Ushio to Tora – 28

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The East/West youkai decide Asako can go on her merry way, but Mayuko is to be sacrificed. Obv., Asako ain’t taking that sitting down, and tries with everything she has to fight back, but the monsters are too strong.

Asako’s only kept from being killed by the barrier when Mayuko starts flexing her oyakume descendant muscles, saving her with a protective magic. I’ll admit, it’s a little strange seeing Mayuko use magic, but all this hullabaloo seems to have awakened her true power.

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Mayuko is willing to be thrown into the forge, but Asako stops the youkai, and offers herself as a sacrifice so Mayuko can perform her duties as the oyakume. Mayuko doesn’t like this one bit, but she can’t stop Asako from sacrificing herself. Only Ushio and Tora, arriving in the nick of time, can do that.

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For a second there, I really thought this was the end for Asako, which would make things very tragic indeed for Ushio, who’d have to carry on fighting Hakumen having lost one of the people most important to him in the world. Indeed, Asako only remembers Ushio when she’s about to leap into the flames—and she does leap in—but Ushio jumps in before her and catches her.

Both of them are badly scorched, and the youkai start attacking them mercilessly for interrupting their plan, but Tora steps in to take the punishment, and Mayuko uses her magic to protect them and eject them from the building.

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Of course, things aren’t any safer out there: a Tora lookalike named Guren has arrived to fight the youkai and destroy the Beast Spear on behalf of Hakumen. Guren’s crew and the youkai engage in an aerial battle while Ushio, Tora, and the girls fly away with Jeimei.

Saya enlists Kappa to help heal Asako’s burns, but Ushio doesn’t have time for medical attention, and rushes back into the fray, even against those who no longer know who he is and don’t wish him well. Tora, unable to let his meal get killed by someone else, soon follows him, and the two show the youkai how well they fight together, and that the present Beast Spear is still a powerful weapon.

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Before Ushio returns, Mayuko leaves with Jeimei to fulfill her destiny, leaving Asako with Saya and the Kappa. When Ushio and Tora get back, Mayuko is gone, but Ushio doesn’t persue her. He knows he was lucky to come away from the day with one of his friends alive and free. He’s going to trust in Mayuko’s strength, get back to the fight with Hakumen, and eventually come to get her back.

Things are still in a pretty dark place in Ushio to Toraland: Asako’s in bad shape, while most everyone still forgets who Ushio is, and may well still be convinced a new Beast Spear needs to be forged. I’m guessing he has to address the mass amnesia (which is likely curable) and get his allies back before he can fight Hakumen in earnest. Lots of trials still ahead for our hard-headed protagonist.

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Ushio to Tora – 27

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Our easing back into the world of Ushio to Tora seems at first like it will be a bit of a respite for Ushio, as he and Asako butt heads when passing each other in a romantic sakura-strewn street.

Then Ushio questions his default conduct towards Asako (to yell at her, feigning disinterest, and for her to yell back) when he realizes this kind of foolishness might not be able to go on for another year because for him, there might not bea next year.

So he offers, in his very Ushio-to-Asako way, to walk her home, and the two are on cloud nine—right up until Asako suddenly loses all memory of who Ushio is. So does her family. And when Ushio heads to the Kouhamei Sect HQ for help, they’ve all turned to stone. Sooo…not a rest episode, then!

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Instead, it’s more of a Murphy’s Law episode, where everything bad that can happen to Ushio does happen. But even that turns out not to be 100% the case, as Tora, bless the big furry guy, remembers Ushio all to well, to Ushio’s giddy delight. You wouldn’t forget someone you’ve promised to eat one day, now would ya?

Whatever is going on, Tora’s no affected, and he suspects neither is Mayuko, who he’s always thought was a human who never feared youkai or monsters as much as she should. Mayuko has taken Kirio into her home and is showing him both simple kindnesses like a hot breakfast, and the idea that simple kindnesses need not be things that send one into a spiral of self-hatred for being unworthy of such.

Unfortunately, Ushio and Tora are a little to late to get to Mayuko. Ushio meets amnesiac Asako, who wants nothing to do with him and suspects he has no good reason to be bothering her friend. The two exchange slaps, but then things take a turn for the worse: the heads of the East and West, all amnesiacs, arrive to take Mayuko and Asako captive. Ushio and Kirio try to stop them, but they escape.

