Kamisama Hajimemashita 2 – 11

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“Dang it Mom, I’m working on my science project!”

Kami-Haji is really in the zone in its home stretch, such that it can abruptly change gears from the Tengu arc to Kirihito without breaking a sweat. Mind you, I was a little skeptical of the choice of gear—there’s only two eps left; get back to Nanami and Tomoe!—I decided to be patient and see where the show was going with this. It was a good decision, and my patience was rewarded handsomely.

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Having built a new portal to the Netherworld…in his house (probably not the best idea), Kirihito—or I should say Akura-oh—prepares to dive back in to look for his body. What’s interesting is the means with which he does so: by using the bracelet he made from Nanami’s hair (quite a bit of it…yikes!) to keep his human body intact while down there. That’s right, Mr. Big Bad can’t do a thing without Nanami’s (indirect) help, and he knows it.

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The Netherworld is just as dark and dreary and unpleasant as it was last time, but it doesn’t take long for Akura to find his body. Just a slight niggle: it’s on top of a volcano, in an eternal cycle of being simultaneously burnt and regenerating.

Yatori tagged along as is ridiculous 90% of the time, but we see why he came when he gets serious and stops Kirihito from doing something reckless. His hair bracelet will be of little use; what he needs is the ability to quell the volcano’s fire…and the best thing for that is fox fire; specifically Tomoe’s.

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So, okay, Kirihito will be paying Tomoe (and by extension Nanami) soon. Is there really time for that? Never mind; Kirihito’s side of this episode comes to a beautiful end: once Yatori gets him back to the mundane world, the portal starts leaking poison from the Netherworld. At first Kirihito/Akura is unconcerned, even after one of his shikigami turns to dust; he slaved over that portal and he’ll be damned if he’s going to seal it.

But then he remembers he’s in Kirihito’s house, and his mother is at his door with a late night snack. And he seals that portal right up. It’s an incredible feat for someone so nasty and self-concerned, but Akura-oh clearly inherited more than just Kirihito’s body.

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Embedded in Kirihito’s side of the story is a cutaway to Tomoe, the guy who betrayed him by falling for a human woman and thinking he could be a human himself, who is in that moment making hamburger steak for his human/god master, because it’s her favorite.

First of all, BAAAAAAAAW. Secondly, Kirihito may poo-poo Tomoe’s love and devotion for a human (first Yukiji, now Nanami), but he kinda loses his philosophical ground when he puts the safety of his host body’s mother before his own.

Like Kirihito sealing the portal later, Tomoe suddenly feels guilty removes the shiitake mushrooms he meant to sneak into the mix after Nanami expresses excitement about him making her favorite dish. DOUBLE BAAAAAAW.

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The second half begins with Nanami watching a wedding on TV, and brings up the fact she’s agreed to host Himemiko’s wedding when it happens. Mizuki and Tomoe briefly misunderstood her phrasing to mean she was getting married, to which she responds “I’m not getting married. Ever.” And she says it with a creepy face that suffers no debate.

Her stance is harsh, but understandable, considering she comes from a broken home, and the marriage she’s most familiar with—that of her parents—obviously didn’t end well.

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How apropos then, that when Nanami tags alone with Tomoe and Mizuki to visit the Year God, she ends up revisiting those rough years, even transforming into her twelve-year-younger self.

One wonders why in the world Nanami would ever think looking back on her past twelve years would “sound fun”, but call it curiousity and awe at her surroundings, combined with her special brand of hard-headed recklessness Tomoe both loves and hates about her.

And while I maintain Tengu Nanami remains The Best, Lil’ Nanami is no slouch in the adorableness department!

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Tomoe and Mizuki fail to catch Lil’ Nanami (who lands a fantastic jump-kick on the latter, believing him a kidnapper), but they’re able to bear witness to her experiences at this age, from being given a chocolate bar by her deadbeat dad just before he runs off for good, to her mother being hounded by debtors.

