Elfen Lied – 11 – Doing Whatever You Can

This week we meet AKIRA Number 35, AKA Mariko, who beyond the massive steel shutters is merely a frail five-year-old girl. Only one person has ever interacted with her in her lifetime: a researcher named Saitou, who likens Mariko her daughter and is eager to see her for the first time. Shirakawa has no choice but to unleash Mariko in order to deal with Lucy, and Saitou is the only human Mariko will trust and listen to.

Uh…yeah…that doesn’t go so well.

In the very likely chance Saitou was disemboweled, de-spined, and de-kidneyed by Mariko—who after all correctly assessed Saitou was not her mother—Mariko has bombs placed within her body that can be detonated if she refuses to come to heel. I was sure Shirakawa was a goner too, but in a last-gasp gesture, it’s Saitou (or at least the top half of Saitou that clings to life for a minute or so) who presses the button that blows off Mariko’s arm.

It’s good that Spring 2020 has its share of feel-good shows (Arte and Princess Connect among them), otherwise I’m not sure I’d quite be able to endure the unrelenting pitch-black darkness of Elfen Lied. It loves to show us idyllic moments in Kouta’s house as his little family of misfits begins to gel, knowing much if not all of that family could soon end up as expressionist splatter on the fusuma.

Nevertheless, I’ll take the good times while there are still good times to be had. They include Kouta officially welcoming Nana to the household not as a guest, but a member, and leaves her chore training to Mayu. Seeming similar in age (and both haunted by unspeakable trauma) Mayu and Nana continue to develop a friendship closely bordering on sisterhood. Then there’s Nyu.

When Kouta shows Nana a photo of his dead sister Kanae, memories well up in Nyu, and in those moments, Nana senses Lucy. Nyu then chops her hair off to more closely resemble Kanae so she can forgive Kouta for being mean to her just before she died. It’s looking more and more like Lucy killed Kanae and Kouta repressed the memory.

Yuka comes home from the grocery store just as Kouta is embracing Nyu and telling her he “likes her too”, sending a heartbroken Yuka off to sulk. That’s when she discovers the entire area has been cordoned off by police in preparation for Mariko’s arrival on the mainland, now in a wheelchair and escorted by Shirakawa. Kurama, meanwhile, is off on his own, and conscripting Bando to hell him kill Lucy.

Nana can sense Mariko’s arrival, as well as her overwhelming murderous intent. In order to protect Mayu, Kouta, Yuka, and yes even Nyu (whom she hopes stays Nyu forever), she runs off to meet Mariko face-to-face. Unfortunately, Nana is woefully outmatched and uninformed; she isn’t even aware of just how many vectors Mariko has, nor how far they reach.

Mariko proceeds to “have fun” by toying with poor Nana like a cat with a freshly-caught mouse. As far as Shirakawa & Co. are concerned it’s all good…as long as 35 ends Lucy as well. Feel-good this show is not…but it is damned compelling.

Elfen Lied – 10 – The Man Behind the Glass

Kouta and Yuka turn out to be fine; they left the bedroom before Lucy got up to leave. She and Nana prepare to fight, but Mayu comes between them more than once, and very nearly gets killed for trying to be the peacemaker. Mayu’s pleas remind Lucy of Kouta’s in the past, and she reverts to Nyu once more. Thanks to Mayu’s decency and diplomacy, Nana is welcomed to the dinner table.

From there we’re sent back to the past, when Kurama is first recruited out of college by his friend Professor Kazukawa. They managed to capture a young but murderous Diclonius and have commenced horrifically cruel experiments to test the strength of her Vectors. Kurama is initially not okay with this, but Kazukawa impresses on him how dangerous and unable to coexist with humans they are.

Kurama comes around when the Diclonius Three escapes and goes on a bloody rampage, and very nearly kills him before Kazukawa shoots her in the head with an armor-piercing round, killing her. After committing more than ten infanticides Kurama stops seeing them as simply humans with horns and starts seeing them as an enemy and a blight to be wiped out without mercy or humanity.

Poetic justice strikes when his own daughter is born with horns; he later realizes that Three infected him when she touched him with her Vectors. He aims to kill her like all the others, but his wife, not far removed from major surgery, fights for her daughter’s life with all the strength she has left. She ends up dying of blood loss in the nursery, but not before convincing Kurama to spare their child’s life.

Nana may not be Kurama’s daughter, but she was a proxy for the sliver of fatherly love he had left, which enabled him to free her. That hardly makes the horrible things done to Nana that resulted in her ending up a bloody naked mess (and having dreams about “naked crucifixion”) any less horrific. But on one side of him is Kazukawa, whose word is law, and on the other is the truth that Dicloniï seem to inevitably end up uncontrollable murder machines.

Needless to say, he should have never set foot in that god-forsaken facility. It’s sad that just before Shirakawa begins to unleash Kurama’s biological daughter, Number 35—the “most dangerous” Diclonius, sporting twenty-six visible Vectors—Nyu and Nana are happy as clams with Kouta, Yuka, and Mayu. (A bit of trivia: Akira was designated Number 28, so 35 is seven higher.)

I can’t imagine we’re headed for anything resembling a happy ending here, so I’ll take the happy, peaceful moments in this and future episodes where I can get them.