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THey pursue, but Kagari and Raishin strike them down, and after dreaming of the Beast Spear shattering, Ushio wakes up in Saya’s house. She remembers him too (again, to his giddy delight) and they’re protected by her barrier from the culprits behind all the amnesia going around: memory-devouring hiyou; one of Hakumen’s latest tactics against Ushio.

Not only that, but the time-traveling Tokisaka is there. He saw the same thing Ushio dreamed—the spear being shattered—and reported it to the East/West alliance, all of whom had had their memories wiped. Thus fear and apprehension swept across the ranks, and fear is Hakumen’s most powerful weapon.

Things are bad, but there’s still plenty to hope for. Mayuko and Asako are both safe for the time being. Mayuko remembers enough of Ushio to candidly lay out the nature of the triangle she forms with him and Asako, who is starting to remember (though isn’t keen on the idea of loving a guy who loves her if it makes Mayuko cry).

Furthermore, Mayuko is confirmed (if it wasn’t already pretty clear) as a descendant of Jeimei, whose soul lives on in the spear. That means if Ushio, Tora, and Saya can’t fix the memory loss, the East/West guys may try to forge a new Beast Spear with her. It never rains…

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Ushio to Tora – 23

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Hinowa and Nagare buy Ushio time to advance towards the Beast Spear, but Kuin comes out to meet him. Tora tags along, but totally not because of Ushio; he just wants to fight Kuin. With no spear, Ushio can only hit Kuin with rocks, but even when Kuin seems to get the better of Tora, Ushio doesn’t stop hitting him with rocks.

Tora finally gets fed up and exerts a little more energy into the fight, saving Ushio from getting stabbed, cracking Kuin’s faceplate, and continuing to duel with him, buying Ushio more time to advance. I guess seeing Ushio not acting like a defeated wimp made him want to preserve his future dinner, huh?

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Inside the very carefully-staged chamber where the spear is about to get dunked, Kirio puts Ushio on the ground, then listens as his mom Towako plays a dirge on her cello under a single narrow pillar of sunlight creeping through a hole in the roof. Theatrical much??? Anyway, when she’s done, Ushio can’t stop Towako from cutting the red cloth and sending the spear plunging into the molten metal.

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For a second there, it looks like the show just destroyed its protagonist’s one and only weapon, which would be quite a dire eventuality. But then, out of the shadows, Ushio’s dad tells the sect members, confused by Towako’s presence, that this whole thing was of Hakumen’s making. Towako is another one of his minions, who created and raised Kirio for the express purpose of destroying her master’s anathema—the Beast Spear.

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In hindsight, I should have known from the look of her eyes that Towako was somehow related to the final boss. To see her mother in this new monstrous form, telling him everything she’s ever done wasn’t for him, but for the destruction of the spear, is all a bit much young Kirio, who proceeds to go bye-bye. And for the first time, I actually sympathize with the little bastard. All this time I knew what he was—nothing but a tool—but he never did, while I didn’t know whose tool he was until now.

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Speaking of tools, Ushio is, at the end of the day, the Beast Spear’s tool as much as it is his. He needs the spear to defeat Hakumen, while it—or rather Kiryou within it—needs him to wield him, even if it means his soul getting torn to shreds. When Ushio calls the spear once more, it emerges triumphantly from the solidified metal and into his hands. For the first time, Towako frowns, and her attacks are shattered by a revitalized Ushio in Beast Mode.

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Sensing a stronger resistance to her plans, Towako summons her stone golem, who still has a weakened Hinowa and Nagare in its clutches. Towako tries to give Ushio the choice of giving up his own life to save the others (a false choice, since she’ll kill them anyway for sure) or let them die. The two of them start the incantation for a self-destruct spell, forcing Ushio’s hand. He takes out the golem before they blow themselves up.

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Her golem gone, Towako reverts to her “human” form and beseeches a still-in-shock Kirio to help his “mama” from the bad guys. Now, up to this point, Towako really has been Kirio’s mama, and by far the most important person in his life. So it’s not really a surprise that he’d fall for her treachery once more and turn his scythe on Ushio. But only once more.

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When Kirio sees his “mama” encircling the sect members in the blue flames of a Hakumen minion, even he can’t ignore his eyes, nor his ears as she gloats about everyone writhing in hell. He stabs her, asks her once more if she’s tricked him all along, then hears more of her lies for what they are before she bursts into flames and vanishes.

Now, Kirio is pretty pissed, despairs that it’s all over and blames Ushio and everyone else for killing his mama as he lashes out at them with his scythe. Ushio calms him down by crossing spears and giving him one hell of a slap to the face. Nothing is over. People suffered and died so they can live and complete their mission to destroy Hakumen. Annoying he may be, but Ushio’s going to need Kirio in the coming showdown.

