.

The more Kazusa hears about Izumi and sex, the more those two seem like something possible and thus terrifying—a far cry from the little boy with which she used to run around, fall over, and wade in the kiddy pool. The boy who’s crazy about trains. With the bubble of obliviousness popped by Niina, Kazusa finds herself on the deep end, her surroundings growing darker and more morose. But she has to kick and swim and breathe, or she’ll drown.

Things already feel like they’re starting to spiral out of all control for Kazusa, who asserts that she doesn’t like this and isn’t ready for it at all, but she has no idea what’s coming down the track to knock her off the rails of innocence for good, where she was once only teetering and threatening to fall. In an absolutely stunning sequence that plays like, well, a train wreck, Kazusa hears music inside Izumi’s, and so enters through the unlocked front door.

She makes her way up the stairs to Izumi’s room, where the door is cracked but not closed, and lets herself in without knocking. Izumi is inside, his pants down and his feet on the desk, masturbating to porn on the internet. The director lets the two just sit there in the moment of horror, completely silent but for the (likely fake) orgasmic screams of the woman on the laptop. Izumi gives a half-hearted “Hey,” then asks if she’ll keep this a secret. Pretty smooth, considering one of every guy’s worst nightmares just came true.

Kazusa…snaps. She bolts out of the house screaming and just…keeps running and screaming (the action animation is superb) through a market district. Naturally, every food sign is a double entendre, lending credence to her lament that there’s just too much god damn sex in the world.

Worse, her pure, innocent Izumi has changed forever. The boy is dead; a man has taken his place. The last time he saw her penis it was tiny and harmless. Now, not so much. As she stops on a bridge over a train track to catch her breath, she tearfully declares out loud that “that won’t fit in there!” Then, in a moment perhaps almost too on the nose but also pretty damn effective, a train passes beneath her, lining right up between her legs, and enters a very tight tunnel. “It fit,” she says, relieved, but she soon collapses back into a heap of adolescent frustration.

O Maidens is a refreshingly bold, sincere, brutally frank depiction of sexual awakening and its maaaany pitfalls. So far the experience is largely horrifying, terrifying, and overwhelming for Kazusa, and it’s sure to continue to be so. But the show balances the drama and comedy, never letting you forget these are human beings with human being minds and parts, all of which are in a state of open rebellion, but all of which are also very complicated.

The stakes for Kazusa and her friends are far higher than looking fit in a bikini for the summer. This is for all the marbles. All we as viewers can do is ball our fists and hope she hangs on for dear life to this train ride that can’t be stopped, until the ride becomes at least little smoother, if not joyful. I’ll be in the cafe car, quietly cheering on these maidens in their savage season.

Senryuu Shoujo – 05 – Wearing Stripes, Feeling Sparks

This week swaps one new girl out for another: the fortune-telling, purple stripe-loving Hanakai Tao, whom Nanako and Eiji learn about through Amane. When they go to have their compatibility assessed, she determines from their names that they’re the most incompatible couple imaginable. Only problem is, she used the wrong kanji for Eiji’s name. Still, Nanako is happy because Eiji is so quick to dismiss the unfavorable verdict. Turns out Tao also attends their school.

Her Tarot reading points towards a night of good luck for Nanako…and Eiji getting struck by lightning. Of course, one shouldn’t take the cards too literally. Nanako probably would have had a good time regardless of luck—just spending time with Eiji makes her happy—while the “lightning” that strikes Eiji is the shock of discovering the size of her bust after she removes an outer layer after their rollerskating. Nanako and Eiji enjoying each other’s company simply never gets old…especially in this half-episode format.

Senryuu Shoujo – 04 – A Very Sketchy New Friend

Eiji gets the feeling he and Nanako are being followed. When Amane suggests it could be a cute girl stalking him, Nanako springs into action to “protect” him. Turns out Amane is half-right: it is a cute girl, but she’s not stalking Eiji. She’s been trying to return his student handbook, but could never find the right time to approach him.

Making matters trickier? Kino, like Nanako, is too shy to talk, but instead of senryu, she draws what she wants to say, like a live manga. The ensuing totally silent conversation between Kino and Nanako is a delight to behold, and Kino turns out to be quite the chatterbox (speaking abstractly). Her inner voice is provided by the immensely talented Kuno Misaki, making this a mini-reunion of Kawamoto sisters.

