Macross Delta – 25

md251

The predictable patterns of Macross Delta continue into the penultimate episode, where the action and daring of last week transitions into a relatively quiet, exposition-filled outing (well, quiet until the ending).

Berger Stone shows up again and again launches into a wordy infodump that includes references to other Macross shows. The Windermereans (mostly blindly) rally around Lloyd, including King Heinz, who shows his knights how little time he has left.

md252

Stone basically lays out that if Lloyd uses the Star Singer to create an interconnected humanoid network, it will be very bad, but we already knew that. When Freyja hides her bandaged hand, she hides it way too obviously to not be noticed by Mirage and Hayate. Walkure is wounded and scattered, but Kaname intends to step up to the plate, and if she has to go down, she’ll be going down swinging for the fences.

md253

Mirage once again gives way so that Hayate can hang out with Freyja. Though Freyja is literally marked for death, the events of the final episode will be instrumental in confirming whether her hand crystal will kill her, or if the limited age of Windermereans will continue to be a problem.

The show takes the effort to bring Hayate and Freyja closer together by revealing that his Dad once visited Windermere and gave lil’ Freyja the little device she still carries with her, and ends with the classic Macross theme “Do You Remember Love?”, once sung by Lyn Minmey and other singers.

But it’s telling that it’s Freyja’s laugh, not her song, that helps ease his heart. After all, Stone just told everyone songs are a weapon.

 

md254

 

Not just a weapon, but the weapon. After some peaceful space credits, the episode upshifts, raising the stakes for the endgame, as the giant NUNS fleet I initially thought Chaos would have to somehow stop, falls under the spell of Mikumo’s Song of the Stars (sung under duress/hypnosis).

Thus brainwashed, the captains and crew of the ships activate the dimensional weapons in their weapons bays, utterly destroying the fleet in a matter of moments. Thousands of souls cry out, and Lloyd looks on approvingly, apparently that much closer to his ultimate goal of galactic domination.

The remnants of Walkure, and Chaos’ handful of ships and fighters now seem hopelessly outmatched against the terrifying might of Lloyd’s newest and most powerful weapon: their friend and comrade.

We’ll see if and how they manage to defeat him, and who will join their cause, and who among those we’ve come to know will be sacrificed in the name of galactic peace.

16rating_7

Advertisements

HaruChika – 03

hc31

Haruta and Chika’s lame love triangle continues to be an ongoing problem with HaruChika. If it were a classmate they both loved, male or female, that would be one thing; the fact their object of affection is a teacher all but eliminates the possibility of anything actually going anywhere. It doesn’t help that said teacher is a walking snooze-fest. I simply ain’t buying what either the show or its two title leads are selling.

But hey, at least that triangle is only a peripheral element of the story. This week, the show once again focuses on a new character, Sei Maren, who doesn’t get off to a stirring start with an opening line like “Where is the step I should take to move forward?” Whoa there, Proust.

He also has a whole built-in story, with a Life Box he opens sometimes to stoke his angst! Haru, Chika, and Miyoko encounter him in drama club, looking lost (and not at all good at drama, as the leader Nagoe admits frankly).

hc32

So this Sei guy has a personal problem, and people are worried about him (particularly Miyoko, randomly). So what does Haruta do? Write a play that will “make everyone happy.” Only Nagoe rips it up, and the drama club and brass band get into a little exchange of unfriendly words, resulting in a challenge that will be settled on the stage.

The subsequent dramatic “exit game”, in which Haru, Chika, and Miyoko square off against Nagoe, Sei, and their star actress Yaeko (who does a fair impression of Princess Mononoke), is actually the niftiest part of the episode. It has all six “actors” essentially straddling two different worlds, gradually adding to the complexity of their setting and situation in order to get one of their opponents’ actors to exit stage right.

hc33

Of course, it ain’t perfect. Haruta shows yet another skill he’s good at – acting and improvisation, as well as being nigh telepathic about Sei’s personal concerns, not helping his annoying Gary Stu status. Many of his lines in the exit game are a little too on the nose, to the point of being cruel to Sei. But more than what he knows and probably shouldn’t, it’s just deeply troubling how meddling this guy is!

He’s such a busybody, interfering in others’ lives and being as coy and dramatic about it as he can, in this case literally. They also somehow stole Sei’s Life Box from the closet in his room! WTF? (Note: I don’t want to hear a rational explanation for this; it’s just silly.) And Sei’s feelings about abandonment are far too easily quelled by Haruta and Nagoe’s intrusive charade.

As for Miyoko’s apparent feelings for the guy, well, she must see something I don’t, which is to say she sees…something, period.

Haruta also didn’t have to keep Chika in the dark…but of course he did, because he’s a jerk! So when Chika kicks him and sends him careening to the earth, it’s highly satisfying. I LOL’d. It’s like she’s kicking the little twerp not just for her own sake, or for Sei’s, but for all of us.

5_ses