It’s a lot for a little kid to take in, but even at her young age, she becomes overcome by shame at enjoying a luxurious chocolate bar as her mother struggles to scrape by. (Mind you, it’s her Dad’s fault, not hers).

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Even in the face of such hardships, the moment Nanami’s mom notices her daughter, her face brightens and she embraces her treasure, as if to assure her that everything will be all right. I had no idea Nanami’s mother was so kind, decent, and loving. Fortunately for us, Nanami took after her mother in that regard.

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So the question is, what happened to make Nanami family-less and homeless? Tomoe learns this after getting a good look (and possibly feeling the aura of) Nanami’s mother: she’s very ill, and doesn’t have long to live. Her mom didn’t run off like her dad…she died.

Being a little kid, Nanami has no knowledge of her mother’s impending death. And as we know, once she’s gone there’s no one else to take her in, until she comes upon the earth god shrine. But Tomoe tells Mizuki not to interfere; he wants to see a bit more. After all, he’s witnessing a side of the woman he loves he’s never seen before. Maybe seeing that side will finally give him the courage to tell her of his love. Here’s hoping.

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Kamisama Hajimemashita 2 – 10

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This episode features the unlikely but increasingly tolerable pairing of Nanami and a somewhat humbled (and therefore more reasonable) Brother Jiro, as they search for the Sojobo’s soul. He’s still stern and no nonsense, but he doesn’t prevent Nanami from following him down into a secret cavern.

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Jiro even tells her this was where Shinjuro got into trouble with a thunderbolt beast, and where Suiro lost his ability to fly by rescuing him. But when Jiro drops into a deeper chasm, even when lightning shoots up, nay, because it does, Nanami goes in after Jiro, not because she doesn’t trust him, but because he had the bearing of a man going to his death.

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The beast rears its head for Nanami first, and while she’s able to fire off a barrier against evil, it counterattacks with a massive lightning strike. It’s in this moment Jiro finally understands why Suiro saved Shinjuro and regrets nothing: the despair of losing his ability to fly was small compared to the despair of losing someone he loves.

Before Suiro knew it, he was moving to save Shinjuro. And before Jiro knows it, he’s moving to save Nanami, whom he admits he’s fallen for, and can’t bear to watch die.

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I love how over-the-top Shinjuro’s reaction to learning the soul is hidden in the same place where he was traumitized, but he quickly composes himself, knowing that not only is he a far stronger tengu now, in part because of that experience, but he’s also not alone: Tomoe is with him and Nanami is further in.

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Tomoe dispatches the “kitten” with his superior fox fire, but he isn’t able to bask in the light of Nanami’s gratitude for saving her as he usually does. Nanami is too concerned with Jiro, who is badly injured and loses consciousness.

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In a really nice icebreaker, the defeated thunderbolt beast, suddenly not so fearsome-looking anymore, coughs up the Sojobo’s soul like a hairball. Kamisama Kiss has always been great at tempering or punctuating its more serious scenes with lighter fare. Unlike, say, Violin girl, its slapstick never ruins the mood, but rather keeps it in check.

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Nanami’s continued concern for Jiro irks Tomoe, because he doesn’t like the idea of Nanami, whom he likes, worrying about another man. Still, he’s able to comfort her by assuring her Jiro will happily bear whatever consequences he must, because he got to save Nanami. He speaks form his own extensive experience: saving Nanami is always worth it.

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Kamisama Kiss puts on a romantic comedy/drama clinic this week, perfectly balancing Nanami’s joy and relief when Jiro comes to (thanks to her peach pills) with the embarrassment of walking in on a nude Jiro being bathed by Suiro.

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Tomoe initially playfully teases Nanami, but as usual goes a little bit farther than he should due to his own frustration of holding in his true feelings for the lass. When he tells her it makes no difference to him whether she goes back home with him or stays with Jiro to get to know him better, it clearly wounds Nanami, who contrary to Tomoe’s jealous suspicions, hasn’t simply flipped her love switch from Tomoe to Jiro.