Because Kino makes it look so fun (not to mention easy due to her skills) the whole club has a drawing session, and we learn the sketching styles of Amane (everything is naked), Eiji (everyone looks sinister) and Nanako (everyone looks adorable).

When Eiji stares at Nanako to draw her she becomes bashful, but when she tells him she hardly has to look up from her sketchbook because she knows his face so well from seeing it every day, he gets bashful, much to Amane’s amusement!

Senryuu Shoujo – 03 – Bemusement Park

President Amane is all about trying to get Nanako and Eiji together, which includes eavesdropping on a truly bizarre game of charades in which Nanako somehow makes the upward wind you get on a roller coaster. I would have barged in too…where did that come from?

It’s a 4-koma kind of playful comedy that doesn’t always have to, say obey the laws of physics. Or something absurd, like when younger Nanako had temper tantrums, she still wrote senryuu to express herself. Amane’s challenging of Eiji asserting what a “manly man” he is was also amusing.

This all leads to the three making plans to go to an amusement park, but Amane bowing out at the last second in order to make it a date for Nanako and Eiji. The latter is your typical mostly-oblivious fella, who is almost appallingly late on the uptake despite the fact Nanako is flirting with him in writing.

I enjoyed the little white lies Nanako employed to try to get a little closer, whether with the shared soda cup or informing Eiji that her shoelaces broke, possibly implying that the only way for her to go home would be if he carried her.

Alas, Eiji notices she’s wearing shoes that don’t have laces. As with Nanako’s inexplicable wind-summoning, Amane can’t help but spring out from her hiding spot to protest Eiji’s denseness.

Senryuu Shoujo – 02 – Close Enough

The Lit Club begins an initiative aimed at improving Eiji’s bad-boy image with the rest of the school, though Nanako likes him the way he is, even when his eyes roll back in his head when he’s deep in thought! That’s when Eiji’s beautiful “big sis” Ootsuki Koto shows up to thank Nanako and Amane for taking care of him. Turns out she’s just his childhood friend two years his senior. Then, while having a meal together, Eiji notes how much Nanako eats—not with malice, mind you—and Nanako starts to fear she’s gaining weight.

When her little brother teases her for eating as much as a sumo wrestler, Nanako resolves to go on a diet, but Koto offers to train her instead, using her military self-defense skills to whip her into shape. Time passes, and an excited Nanako takes Eiji’s hand and places it on her stomach…which would be quite forward if we didn’t know her true intentions were honorable. Instead, Eiji has to mention how he’s never felt a girl’s stomach and thus has no basis for comparison for Nanako to realize her faux pas.

Still, one think Nanako shouldn’t be ashamed of is that she likes Eiji—a genuinely nice guy—just the way he is. If others get to know him, they’ll learn the same thing. Koto already knows this, but when Amane asks if she likes anyone (if she had to give her a name, it would be Eiji), she says she doesn’t; not the way Amane means, anyway. Koto is fine with her and Eiji just the way they are, even if it means him getting closer to Nanako.

As it is, SS is a school slice-of-life with romantic undertones that just happens to integrate haiku wherever it can. And like that show about women enjoying various alcoholic beverages after work, it succeeds at its limited domain just as much as it needs to—which is to say, it’s fine.

Senryuu Shoujo – 01 (First Impressions) – Five by Five, With Seven in Between

Senryuu Shoujo is a tonic for a long, stressful day. Its heroine Yukishiro Nanako is also the antithesis of the non-studying Ao-chan, the first episode of which was most notable for its catchy OP. Rather than assume the worst of anyone, Nanako embraces her classmate Busujima Eiji, a nice book with a rough cover, as a fellow devotee of senryuu, a kind of haiku.

Unlike Eiji, Nanako doesn’t talk. We hear Hanazawa Kana’s voice, but it’s only in Nanako’s head. She communicates with senryuu, gestures, and body language…and gets by pretty well! The idea of someone developing senryuu as a means of organizing one’s thoughts and expressing them with a manageable, reliable structure, is an enticing one.

But more than that, Nanako is just adorable as all get out, and her unlikely friendship with a former delinquent—who got his scary face bandage from his cute little sister—is most endearing. And at an economical twelve minutes, we may have a lightweight slice-of-life keeper here.