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He’s going to need everyone, as Oyakume said they’ll all have to work together in order to achieve victory. The rift that Towako created in the Kouhamei sect with Kirio shows just how far Hakumen is willing to go to stop his enemies from getting to him, but now they’re united against him like never before. Kirio may need a little time to process all of this, but there’s not much time left.

Meanwhile, Ushio is done with losing and done with letting anyone else die for him. He almost lost himself when he lost the spear, but getting it back made the fire in his belly burn even brighter and stronger…and that’s more than enough to bring Tora back to his side, as that fire will make him that much tastier a meal when the time is right.

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Ushio to Tora – 22

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Sensitive as Ushio is, especially when it comes to mother figures, he remains emotionally drained and doubtful of his own strength in the wake of the loss of Oyakume. Logical arguments like it was her choice, and perhaps she was always meant only to live long enough to protect Ushio there and then against the minion of Hakumen, won’t dissuade him from his spiral of despair.

As for Tora, he gets sick of this attitude real fast, and tries to snap Ushio out of his funk by threatening to kill and eat him in his weakened state. Ushio listlessly fights back, causing Tora to conclude he’s far too weak to be worth eating, so he’s peace-ing out until he is.

Ushio and Tora may have become near-as-makes-no-difference friends, but Tora’s not the hand-holding, comforting kinda friend; he’ll split if things get whiny and boring. After all, Ushio’s weakness uncomfortably reminds Tora of just how strange an tenuous a relationship they have, which makes him question his own strength in terms of being a Big Bad Monster.

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Conveniently, Tora’s absence leaves Ushio open to a confrontation with Kirio and a group of ten Kouhamei monks who steal the Beast Spear, intending to destroy it in favor of Elzaar Scythes, the “superior” holy weapons.

Meanwhile, Kouhamei sect members who haven’t fallen in with Kirio—Nagare and Hinowa—both act to support Ushio. Tora hooks up with Nagare, who at the moment is more interesting than Ushio, while Hinowa’s loyalty to the high priest and late Oyakume won’t allow her to let Ushio or the Beast Spear be destroyed.

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Hinowa and Ushio get an education on the Inasa, a former sect member who raised Kirio. Driven by his fear for Hakumen, he grew so obsessed with developing weapons that he started to believe he could make one better than the Beast Spear, using a forbidden combo of sorcery and science that got him excommunicated. He took up residence in the “House of Whisperers,” which is where Nagare and Tora begin their search for Kirio and the Spear.

What we basically have, then, are two very common genre concepts—mad scientist and his haunted mansion—cloaked in an Ushio to Tora skin. Which is fine; again, we knew he’d have to contend with one more would-be successor (albeit one who wants to destroy, not wield the spear), it’s just that Ushio’s crisis of confidence feels like a rehash, and we’re with Tora when he says a weak Ushio is a boring one.

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Nagare and Hinowa, on the other hand, are their usual delightful selves, with the former offering Tora some interesting insights about his life, (seeking a life of excitement while stopping short of putting his own life on the line for others), while the latter is constantly scolding Ushio for his lack of manners and propriety, but not hesitating to help him, because she believes he’s the true wielder.

Then there’s Towako, a woman who comes out of nowhere to help Inasa advance his research and perfect Elzaar scythes. Another evil crazy-eyed character? Sure, why not?

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Towako seems like some kind of dark muse for Inasa, until she steals an infant and decides they’ll use it to create the “materia”, the ultimate artificial spiritual warrior who will wield the Elzaar Scythe, and along with Kuin take out Hakumen no Mono. They share the desired end with Kouhamei Sect, but it’s the means that are so, so wrong, to the point that even Inasa isn’t really fully on board with creating Kirio, though he’s not strong enough to step in and stop it.

Inasa ended up dying in that house, while Towako is still around somewhere, having raised and twisted Kirio into her instrument. But you know what? Despite learning that Kirio had a rough upbringing and probably suffered much at the hands of people who were, charitably, on the cusp of insanity, the bottom line is I still don’t much like Kirio.

Revealing him as a GMO Monster that can only act as programmed doesn’t make him any more sympathetic or compelling a character. He’s literally a tool, and an obstacle to Ushio, and whether he’s killed or joins the cause, I’d prefer if he was dealt with sooner rather than later.

