Isekai, Ranked

If Anime is escapism, there is no better way to escape than Isekai’s theme of plunging Into Another World, where our niche skills and routine possessions may shake the fabric of reality! From MMO-inspired, to hard fantasy, there are many types of Isekai on this list. However, there are no movies, nor series we haven’t seen recently. Bring all disagreements to the comments below!

1. Re:Zero − Starting Life in Another World
Re:Zero takes Isekai’s love for fish-out-of-water stories on step further: through brutal, expectation breaking blind sides, it makes the viewer a fish out of water too! Dripping with fantastic animation, Re:Zero’s true strength is the balance of its highly detailed world without over explaining its magic system, time loop mechanic and political systems. It also earns bonus points for  limiting the application of its protagonist’s powerful magic and technological advantages.

2. Sword Art Online (1st season) 
In the narrowest of second places, SAO pairs top shelf animation with an approachable cast and easy to appreciate central conflict. Put its lovingly constructed MMO setting aside, and Kirito’s mistakes and occasional darkness elevate him above his potentially generic good-at-everything character type and Asuka plays the strongest heroine/love interest on the list.

3. Now and Then, Here and There
Imagine if Digimon told a bleak story about sex trafficking child soldiers trapped on a waterless world with a maniac king? NTHT’s intense swerve from adorable into darkness is on par with Re:Zero and, much like Natsuki Subaru, HTHT’s Shu must rely on ‘durability’ and ‘heart’ to make it through. While some of it’s later tragic moments are predictable, this f’ed-up little anime scores major points for telling a complete story and having that story grow Shu from simpleton into a conflicted young adult.

4. Gargantia on the Verdurous Planet
While Ledo’s post-earth scifi origin may stretch the common definition of Isekai, being trapped in a primitive culture that treats him (and his AI-driven mech Chamber) like a hero of old does not. Beautifully, Gargantia flips the script and makes Red’s overwhelming power, and killing in general, counter productive and at odds with the local people.

5. Yōjo Senki / The Saga of Tanya the Evil
Give us World War I with magic, a gender swapped villain as our protagonist, and God as our antagonist, and you’ve given us something pretty damn original. Like Gargantia, this reborn in another world captures thinking differently about the world can be as powerful and terrifying as unworldly strength. Without question, Yojo Senki’s cast is the most uniquely imagined on this list.

6. No Game No Life
Like Tanya, the Blank twins piss off god and are sent to another world as punishment. However, their punishment is much more stylish and… harem. Underneath NGNL’s acid-soaked panties, over the top protagonists and the psychedelic color pallet, is a show featuring thoughtful puzzles and imaginative spins on classic gamble-to-win story telling. Sadly, its story ends unfinished…

7. KonoSuba
One part jab at Isekai and one part love letter to the starting town of every fantasy MMO, KonoSuba is all parts ruthlessly funny! While this reborn in another world (with a goddess!) show is not as smartly written as NGNL, and it becomes repetitive after a time, the constant frenetic action more than makes up for it.

8. Grimgar of Fantasy and Ash
Quiet, thoughtful, and full of sadness, this hard fantasy Isekai doesn’t care if its heroes are reborn in another world or trapped in a dungeon crawl afterlife. Building family bonds and connecting with people who would not normally be friends is all that matters… and it’s lovingly animated to boot!

9. ReCreators
As a reverse Isekai, ReCreators distinguishes itself by bringing the other world to us. The experience is fantastically animated and packed with clever dialog that somehow breaths sincerity into a profoundly silly plot. The cast is quite diverse, both in design and personality, which keeps the action fresh, yet somehow cohesive throughout. It’s only major flaw is, the final act, which is way to drawn out.

10. The Devil is a Part Timer
No I’m not kidding! This reverse Isekai’s premise that the Devil is trapped in our world and must work at McDonnald’s to get by is charming. While DiaPT’s humor isn’t particularly specific to the devil, the jokes are punchy, and the overall plot develops at a respectable pace. As an added treat, the opening gothic fantasy fight scenes are surprisingly well animated.

11. Log Horizon (1st season)
Most exposition heavy, trapped in an MMO themed Isekai featuring ‘top ranked’ players crumble after a few episodes. More often than not, these shows try too hard to sell the coolness of their game worlds, user interfaces, and central characters. Miraculously, Log Horizon gets better mid season with a simple question: if former NPCs have personalities, can grow and learn, and even die, are they more human than the former players that dismiss them as background texture? Still, it takes Log Horizon six episodes to get going and good lord is it gray looking…

12. Overlord (3 Seasons)
This transported into an MMO Isekai mirrors its main character: it is competent but not sure what it should be doing at any given moment. Sometimes the protagonists are villains and sometimes they are heroes. More often than not, characters are given lavish screen time to develop, only to be slaughtered whimsically. The resulting narrative is full of call backs and revealed foreshadowing… yet hasn’t gone very far in 3 seasons and hasn’t asked any interesting questions along the way.