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Still, Jiro did manage to do one thing Tomoe hasn’t been able to yet: clearly confess his feelings for Nanami. So at the cherry blossom tree viewing/Sojobo & Jiro recovery party (that’s a mouthful), Nanami is receptive to Jiro’s own attempts at courtship, which aren’t bad for someone who’s never laid eyes on a woman before.

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The beauty of the restored cherry tree makes for about as romantic a locale as one could hope for, but as much charm and respect Jiro has for Nanami, when she tells him how precious the peach pills she used to save him are, and how she wants Tomoe to have them if anything ever happens to her, it becomes clearer to him that he’s barking up the wrong tree.

Consider: when he flew her up into the tree, in a moment of fear Nanami called out for Tomoe. Also, when she has too many high-proof sake-filled steamed buns and gets wasted, she repeats his name again and again. With the walls of sobriety down, she also lowers her toughing-it-out mask. The only one she wants is Tomoe, and she’s far more happy being carried on his warm comfortable back than being in the middle of a cherry tree with Jiro.

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She even unabashedly lets off an “I love you”, not her first nor her last directed at Tomoe. And perhaps knowing she’s passed out and won’t hear it, he says he loves her too out loud. It’s a small step, but he knows it’s a necessary one.

As Shinjuro tells him, it’s precisely because human lives are so short, that if you have to say something, you’d better say it before it’s too late. Tomoe has technically said what he needs to say, but this time doesn’t count. Can he do it when Nanami is conscious? We’ll see.

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Kamisama Hajimemashita 2 – 09

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I had a feeling this “heist” episode was going to be a good one, but I wasn’t prepared for how much ass it kicked, much of it courtesy of our heroine Nanami. It’s quite simply one of her finest hours. It’s all because she has to be herself, which means tapping into her stores of morality, decency, and emptahy along with her increasingly potent divine powers.

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But first of all, I just want to reiterate that Tengu Nanami just made my year. He/She is so friggin’ cute she makes Botanmaru look like a pile of puke! The spiral glasses are a particularly nice touch. But along with that cuteness comes great strength.

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But anyway, the reason Nanami is able to steal the show is that the (somewhat) carefully orchestrated operation doesn’t go according to plan. Kurama had hoped to get Jiro drunk on mundane world medicinal alcohol, but the bull has formidable tolerance.

Tomoe, furious that Jiro hurt Nanami, tries to work his magic, posing as a slightly sultrier Nanami to throw Jiro off his game (helped at least a little by the booze). It works for a time; at least long enough for Nanami to find the Sojobo.

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Kurama and Tomoe are undone when Tomoe breaks character and brings up Nanami, the maiden Jiro met, and even threatens violence. Kurama stops his “familiar”, but Jiro imprisons them both in a strong, anti-yokai barrier prison. With these two out of commission, it’s Nanami’s game to lose.

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She doesn’t lose. The plan fails mostly because she and the others weren’t aware of the existence of a yokai under Jiro’s employ (Yatori), or the fact the Sojobo has been petrified as a result of his soul being extracted.

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Nanami, in top heroine goddess form, doesn’t cower in fear before the bombastic Jiro. In fact, when he smacks Botanmaru, she gives him a stern scolding, one he probably hasn’t heard in a long time, if ever, and sorely needed. He blames Botanmaru for being weak, but Nanami points out Jiro hasn’t been running this mountain himself, all alone. Even the strongest have people they rely on.

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Jiro doesn’t know how this litle whelp of a tengu knows about such stuff, because he doesn’t know he’s talking to a human land god. When Nanami brings up Sojobo’s soul extraction, Yatori butts in a shoos Jiro away. In case you were wondering, yes, this guy is up to no good, and is simply using Jiro to secure an army for Akura-oh.

But Yatori is just as clueless about this tengu lad as Jiro, and when he threatens to off him and Botanmaru, the wig and gloves come off and Nanami enters Full Bad-Ass Mode, a mode she remains in for the duration of the episode.