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Ushio to Tora – 21

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With just six episodes left going into this episode, and many things bound to go down soon, it was nice to see Ushio back to his old life, just enjoying simple things like being back in school, shootin’ the breeze and laughing with his mates, and walking with Asako and Mayuko. In fact, I must admit this first act was my favorite of the episode.

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Then Inasa Kirio had to come along and ruin everything, hijacking the nice Ushio-Asako scene with his creepy ant-predation watching and creepy expression and creepy…Kuin. Now, don’t get me wrong, Megumi Han is very good when not being made to speak English; she was wonderful if a bit squeaky as Rinko in Ore Monogatari!! and can effectively voice both genders.

But Kirio is a thankless role: a arrogant, cocksure little twerp whose introduction came way too late for my taste. He’s an answer to a question no one is asking at this stage in the game: What if there’s another Beast Spear and wielder? Sure, I knew he’d show up eventually as one of the four Kouhamei finalists, but, for one thing, I thought he’d be a she. Kirio is in a lot of this episode, but at no point did it feel like the episode needed him.

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The episode strives to right itself when the Kouhamei Sect’s main temple is attacked by a vicious avatar of Hakumen, and Ushio is summoned to deal with it. Seeing Nagare, Satoru, and Hinowa in action again, but that only serves to remind us that all the “challenging Ushio’s role” stuff has been wrapped up, and amicably so, as these three continue to fight by his side as team players.

I also really enjoyed Ushio brief but powerful encounter with the three hundred-year-old(!) Oyakume, AKA Hizaki Mikado, who had previously stated her last regret in life would be not meeting the true successor to the beast spear. When she finally does, she’s heartened by how kind, warm, and caring he is, while she makes Ushio wonder if his mom is as nice as she is (nicer, according to Oyakume).

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When Ushio gets in trouble fighting the avatar, it’s Oyakume who puts up a barrier and petrifies it, sacrificing herself in the process. As Ushio tends to the collapsed old lady, Kirio leaps into the fray to flashily deal the finishing blow, which he does simply so that he’ll be praised as great and awesome. Honestly I can’t even with this kid…can he be put back in the box and shipped back to wherever he came from? (Probably not, alas.)

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Still, Ushio seems to take Oyakume’s death awfully hard. I mean, he met her like five minutes ago. Then again, he’s always been a sensitive, empathetic guy who above all is always willing to put his own life on the line to protect others. Those were a powerful five minutes for him, and to see her protect him, old and frail as she is, well, that’s just Ushio being human.

As for Kirio, he lies in the lap of his creepy…mother, I guess? Someone with a crooked grin, in a creepily-lit dining room, who praises Kirio and gives him a new annoying baseball cap, telling him if no one will believe he and his scythe and…sigh…Kuin are better and more powerful than Ushio, the Beast Spear, and Tora, well, doggone it, he’s just going to have to force the issue. Which means we’re not done with Kirio by a long shot. Damn.

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Ushio to Tora – 17

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The temple elders are visited by a beautiful ghost, Jiemei (voiced by Hanazawa Kana) who reports that Ushio’s body has been overthrown by the Beast Spear, making him a true beast. The only way to save him involves his dad, the Kouhamei Sect, the comb that his mother gave him…and none other than all of the girls he’s saved on the way to Asahikawa.

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One by one, to my increasing delight, Jiemei pays a visit to those girls: Yuu, Saya, Reiko, Mayuko, and Asako. And when they hear their Ushio is in trouble, they don’t ask about the danger, or why a green ghost goddess is talking to them: they drop what they’re doing and GO. I should have known this was coming: after spending most of last season saving these girls, the time would come when they’d be able to return the favor.

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And let me just say, it’s a delight to anyone who’s been following the show closely and enjoying it to behold this episode assembling the “Dream Team.” Ushio is in rough shape, and it wouldn’t be as satisfying if some new priest or shaman or youkai stepped in to save him with some kind of miracle spell or ritual.

Ushio’s soul is under siege, and these girls who touched that soul are the best chance to break that siege. Naturally, Haniwa, Jun, Satoru, and Nagare are also on board. And let’s not forget Tora, who wants to restore Ushio to his human state so he can eat him…and because, c’mon, the big lug loves the guy.

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To save Ushio, the girls have to comb his hair with the heirloom comb, but the comb is on his person. Enter Izuna, the fleet green jackal-weasel-fox thingy who fights through Beast-Ushio’s black tendrils and snatches the comb up. Easy part over. As Ushio’s dad and the sect members prepare for an approaching Ushio (followed closely by a massive horde of hiyou), the girls introduce themselves.

