While I recognize the wide appeal of the music of this show, I found the meandering, anecdotal lyrics to be tiresome and less deep and clever than they thought they were. That, along with a stubborn reluctance to ever let its audience in on its secrets, contributed to the less-than-glamorous scores I’ve been giving the episodes, and why Mekakucity Actors closes with an uneven finale that had me wishing for more.
I found myself far more engaged with various character portraits than with the over-arching plot centered around Marry, the granddaughter of the “Monster” whose exploits were narrated in the show’s omake sections. That plot is resolved this week, as we learn Marry is the one who, wishing to be with her friends, basically created the world where everyone’s living.
I will say, I enjoyed how the Mekakushi-dan was finally whole this week and operated as a team, but I still felt a bit short-changed. Considering the time spent thus far on their individual stories, their collaboration is all too brief, and there’s no more time to explore the new dynamics, aside from a couple incidental quips.
This could be a factor of my watching too much varied anime at once, but I must admit I was a bit confused why not only Ene was in a human body again (I recalled last seeing that body in a liquid-filled tube, but what happened in between?), but also Shintaro just showing up with Ayano. And what exactly happened with Hiyori? I’m not trying to blame the show for my lack of comprehension regarding certain matters, but it really felt like certain things were omitted simply due to lack of time.
Granted, the animation it pretty good as the snake takes oveer Konoha’s body and becomes “dark Konoha”, and Marry’s transformation and the big moment when she decides not to reset everything back to happier days like the snake wanted, but cancelling her wish, which causes the snake’s existence to cease. But in this case, pretty good animation wasn’t enough to carry it.
I only ever saw disjointed flashes of excellence in this show, and it doesn’t help that there already has been a Shinbou-directed Shaft series where a cute red-eyed half-medusa girl voiced by Hanazawa Kana is the key to everything. The show did technically wrap up the main plot, but it felt quite rushed and I found much of the shows’ potential to have been kept bottled up. As such, Actors goes into the “Just Okay” pile of Shaft/Shinbou efforts.
Final Cumulative Score: 7.33
MAL Score: 7.75