Kitashirakawa Tamako is the daughter of a mochi maker in the Usagiyama shopping district. One day while visiting the flower shop she finds an unusual, pompous talking bird named Dera Mochimozzi inside a bouquet. He claims to be a member of the “royal court” searching for a bride for his prince, but ends up living with Tamako and her family at the mochi shop Tama-ya.
KyoAni’s latest series is an affable slice-of-life/comedy with a tinge of supernatural in that there’s this very strange and very proud, arrogant bird. The instantly-appealing shopping district setting has a warm, cozy, lived-in feel to it. Tamako has everything she needs in this district – her home, a mochi-making business in which she is integrally involved, family, good fiends, a potential love interest across the street. And now it seems she has a pet bird.
Mochimozzi adds an element of whimsy and unpredicability. He’s a frequent source of sight and sound gags, and his formal, aloof voice (provided by Yamazaki Takumi) gives him lots of character. Tamako herself, by contrast, is just your ordinary unassuming girl: friendly, hardworking, upbeat…and sometimes the unwitting target of shuttlecocks. This series wasn’t originally on our Winter watchlist, but it’s so darned charming we’re going to give it a go.
Rating: 7 (Very Good)
At school, Kanna starts noticing Kaizu, class rep, regularly staring at her more than usual. After class, he asks her if she’s an eroge seiyu, horrifying her. It turns out, he is one too; his father is the president of a game company specializing in eroge. Kanna is then asked to perform eroge voice work with him, overlapping her work and school as never before. With his support, she turns out another great performance, and experiences many firsts, including first holding of a boy’s hand and first hug.
I’ve held off watching this series’ second installment because I assumed it would simply repeat what was already done in the first. But I did enjoy its technical aspects, as it employed a really vivid palette, heavily-stoked (no pun intended) character design, a solid soundtrack, and a brisk pace, so I gave it a chance. Turns out, the dynamic of Kanna working with a classmate who’s also in the “family business” keeps things fresh. Kaizu isn’t a rude, lewd jester like some of the other staff. He’s learned through experience how to keep work and reality separate.
Of course, Kanna’s problem is, the key to her effectiveness is actually becoming pleasured while doing the voice work. Her sister calls it a trance. Putting aside moral considerations (let’s face it, anyone who can’t really shouldn’t watch this), that’s where Kaizu and Kanna’s styles diverge: he won’t usually get off from work…until know. See, he likes Kanna, and she likes him. That’s reality. Acting out what people do when they really like each other is their job. It’s a very bizarre situation they’re in; requiring courage and maturity Kanna didn’t know she had. If Sawako had to say stuff like that to Shouta, her head would probably pop off.