The sudden melding of these girls’ personalities and histories with Ushio is exceedingly fun to watch, especially how Mayuko tries to kid around with Asako’s feelings, only for it to get more serious when Yuu reacts to Asako’s usual defense mechanism of running down Ushio and claiming not to care about him. Yuu calls her the hell out, causing Asako to cry and admit the truth: she’d have come running earlier had she known what was going on.

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Once Ushio arrives, Reiko is the first to volunteer to go at him with the comb. He tries to shove her aside, but she successfully gets the comb in his hair, tearing off a big lock. But once she’s done, Ushio is racing straight at the other girls. Saya trips trying to run, but Asako puts her body between her and Ushio. When the injured Asako thanks God no one else got hurt, Yuu realizes she was harsh on Ushio’s childhood friend. She’s the real deal.

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Hinowa manages to trap Ushio in a magic barrier, something Saya is able to punch through due to her status as a white-haired woman. Like Reiko, Ushio saved Saya from a life of despair and servitude, so she’s no less committed to freeing Ushio from his demonic prison.

She gets a lock off too, but Hinowa’s barrier breaks, leaving the next girl, Mayuko, exposed to Ushio’s wrath. That’s when ZZZZAP, Tora unleashes a lightning storm that half-destroys the bridge, saving his “future food” Mayuko along with Saya. Everything happens bang-bang-bang in this episode, and even when it doesn’t, the scenes are full of great character interaction.

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Like Asako and Yuu, Hinowa and Jun quickly get over their mutual animosity when the latter saves the former by helping her maintain the barrier on Ushio. While they’re not part of the group of girls who must comb Ushio’s hair, there’s no doubt Ushio saved Jun from a life of despair by saving her bro, while Hinowa can’t help but respect him, considering how many others are willing to put their lives on the line for him.

Yuu’s up next (Asako will probably be the last, for dramatic purposes and all), and she too is steeled by witnessing the love and devotion of the others. They may have been saved in different ways, but they were all saved by the same goofy, hard-headed, kind, selfless guy. And they’re going to get him back.

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Ushio to Tora – 15

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This week’s UtT starts out in deliciously absurd fashion as Ushio is once again a passenger on a runaway vehicle—this time a bus being controlled by Hakumen’s lesser youkai minions, the hiyou. One or two of them are no problem, but as this arc has proven, get enough of them together and they’re a menace.

When they learn of Ushio’s latest dilemma, Nagare and Tora both race to the speeding bus, and the three then use a neat bit of teamwork to rescue the 40+ passengers. It involves Nagare slicing off the ends of the bus, Tora blowing out the people, and Nagare catching them with a magic barrier. Then Ushio stops the bus by stabbing the Hiyou with the spear.

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The passengers are safe, with no serious injuries, but Ushio is racked by guilt over what happened to them and how much worse things could have potentially gotten. But it’s a burden the wielder of the beast spear must bear, and Nagare doesn’t want to see his pathetic face, so he  starts asking him about the girls in his life, and Ushio’s scowl turns into a blush.

Nagare, Ushio, and Tora then encounter what looks like a group of Stigs, but are actually former potential spear wielders who didn’t make the cut. They include the long golden-haired biker girl Moritsuna Jun, whose big brother Satoru is an onmyou master and one of the four chosen along with Nagare and Hinowa.

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Jun can’t find Satoru, but then he turns up with a fearsome shikigami called a hiruko, targeting Ushio. Nagare and Jun can’t do anything against it, but Tora tears through it, and the deranged Satoru has to retreat for the time being. Tora opines that Satoru’s body has been taken over by the Hiyou, like the bus, and has become their latest instrument for disposing of Ushio.

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Unsure of how to proceed, Ushio remembers he can contact the Elder of Ungaikyou through any mirror, even a rest stops! The elder puts him in touch with the tengu Osa, who informs Ushio that the only way to remove the Hiyou from Satoru’s brain is to become an apparition or monster, which Ushio does whenever he wields the spear, enter Satoru’s body, and destroy the infestation. But it’s a risky proposition: the spear could very well consume Ushio’s entire soul in the process. So Ushio is faced with a choice: risk his own humanity to save another, or put him out of his misery.

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Of course, Ushio doesn’t really see that it’s much of a choice, especially when he sees how distraught Jun is and why: her brother once had trouble controlling his spiritual powers, and when he saved her from a low-level youkai, he ended up scaring her.  Ever since, she’s wanted to properly thank him.