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With Mamoru by her side, she casts a barrier against evil that easily dispatches Yatori. One could say he’s dealt with too easily, but this has never been a show about long, drawn-out physical battles, but rather battles of wits, timing, and ideals. In any case, it’s awesome to see Nanami wield such power so comfortably and confidently, and we know why: the people she loves and cares are counting on her, and she won’t let them down.

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Even in disguise, her words prove just as powerful a weapon against the big dumb mean bear that is Jiro, within whom lies a precocious but insecure boy desperate to earn the Sojobo’s approval.

When he isn’t watching where he’s going he bumps into the three adorable little tengu we met last week, who all expect to be reprimanded severely for getting in his way. But Nanami’s words echo through his head, and suddenly picking on a bunch of little kids seems stupid. Good for him. Better for Nanami!

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Jiro’s sudden crisis of the heart also means his hold on his “encampment” is tawdry at best, and Nanami takes advantage. Ignoring Yatori’s pleas to keep him around since he’s the only one who knows where the Sojobo’s soul is stashed, she decides to simply cancel out all of the barriers in the compound with one big barrier against evil, and find the soul herself.

As she “tears” through the place, she scares the bejesus out of various tengu who’ve never laid eyes on a woman before, and even leaves a gleaming golden trail in her wake. Once her barrier is cast, the whole place starts to sparkle. When Tomoe and Kurama’s prison fades away in the golden light, Tomoe knows exactly what’s up: his Nanami is demonstrating precisely why she’s worth falling for.

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Kamisama Hajimemashita 2 – 08

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The tables are turned on the human Nanami early this week as for once she is the one being regarded as a rare and strange supernatural creature, a “celestial nymph,” by Jiro. He’s not the gentlest soul to her, either, roughly grabbing her arm and threatening to break it before Mamoru, true to his name manages to spring her.

Scared, trembling, and sporting a sore arm, the sight of the far gentler Tomoe is enough to make Nanami collapse into his bosom ing joyful relief. This is the side of Nanami that makes Tomoe want to protect her with everything he’s got. And I’m sure Nanami would always prefer for Tomoe to be waiting with open arms whenever she gets into such a state.

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After being treated roughly and then gently, Suiro continues to talk to Nanami while facing Tomoe, as if her countenance is too awful to look upon. When she forces the issue, he admits he’s simply not used to interacting with women, especially, as he says, “beautiful maidens.”

After glimpsing his impossibly gorgeous face, Nanami has to wonder if he’s just being nice. Don’t get me wrong, Nanami is super-cute, and I wouldn’t call her plain, but it’s clear her’s is a more normal, casual beauty compared to all these magazine cover bishounen. 

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Suiro, perhaps the most classically feminine of the characters in the room, has always mothered Shinjuro, and now that he’s back it’s as if nothing has changed: he still sees him as a little kid with mussed hair who can be placated with apples and promises “it will all work out.” Only Kurama isn’t a kid, and isn’t buying it. Nothing will work out this time unless he acts.

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When Kurama storms out to cool his head, Suiro asks Nanami and Tomoe not just to leave themselves after giving the peach pills to give to Kurama’s sire, but to take Kurama with them as well. He can tell that Kurama left a lot behind in the mundane world to come to the mountain, and he shouldn’t be expected to abandon the life he’s lived for seventeen years.

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Nanami’s response is simple: she and Tomoe aren’t leaving until Kurama says he wants to go. They both find Kurama surveying Jiro’s heavily-fortified compound, and Kurama comes to the same conclusion Tomoe does: he can’t do this alone. Nanami volunteers to help in anyway they can, because she’s not just someone who runs scared into the arms of others. She’s both vulnerable and strong; scared and brave; all seemingly contradictory traits that perplex Tomoe so.

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Kurama doesn’t even have to ask Nanami, but he does anyway as a courtesy; not an easy thing at all for him to do, considering he prefers to shoulder all the burdens himself. What’s so funny is the cliff they’re on is so windy, Nanami doesn’t quite hear him ask for her help, and Kurama is too bashful to ask again. Thankfully, Tomoe heard.

