Talentless Nana – 08 – Another Long Day

Nana may be rid of Yuuka, but her troubles are far from over. Shinji’s desiccated corpse and all of Yuuka’s zombies remain out in the open, and Nana will have been suspiciously absent from class when two more classmates died. Kyouya is the only one whose suspicions of her she must clear, so she devises a plan, using the class gyarus as pawns.

The tan Habu just happens to be out hunting frogs and snakes to eat in order to survive (her Talent is poisonous saliva), but Habu and her friend Kaori have had a falling out due to the latter’s missing blue contacts. Step One: Nana poisons Habu, gets her phone password, then deposits Habu’s body among the zombies.

Step Two: Nana informs Kyouya, Michiru, Moguo and Seiya that Yuuka is dead and explains the circumstances: Yuuka was the true necromancer, and an EoH possessed her to chase Nana with an army of zombies. Nana used Shinji’s thoughts to convince her to stand down, and she threw herself off the cliff. She uses Moguo’s fire Talent to burn Shinji’s body and the group of zombies—among which happens to be Habu’s body.

Kyouya lets the corpse-burning happen as a practical matter, but he’s not letting Nana out of his sight the rest of the day (hence the day’s longness for Nana). When he brings up the very fair point that Nana is always missing when someone ends up dead, suddenly there’s a scream from the dorms: Kaori has been found dead.

While this would seem to clear Nana as she was by Kyouya’s side, it’s clear Kaori died while clawing at her eye. He tastes the contact solution and detects poison (which doesn’t kill him, but isn’t pleasant either), meaning her murderer could have poisoned the solution at any time. Kyouya isn’t moved by Michiru’s constant pleas for him to lay off Nana.

When he searches the room again, he discovers the odd state of the window, which can only open one way, and recalls that when he was suffering the effects of the poison, Nana opened it without any trouble, as if she’d opened it before—which of course she did. It’s a major slip-up on Nana’s part, and no doubt the result of a lack of sleep and proper time to plan her murders of late.

When the ever-loyal-to-Nana Michiru produces Kaori’s phone (unlocked with Kaori’s fingerprint), she discovers a text sent while all of them were out with Nana as she told them about Yuuka and Shinji. But seeing the phone switches on a light bulb in Sherlock’s brain: he thinks he’s finally figured it out, and warns Michiru to get away from Nana.

First of all, he realizes that Nana had Muguo burn all of the zombie corpses because Habu was among them. Nana messed up her face and put her in a boy’s uniform so she wasn’t instantly recognizable, but it was Habu. Then he posits that Nana took Habu’s phone and used it to text an apology to Kaori, so she’d use the contacts Nana poisoned.

Nana’s last line of defense is the phone’s passcode; even with her mind-reading Talent she can’t ask “specific questions”. Kyouya swats that away easily: she just used the finger of Habu’s corpse to unlock her phone. Since he’s been watching her all day, he suspects she still has the phone in her pocket, which is how she sent the pre-written text while they were away from the dorms.

After Yuuka’s status as a worthy adversary fell apart due to her emotional attachments and general mental instability, Kyouya continues to possess unflappable physical and mental fortitude. It all comes down to what’s in Nana’s pockets.

Was she able to toss Habu’s phone—and/or her poison needles—in the odd moment Kyouya didn’t have his eyes on her; say, when he first started reacting to the contact poison? With Michiru and five other classmates present for the search of her pockets, she’d better have, or it’s Game Over!

Rating: 4/5 Stars

Sekai Seifuku: Bouryaku no Zvezda – 12 (Fin)

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Zvezda looked down and out, and we were honestly at a loss in predicting how they were going to dig out of the hole they found themselves in. After all, we left last week with Galatika toast and Kate and Itsuka surrounded by guys with guns, with only big words to bandy. Defeat against Governor Jimon seemed inevitable barring a miracle. They got several.

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Kate may be up against the wall, but aside from passing out for nap time, she never abandons her belief that she will ultimately prevail over the cigar-chomping boob of an adversary. The final battle is an highly amusing push-and-pull: Jimon has his magic shield, magic cigar smoke, and giant retro mecha, but Kate has Dva, Natasha and her tentacle monster, Roboko in human disguise (complete with Total Recall-style transformation), who snatchs the real Galatika from the traitor Yase, and White Robin, who helps out the bad guys and coaxes White Egret to her side.

