Led by Awashima, SCEPTER-4 advances against HOMRA. Shiro, Kuro, and Neko are able to save Kukuri, but Suoh confronts them. Kuroh buys them time, but is outmatched and is bailed out by Munakata, who starts dueling with Suoh. In a mall, Kukuri – actually fox spirit in disguise – stabs Shiro, but a Sword of Damocles appears above him, and he transforms into the new iteration of the Silver King, Adolf K. Weismann.
The school island becomes a battleground there’s a very nice sense that all hell is breaking loose, though in a decidedly less bloody was than, say, Gangs of New York. You’ve got a gang armed with clubs, bats, and pipes against a gang armed with swords, and there’s not much in the way of blood. The chaotic feeling aside, there’s decidedly less sophistocated action here than there was in earlier episodes. The battles themselves were economically animated, as if K was running out of budget.
Anyway, while several pairs of rivals have entered decisive battles – Yata and Fushimi, Suoh and Munakata – the big deal this week is that Shiro is not the newest incarnation of the sneaky Colorless King after all. He’s become Weismann’s new vessel, which makes him Silver, not clear. That means he’s the First and therefore strongest king. But is he strong enough to stop Suoh and Munakata from destroying Tokyo? More to the point, could he be bothered to stop them? We know he’s back, but we don’t know his intent.
Rating: 7 (Very Good)
Shiro’s friend Mishima forwards him the video of his alleged crime, which took place December 7th at 23:45. With Kuroh short on patience, Shiro attempts to scrape together an alibi, first by asking Kukuri, who was confessed to by Mishima from the clock tower; the student council, which was engaged in operations; and the newspaper club, which took pictures but none of him. At the faculty lounge Shiro secures gate records that indicate he never left the island, but Kukuri mentions he often sneaks out, avoiding such systems.
Kuroh is about to kill him, but the sight of him shielding Neko stays his hand once more, as does Kukuri remembering Shiro was with her less than an hour after the crime, satisfying Kuroh. Shiro goes home, finds bloody clothes in his closet, and has flashes of the murder of Totsuka Tatara he may have committed after all. Yata and Kumamoto pay a visit to Shiro’s school, while SCEPTER 4 has also gotten a fix on him.
Having someone try to kill you every day is exhausting.
When he delivers lines like this, there’s something so wholesome and aw-shucks pure about Shiro that you want to believe he’s innocent of killing Totsuka Tatara and becoming the most wanted man in Tokyo. He also isn’t about to let Neko die protecting him, and stands in front of her in a gesture of honor that just happens to move Kuroh. This whole episode Shiro is desperately struggling to find an alibi, because he too cannot believe he did the deed – only to have the evidence stare him in the face in the end.
Could it have been planted? Certainly. Those garbage robots can certainly be programmed to collect as well as deposit anything. And there’s something fishy about Shiro’s flashback being just the video footage from Tatara’s point of view. Shouldn’t he be remembering what happened from his own perspective? This episode stuck with the Othello Duo (Shiro & Kuro), Neko and Kukuri, and did a bang-up job telling a twisting and undulating story and keeping things moving. But the other factions outside the island are primed to strike. Kuroh may have been appeased, he’s just the first of many deadly hurdles.
Rating: 7 (Very Good)
Kukuri, singing the song it sung when Kyohei was its seki, saves Hibino and Kyohei and destroys Magatsuhi. Mahiru flees. While unconscious, Kyohei dreams of the past with Aki, Mahiru, and Senou. After he found Aki with a dead Senou, he threatened to kill him with Kukuri, lashing out at anyone who interfered, but without trying, Utao took control of Kukuri from him. He wakes up proclaiming Hibino is his, and Hibino just happened to be by his side. On the roof of the hospital, they kiss, and Hibino tells him not to worry about involving her in his troubles. Utao can no longer move Kukuri. Aki pays him Kyohei a visit, telling him he’s headed to the village, where he and the Elder Hyuga will reawaken the giant monster he defeated in the past. Kyohei takes the challenge.