Domestic na Kanojo – 09 – Cavalcade of Unpleasantness

Time to go on the record: I am not a fan of the Natsuo x Hina route. It made sense for Natsuo to be infatuated with his beautiful and kind teacher, and for those feelings to remain even after their parents married. But as for Hina returning those feelings? I’m just not buying it, and Natsuo isn’t doing himself any favors with his incessant brooding, whining, and stalker-ish behavior that blows past any and all decent boundaries.

He’s also apparently decided to utterly ignore and move past the fact Rui was coming to his room to make out, without considering why she may have been doing that. Rui is thankfully less concerned with Natsuo than with her big sister leaving the house right now, blaming her and Natsuo’s shenanigans for being the primary factor in her move.

A serendipitous encounter with Hina’s ex who we learn is underclassman of Kiriya-sensei (which…who cares?) properly apologizes to Rui (with a $45 parfait), and doubts Hina is moving because of Rui, but because she genuinely wants to strike out on her own. That night, Hina is surprised to find Rui in such distress, but her lap is there for Rui’s head, and she assures her she’ll visit home when she can. It’s a nice sisterly moment, but obviously fails to address the Natsuo-shaped rift between them.

It was disconcerting enough when Hina said her move would make “meeting” with Natsuo more convenient, but when she gives him a key to her new place, she’s truly playing with fire. As she’s been fond of saying, Natsuo is still a kid, which basically means he lacks experience, emotional maturity, and above all, self-control. Give a kid an inch, and they’ll take a mile.

Predictably, as soon as he is able (and after coldly rebuking Rui) he rushes his horny ass to the apartment she’s still moving into, lets himself in, then sits by her bed until she wakes up (she’s exhausted from unpacking). They make out a bit, but thank goodness Hina pumps the brakes, because Natsuo “isn’t sure he’d be able to stop himself” from going all the way. Ugh.

You can tell Hina is being torn apart by the opposing forces in her heart—she knows she should be a good adult, teacher, and older sister (and thinks she’s failing at all of those). For whatever reason, she loves Natsuo more than that, and wants him in a way normally impossible—and certainly problematic—for those other three roles. So she delays, telling Natsuo there’s no need to rush; they have all the time in the world to do…whatever it is they’re doing.

I must also go on record in voicing my extreme displeasure at the sudden and baffling introduction of Alex, perhaps the most annoying and cliched character of any of the shows I’m watching this Winter. Did the show forget about Natsuo’s actual best friend in whom both he and Rui confided and relied upon? Why are they wasting so much time with this…creature? Whatever they have planned for him can’t be good…unless they plan to shoot him out of a cannon!

That brings us to Natsuo’s worst moment of the episode, which is saying something: confronting Hina at school about how he felt she was being too distant towards him, at school. She takes his hand and leads him somewhere presumably more private, but it’s still a window-filled hallway, and the vice principal is not far away. She once again appeases him, and kisses him, I say again, AT SCHOOL.

Some words to the wise, Natsuo: Hina isn’t your property, and if you get her fired, she won’t be able to afford your lovenest. Shape the ef up my dude! And Hina: stop enabling the bastard!

Domestic na Kanojo – 08 – Keep It Together

Natsuo is bowled over by the Japanese American transfer student Alex, who is biking indoors, and the two end up apprehending an underwear thief who stole from Rui, among others. At the police station, Al sees Rui and immediately asks Natsuo (who calls her “a friend”) if he’ll set him up with her.

This, when Natsuo is still trying to figure out how he feels about Rui, who is affectionate when they make out but otherwise her usual stoic, hard-to-read self. While making dinner, Natsuo comes right out and asks Rui if she’d want to hang out with him and Alex. she sees right through his feeble ploy, and storms off, positively furious.

He visits her room later with a peace offering of yaki-udon and an apology, but Rui wants him to apologize by kissing her. The two are closing in on second base when Hina enters the unlocked, slightly open door and sees the two embracing.

After a long, agonizing pause, Hina flees to her room, and when Natsuo tries to explain, she tells him she’s not in the state of mind in that moment to believe anything he says. Instead, she declares that she needs to stop living there.

Rui visits Hina and explains that she initiated things, because she’s pretty sure she likes Natsuo. When Hina brings up the fact they’re family, Rui doesn’t see a huge issue, since there’s no blood relation. Nevertheless, Hina thinks their mother would be sad.