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Meanwhile, within compound they intend to infiltrate tomorrow, it’s plain to Yatori—and us—that Nanami has had an effect on Jiro. You could say he’s been enchanted; his heart and mind are in disarray. His instincts made him act forcefully to a potential threat in the nymph, yet he cannot deny her presence in his mind has been all but constant ever since their meeting. You can call it puppy love, but no doubt he sees it as a weakness, one he’ll hide from his subordinates at all costs, even as he continues to cull young tengu who aren’t strong enough to pass muster.

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This episode is immediately made better by frikking having Tomoe in it, saying more than one line; although a few of his lines are obviously defensive barbs loosed against the girl he’s fallen for flustering him simply by existing. As fate would have it, they share a bedroom that night.

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Nothing really happens, despite what these images might suggest, but when coming back from the bathroom, Nanami accidentally curls up in Tomoe’s bed, and while initially freaked out, Tomoe is surprised to find himself embracing her, right up until she comes to. It’s all very “romawkward”, as one would expect from two people still on the very fringes of a romantic relationship, and still not comfortable openly talking about it or even acknowledging the mutual attraction exists.

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That morning, we see the plan that will get them into the compound: Kurama will pose as the land god Nanami really is, Tomoe will pose as his familiar instead of Nanami’s, and Nanami will pose as an apprentice tengu, which introduces us to Nanami Tengu Drag, which might be the most adorable thing I’ve seen all Winter.

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Kamisama Hajimemashita 2 – 07

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Botanmaru’s wretched state (he passes out from the mundane world “poison” and has welts from lashings) convinces Kurama to return to his home mountain from whence he descended seventeen years ago, when he wasn’t much bigger than lil’ Botan. I like how he admits he’s far more into the mundane world scene because of all the cute girls.

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One of those cute girls insists on tagging along in case she can support Kurama. Nanami constantly referring to her damn white talismans is a nice little running gag, but it’s also a more serious sign that she’s no longer one to sit on the sidelines as friends—or even mere acquaintances—face challenges. And fixing the problem on the tengu mountain is definitely a challenge.

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Kurama didn’t just hesitate to return because there are no women on the mountain. When he says he’s a failure, he means it; and not only did he flee the mountain, but he fled after his beloved brother Suiro, who was the fastest tengu on the mountain, saved him from a cruel trial, costing his mentor his wings, which, for a tengu, are everything. The one who put Kurama thorugh that trial is now poised to succeed the dying leader.

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The mountain is also covered in thick, nasty misasma in which evil spirits lurk, one of which exploits Kurama’s weakness and takes Suiro’s form. At first I was like “Okay, this guy is kind of lame for spouting all this exposition like this” but it turns out he was an imposter. The real Suiro is much kinder, though notably cold to Nanami, sending her on a trek to the outhouse.

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The somewhat mannerless Yatori has slinked his way into Jiro’s court, which is troublesome, since we know Yatori aims to hand this mountain over to Akura-oh. As friendly as he’s being with Jiro, this guy is no ally. Jiro, all puffed-up and tough; the yang to Suiro’s yin, doesn’t see Yatori as a threat, which could prove fatal as the crisis on the mountain worsens.

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The change of setting would be refreshing if it weren’t essentially a bunch of thick green-gray fog and dead trees. The mountain is a very dreary place right now, though Nanami is hopeful she can bring some light and joy, if only to a few wary fledglings, one of whom had his orphaned boar piglet slaughtered by Jiro while cradling it in his arms.

Jiro is all about tough love and strength; he has no time for the weak or sentimental. But it’s not at all certain Jiro is the right one to ascend to leadership—especially with Yatori hanging off of him.