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Even Pepel/Goro revives, woken up by White Falcon/Kaori, who turns out to have a thing for him. We’ve been listening to Maaya Sakamoto voice Lightning for going on forty hours, so it’s fun to hear her as Kaori, whose voice is more emotional and varied than Light’s. Some units of the JSDF defect to Zvezda, and we’d be remiss if we didn’t mention Kate taking over the driving of Plamya’s motorcycle, flashing her inexpirable license to Asuta when he asks.

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It’s a totally absurd, logically dubious hyper-stylized final confrontation, but full of Zvezda’s trademark charm, wit, and internal commentary about how absurd and logically dubious things are. In other words, a fitting way to end. The crass nihilism of Governor Jimon falls to the optimism, spunk, and gregariousness of Zvezda. Life returns pretty much to normal, but only briefly: a Zvezda-like organization from New York fires the first shot in the next battle, one that actually sounds more fun than the one against the stodgy governor…a teaser for a possible sequel, perhaps. But for now, we’ll bask in the light of Zvezda.

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Rating: 8 
(Great)

Average Rating: 7.750
MyAnimeList Score: 7.38

Sekai Seifuku: Bouryaku no Zvezda – 11

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With Roboko in pieces, Natasha strung up like a chicken behind force-fields, and Goro in some kind of stasis, Zvezda continues to reel this week on the edge of total defeat. Hope still lives while Kate is free, protected by Itsuka, but her treasured doll Galatika is in Governor Jimon, who is annexing West Udogawa once and for all.

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Asuta and Renge are on the run, constantly moving from one place to another as the special forces hunt them. It’s fun to see the two working together to survive after being on different sides for so long without knowing it. But along with the doll-less Kate, they’re unable to go on the offensive.

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That changes when West Udogawa’s leader, who is harboring Kate, manages to get her one last canister that allow her and Itsuka to transform and make their stand at the very public annexation ceremony that Jimon always meant to be an execution as well, if Venera showed up. She does, and Jimon stirs the pot by destroying Galatika with the acrid black smoke from his cigars. So yeah, like the Prime Minister in Samurai Flamenco, Governor Jimon is some kind of superhuman.

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We flashback to ancient days when Kate first stopped growing in order to gain the power to conquer; we also see Jimon’s wife leave him and the family fall apart because his job is all that matters to him. We’re a little fuzzy on why Asuta “rejects” Renge and the two part ways, but his ambition to live in a world where people can make their own decisions is admirable. He need only brush Evil SuperDad aside and he’ll be golden!

7_very_goodRating:7 (Very Good)

Sekai Seifuku: Bouryaku no Zvezda – 08

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Zvezda has been very zany, witty, whimsical and fun over its first seven outings, but it’s not what you’d call sophisticated drama. This episode aims to change that, as Zvezda’s secret base is infiltrated deeper than ever before, while the history of Zvezda’s dependable rock General Pepel AKA Shikabane Gorou is explored deeper than before. The show decides not to immediately jump into the confrontation between Asuta and his dad, instead revealing the mysterious commander of White Light, who harbors a personal grudge against Zvezda and its chief, Gorou.

Things start off innocently enough, as Gorou is checking out pastry exhibition, which is hilariously random but also disarming, since maybe the old man’s just there for the sweets. After their big battle last week, Asuta, Kate, and Robo are simply kicking back, and the lead voice actress in Kate’s favorite anime turns out to be White Light’s commander, White Falcon. Things take a turn for the worse when she bombards Kate, Asuta, Robo, and Tasha with puppeteer waves and invites herself to their base, where she deploys a large White Light contingent.

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It’s a very nice dastardly plot because it comes out of nowhere, as does Falcon herself. Even so, she makes a lot of progress because she identified and isolated Zvezda’s most conventionally powerful (i.e., non-magical) member at the moment. The connections come fast and furious: the pastry chef Pierre was thrown out of the gang by Gorou’s wife(?), Tsubaki; White Falcon is really Tsubaki’s sister (possibly making her Gorou’s sister-in-law); Itsuka is Tsubaki’s daughter. All these ties both enrich and explain the underlying conflict between Zvezda and White Light; now it more closely resembles a family feud.

