Qualidea Code – 12 (Fin)

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Qualidea Code wasn’t always (or really ever) the prettiest, but it was the best-sounding (musically at least), and also never seemed to stand still. It improved right up until the end, at least as far as resolving a major issue early on: a mysterious, faceless, malevolent enemy.

By this final episode, the enemy is no longer faceless, or malevolent (though some mysteries about what they are or where they come from remains unknown to the end, thankfully). In fact, it seems strange to call Airi and Asanagi enemies at all; merely a party with a different agenda.

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Placing them in a grayer area, and resolving their story in a more nuanced way than “kill bad guys” went a long way towards helping me mostly overlook the fact that the show seemed to have run out of budget this week, as huge swaths of animation are simply missing.

I didn’t even mind Aoi’s sudden but inevitable (and heavily telegraphed) “betrayal.” But just like Asanagi, who turns out to be her father, her decision to side with him and Airi is borne out of love, not hate, so it’s hard to condemn what she does.

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That doesn’t mean I don’t want Ichiya and the others to succeeding in ridding the world of the Unknown, and watching them fight desperately, initially without their worlds, made for a thrilling final battle, despite the animation shortcomings. Asuha headbutting Aoi, and Hotaru holding her sword in her mouth were among the highlights.

In the end, everyone gets a boost in power thanks to the return of Canaria’s song, which gets a slightly different (but still very danceable) arrangement for the finale, in which Airi is killed by Hime, who remembers learning which conditions would allow Airi to die contented.

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In the end, Airi does not mind leaving her mortal coil, for she achieved what she wanted: she and Asanagi were able to make another, entirely new life: Aoi. Asanagi does not die, but stays with his daughter.

The Kasumis visit their injured mom, who is ecstatic they’re safe and sound. The dimensional tear is sealed, the skies return to blue, and the heads and subheads of Kanto all vow, in their own way, to rebuild what was toppled.

While we don’t get to hear Ichiya’s answer to Canaria’s question “how do I look to you now?”, we didn’t need any words from him to know how he feels: She’s all he needs.

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Qualidea Code – 11

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Kasumi and Asuha’s mom isn’t shy about her goal: to wipe out each and every Unknown she can. In addition to being angry they kept her children captive and used them as tools for so long, she also believes there’s no reasoning with a creature so alien.

And yet, as we learn later this week as the Unknown wind down their operations on Earth, Johannes isn’t quite right about the second thing. Not only is an Unknown able to feel how a human feels, she’s also able to love, in her way. And she in turn is loved back by a human.

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Aoi, who continues to be a tense wild card just waiting to go off and undermine the plans to eradicate the Unknown, seems to understand this. It’s not just that she lacks perspective due to an emotional attachment to Yunami and Asanagi…it’s that they’re worth being worried about. She can sense that the two are different from Johannes’ black-and-white, no-quarter viewpoint.

Unfortunately, a great deal of the Unknown still seem committed to attacking humans, and Johannes isn’t in the mood to carefully pick her targets. She launches a huge attack with her big cannon, but when it proves insufficient and she’s taken out of action with an injury, it provides an opportunity for the kids to keep doing what they do best: fight for themselves.

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Of course, for our six peeps, fighting for themselves means fighting for those they love: Rindo and Hime, Asuha and Kasumi…and Canaria and Ichiya. Whatever other issues are at hand, they don’t want to lose each other, so they have to fight and they have to win. That means infiltrating enemy HQ and closing the dimensional gate that allowed the Unknown in to begin with.

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Aoi remains the third, or rather seventh wheel, following everyone but constantly looking conflicted, and with, as I mentioned, good reason. The ones she wants to protect are the adults who cared for them so kindly all those years, making them more parents than her actual parents (which are probably gone).

As Rindo and Hime encounter what seems to be Yunami’s true form, and the others meet Asanagi, who was human all along, it will be interesting to see how the final showdown will turn out. Will there be a need for fighting? Will the Unknown, led by Yunami, peacefully return to where they came from? Are there more twists in store that will test everyone’s priorities? The endgame approaches.

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Qualidea Code – 10

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The truths of the real world our heads and subheads are now awakened to roll in like relentless waves this week, and it’s a lot for them to take in.