Al gives Natsuo the advice that nothing will ever be solved if nobody talks to each other plainly and honestly about how they feel, but the next day Hina announces she’s going to move out and live on her own. Her mom and stepdad buy her explanation, but Rui and Natsuo suspect they’re to blame (obviously).

The entire family goes to a night festival while Hina is still around, and Rui wonders if she and Natsuo should cool it with the kissing for the time being. Meanwhile, Natsuo can’t stop looking at Hina’s nape. When Hina loses her cell phone, Natsuo takes her by the hand and leads her to a private place where they can talk.

But Hina remains evasive, other than to say it’s necessary for her to move out for both their sakes. Natsuo’s attempts to force an honest conversation backfire badly, when he refuses to let go of a Hina who’s clearly had enough, and she bites his hand. The manager listens to Natsuo and holds Hina in place, noting how ugly she looks when she’s angry (his response when she says she’s always ugly is both brutal and hilarious).

The manager, one of the waiters, and her young son all join Natsuo and Hina in another secluded spot so the latter can cool down, but she’s tired of being the adult, and starts acting like a child. The son offers her a lollipop to cheer her up, and it largely works.

The manager, waitress and son depart, and Natsuo listens as Hina explains how it was just as much jealousy as shock when she say him with Rui. Rui has always been a free spirit, so Hina always felt she had to be the “normal” one who “kept it together”, not simply shooting from the hip like her little sister. She sacrificed her grasp on her identity, in part, to protect Rui’s.

Even though Hina rejected him, she did so because she felt she had no choice; as the adult in the room, she couldn’t give in to her feelings, no matter how real or strong they were. Hearing that his love isn’t unrequited after all is a revelation to Natsuo, who embraces her and asks nothing more than to be able to hold her like that and say that they love each other for that brief period of time.

As the family heads home together, while Rui isn’t turned around and looking, Natsuo and Hina hold hands. So it would seem that Natsuo is choosing a sister, based on his longstanding feelings for Hina. But just because he now knows those feelings aren’t one-sided doesn’t change the fact that Rui has fallen for him, and he’s going to have to address that every bit as earnestly as he and Hina addressed where they’re at. Because one thing is certain: Rui ain’t dating Alex!

Domestic na Kanojo – 07 – Advance and Retreat

We begin with Natsuo and Hina going on a “date” to Kamakura. The teahouse lady mistakes them for a couple. They see the sights and have a lot of fun; their chemistry is unassailable. Then they head for the beach, and Natsuo brings up Hina’s “child” comment from earlier.

Hina admits she was just trying to say the thing that would hurt Natsuo most, since she was already in a relationship with Shuu and she and Natsuo were now siblings. Then she tells him how she met Shuu: like Natsuo with Hina, he was her teacher and first love.

When her friends shunned her for being too cute and flirty, he was her only friend. When they met up by chance years later, he was wearing a ring, but she couldn’t turn him or her happiness down when he said they should get together.

When Natsuo hands her his newly-completed novel, whose heroine is modeled after her, he confesses he’s been in love with her for a long time. Hina’s reaction follows the general pattern of their incident in her bedroom: she draws closer, taking his hand, and proposing they go out together, keeping it a secret from their family and everyone else.

But then, as when she basically teased Natsuo’s lack of experience, Hina brings the hammer down, taking Natsuo a bit too far into the surf to make a point: for them to be together when they’re family will most certainly backfire stupendously. She likens it to double suicide, be it socially or literally.

Natsuo knows it’s not possible, but merely asks they stay in the surf a bit longer so he can hug her and cry it out. That night after they get back home, Hina reads the whole book in one night, and it brings her to tears. Through the pages she can probably feel Natsuo’s longing, because it’s exactly how she felt with Shuu. She can hardly blame him for something when she knows full well we aren’t in control of who we fall for.

Things seem to return to a friendly sibling relationship between Natsuo and Hina, but Rui’s crush on Natsuo continues, culminating in her visiting Natsuo’s room one night. She notes that on the day they met (and did it), they never actually kissed. She wants to try doing so now.

Despite things being cordial with Hina, Natsuo is still a wreck, and it’s at least partially his desire to prove Hina wrong about something like them being utterly impossible that leads him to acquiesce to Rui’s request. To hear Rui so earnestly describe how calm and at rest she felt while kissing him, well…it certainly complicates matters for young Natsuo.