This episode also bucked the trend of focusing on Asuta (the ostensible protagonist) or Kate (the ostensible leader of Zvezda), and focused on the underutilized but incredibly Badass Old Dude; his Old Dude friend who’s really good at baking (and stopping steamrollers); and his Old Dude past, which shaped the Old Dude he is today. After being disguised as a stationary bronze bust for the last two weeks, he gets his time in the spotlight, brings a welcome dose of seriousness and gravitas, and shows Kaori that he won’t allow himself or Zvezda and the ideal of world conquest to be defeated as neatly as she’d planned.

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Rating: 8 
(Great)

 

 

Shiki – 22 (Fin)(Retro Review)

Originally posted 30 Dec 2010 – The Shiki finale was unbelievably good – we’ll just get that out of the way. Naturally, just when victory is in sight for the villagers, a fire breaks out. And when a fire starts in a dry, windy forest, it doesn’t bode well for the mostly-wood village it surrounds. Toshio tried to fulfill his duty to protect the village the best he could; his rage and sorrow is palpable when he swings his chainsaw around wildly. Still, he saved many lives.

Of course, none of this would have been possible without Natsuno. He hypnotized Toshio before Chizuru, which is why her glamoring didn’t take. I imagine Natsuno basically told him to keep doing what he was doing, and he did. By the  end, there’s only two vampires left: Sunako, and the newly-risen Seishin, who has chosen to stay by her side.

Everyone else meets their end in various awesome ways. Megumi is found sneaking around, and her desperate pleas for mercy fall on deaf ears: by now the villagers have heard it all. They run her over with various farm equipment until she’s immobilized, then stake her. We kind of wish Megumi had made it to the big city, and we felt a bit bad that they’d just destory her so callously; but her surviving just wasn’t in the cards.

Natsuno throws himself and Tatsumi into a huge pit full of corpses by design, and blows them both up with dynamite. It’s clear Natsuno had no intention of living as a werewolf, so taking Tatsumi out with him two birds with one stone. He also made sure Kaori and her little brother were safe in a neighboring town before going back to take care of business.

We truly thought Sunako’s long time on the earth was at an end when Oosaki cornered her in a church, but Seishin rescued her at the last minute (whaddaya know, the big bearded dude’s mortal after all!). As out-of-town firetrucks and helicopters descend upon doomed Sotoba village, he sneaks out in a car with her in a suitcase. The final cut-to-black gave us goosebumps; something we expect from any great finale.

This was a truly excellent finish to what became the series  whose episodes we came to anticipate most each week, once it got going. The payoff was made so much more satisfying and impactful by the careful, intricate build-up in the first half. This was a series that slowly but surely changed our minds about it. We’ll miss its broodiness, casual gore, sexiness, and general strangeness, as well as its superb score.


Rating: 10 (Masterpiece)

RABUJOI World Heritage List

Shiki – 17 (Retro Review)

Originally posted 27 Nov 2010 – Seishin still can’t get on board with Toshio’s methods, and this is driven home when he meets exactly what he’s been talking about: Toru, who is killing to live, not out of evil or hatred. Do vampires have just as much a right to kill humans as humans have to kill animals to live? Is this just the luck of the food chain? This seems to be his line of thinking: Killing vampires is still killing. He won’t kill. After a strange encounter with poor tormented Kaori, he goes to the Kirishikis’ mansion to hang out with Sunako. Will she bite him?

Meanwhile, Toshio is holed up in his clinic, carving stakes for the coming battle. He definitely seems resolved to go out fighting. When another victim arrives, he lets slip that it isn’t an epidemic. Ritsuko, remembering seeing Nao in action, asks Toshio what he meant, but the conversation stalls. When a fellow nurse is kidnapped, Ritsuko is drawn out into the night and bitten herself, and it’s over. It seemed she had come around to the conclusion about what was going on, but it was too late. She is glamored by her biter to refuse treatment and insist on being left alone.

Finally, Mrs. Kirishiki appears in the clinic, with her…interesting outfit. Toshio comes at her with a stake but Mr. Kirishiki shoots it to pieces with a sniper rifle. Is this...Game Over? Well, she bites him, and tells him to burn his data, and he does. But who said this wasn’t the next stage of the plan Natsuno suggested? Natsuno can think for himself; perhaps the risen Toshio will be rebellious as well.

Of course, first things first: Toshio has to die and rise. And his last words before being bitten suggested he didn’t care about the village anymore; it was full of idiots who did nothing to stop their plight. Excellent stuff.


Rating: 9 (Superior)