Oh, wait, what? A second season is forthcoming? Well, ya’know what, that’s okay with me. After all I’ve invested in this excellent cast, I’d hate for it to end so abruptly. Once Magatsuhi was dealt with and everyone was out of danger, this became a much more laid-back, relaxed episode, almost as if it were winding down in preparation for hibernation (I’m unsure whether it will continue airing during the Fall season, or if it won’t be back until next year). That’s fine though. Cliffhangers aren’t mandatory by any means.
For all the trials ahead for our man Kyohei, and despite the fact Mahiru’s kakashi was wasted and Utao lost control of hers, this was also a surprisingly upbeat episode. Kyohei and Aki’s final scene together was awesome; these two can never escape the fact that they’re brothers, any more than they can escape Kurakami. This wasn’t the time for a final duel with tons of shouting; that’s yet to come. And Kyohei and Hibino finally lockin’ lips, with Hibino making the first move? Well, better late than never!
Kuuko springs Aki and frees Hibino. Hirashino corners Kuuko and Hibino, but Kuuko pushes Hibino outside and grapples with Hirashino, killing him with his own gun in a struggle. Hibino is met by Mahiru on the roof, who has a bone to pick with her vis-a-vis Kyohei. She gets carried away and throws Hibino off the roof with Magatsuhi, but Kukuri catches her in the knick of time. Utao and Mahriu have a sustained duel, ending when Kukuri lands a blow that makes Mahiru lose control of her Magatsuhi. Now out of her control, it grabs Hibino again. Kyohei saves Mahiru from its swipe, then rushes to Hibino’s aid, only to be ensnared himself. As it crushes them, he remembers the day he told his parents he’d be leaving the village, then meeting Hibino in school. Entering the battle, Kirio accidentally knocks Kukuri out. The episode ends with Kukuri waking up, but rather than singing Utao’s song, it’s singing Kyohei’s.
Rape threats…gun grappling…seki duels, kakashi group battles…flashbacks…this episode had a little of everything. Once again, Mahiru takes the lion’s share of screen time, and she’s still a horrible selfish brat, but she becomes a little more sympathetic once Utao manages to beat her Magatsuhi. Cornered, beaten by a little kid, she’s an emotional wreck. When she loses control of her Magatsuhi, she panics. As I said, bringing her in so late was a bold move, but I’m still glad it was done; her presence and her feelings for Kyohei help get both Kyohei and Hibino thinking about what they are to one another. It also forces Kyohei to stop trying to escape the village.
I thought a lot more was to be done with the diet member, but his death makes me question what his purpose was. Also, while she’s really fun to watch and listen to, Kuuko is again really only around to kill him and save Hibino. Her only goal at this point is to be involved in all this intrigue – the embedded journalist, as it were. But she did kill a man in the middle of Tokyo – one would think there’ll be consequences. The cliffhanger was well-played: it would seem empty kakashis respond to whichever seki is projecting the strongest emotions, in this case, Kyohei’s. I just hope that after all this soul-searching and exposition, the finale will me more than just another episode of Save Princess Hibino.
Mahiru of the Hyuga clan arrives in Tokyo unbeknownst to Koushiro or anyone else, and immediately makes her presence felt. Kuuko has put Aki before the diet member representing Kurakami village, who believes it’s time for the village to change with the times, which means eliminating the elders. He’s called Mahiru for the same purpose, though she insists she only came to see Kyohei, whom she loves and idolizes ever since a terrifying incident covered in a flashback.
So…yeah, introducing a character as volatile as Mahiru this late in the series was a bold move. She didn’t make the best first impression on me, but I had to remember, she’s essentially a princess, and she is a pretty powerful seki – some swagger comes with that. She’s also loud, highly irrational, prone to mood swings, and even a little sadist (she zaps Kuuko with her own stun gun just for the heck of it). In a word: unhinged. Seiyu Kana Hanazawa’s performance is feistier than I’ve heard her in a while – kind of a Kuroneko taken up a couple notches – I like it. Mahiru grew on me as the episode progressed and I learned more about her.