All this time, they’ve been captives of the Unknown, who altered their perception of the world so they would see adult humans as Unknown, and thus fight them. In a way, it’s worse than The Matrix, because they’re not just batteries, they’re weapons the Unknown are using to wipe out whats left of their families.

Suddenly having your world upside down is both frightening and un-mooring, and can mess with one’s sense of identity. The kids hold close to what they know to be true beyond any doubt, and reinforced through the years they were cared for by the Unknown: the bonds of friendship and love they all share.

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Kasumi and Asuha’s ambitious (and morally flexible) mother Johannes is in charge of the humans, having climbed a ladder constructed off those who once opposed her, be they dead or now under her heel.

She’s a handful, and while parts of Kasumi and Asuha are glad to reunite with their mother, this has all happened very fast, and an adjustment period will be necessary to process it all, especially the fact that they no longer need to fight, which is what defined them to this point.

Ichiya is also particularly un-moored, because his idea of who he was – a hero who was “all we need(ed)” and the only one who could protect Canaria – has blown up in his face with the knowledge that it was all an illusion. He was nothing but a clown; a puppet being manipulated along with all the other kids.

It’s really good to see Canaria back in the show. Her cheerful demeanor are welcome in such a harsh new world, but Ichiya just can’t function without her. We saw that, and we see just how much these two mean to each other in a lovely scene that nearly turns into a kiss before Ichiya panics and sends Cana flying in the opposite end of the room.

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Johannes seems singularly obsessed with three things (in no particular order): grabbing and holding power, protecting her kids, and utterly eliminating the Unknown down to the last one, with extreme prejudice.

Kasumi and Asuha have grown up to the point they don’t really need their mother, or anyone other than each other and their comrades to protect them and give them purpose. The Unknown may have stolen them from their human parents, but the crucial years of development they were separated aren’t coming back.

Not only that, but the Unknown, represented by Asanagi and Yunami, aren’t portrayed as evil this week, but rather as two people stuck in a system who only wants what’s best for the children they’ve come to love. Were they misguided in their actions? Surely.

But they’re not the monsters Johannes makes them out to be, and the kids’ opinions of them are at best conflicted, and in the case of Aoi, totally sympathetic.

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Surely the kids can figure out a way to come between their warring parents and the Unknown and come to some kind of negotiated peace or coexistence. That would seem to be the point here. The Adults, led by Johannes, are bent on revenge, and won’t stop attacking. It’s up to their offspring to create a world that moves past this conflict.

When the Unknowns attack Johannes’ fleet, its an indication Asanagi and Yunami didn’t get the final say—perhaps their are other Unknowns in higher positions that think about the humans how Johannes thinks about them.

Another point I want to make: we’ve learned just enough about the Unknown to make them far more interesting and nuanced. They have a face and emotions and dreams and desires just like humans. If they think and feel and act so alike, appearances aside, perhaps they’re not so “unknown” after all.

For the time being, Ichiya and Canara, Kasumi and Asuha, and Hime and Hotaru all decide to keep fighting beside one another, the ones they know for sure they can count on, whatever issues they may have with one another. Keeping things simple by fighting the enemy, staying alive, and having each others backs is the best way to stay centered in increasingly uncertain times.

Which is why Aoi’s isolation and anxiety worries me.

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P.S. I somehow forgot to publish the draft of last week’s episode review, so this week you get two. You’re welcome. :*

Qualidea Code – 09

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Kasumi is taking all of this weird stuff going on very slowly and carefully. He keeps Asuha out of it for the time being, so he can try to dig up some info on what it is that’s happening to him. He manages to find a ruined building that still has power, but it’s paper books that give him answers, and images, that suggests something very strange going on.

Asuha, with no one else to turn to, turns to Ichiya, who is still angsting over the loss of Cana, but still agrees to help lead the defense during the latest Unknown raid, since he believes he’s the only one who can give proper direction to said defence (making me wonder why they put Aoi in charge in the first place).

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Kasumi decides to use this battle to “jailbreak” Ichiya, in a very strange (from Ichiya’s perspective) way: he kills an adult trying to force Ichiya to retreat, then when Ichiya confronts him on a rooftop, Kasumi fires at him and not the humanoid Unknown in front of him. Indeed, Kasumi seems capable of communicating with the ‘enemy’.