13. El Hazard – The Magnificent World (OAV/TV)
Predestined paradox, trans-dimensional time jumping high school students (and their drunk gym teacher) are trapped in an Arabian Nights’like land besieged by sentient bugs, a secret tribe of assassins from another dimension, and a death star like eye of god orbiting nearby. If you watched anime in the 1990s it will all be familiar but it still manages to feel original yet cohesive production. The character abilities are wonderful, the tragedy is nice, and plenty is left up to your own imagination to fill in the blanks. A bland, fault free, protagonist and a boy-crazy harem vibe are the only reasons it isn’t higher on the list.

14. Gate: Jieitai Kano Chi nite, Kaku Tatakaeri
This invading the other world Isekai flips the script to deliver political intrigue, clash of culture, and commentary on Japanese society. It loses points for being a overly harem, relying on super dumb/super evil antagonists, and a dull protagonist but it’s fun enough to watch.

15. Juuni Kokuki (The Twelve Kingdoms)
This brought back to the world you actually were born in Isekai begins with a whiney good-girl who doesn’t want to be queen pissing off her not-friend, who would really like to live in another world, but no one cares, because she’s not the chosen one. Whiney protagonist who has limited agency over the plot aside, that central theme, and the magic and political intrigue around it grow nicely over time. Sadly, the second arc introduces a new character, tons of vocabulary heavy exposition, and just drags. The result is a slightly dated looking show but completely watchable show.

16. Drifters
Stylishly violent, strikingly ugly, historical character filled and utterly bonkers, this reborn in another world Isekai’s uniqueness will hold your attention. Even if you do not want it to.

17. Rise of the Shield Hero (2 Seasons)
On paper, this transported to an MMO world Isekai’s “treat the hero like crap,” “watch him accept the role of a slave-buying villain” and ultimately “rise to become the true hero” concept is great. Revealing that the world he’s saving may be less redeemable than the world the invaders are trying to save is also great. Too bad its padded and many of the arbitrary delays and narrative dead ends feel like cop outs.

18. That Time I Got Reincarnated as a Slime
While it lacks the initial hardcore’ness of Shield Hero, this reborn in another world Isekai is pleasantly animated and full of heart. The idea that naming monsters grants them power is a pretty neat mechanic too. It just sort bounces from idea to idea without a sense of purpose of resolution. One minute it’s a story of unlikely friendship, then magic destiny, then town builder, then harem, and onto magic school and isn’t about anything in particular until a hastily thrown together plot ties it up at the end. It scores points for making its hero a slime… although the reborn aspect never feels played with or justified.

19. Angel Beats!
If the gun fetish, kids fighting a loli-angel instead of attending school in the afterlife plot weren’t so dumb and drawn out, this rebirth story’s touching moments would push it much higher. There’s a really good tale of life cut short, reunion after death, and again after rebirth here and it gets major bonus points for finishing the story it had to tell. Totally squandered.

20. Death March / Kara Hajimaru Isekai Kyousoukyoku
Like Shield Hero, this reborn in an MMO Isekai is actually quite good looking. However, its Gary-Stue protagonist, harem and absurd narrative padding make it far less interesting.  OMG how many episodes are about making lunch?! That’s too bad because the concept of code-like “copy and paste” magic system is pretty neat.

21. Wiseman’s Grandson / Kenja no Mago
Despite opening with a modern day man being killed, this reborn into a fantasy world Isekai is more Magic School than Isekai. The only thread that connects the protagonist’s lives is that he can look at magic with an eye for process instead of outcome. The result is harmless easy watching but harem elements, a slow pace and lack of getting anywhere narratively hold it back.

22. How Not to Summon a Demon Lord
This summoned into an MMO Isekai starts off as charming, but ecchi-heavy, before abruptly turning dark at the end of the season. We’re talking ‘make a child watch as her best friend is slowly tortured to death’ and creepo ‘finger-bang a loli cat girl in order to give birth to the demon inside her’ level dark. While those elements elevate HNtSaDL above niche appeal of its harm and MMO content, they aren’t so interesting to earn my recommendation.

23. Problem Children are coming from Another World, Aren’t They?
T
he non-ecchi poor man’s No Game no Life features a talking cat that only some characters can understand and dreadful music. TFW smooth jazz? There’s some cuteness to be had, and the solutions to gambling games can be clever, but the overall vibe is low energy. It loses drama points because its protagonist is as smart as a god and physically stronger.

24. Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?
This poor man’s Konosuba is occasionally funny, satire of RPG conventions and family relationships. Mama’s skill that interrupts whatever her son is doing, no matter what it is or where he is in the game world, is particularly charming. Unfortunately, there’s no avoiding the creepo factor of sexualizing that family relationship.

25. Restaurant from Another World
My mom is secretly from another world and my restaurant’s front door connects back to that world each day is certainly unique, but it’s structured more like a food-porn show than Isekai. While the linkages of each patron become clear over time, few characters are not aware of those connections themselves. The result never feels like it gets anywhere.

26. Dot Hack//Sign
This stuck in an MMO Isekai dedicates too much animation and story to grunting, chuffing, whimpering, and sighing. Combined with a grotesque color pallet, hilariously terrible early 2000’s character designs, and awkward ‘weapon up’ pose each character takes, and it just bleeds out before you can invest in the character drama.