At this point Miu seems to be the best bet for him in terms of romantic interests who aren’t related to him, while Momo would obviously welcome his company anytime. Still, with Rui stating her intentions to keep continue their kissing sessions on the downlow, it’s clear that it’s not going to be as easy as going out with Miu or Momo.

After spending the evening with Natsuo and Rui tutoring them for their upcoming exams, Rui brings up Ashihara and his apparent rapport with her, intriguing Hina. Later that night, while perhaps going to visit Rui’s room, Natsuo sees that Hina’s door is open.

Before he can knock, he hears a…a noise, and when he peeks through the crack in the door, he sees Hina pleasuring herself, letting out Shuu’s name when she finishes. I’m not sure why she didn’t completely close the door, but never mind; the deeply private moment Natuso witnessed can’t be unseen or unheard.

As disturbing as it was to see Natsuo linger by the door as long as he did, he saw in Hina what she sensed in him: an unbearable longing for the one they love. She may have broken things off with Shuu but she’s most definitely not over him. No doubt that will evoke some guilt in Natsuo, who, along with Rui, gave Hina such a harsh “him or us” ultimatum.

Domestic na Kanojo – 06 – Exalting In Life’s Freedoms

With all the women he’s juggling, Natsuo has barely had any time to work on the novel he’s writing. During a study period, he reads on the roof, and discovers Kiriya-sensei up there smoking. Kiriya is happy to see a student reading literature, and when Natsuo tells him who he’s reading, he tells him he has good taste, then proceeds to…flirt with him? Whatever the case, Natsuo has piqued Kiriya’s interest.

Natsuo also seems to have inadvertently drawn the mild ire of one Tachibana Rui, who reports that Momo loved the yukiudon he made her while pointing out that he never made it for her at home. Natsuo assumes Rui doesn’t know what a jealous face she’s making, but wishes she wouldn’t make it. Rui is also there to ask him a favor—and not a sex favor, this time! She just wants him to accompany her as she checks out clubs. Natsuo’s guy friends tag along, but only to watch the girls playing sports.

Both Rui and Natsuo seem to find a cultural club with promise in the Literature Club, but no one is there to greet them. Natsuo sees a book on the shelf both he and Rui are interested, and so “borrows” it. When he returns to return the book, he hears a tiny voice within the stacks, and spots Kiriya-sensei seemingly kissing a female student.

He tries to flee but his shoe squeeks, and Kiriya introduces the girl, Ashihara Miu (voiced by the very talented Kohara Konomi of Tsuki ga Kirei fame), who explains that she was helping sensei with an eyelash. Considering how earnest Miu turns out to be, I’m mostly able to go along with her explanation. Natsuo is thus caught having “borrowed” a book, and Kiriya blackmails him into joining Miu as the second and only other member of the Literature Club, of which he is the faculty adviser.

Natsuo’s first duty as club member is to help Miu hand out flyers to recruit other members. It takes him until sunset but he manages to distribute all of his share, only to find Miu in the back entrance, having failed to hand out a single flyer. Natsuo reassures that her there are some things some people just can’t do, and it falls upon those who can to do them. Miu is definitely grateful for his kindness.

The next day in club things get a little weird, when Kiriya-sensei, basically reading from his two students’ face that they are romance novel writers with very little if any romantic experience, and suggests that the two gain some by…kissing each other. Yeah, you read that right.

[Slowly raises hand] Um, I’m sorry, but that’s kinda fucked up? Even a suggestion coming from an adult in authority can sound like an order a kid can’t refuse, and indeed, Miu goes along with it, closing her eyes and dutifully awaiting Natsuo’s kiss. He leans in, but ultimately can’t do it when he sees a tear welling in Miu’s eye. It just feels wrong…because it is. Kiriya doesn’t force the issue and moves on, but still…this guy has serious boundary issues, and might need a good arresting.

That night, as Natsuo works on more flyers, Hana gives her two cents about Kiriya (he’s “a bit odd”—no shit, Sherlock!—but performs his faculty duties “flawlessly” and so is given a wide berth). As for Rui, watching Natsuo become so invested in something leads to her deciding to join his little club right there on the spot. (BTW I did enjoy Hana playfully feeding both Natsuo and Rui chocolates to cheer them up).