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Jiro is built up throughout the episode as a bit of an ass, but these are dire times and he has cause to put up a hard line. So when he spots Nanami under the cherry blossom tree she temporarily restored and seems to be instantly smitten (and why not; Nanami is a cutey), it’s clear this guy isn’t your normal villain/usurper. But while I realize this is the introduction to a more tengu-focused story arc, I was still miffed by Tomoe’s exceedinly scant presence.

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Kamisama Hajimemashita 2 – 06

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Following the Divine Assembly, this week’s Kami-Haji is a bit of a disjointed grab bag, with some parts superior (in terms of my interest in them) to others. I’ll get right to my favorite part: the aftermath of Nanami’s talk with Mikage. Despite Mikage’s blessing, without knowing explicitly why Mikage wants Tomoe to “choose” her so badly (beyond wanting him to be free of him), Nanami remains hesitant in her courtship of Tomoe, especially when Lord Okuninushi recommends against it.

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Nanami even travels home separately from Tomoe in order to give her situation more thought, but thankfully, she gets another viewpoint, and one she should give more weight than Okuninushi, who as far as we know hasn’t ever truly loved a human. That other viewpoint comes from Himemiko. It only takes one look at Nanami to sense her uncertainty, and wastes no time setting her straight.

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Nanami thinks she’s being reckless and foolish to cultivate a romance with Tomoe because she knows she’ll die long before him, and thus knows she could break his heart when that day arrives. She’s doubly concerned with the fact this would be the second time in Tomoe’s existence that he’s survived a human lover. But I, like Himemiko, think Nanami has it all backwards.

It’ll do Nanami no good to conceal her love the rest of her days, or settle for someone she doesn’t love. Rather, she should treasure what time she has in the living world with Tomoe, expressing her true and unfiltered feelings, not letting those years go to waste and lead to regret. Himemiko speaks from experience: the pain of one day losing her human love Kota will pale in comparison to the regret she’d have in her heart had she never pursued him.

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As great as Himemiko and Nanami’s day of shopping and love talk is, it doesn’t quite fill a whole episode, which is a good thing, as I preferred the montage (during which a lovely arrangement of the first season’s opening theme plays) to a more heavily-padded shopping scenes. Still, that means the balance of the episode must be filled, and in this case, it’s filled with less compelling stuff.

Kirihito/Akura-oh’s quest to restore himself has promise, but the introduction of Yatori is sudden and shrug-worthy. Sure, I dig Yatori’s Sia Wig and crazy green eyes, and the fact he’s aware Kirihito is really Akura-oh (and Kirihito believes him to be a fool, which he isn’t), makes for an interesting dynamic. But nothing happens yet; Yatori only promises to raise a force and begin a campaign against the tengu mountain of Kurama in Akura-oh’s name. Kirihito’s just, like…“um, thanks?”

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The mention of Kurama calls to mind Nanami’s crow-tengu classmate and sometime-ally Kurama, who just happens to be having a concert that Ami invites Nanami to (Tomoe outright refuses). She then accidentally steps on a little tengu named Botanmaru who just happens to be looking for a fellow tengu who came down from the mountain seventeen years ago.

Botanmaru is specifically after this tengu because he doesn’t believe the commonly-held opinion among his peers that leaving the mountain made him a failure. He also looks up to him as an inspiration, because both of them are late-bloomers (Botan still can’t fly) and hopes he’ll be able to offer some advice.

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To Nanami’s surprise, the one Botanmaru seeks is Kurama. With her extra ticket, she takes Botanmaru to his concert, where he’s in Full Fallen Angel Idol Mode, and not anywhere any guy, particularly Tomoe, wants to be. The episode concludes without the two tengu meeting yet, but it seems the next main storyline will be about this, and I suspect Tomoe will object to Nanami intervening in tengu affairs, for no other reason than it means having to hang out with Kurama.

Nanami’s observation at the end that Kurama never actually plays the acoustic guitar he breaks out on stage for his “ballad”—it was just a prop—is a funny way to close.