At the same time, Asuha is outnumbered and starts to feel like things are going to get very bad, but the Unknown only target her Code, and once it’s shattered, see can see that the Unknown standing before her is actually…a person.

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All that’s left is for Kasumi to get Ichiya into a position where an Unknown can shatter his code, thus completing the “jailbreak.” This uncommonly affectionate Unknown turns out to be Canaria, whom I figured was going to return sooner or later.

I don’t mind her resurrection, because the details of her death were so strange I was never 100% convinced she was dead anyway. Her death also turned Ichiya into an even more insufferable wretch, so knowing she’s alive will certainly improve his character, since he’s going to do everything he can to make sure this time he’ll protect her.

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And just like that, all six main characters are now aware that the world they’ve seen and lived in as long as they can remember is not, indeed, real, or at least not the only world that exists. The “red” world they can now see, however, is hardly welcoming.

Is it merely the truth they’re seeing: a wrecked post-apocalyptic world the way it really is? Does the ED, which heavily features our characters wearing ordinary present-day school uniforms and doing ordinary present-day school stuff, represent still another reality, or the reality before everything went all “red” and ruined?

Qualidea Code ups the weird in a big way by bringing everyone in on the big secret. It really sells it with awesome sound design and an atmospheric Iwasaki score. I can’t wait to see what comes next.

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Qualidea Code – 08

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This week QC demonstrated its adeptness at extinguishing its own peril and momentum. After blowing open a huge door last week, building upon all my suspicions about the world the kids inhabit, it allowed that door to partially close, albeit leaving it open just a crack.

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The apparent “deaths” of Hime and Hotaru created a desperate situation, and yet Kasumi and Aoi are able to goof off on an extended inspection “date.” That desperation is more or less quandered so we can witness events that do little but reiterate the deep bond we always knew existed between Kasumi and Asuha. While we haven’t seen Asuha following her brother on a fake date, I’m not sure we needed to, especially now.

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Suffice it to say, the two are good siblings to one another when it counts, so when the evil adult superior Ookuni tries to convince them to transfer further inland, and both outright refuse, and Ookuni tries to corner Kasumi and kill him in the clumsiest way possible, Asuha is right there to bail him out.

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What Asuha doesn’t know yet is that her brother has already peeked through the door opened last week. He can see bits and pieces of the “real world” the codes on their necks seem to be suppressing. In her generic villain speech before trying and failing to kill Kasumi, Ookuni provides a little more insight: that she considers the kids “livestock” who need to be kept asleep to serve her needs.

Well, Kasumi isn’t fully asleep anymore, and Ookuni is dead (and there’s nothing left of her, thanks to some overkill by Asuha). Asuha is still “pure” in that her code is intact, but if there’s anyone she’d believe if they told her the secret they’ve discovered, it’s Kasumi.

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Qualidea Code – 07

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Hotaru lives only to serve Hime, so she’s going to do whatever it takes to fulfill her promise to return to her side when needed. This week we learn more about why, as Airi attempts the close the gaping hole in the sky and Hime desperately holds off wave after wave of humanoid Unknown.

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Hime didn’t like the idea of being put into cold sleep in separate shelters, but Hotaru promised it would be okay. It wasn’t; when Hotaru awakened, she had “lost herself.” For ten years, she served as an elite assassin, until her last target was her old friend, who never stopped believing she’d come back. She did, and they’ve remained the closest of friends ever since.

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When it looks like Airi isn’t going to be done closing the hole, and Hotaru isn’t going to be able to get to Hime before she runs out of gas, Hotaru enlists the help of Kasumi, Aoi, and Asuha to fashion a sky bridge out of frozen Unknown carcasses. As Hotaru mentions, it’s a great bit of inventiveness from Kasumi, who feelings aside knows full well how boned they are if they lose the Kanegawa head.

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The lonely battle Hime fights as everyone while to help her grows increasingly tense and frought, as one small slip-up could mean her sudden heartbreaking demise. Indeed, she seems only a split-second away from having her head crushed when Hotaru finally arrives, keeping her promise by rescuing her.

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Not long thereafter, Airi successfully re-activates the barrier, the hole starts to close, and the Unknown retreat. If things had ended with a couple of tender lines between Hotaru and Hime on their way home, this would have been a great wrap-up to a solidly 8 episode.