The next day Natsuo and Miu exchange apologies and move beyond the previous day’s strangeness, not by talking but by exchanging notes in the library, thereby upholding the silence rule. Natsuo does, however, manage to make Miu laugh with his artist’s impression of Kiriya (whom Miu assures him never made her do anything like yesterday before, which again, I hope she’s right).

Miu is glad to hear Natsuo has an “acquaintance” interested in joining, and even more delighted when he shows up with two new members: Rui and Momo (who tagged along because…she felt like it?) Far from threatened by the presence of two cute girls flanking Natsuo, Miu transitions seamlessly into a pleasant chat with Natsuo, which has an particular affect on Rui she can’t yet identify.

One Sunday, Rui just needs to get out of the house, and ends up at the cafe, the teenage equivalent of going day-drinking, asks her barista why she’s felt so “off” lately, before proceeding to recite the textbook definition of falling in love. Since Rui’s never done so, she worries there’s something wrong with her, but the owner (a former yakuza who fell for a rival lieutenant at first sight) assures her it’s perfectly normal.

He doesn’t go so far as to tell her she’s feeling what he felt, but encourages her to listen to her heart and follow where it leads. So yup, despite being the person to sleep with Natsuo and then drop him like a hot potato, there’s a lot to indicate Rui has real feelings for him.

That’s probably bad news for Rui, as she was so clear so often that the sex they had was without feeling and only to gain experience, Natsuo may be infatuated with Rui the least of the now four women in his circle.

Before and after sleeping with Rui, he loved Hana, after all, and he’s probably not 100% over her. With Shuu out of the picture, now Hana seems interested in spending time with Natsuo (and only Natsuo) but whether she has any romantic intentions or simply wants a good relationship with her stepbrother, we shall see.

I assume Natsuo sees Momo more as someone he needs to look after (and out for) lest she descend into her worst impulses—which we learn cause her to drop in class rankings, as she’s as voracious a studier when she doesn’t have a man as a slacker when she does.

Finally, there’s the newcomer Miu, who actually looks like the healthiest, best fit for Natsuo (it doesn’t hurt that she’s adorable as all get-out).  They share a passion for reading and writing, have great chemistry right out of the gate, and most importantly, she’s not family! Natsuo certainly has no shortage of choice when it comes to women. It will be interesting to see how he reacts to being pushed and pulled by all their opposing interests.

Nagato Yuki-chan no Shoushitsu – 14

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Nagato Yuki-chan’s last episode was so awesome, it would have made a fine end to the series, and part of me kinda wished it was, as I’ve got a full Summer plate. This week didn’t reach the dizzying dramatic highs of last week, it did make me glad after all we got three more episodes.

It was worth it just to see Ryoko welcome Yuki home, with a blend of joy and sadness in her eyes even a dope like Yuki can pick up on. Indeed, she doesn’t remember anything about the time her other self took over, or even the dream in which her other self explains things to her.

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But Kyon remembers, and he hasn’t been able to help but act differently around Yuki ever since. He also stares at the call log entry, as if it’s the entry of someone deceased. In a way, it is; Kyon wants to be able to believe New and Old Yuki were separate people with separate sets of feelings, but he can’t. Like Ryouko, he’s found he likes both equally, and the more they think about it, the more confused they get.

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New Yuki’s words let something in Kyon out that he can’t put back in or compartmentalize behind his stoic surface. It’s plain to see, especially from the newly-returned Haruhi, whose return I thought would be a pain but turned into a wonderful change of perspective, a marvelous use of Haruhi’s character beyond mere comic relief, and a resumption of the love triangle. Haruhi, like Kyon, is dealing with feelings she has for someone who doesn’t remember the same things about him that she does.

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The day they hold Tanabata celebrations is the fourth anniversary of Haruhi meeting Kyon, helping her paint messages to aliens in the schoolyard, and telling he he has no reason not to believe aliens are out there somewhere. He came into her life at a time when she was starting to feel the “senselessness” of her earlier youth give way to more and more common sense, leading to despair.

And he saved her from that despair. She hasn’t forgotten, but he has. People don’t need random car accidents to forget moments that are important to the ones they love. All it takes is time. It’s kind of heartbreaking: even if Haruhi brought up that day to Kyon and he remembered, it wouldn’t change the fact that he forgot in the first place.

But here’s the thing: that past Kyon wasn’t in love with Haruhi. Both Yukis love/d Kyon, and Kyon loves/d both Yukis. They’ve got two episodes to figure out what to /do about it!

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