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Kamisama Hajimemashita – 11

In the first half, a bored Mizuki sees Kurama on TV and decides to travel to Tokyo to get some pointers on acclimation to human culture. When he arrives, he is appalled by the level of pollution, crass rudeness, and monetary system. He ends up being invited to a TV Tokyo party by one of Kurama’s handlers. Trying a drink from a drunken man, he falls ill, and wakes up under the care of a young woman also new to the city and struggling to fit in, but is determined not to give up. Mizuki thanks her for helping him by giving her some of his homemade sake.

In the second half, Nanami takes Tomoe to an amusement park, where he repeatedly refuses to talk about a hairpin he has and who it may belong to. He does eventually have genuine fun on the roller coaster, and fixes her hair in a bun but later on when he denies having known and loved Yukiji, Nanami runs off in distress. She ends up riding the ferris wheel at night alone, but when she accidentally messes up her bun, the hairpin falls out, and Tomoe suddenly joins her in the ferris wheel car, telling her it was a gift for her all along.

Another great two-parter from a series that’s been very consistent in the quality of its storytelling. Mizuki isn’t the least annoying character in the world, but a fish-out-of-water segment works out perfectly for him, as his arrogance is set aside and his confidence put to the test. Simply put, Tokyo eats Mizuki alive in short order, and it’s pretty amusing to watch him fumble his way around town. Fortunately fate smiles upon him, as he meets up with Kurama, then meets a kindred spirit who lends him a helping hand, lifting his spirit in the process. This girl doesn’t even get a name, but she sounded an awful lot like Orihime Inoue (Matsuoka Yuki), and we really liked what we saw of her. This series doesn’t skimp, even on minor characters.

The second part, Nanami is in high spirits over a day of activities Tomoe didn’t even verbally agree to, and then she gets suspicious over that hairpin, which she assumes was Yukiji’s. The thing is, after running away from him, she never presses him on why he said he never knew any such woman, and continues to insist he knows nothing about women, including her. Is he lying, or is there something up with his memories? We were right there with Nanami in his past, so we’ll go with that for now. Regardless of his presumed inexperience with human women, he’s got a live one in Nanami, and it’s clear he cares about her beyond his duties as her familiar. If he just wants to “live [with her] in the here and now”, she’s fine with that.


Rating: 8 (Great)

Kamisama Hajimemashita – 07

Nanami arranges for her classmate Nekota Ami to thank Kurama one-on-one for saving her from the demon, but Tomoe warns her about trying to tie the fates of a human and a demon together. Nanami’s classmate Yumi asks if she can walk home with Tomoe after school; Nanami agrees but instantly regrets it and hides on the roof, where Tomoe, who rejected Yumi, finds her. Nanami tries to go on an impromptu date with Tomoe, visiting an aquarium and the roof of a skyscraper, where he asks her if she’s falling in love with him. She admits it, and when she asks him if he never considered returning the feelings, he nearly drops her off the building in surprise, saving her at the very last minute.

Nanami’s classmate (lotta classmates this week!) Ke-chan tells her a guy thinks she’s cute, a guy will naturally come to her. That may be true, but Tomoe is not a “guy”; he’s not even human, he just looks human. Human enough for a teenage girl to fall in love with him. This is a possibility he must have known about, but it seems to take drilling into his head by Kurama to bring consideration of it to the surface. Whether in denial or genuinely ignorant of how his words and actions affect Nanami, he is confident Nanami would never fall in love with her familiar. His unbending devotion to serve and protect his master has no inherent romantic intent, but try telling Nanami that.

Nanami can’t contain herself any longer (with jealousy acting as a catalyst of letting another girl potentially take Tomoe away) and starts getting “peppy”, Tomoe must heed Kurama’s words. The result of which is, everything comes out in the open. Nanami is no longer telling herself she’s falling for Tomoe, she’s yelling it, screaming it from the building-tops to Tomoe himself. His attempts to dismiss it fail, and the moment Nanami tries to get a response, he is so flabbergasted he almost accidentally kills her, in a gesture she initially misconstrues as rejection, until he begs her to let him save her. In that moment, falling from a building, Tomoe clearly realized that having a master who is in love with you is better than having no master at all.