But that’s no what happened. The end of the battle marks only the beginning of…something else. Airi notices Hime’s vitals throwing errors, and Hime tells Hotaru “something’s not right”, stopping her from defeating the last Unknown charging them.

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Hime asks Hotaru to trust her before shattering the Code on her neck, the way her’s was shattered moments before. And just like that, the door to a huge new Pandora’s Box creaks open, as we see from Hotaru’s POV that something is, indeed, not right at all. 

It’s made clearer than ever that these kids are not living in the real world, but an artificial one, governed/regulated by their (admittedly vulnerable) Code chips. By episode’s end, Hime, Hotaru, and Kasumi have been released from those chips, and see the world for what it really is.

The former two also allowed themselves to get swallowed up in the big Unknown, and now they’re “gone” from the world they knew. Perhaps they’ll end up where Canaria and the other “dead” kids went.

This is a huge development; the show is confidently headed exactly where I hoped it would ever since it showed that seagull disappearing, and I’ll be watching with great interest to see what comes next.

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Qualidea Code – 06

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Qualidea Code reaches its halfway point on a nice streak. Despite being the worst-looking show I’m watching, I find myself more and more invested in this weird world full of mysteries being kept secret from the children protecting what’s left of it…even if those mysteries seem deeper and darker than they’ll eventually turn out to be.

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This week Hime leads the charge against a huge Unknown aerial force in Tokyo. A new type of Unknown, which I’ll call Cudgel-class, fall from the sky in swarms, smashing students like ants. As the losses mount, Hime tries to keep everyone together, and gets a nice little vote of confidence from her “mom”, Officer Yunami.

But Yunami is worthless on a battlefield, so Hime puts her on one of the non-combat evacuation trains to safety, having her look after her pocket watch. Both that gesture, Hime’s lines, and the flashback to when Yumemi first woke up in the present world, all feel like death flags being flown.

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Yumemi lets Hime visit her old, ruined family mansion, where she finds her heroic grandfather’s jacket, which goes on to be her trademark oversized cloak. We also learn the “worlds” or special skills of kids are determined by the worlds they saw before they went into cold sleep, as well as the dreams they had while in it.

Hime’s dreams were all about her and Hotori living happily in a peaceful world, and so she developed a “world” strong enough to make that happen. She orders a retreat and dismisses her devoted underlings, certain Hotori will show up like she promised.

But Hotori is late, busy with her own Unknown swarn after crossing the no-entry zone. Hime gets injured while damaging the Unknown lead ship, but still refuses to board the train A legion of more humanoid-looking Unknown troops advance on her, and Hotori is still not there.

Can Hotori, or the Suguha siblings get to her in time? Or will she be the second main character loss in just seven episodes?

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Qualidea Code – 05

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QC stuck to its guns b confirming Canaria is dead, as were all the other students who went through the no-entry zone. Ichiya is off in a cloud of grief, leaving Tokyo rudderless. Hime leads the way in stepping in to pick up the slack, initially putting forth policies intolerable enough that she hopes Ichiya’s own people convince him to come back.

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Hime shows a lot more depth this week, as more than simply the hyper overpowered princess we’ve seen her as so far. We see the true reason Hotaru cares for her so much. Ever since Hotaru saw Hime’s hands trembling as she told adults she was fine after her parent’s death, she knows when Hime is hiding her true emotions, which she must to in order to try to restore some semblage of morale in Tokyo.

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Unfortunately, neither the friendly nor the more hard-line tack do much good against the nearly catatonic Ichiya. She misjudges just how much Canaria meant to him by scolding him for “freezing every time one person dies.” Canaria wasn’t “one person”, she was the person to Ichiya. We also learn that one person managed to survive the post-no-entry purge: Aoi, but only because the adults took out her old Code and installed a new one, with very little explanation other than “you’ll be fine now.”

We know that going into the zone marked Canaria and the others for death by surprise Unknown attack. But we don’t know why, and the adults don’t want anyone else to know, either. That being said, Hotaru still wants answers, and if she can’t get them from the adults, she tries to lead Aoi back to the no-entry zone for clues, all but forcing her to explain why they simply cannot go back there.

