Keima is confident Shiori is hosting a goddess, but he can move on to anyone else, he’s cornered in the library by Tsukiyo’s doll, Luna, who reveals that Tsukiyo is hosting the goddess Vulcanus, who cannot move her body but only manipulate other objects. She attacks Keima believing him to be unfaithful. Meanwhile, Nora discovers the miasma-covered Kanon, and Haqua has to explain. Keima gets beaten up to the point Tsukiyo trusts him and gives him a kiss while he’s passed out. The kiss boosts her goddess powers and she sprouts wings.
Diana meets with her sister and Keima takes them to Kanon, where they combine their powers to remove the Vintage Weiss curse. Even so, Apollo is still very weak and casts a “hydration” spell on herself, keeping Kanon unconscious. With three goddesses left to awaken, Keima reaches a deal with Nora to delay her report to her superiors for a week. Jealous of her sister’s wings, Diana/Tenri confronts Keima right as Haqua is insisting he tells her he needs her. Keima apologizes to Diana, and she sprouts wings as well.
Keima is deep into the RPG of his life, with the role of agent of the preservation of New Hell, only he isn’t playing a game. Whereas the first season of TWGOK, the stakes were limited to his life and perhaps the lives of his conquests, this time an entire dimension is at stake, only the united goddesses can save it, and only he can release them from the girls he’s conquered. So far so good; despite working with limited resources and a very tight-knit network of girls with endless possibilities for slip-ups, he’s comported himself well and even facilitated the release of the curse on Kanon.
As the details of Keima’s grand mission and the myriad complications from all sides pile up, the entire series is ever on the cusp of being swallowed up in plot, but this season has been very clever at dispensing huge amounts of exposition while keeping the story moving with swiftness and urgency. It also knows just when to lighten things with a quip or observation that all of this is, in fact, quite absurd. An example of this is the fact that while the girls who remember loving Keima are all competing against one another, so too are the goddesses they host, and even Haqua is competing with Nora for Keima’s favor. Never a dull moment for this guy.
Rating: 8 (Great)
On the third day of his search for the remaining goddesses, Keima attempts “leaving school” scenarios with his five former conquests, with the aim of raising their affection for him by five points apiece. Circumstances such as bad weather and their unpredictable actions make it more difficult for him. Still, with Haqua, he is able to raise affection in all five, but he still has much work to do. Meanwhile, Elcie and Haqua’s co-worker Nora arrives, with a new confidential mission for Elcie to commence searching for the goddesses.
A lot has been placed on Keima’s plate; the one used to dealing with one conquest at a time is now facing a real-life equivalent of five dating sim conquests (not counting Kanon or Tenri) all existing in the same game by some kind of glitch, only a life is on the line, and potentially much more than that, as this episode implies. Still, despite his increased workload and exit from his comfort zone, so far you couldn’t ask for a more capable individual to get the job done (i.e. locate the goddesses) than Keima. He’s so well-versed in both fake and real romance (and multi-tasking) that he’s able to juggle five very different girls this week.
Fortune both smiles and frowns upon Keima at different times this week, and there are many close calls that could undermine everything. Keima couldn’t walk Tsukiyo home because she takes the bus; it was hard to get Ayumi and Chihiro separated because of an unexpected third wheel; and Yui (truly a wild card) seems more interested in conquering Keima than letting him conquer her. And speaking of wild cards, Keima and Haqua must now deal with Nora. But most impressive was how Keima handled Shiori: Haqua lured her away so her could read her story, which proved that she remembered his conquest of her. This led to an enormously entertaining collaborative writing exercise.
Rating:7 (Very Good)
After being stabbed by Lune, Apollo escapes from Kanon and sends a warning to the other goddesses. Haqua determines that Kanon has about a week to live unless they can clear the ancient demon magic, which Diana says will require the remaining four sisters. Keima forms and operates under the theory that the goddesses are all within his former conquests. He narrows the list down to Kosaka Chihiro, Takahara Ayumi, Goidou Yui, Kujou Tsukiyo, and Shiomiya Shiori, approaching them one by one to gauge whether they remember him and confessing his love to them, with varying results. By the end of two days, he concludes that all five remain potential hosts for the four remaining goddesses.
This episode operates under the assumption its audience knows a formidable amount of backstory on all of Keima’s former conquests. Some even happened in OVAs we haven’t watched, but that’s okay; one is some astronomer, and the other is a rich girl who is now acting like a boy. As for Chihiro, Ayumi, and Shiori, we know them. It’s interesting to watch all the girls’ reactions to Keima as he undertakes his most challenging mission yet: re-conquering all five of them simultaneously in an effort to summon the remaining goddesses to aid Diana in saving Kanon’s life. This is a tall task even for someone used to multiple simultaneous conquests in the gaming world.
That’s because all the girls he means to re-conquer inhabit the same space, so he has to re-conquer them without any of them getting the idea that there’s a fourth-party beyond him and Kanon to deal with. While in most harems, the guy in the middle is an oblivious milquetoast, Keima is very much aware of the danger of creating love polygons, and his intricate strategy depends on him being able to keep the girls separate as he works on them. Keima is relying on Haqua to assist him in this and other things, and in their interactions Haqua’s opinion of him improves (despite his walking in on her preparing for a bath) as she sees just how resolved he is to save Kanon.
Rating:7 (Very Good)