In a character- and action-packed flashback, Kyohei puts his life on the line numerous times to save Mahiru’s – and Aki’s – lives, when the three stumble upon a sekiless monster kakashi. It was an incredibly traumatic experience for all involved, but Kyohei saved the day, though he says it was the day he “lost his sanity.” Whatever happened, Mahiru still adores him for it, and despises Aki for being as helpless as she was, and a pain-in-the-ass to boot (he was ‘good’ back then, but the warning signs were there). Along with Hirashiro – the Diet guy – and his plans to uproot the old way in the village, there’s now a whole new layer to the series’ story. More to the point, do we care if those dusty elders get offed? Do I smell a second season…?
I thought this would be a lighthearted filler episode after such a heavy and emotional flashback last week, but not only did it buck the “beach episode” trend (with a typhoon), it also managed to move the story forward while subtly developing the characters. It also had some great kakashi hero moments and kakashi-on-kakashi combat.
Kyohei, Utao and Hibino are back in Tokyo after Kukuri was fixed, and while dropping off some books at the library, Hibino bumps into Aki (I suppose he never imagined anyone would look for him there?). In any case, he puts a blade to Hibino’s throat and threatens her. It’s a great scene because now that HIbino knows his story, he isn’t just some mindless wack-job; she knows now he has reason to be…the way he is. He just wants him to deal with the village, and leave Kyohei and Utao out of it. He’s not going to do that.
Kyohei told her he quit being a seki because he feared the evil inside Aki could be in him too. A kakashi is a thing of great power, which, you know, corrupts. Aki believes the darkness its within Kyohei, seki or not. He also gives Utao a spook, telling her kakashi aren’t good for anything but death and destruction. Having seen the collateral damage they can cause, suffice it to say they shouldn’t be in the wrong hands.
Back to Hibino, with all this crap going on, one almost forgets she’s just an ordinary college student, and the stress she’s had to deal with is starting to show, especially when she arrives home after the duel between Aki and Utao basically about to lose it. Her father left that infernal village to spare his daughter this nonsense, but as he notes, the village has a way of staying with you.
After lots of excitement in Tokyo, Kamisama Dolls heads to Karakami village this week for some peace, quiet, and convalescence. Kukuri is repaired by the Utsuwashi (kakashi mechanics), we meet some new faces, and Utao’s master confirms to her that Kirio is indeed her younger twin brother. The two were seperated at birth (not literally, they weren’t conjoined twins) and he was raised by the Hyuga.
To make an SAT analogy: Utao : Kirio :: Kyouhei : Aki. Kirio and Aki are bitter that Utao and Kyouhei had easier lives. That bitterness has twisted both of them, but it may not be too late for Kirio. Koushiro seems to want to take care of Kirio, which makes you wonder where he’s been all the years the Hyuga master has beaten him. Also, as HIbino gets more involved with the Kugas, she wants to know what happened with Kyouhei and Aki in the past.
Overall, this is a nice respite, with much lighter fare than previous episodes. This series continues to excel with facial expressions – particularly Utao and Hibino’s faces are extremely emphatic – and quick action animation, as demonstrated with the comedy/fanservice setpiece where Utao tries flying Kukuri with Kyouhei and Hibino riding along. It involves both Kuga siblings pulling on either end of Hibino…meh, I guess you had to see it. :P
Utao’s mysterious brother, Kirio, is kind of a jerk, but he does have a point: Utao started the fight. For her part, Utao was understandably freaked out by the sudden appearance of another kid who looked just like her. What follows is the first sustained kakashi-on-kakashi battle, and at the start, Kirio seemed to have had more practical experience, because Kukuri is schooled by Takemikazuchi, as Utao panics and flails about rather haphazardly at first.