Rating: 9 (Superior)

Kamisama Hajimemashita – 06

Since their last kiss, Nanami finds her heart pounding whenever she’s near Tomoe. When she comes down with a fever, Tomoe disguises himself as her and goes to school in her stead. Kurama, believing he’s Nanami, tries to win her over with his prowess at English and singing, but fails. Tomoe discovers a deviant demon in the girl’s locker room and seals it in a lollipop. Meanwhile, Mizuki pays Nanami a visit and burns incense to transport her soul to the past to meet the “real” Tomoe, a cruel, village-raiding brute under the employ of the “Bloodthirsty King.”

Kamisama Kiss has been a consistently strong and entertaining series throughout its first half, with its own unique, ethereal ethereal look, feel, and style. This latest episode may be our favorite yet, as it contains a little of everything and doesn’t waste a minute of its running time, and slowly nudges Nanami further into something resembling a romantic interest in her familiar. She may be a deity, so she has the human-youkai love taboo to deal with. Furthermore, Tomoe taking Nanami’s form could have been a hammy mess, but he handles it, Kurama’s lame advances (seriously, his English sucks), and a perverted lesser demon with cool aplomb. We especially like how he’s not a perfect copy of Nanami, but rather an amalgam of Tomoe’s mannerisms with a paler, bustier, more fox-eyed Nanami.

What impresssed us is that his day of school in Nanami’s body wasn’t the whole story, as the second half deals with Mizuki trying to convince Nanami that Tomoe is trouble, and it’s the fox’s plan for her to fall for him. To this end, Mizuki transports her soul into the friggin’ past (not a dream or hallucination, but the actual past) where she meets a Tomoe who looks the same but has far rougher edges, and for a moment looks poised to have his way with her (she inhabits the body of a village maiden named Yukiji). The whole sequence is very…otherworldly. But her brief trip to the past seemingly had little effect on her opinion of Tomoe: whomever he used to be doesn’t concern her as much as the kind, gentle Tomoe she’s come to know and is falling for. But we’re curious about the fate of Yukiji, and who that Bloodthirsty King dude is.


Rating: 9 (Superior)

Kamisama Hajimemashita – 02

Tomoe fixes up Nanami’s living space at the shrine, informs her of her duties, and asks her to make water into sake, which she fails to do. When Nanami learns the famous Visual Kei idol Kurama Shinjirou will be transferring to her high school, she races to class, wearing an embarassing hood, and Kurama is immediately rude to her and plants Y30000 on her. He’s interested in her because he’s actually a crow goblin from Mt. Kura. Tomoe transforms him into an Ostrich, but Nanami is lenient, and orders him to change him back.

Tomoe may be Nanami’s familiar, but he’s no mindless slave, and while he must obey every order she gives him, he still has a certain degree of free will. He can choose how he serves her. He can also reminisce about his past life as some kind of swordsman. When making her wear a hood gets her ostracized by the class – who are a bunch of insensitive assholes; what else is new – he later apologizes with a huge feast in her class. When she ditches the hood, he still has her back, and is able to fend off the first demon that tracks her down since she became a deity.

Sket Dance’s Date was also into Visual Kei, but he was a kind and gentle soul. Kurama is a dick. He breaks the dress code, tries to frame Nanami with theft, nearly runs her over, and wants very much to know why she doesn’t like him. Of course, this all makes sense when we learn he’s the demon, though that he just happened to show up at her school on the first day is a little contrived. Was it just coincidence, or did he plan it? In any case, his ostrich transformation is hilarious comeuppance. This guy wasn’t much of a threat, but we suppose he was never supposed to be.


Rating: 7 (Very Good)

Car Cameo: Kurama drives (and almost hits Nanami with) a very stylish (and probably expensive to import to Japan) Alfa-Romeo Giulietta.