To see Ushio’s reaction to her story, you just know he’ll put even excising the regrets of others before his own life; to do so would only add to his guilt and make it even harder to live with himself. At the same time, he has responsibilities as the true chosen wielder of the spear. At some point he must put his selflessness and emotions aside and think about the bigger picture.

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Satoru returns as promised, he has a few tricks out of the gate, and combined with Ushio’s uncertainty about how to handle this situation, the good guys are quickly on their heels. But it’s Jun who grabs hold of her brother and won’t let go that eventually draw the real Satoru out and make him come to his senses.

But once he does, and realizes what he’s done, he too is overcome by guilt and regret, harking back to how his sister recoiled when he last lost it. He’s so overcome, in fact, that he doesn’t believe he should live anymore, and leaps backwards off a cliff, giving us…a cliffhanger. Of course, considering Tora—who can fly—is around, and Satoru features prominently in the OP and ED, I’m not willing to write Jun’s bro off just yet. Catch’im, Tora!

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Ushio to Tora – 14

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As we begin UtT’s second cour, Ushio is finally in Hokkaido, but his hardships are far from over: not only is Hakumen no Mono sending thousands of little minnions out to grab the spear, there are others—humans—who want the spear too, and not because they’re greedy or evil, but simply because they think it’s their birthright…and they’ll be damned if some denim-wearing snot-nosed punk kid is going to butt in line for it.

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He meets the first of these “rightful successors” as HnM’s minions start to coalesce into a larger beast. Her name is Sekimori Hinowa of the Kouhamei sect, and her game is to take possession of the Beast Spear. Very tall, very tough, and sporting a very no-nonsense outfit and haircut, she actually makes some pretty good points about Ushio’s ownership thus far. His lack of training has caused him a lot more trouble and collateral damage than would have occurred were he able to properly “hear” the spear.

So Sekimori snatches it away, and when Ushio refuses her offer to hit her in frustration, she hits himOH NO SHE DIDN’T! But her comeuppance is swift; the Beast Spear won’t answer her call; it ignores her completely, and what would have been an easy beast to slay starts wailing on her.

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Proving he’s neither one to hit a girl nor to stand by and let even someone who wronged him get killed, Ushio launches himself between Sekimori and the monster. When it tries to take her as a hostage with its tentacles, he fires his spear, slashing them to bits, along with her prim-and-proper clothes, in one of UtT’s more amusing executions of fanservice. The beast, for it’s part, is disgusting sinister in its design.

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To put a cherry on top of our Sekimori Schadenfreude Sundae, when Ushio is in a tight spot for saving her, Tora blasts in to free him so he can regain his handle on the spear and do his thing, slicing the monster in half and such. In the aftermath, a rather chastened and rebuked (but not ready to admit it) Sekimori accepts Ushio’s ownership of the spear and his “bizarre youkai” companion…for now. Mizuki Nana (Ange in Cross Ange) provides the right amount of superiority and bitchiness to the character, and UtT once again introduces a dynamic, interesting new character in no time at all.

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With that, Ushio continues his journey to Asahikawa, and has time to reflect on why the spear chose him when there were more capable people training their bodies and minds their entire lives for the privilege. While wondering if he’s really worthy, it seems to respond, but in a familar, barely-disguised voice of Tora lurking behind him. Hey, it was worth a try!

Then the second member of the Kouhamei sect, Akiba Nagare, shows up (on a boss motorcycle), only he’s more interested in Tora than Ushio, and when Tora challenges him, they dance in lightning and fire. Only unlike the usual youkai, Akiba is up to the task, having researched Tora for years and knowing how to counter his moves.

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It isn’t long before Akiba literally has Tora nailed to the wall, and he wants to know what Tora’s game is; why he hasn’t eaten Ushio but actually saved him and other humans. He’s convinced it must be some kind of dastardly scheme hatched by a 2000-year-old monster from China.

But after proving he can be a monster if pushed hard enough (tearing all four of his limbs off, crawling around on his hair like a spider, and kicking Akiba’s ass), Tora tells Akiba anyway: he doesn’t really know why he hasn’t eaten Ushio…but he knows he’s never bored when he’s around him. In that regard, Tora really has started to understand the human heart—not just to exploit them for nefarious purposes, but to coexist and protect them.

And with the remnants of the beast they dispersed earlier possessing the tour bus Ushio is on, Ushio’s going to need Tora’s help yet again.

8_mag