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As expected, it’s Kasumi who manages to get Ichiya back out into the sunlight, but he’s still a zombie who doesn’t do anything other than grieve and lament his plight this week. This had the effect of giving the other heads and subheads more screen time, and while the Chigusa siblings were their usual half-bored selves, Hime and Hotaru shined.

QC is doing the right thing by keeping its cards close vis-a-vis the Unknown. Typically, the more details one learns about an initially mysterious/inscrutable villain or evil force, the less frightening they become, since there’s nothing scarier than the unknown.

The fact we still know very little about what the Unknown are and what motivates them adds to their creepy mystique, leads us to flex our imaginations searching for theories, and mitigates their uninspired designs.

But it’s inevitable we’re going to learn more about them, especially when the very sky turns red as the largest Unknown force yet amassed seems poised to wipe out the three cities once and for all (a great Oh Shit moment). I just hope we don’t learn more than we need, thus the threat become devalued.

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Qualidea Code – 04

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Qualidea Code is a flawed show, but it’s showed signs of incremental improvement in the last two episodes. Lask week solved the “not enough peril” problem; while this week fixes Ichiya’s “boundless bluster” problem, delivering a much-needed dose of Canaria’s humility.

Indeed, while the turnabout in his personality was, uh, rapid, rapid change is possible in the midst of the person he cares more about than anyone else getting seriously hurt in a battle he instigated.

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As the exterior peril intensifies, internal strife fades away for the good of the whole group. Thus Ichiya’s improved personality raises all boats, showing that when the going (finally) gets tough, he can count on his fellow heads and their subheads.

Ichiya presents this new-and-improved, common sense-armed self to the adult bosses, who endorse his plan to ally with Kanagawa and Chiba to defeat the Leviathan properly.

He’s learned his lesson, and hopefully retired his tired catchphrase “I’m all we need.” Clearly both he and they need more than just him; they need each other, working together.

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His new plan for attack is neither nonsensical nor reckless; it is actually pretty by-the-book and straightforward, with each city playing to its strengths in an effort to distract, misdirect, and get through the armor of the Unknown.

Ichiya also leaves Aoi in charge of keeping an eye on Cana, who wakes up shortly after he departs for battle. She immediately sits up and gets dressed to catch up with him, but while Aoi tries to stop her, her fellow Tokyo broom-riders suggest a shortcut and for Aoi to accompany them.

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Kazumi uses explosives and something called “dead space” to suspend their assault train into a position from which the ground forces can attack, while Hime surfaces her submarine carrier right beside the enemy to deliver a blow that still isn’t quite enough.

Turns out, the five fighting the battle can’t defeat the Leviathan without their sixth, Canaria, who comes in singing and buffing everyone around her. Realizing he’s stronger with everyone than all alone, Ichiya scoops up Hime and flies her to the spot she needs to get to to take out the Leviathan.

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Remember what I said about QC being flawed? Well, while the peril is nicely pitched and the characters have gotten more interesting…the animation during the climax of the battle stinks, with the frame-rate dropping until it’s just a Powerpoint deck of still shots.

The show tries to pass this off as a “slowing of time” effect for enhanced drama, but actually has the opposite effect since at the end of the day, things weren’t really animated at a crucial part of the episode. The result was underwhelming and sloppy.

However, the episode makes up for that a bit with the aftermath, when Ichiya takes Cana back the hospital on his back and everyone celebrates a great victory….only for tragedy to suddenly, unexpectedly strike once more.

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A post-credits scene with Ichiya and Cana has all the makings of a quiet epilogue to close the episode out, but for Asanagi’s shocked, pained reactions to seeing something on Aoi’s neck, indicating she, Cana, and the others who broke Cana out of the hospital went through a “no-entry zone.” We also see flashing red lights in the ocean, and one of those foreboding seagulls gets killed in the sky.

Just as Ichiya is telling Canaria he’s asking for a demotion that would swap their ranks, making her head, and telling her how he doesn’t care about anyone in the world as much as her, a huge mass falls out of the sky and smites Canaria. One moment, she’s there smiling, the next, a perfectly circular hole in the ground, and a spot of blood in the water.

I’m not sure exactly what happened here, and it surely adds to the mystery of what the adults aren’t telling the kids. But whatever we learn or however Ichiya deals, killing off a likable main character in the fourth episode is a bold move.

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