King Torture orders the surrender of the government and the enslavement of the people, but the police rather than the JSDF are trusted with dealing with it. As Harazuka continually upgrades his gear, Flamenco and the Girls dispatch one monster after another without casualties, save the monsters themselves who self-destruct after defeat. Both Masayoshi and MMM’s careers start to skyrocket, though Mari is starting to get bored with fighting Flamenco’s leftovers, while Goto’s girlfriend warns him she’s scared of the new look in Masayoshi’s eyes.
We were caught off guard last week by the show’s sudden decision to introduce unrealistic monsters into the story without it being a dream or illusion, and were a little dubious of the execution, but after this week, we’ve come to like the suddenness. Being a superhero, Masayoshi focuses on defeating evil and protecting the people, so we don’t delve much into Torture’s origins or motives, which is good. They’re just the next level of baddies for Samumenco and the Samurai Girls to tangle with. We like how they’ve joined forces once again out of necessity for more muscle, but the same problems with their last teaming-up are still there: Mari doesn’t want to share the spotlight. This episode did a good job taking us by the hand and confidently guiding us smoothly through its new “monster milieu”, efficiently chronicling how things have gradually reached a new normalcy.
Torture’s declaration of war led the government to declare a state of emergency, but as the police and heroes polish off the monsters, the threat level is incrementally ratcheted, until they’re considering not even meeting about it every week. That could prove premature: because we know so little of King Torture, he’s basically capable of anything. Speaking of which, Masayoshi is feeling very invincible at the moment, fueled by Sumi’s encouragement, Jouji’s praise, and Harazuka’s gadgets. But his intention to barrel forward and take full advantage of this auspicious time in his life, while admirable, could also lead to his downfall. Things seem to be working out almost too well for him, too fast. The only ones who see are Goto and his girlfriend. The show is wisely keeping the new monster threat’s effect on the characters as important as (if not more so than) the threat itself.
Rating: 8 (Great)