27. In Another World With My Smartphone
Stories without risk are still watchable when they immerse us an interesting world, or delve into niche details like food or how magic works, or hilariously us with harems and sex appeal. Smartphone fails all of these things. Worse, it does nothing with it’s one idea: protagonist Touya is reborn in a fantasy world with smartphone. Except, GOD GIVES HIM GOD TIER MAGIC FROM THE GET-GO! Ironically, Re:Zero and No Game No Life both use of a cell phones in more interesting ways, and Tanya’s God isn’t even comparable. Unoriginal, unfunny, not dramatic, not sexy, not worth watching.

28. Maou-sama, Retry!
This transported to an MMO Isekai’s trash production values, and bizarre characters are hard to take seriously. The results are sometimes so terrible they are funny, such as incompetent background music transitions and detailed horses hiding at the edges of the frame. Sadly, a bland harem and complete lack of narrative objective kill the mood.

29. Isekai Izakaya
Imagine a low energy, public access style show, with a tourism theme, that featuring a modern Japanese restaurant that serves fantasy world patrons…

30. Isekai Cheat Magician
A loveless summoned to a fantasy world Isekai who’s protagonists are the most powerful and purely good characters could deserve a niche rating. Not this one. The narrative sort of ‘skips the boring stuff’ and, in doing so, skips character development. Hilariously, what the narrative does show is poorly animated, always underwhelming magic battle scenes or people standing around talking.

31. Endride
Without dialog, this stumbled into a magic world Isekai’s vibrant color and crisp art would be watchable. The fact that the world is somehow inside of Earth’s core and the sparse use of mythology are unique, but its dumb-as-bricks whiny teen protagonists have the maturity of a small children. There are many unintentionally funny moments like scientists using gigantic laptops or the king’s magic weapon looking like a safety pin. Ultimately, the cast is so unlikeable that the show itself is unwatchable.

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PSYCHO-PASS 2 – 11 (Fin)

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I appreciated that the last episode of Psycho-Pass, possibly ever, featured more Akane kicking ass and taking names – in a metaphorical sense, and less over-the-top than some previous episodes where she was a bit too Bruce Willis-y. Here, she uses her clear coefficient as an effective shield in the face-off with both Togane Sakuya and Kamui, arresting the former and accompanying the latter to Sybil’s core.

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Still, a number of troubling adjectives surfaced while watching this episode; adjectives like ‘neat’, ‘tidy’, ‘convenient’…even ‘hasty’. Nothing you particularly want in an episode of Psycho-Pass…especially a finale. And yet it was probably inevitable, with a ton of material set up and just eleven episodes to resolve it.

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Of course, one could spin those adjectives to something more positive: this was a breathless, efficient finale; not a minute was spared, and no one can say it didn’t Get Things Done. Not too far into the episode, Chief Kasei is lethally eliminated by a Dominator, something that would be utterly unthinkable in the show’s first season.

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Yes, there’s a rather convenient subterranean shortcut from the subway lines where Akane and Kamui were to the bowels of the MWPSB HQ where Sybil lives. But who cares? This is where they were going to end up one way or another. And when Kamui points his Dominator at Sybil itself, Sybil basically surrenders, eliminating a good deal of the brains that make it up in order to clear its coefficient. This is odd, considering I thought they were criminally asymptomatic, but I guess conditions changed that.

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This is very much an Akane/Kamui episode. There’s a fair amount of Togane in it, but after he’s unable to turn Akane black, he kinda just makes ridiculous faces, which makes me wonder why he was such a big deal in the first place. Clearly he didn’t know who he was messing with. And then there’s Mika, who listened to him and obeyed him…she’s not feeling to great about that now, even if she has no love for Akane.

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After Sybil made immediate changes to its composition, Akane has designs to arrest Kamui, but Togane crashes the party to make one last attempt to ‘darken’ Akane, rubbing in the fact that he killed Akane’s frail grandmother. For a second there I thought Akane’s coefficient was going to rise to enforcable levels, but Kamui is there to calm her, and even if he wasn’t, Akane has a firm enough grasp of the law, justice, and society to overcome any personal demons. She’s just awesome that way.

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Togane shoots Kamui (though we don’t see him explode) and vice-versa, with Akane in the middle. A wounded Togane creeps away and eventually bleeds out, with Mika standing over him. All of a sudden, we’re fresh out of bad guys. All the threats kinda just flew by without that much of a struggle.

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When Akane meets up with Ginoza and her other colleagues there’s another moment when we’re not sure if she’s in trouble or not, but her coefficient remains as clear as ever, and Sybil saw fit to reinstate her just a short time after Sakuya’s mom rescinded her inspector status. Another Kasei cyborg replaces the old one, and warns Akane that they’re on a dangerous new road. Akane assures her – them – that even if that road leads to hell, she’ll walk it with them regardless.

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So it’s Akane’s victory: she neutralized Kamui, but also used him to make Sybil evolve. A ‘collective’ psycho-pass is something the system will now consider for implementation henceforth. