Vivy: Fluorite Eye’s Song – 03 – Space Hotel Sunrise

Fifteen years have passed since Diva rescued the assemblyman, Momoka died in a plane crash, and Matsumoto beat the ever-loving shit out of Diva to prove the point that they can’t meddle excessively in the timeline. He had her body repaired and she returned to NiaLand, where she continued to perform and attracted larger crowds over the years.

She’s still wrestling with the concept of singing “with all one’s heart” when Matsumoto returns to report the next “Singularity Point” requiring action. He also scolds her for influencing the assemblyman to push for even more pro-AI human rights legislation. But the more pressing crisis is that of Space Hotel Sunrise, whose AI director crashes into the earth, killing thousands.

Matsumoto arranges for Diva to join the space hotel’s all-AI hospitality staff under the name Vivy, going Full Temporal Secret Agent in a thrilling space venue that calls to mind the Fhloston Paradise space cruise in The Fifth Element. She meets the director, Estella, and learns that she’s her successor model—essentially, her little sister.

While Estella reminds Vivy to keep smiling for human guests who may be on edge from being in space for the first time, Matsumoto’s assignment for her is simple: prevent Estella from crashing the Space Hotel Sunrise by eliminating her. The crash is a major catalyst in anti-Ai sentiment that will eventually lead to the AI uprising.

The problem is, Vivy simply can’t reconcile the Estella she’s met—and observes playing with children in a Zero-G bubble room—with the Estella later remembered as “the single most grievously defective AI in history”. Matsumoto considers this irrelevant.

They’re here to destroy Estella and prevent the crash; anything else is “needless calculations” he warned her about. Still, while fulfilling her hospitality duties, Vivy learns from her co-worker Leclerc that there are rumors Estella took over the hotel and was involved in the death of the previous human owner.

Vivy decides to investigate Estella on her own, but Matsumoto follows her into Estella’s quarters just as Estella arrives. When Estella picks him up, he prepares to hack her and cause a system failure, but Vivy casts him aside and asks Estella straight-up about the previous owner.

She maintains that the owner died in an EVA accident, which Matsumoto later confirms she had no involvement. Estella asked his family for permission to keep the hotel going under her management to keep a promise he made to him before he died. When she says anyone would laugh at an AI talking about such things, Vivy, genuinely moved, says she wouldn’t laugh.

Just then, an alarm sounds, some 23 hours before the crash is slated to occur. Estella runs a scan and determines a malfunction in a security wall. She asks the rest of the staff to double check all systems while she opens up the roof of the main hall to reveal the dazzling night sky. Then she sings a song to calm and soothe the stressed guests—a true professional all the way.

However—and this will probably be important next week—Matsumoto is right beside her when she opens the roof. Did he do something to her while they were in physical contact? Also, a girl recognizes Vivy as Diva and introduces herself as Momoka’s younger sister. For Vivy, that seals it: she isn’t going to let another Kirishima die, no matter what.

However, something is very rotten in the state of Leclerc, as she meets secretly with Estella in a cargo bay and holds out some kind of device Estella presses with her thumb. Moments later, as Leclerc walks away, Estella rushes up to her as if to gather her into an embrace, the shears Leclerc’s goddamn head off and sighs in a thoroughly sinister way.

This sudden carnage occurs while we’re still hearing Estella’s lovely song about the stars, providing a wonderful clash of the beautiful and the horrific. Whether it’s Leclerc who caused Estella to malfunction with that little thumbpad or Estella just snapped, Vivy’s trials aboard Space Hotel Sunrise have just begun.

Vivy: Fluorite Eye’s Song – 02 – Narrowing the Mandate

The first episode didn’t so much end as pause, but because the second episode was immediately available, that wasn’t a concern. Diva is in time to take a bullet for Aikawa, but it’s only the first of dozens of time she’ll need to safe his life throughout this harrowing, pulse-pounding action-packed episode of Vivy, which due to the corporate skyscraper setting and terrorists could be called Die Hard: With a Vivy-engeance.

That is not a bad thing, as the people behind this production know what they’re doing and execute beautifully. Also, Aikawa’s pursuers are no two-bit op, but the well-trained and equipped anti-AI group Toak, represented by the younger, less-experienced Kakitani and the hulking Batou-like Kuwana. They’re not just there to kill AIkawa, but blow the whole damn building to kingdom come.

Diva conceals her identity by placing a disguising filter in Aikawa’s AR glasses, so all he sees is a generic AI drone. Diva and Matsumoto’s mission is simple: keep him alive. But between her tactical inexperience and the fact that she has the AI equivalent of free will with all its inherent unpredictability, Matsumoto soon decides it best to inject her with combat training a la The Matrix.

Diva severs the wire connection, angry that Matsumoto has only been offering a “slow drip feed” of the future and is now trying to override her singing mandate. But Matsumoto makes it clear there’s a reason he did that: he doesn’t quite trust her yet, even if the professor and researcher with whom he shares his name did.

In the midst of their quarrel, Kuwana gets the jump in her with a “Logical Bullet”, which scrambles her circuits and renders her inoperative. He then shoots Aikawa dead and shoots Diva for good measure, accidentally getting her blue “blood” on his boot. As the Toak team prepares to set the bomb timers, it looks like Diva failed her mission big time. At the same time, it soon becomes clear when Matsumoto hacks Toak bombs that Kuwana was tricked.

Matsumoto used his night-vision goggles to show him what he wanted to see: him killing Aikawa and destroying Diva. By the time Kuwana realizes there’s no blood on his boot, they’re already headed to the very Matrix-like imposing lobby. When they’re confronted by Kakitani, who clearly hates both AI and Aikawa with the hotness of the sun, Matsumoto detonates some of the bombs, bringing rubble down on him and the other Toak operatives.

But as a giant piece of concrete is about to smash Kakitani like a pancake, Diva runs under it and catches it, causing severe damage to her arm and tearing her jacket. Far from grateful, Kakitani seems disgusted and horrified an AI saves him, and later expresses that disgust verbally to Kurawa. Matsumoto, meanwhile, is frustrated that Diva continues to act erratically.

Of course, she isn’t: she’s acting according to her personal prime directive: make people happy with her singing. In order to do that, people have to be alive, so if a person needs rescuing—even a terrorist and her enemy—she’ll do what she can, as she does here. In the midst of all this chaos, Aikawa admits he doesn’t really care about AIs, but is paying lip-service to aid his political rise.

Matsumoto tells Diva that the professor was wrong to stake everything on her, but he had little choice. 100 years in the future, the only AI body that remained in complete form without evolution or modification was Diva’s, as her status as the first autonomous AI meant she was soon turned into a museum exhibit. This is a wonderfully awesome detail to me, as it has a parallel in the reboot of Battlestar Galactica: the human race was saved by an obsolete museum ship the evil Cylons couldn’t hack.

Matsumoto wants Diva to understand that even if she was originally programmed to be a singer, in the very near future she’ll be relegated to an inert, silent artifact, and become the longest of long shots of a researcher trying to prevent humanity’s destruction. He scolds her for letting “such a thing” as her singing mission jeopardize the Singularity Project.

But Diva tells him to take it back and defiantly shrugs the concrete off of her, and pulls off her torn jacket, saying it doesn’t matter for AIs how long they operate, but how they continue to operate. She still considers her mission is to sing. To accomplish that, Aikawa must live, but so must Kakitani. Also, she has to bring the whole building down.

So begins a rush from the lobby to the open observation deck near the top, where Diva takes Aikawa’s hand, breaks into a run as the bombs detonate (after all of Toak evacuates), and helps ensure Aikawa is able to leap from the one toppling building to the next. He lands hard, but he’s otherwise fine as Diva follows him with a bad-ass balletic leap. Kakitani catches her in midair with the full moon as a backdrop, shattered glass flying everywhere. Everything about this scene just owns so hard.

After Aikawa thanks her and they part ways, she asks Matsumoto if there’s a chance he could get the AI naming laws passed anyway, but Matsumoto assures her that won’t happen. Aikawa proved a more effective legislator in death than he’ll prove to be in life.

His career will flag and he’ll be voted out before any law sees daylight. And yet, the way Aikawa repeats to himself what Diva said about “not how long you live, but how you live”, I could almost see Aikawa suddenly growing a spine, thereby undermining Matsumoto’s mission.

While Diva’s mission is accomplished for now, Matsumoto playfully takes her to task for introducing far too many unpredictable variables, and strongly recommends she avoid “all or nothing” strategies when she’s all they—and humanity—have. Her “antics” in the Die Hard operation make him shudder to think what’s ahead for them. From a vantage point that overlooks the city, Matsumoto points out the colossal Arayashiki tower looming further out on the horizon.

He says the taller the tower gets, the more AIs in society will evolve. Call it a barometer of their progress; they want the tower to remain as short as possible—even bring it down if necessary. Diva and Matsumoto shake hands, and Diva agrees that she’ll continue helping him stave off the future war—but only as long as it isn’t in violation of her mission to make people happy through song.

Matsumoto is also quick to mention that while they did bring down a huge skyscraper tonight, the collapse caused no deaths and the overall changes to the timeline were within an acceptable range. He goes on to warn Diva that while they technically have the ability to alter history however they like, Diva’s actions will fall strictly within the limits of the Singularity Project.

When Diva looks as if she’s contemplating who and what else she can save in the present while also saving the future, Matsumoto commandeers an industrial power loader straight out of Aliens and, before even Diva can react, uses it to violently smash her against a far away wall. His tone becomes far more grave as he warn her “Let’s not do this.”

He cannot allow her “personal calculations” to unduly affect history or cloud the mission to prevent the excessive evolution of AIs, and that’s it. That means, despite seeing a newspaper article from a day from now in which a plane crash results in the death of her young friend Momoka, Diva is forbidden from tending to “every single accident in history.” Momoka looks out from her window seat and spots Diva moments before the plane explodes in a fireball, and all Diva can do is watch in horror and shed a tear.

Just when you thought Matsumoto would be a constant source of comic relief, he demonstrates his merciless devotion to sticking to the plan. It will be interesting to see if Diva remains cowed or if she finds small ways to rebel against Matsumoto’s—let’s face it, inhuman inflexibility. The future must be saved, but how it’s saved matters to Diva—just as how she continues to live is more important than how long she lives.

With this one-two punch of thrilling opening salvos, the curiously-titled Vivy: Fluorite Eye’s Song has already established itself as an early contender for Best Anime of 2021. I can’t wait to see how it shakes out.

Vivy: Fluorite Eye’s Song – 01 (First Impressions) – Her New Mission

We begin at the end, and I immediately deem it hilarious that “music” is one of the two genres MAL lists under this show, the other being “sci-fi”. With “music” in there I was certain I’d have to sit through at least theme park idol song, possibly with CG dancing. And while an idol is indeed walking down the tunnel to NiaLand’s main stage, the music starts up, and she begins to sing and dance…let’s just say the audience is indisposed.

For as the idol sings and dances, a horrific massacre is taking place, both in the stands and throughout the park. The AI hosts have gone berserk and are engaging in a festival of cold blunt force savagery upon the human guests. Splattered blood and little fires are everywhere. Like Skynet, the machines in The Matrix, and the hosts of Westworld, apparently the AIs have decided to do away with humans as the earth’s dominant species.

One of the park’s researchers manages to get to a place where he can activate a special emergency protocol involving an AI named “Diva”, all the while apologizing in advance for the terribly heavy burden he’s placing upon her and her alone. AI techs arrive and shoot the researcher dead, but not before he activates the program.

After some brief exposition on the fundamental “one single mission per AI” mandate that keeps the lives of AI “free of confusion”, we meet “Diva” (voiced by Tanezaki Atsumi – Chise from The Ancient Magus’ Bride), the world’s first-ever autonomous humanoid AI, who was given the mission “to make everyone happy by singing with all her heart.” But despite her massive potential, Diva seems relegated to a quiet corner of NiaLand singing to a bored crowd of two or three at best.

Diva has a fan and friend in the human girl Momoka, whom she helped when she got lost once and nicknames her “Vivy.” Momoka even gives Diva a teddy for her first birthday. At the moment Diva’s moments disallow her from getting anywhere near the vaunted Main Stage, but Momoka has her promise to “someday” sing there, where her powers of song can reach the most people.

Diva’s otherwise routine day is suddenly interrupted when an ominous timer that was in the top left corner finally reaches 11:35:00:00, at which point “Project Singularity” is executed. Diva’s consciousness is transferred from her body to a virtual construct called the Archive, where she meets a program in a floating cube that assumes the name of his developer, Matsumoto.

Matsumoto is here from 100 years in the future (and the massacre we witnessed) to ask Diva to join him in “destroying the Ais”. Diva immediately suspects some kind of virus or error, but all scans come up clean, and no matter how many times she asks Matsumoto to piss off, he refuses, and instead shows her imagery recorded from the future when Ais turned on humanity. In the first few minutes over 10,000 humans perished, and that’s only the beginning, if the future doesn’t change.

The next day, Diva goes about her routine, this time singing to an audience of no one, as Matsumoto predicted. Still, that’s nothing too unusual so it could have been a guess, so Diva has a human tech run a diagnosic that turns up nothing. Whatever Matsumoto is, she can’t be rid of him. He decides to tell her about another future event that will take place that very day: a bomb in a garbage can will seriously injure a pro-AI rights politician.

Once Matsumoto has given Diva this information, and less than a minute to respond, she chooses the next course of action quickly, and it underscores her unique nature as an autonomous AI—as opposed to the rest of the AI staff, who wouldn’t have been able to unilaterally break out of their primary directives. Diva is different, so she breaks into Terminator-style tromping run, pushes past the bodyguards with ease, and shields the politician from the blast—all in 45 seconds of real time.

The politician, Aikawa Yoichi, is grateful to Diva, and promises that next time he visits the park he’ll come watch her sing. But unfortunately, his dream of naming laws leading to equal human rights for AI will bring about humanity’s downfall in a century’s time.

Matsumoto tells Diva that the first bomb was only a warning, and those who want Aikawa dead will succeed in assassinating him. He’ll be labeled a martyr, speeding of passage of legislation in his name that will ironically doom humanity. So Diva’s next job is to prevent the assassination. Aikawa is ambushed in his office by SWAT-style operatives, but Diva jumps down from the ceiling just in time to shield him, and their bullets don’t damage her.

So begins the familiar but so-far compelling story of the reluctant heroine Diva’s new mission to stop a war between AI and humans that the humans will lose. The only way to do that is to slow or otherwise modify the particular explosive evolution of AI that leads to them to one day say in a single voice “we’re done with humans.”

This is an anime-original series, precluding any adaptation issues. It’s made by Wit Studio right on the heels of the first part of Attack on Titan’s final season, and created and written by Nagatsuki Tappei (Re:Zero), and scored by Kousaki Satoru of the Monogatari series. You can feel all that talent behind the confident, professional, polished production. This wasn’t on my initial Spring list, but it’s there now, and it’s not going anywhere.

Rating: 4/5 Stars