I was a little annoyed that we get no explanation for why Kirio would be so evil and cruel right off the bat, but not as annoyed that the battle was so public; in the view of dozens of people, even caught on camera, and resulting in casualties. I feel the consequences of this exposure are too underplayed. The seki aren’t Men In Black; they can’t just flashy-thing the town and remain in the shadows. This was a big screw-up. Still, the battle itself is very exciting and nicely animated. I’m sure we’ll see more of this.
Kirio presses his attack on Utao, even though he had clearly won the day. This is the sign of youthful exuberance, but not sense. He was sent to capture Aki, not play with Utao, and when he kicks Utao when she’s down, she digs deep and comes back in a big way, tearing Kirio’s kakashi to bits. Both seki must now return to the village for kakashi repairs. In Kirio’s case, that means returning to a physically abusive bearded bastard. Now we know what Kirio’s a cruel jerk: people have been cruel jerks to him.
Both Kyohei and Aki have pretty similar pasts, but while Aki has chosen to stew in his anger and self-hate, Kyohei wants to move on, and wants a normal life. So did Kyohei kill too? If he did, why is only Aki in jail? In any case, that normal life grows more abnormal by the day. Not only is Aki pestering Kyohei at every turn, he even threatens to kill Hibino. This pisses off Kyohei.
But then another seki named Koushiro shows up with a teleporting kakashi, presumably to drag Aki back to the village. He manages to take him down, but Kuuko of all people is tangled up in the battle, and ends up dragging an unconscious Aki away; perhaps for information later. In any case, I like how Aki isn’t just a one-dimensionally evil guy; he’s clearly had a rough life. Even Kyohei pities him, and buys him some food.
As for lil’ Utao, there was a lot of unnecessary bumbling around at the cafe, but this was redeemed by the actions of yet another seki, who looks a lot like Utao – an older brother, perhaps? He does so by making a truck swerve off an overpass, and Utao deftly uses Kukuri to shield herself, Hibino, and bystanders from the falling truck. She may be a total klutz at waitressing, but when it counts, she’s turning out to be a decent seki. Rating: 3.5
So far Kamisama Dolls is serving up a nice balance of drama, comedy, and action. The characters are appealing, the design is clean and unfussy, and the still-subtle sci-fi/fantasy angle is working so far. In her second week in Tokyo, Kuga finds himself far more involved in the affairs of his village than he would prefer.
There’s a good reason for that, and it’s something he’s kept mum from Hibino so far, but we’ve seen in traumatic flashbacks: Temperment-challenged Aki apparently used his kakashi to murder a bunch of villagers, and Kuga couldn’t do anything to stop him, even though he was Kukuri’s Seki back then. Claiming he was ‘fired’ for lack of talent, Kukuri is now Utao’s kakashi (I’m not losing you with all the terms now, am I ?;)
Despite being a little kid, I’m actually enjoying Utao’s character. There’s something really awesomely amusing about the way she gestures emphatically and even mimes while controlling Kukuri, whether she’s using him(her?) to rescue Kuga’s fellow university students from a fire, or playing PS2.
About those students: one of them was Kuuko, a friend of Hibino’s, who is a “true scientist” who briefly saw the kakashi who carried her to safety. If she wasn’t potentially nosy enough, her pop is a detective who has now twice noticed Kuga’s presence in the aftermath of strange occurances. After just two weeks, Kuga and Utao are having serious issues keeping their issues quiet and private. And Aki still lurks, who will make things even more difficult.
So yeah, nice well-rounded episode where the characters bond a little more, the story moves forward, and a couple new faces were introduced. Kuga’s quest for Hibino hits an apparent roadblock when under inquiry from Kuuko, she flatly denies they’re dating. However, there’s hope for Kyohei: she can’t help but want to know more about him and his mysterious past. Rating: 3.5