While en route to Kanbaru’s, Karen challenges his brother to a game of rock-paper-scissors, but she cheats and has to carry Koyomi on her shoulders, which requires she cut off her ponytail, which she never liked anyway. They proceed, and encounter a myterious woman, Yozuru Kagenui, who asks where the Eikou Cram School is located. Hanekawa tells Koyomi by phone it’s the abandoned school where Oshino and Shinobu lived. After dropping Karen off at Kanbaru’s, Koyomi bumps into Hachikuji, and they’re soon approached by Yotsugi Ononoki, looking for the same school.
As far as we’re concerned, new characters are always welcome here. But these two aren’t quite as assaultable as Karen or Hachikuji. We will say they’re both very cool and quirky looking: Kagenui with her bowl cut, ridiculous heels, and brilliant balance; Ononoki with her singsong name, googly-eyed hat, green locks, and wellies. They’re both unique and novel in their looks, their movements, and in Ononoki’s case, her strange first-person narrative way of conversing, which kinda reminded us of MISAKA 10032. Ryoko Shiraishi voices Kagenui, while Saori Hayami voices Ononoki. We’re fans of both actresses; they’re additions to a series already jam-packed with great voices.
What we also like is how they were introduced. They didn’t do anything this week, they simply inquired as to where Oshino’s place is, while Koyomi was on his usual rounds. Koyomi notices they both somehow know that he’s a vampire and the species of Karen’s and Hachikuji’s past oddities. Karen and Hachikuji are also impressed by the inherent strength exhibited by Kagenui and Ononoki, respectively. Like Kaiki, we’re hoping we can expect these two ladies to shake things up.
Karen interrupts her brother’s studying to show him a new look, wearing Tsukihi’s clothes. She knows he knows Kanbaru, but Araragi won’t introduce her to her unless she wins a “game” involing him brushing her teeth. It goes a bit far, and Tsukihi walks in on them and isn’t pleased. When she storms off, they continue the game.
Nisemonogatari reaches new heights of creepy sibling interactions, specifically Koyomi enjoying brushing Karen’s teeth – and Karen enjoying him brush her teeth – a bit too much. We can expect Koyomi to act like this: he’s been interacting like this with girls – particularly younger ones – all season. And he’s part vampire, making him literally not entirely human. But what, we wonder, is Karen’s issue? On second thought, eh, perhaps it would be best if we just not wonder and simply move on, shall we? Tsukihi comes in and breaks it up, only for them to get right back to it when she leaves.
Clearly Akiyuki Shinbo does not have any particular qualms about dealing with these kinds of issues. If there is a taboo to be exploited, he’ll put it right up in our face, as close and intimate as possible, not skimping on a single facial expression or sound of enjoyment, while staying right on the edge. Indeed, this was perhaps the weirdest -and wrongest – tooth-brushing session we’ve ever witnessed. Tsukihi seemed to concur.
Araragi leaves Kanbaru’s house after helping her clean her room, and meets an “ill-omened” man in a funeral suit named Kaiki who somewhat reminds him of Oshino. He then bumps into Senjougahara on the street, who is angry to see him slacking off, and also warns him she’ll kill him if his playing around with the other girls goes a step too far. When he mentions Kaiki to her, he kidnaps him and chains and cuffs him to a chair in the cram school. When Tsukihi texts him needing help, he breaks his chains, and redies to leave. Then Senjougahara recieves a strange call from Hanekawa.
This week a new character comes into play, and we return to the scene in the cram school with Araragi tied up “for his own protection.” It’s very interesting and telling that she does this when she hears about Kaiki, who just happens to be the first of five con men Senjougahara herself went to see about her weight crab oddity before meeting Araragi and Oshino. Kaiki certainly sounds like Oshino, so we’re not taking it as a mere coincidence. We’re also not familiar with any of the light novel source material, nor the upcoming prequel called Kizumonogatari which features this “Guillotine Cutter” guy Araragi mentions in his thoughts. We do find it entertaining that this series can leap from various girls flirting with Araragi to his girlfriend unleashing wave after wave of crushing verbal abuse to Serious Plot Shit.
Senjougahara clearly has some kind of problem she’s hiding from Araragi (again, for his protection) and it involves Hanekawa, Kaiki, and/or both. As for what Tsukihi’s problem could be, there are two possibilities: either the younger Fire Sister sent out a false alarm and is merely toying with him, or she is in legitimate danger. Araragi’s vampire status makes him a potential force to be reckoned with, particularly if you threaten those he holds most dear. We haven’t the foggiest idea what’s going to happen next, but striking close-ups of the beautiful Senjougahara continue to impress as always.
Araragi Koyomi formally introduces his sisters Karen and Tsukihi. Karen is an aggressive athletic tomboy who, while Tsukihi is even more aggressive, but with a more feminine and innocent outward appearence. Koyomi then pays a visit to Sengoku, who seems to be in an unusually playful mood. When her mother gets home, Koyomi migrates to Kanbaru’s, where he busts in on her naked, then teases her by making the case she’s a more normal girl than she lets on.
Things you’re assured to get lots of in spades (besides kuro color cards) in Nisemonogatari: intense, intimate close-ups, particularly of girls; innovative and often downright raunchy poses by said girls; visually stunning ‘sets’ – I mean, a waterfall of books complete with rainbow? Applause. You’ll also get lines like this: “There’s harder BL on a lower stratum!”, made all the better when spoken with utter conviction by Miyuki Sawashiro. In other words, you get lots of weird, offbeat stuff. This season seems to be kicking up the sexual tension.
This episode further reinforced our perception of this series as an ‘anime play’ – it was mostly one-on-one conversations in fixed settings, after all – first, Sengoku’s house, then on the street with Karen (nimble lil’ minx, her), and finally in the liturature-replete home of Kanbaru. We also like how these familiar characters from Bakemonogatari underwent subtle but effective visual makeovers. The busy, kinetic opening focused on Karen as a bee spirit of sorts. There’s a foreboding to Koyomi’s description of his ‘fire sisters’ – as if there are many out there who believe they’re some kind of heroic duo. He contends his kid sisters merely have vivid imaginations and aren’t above exaggeration.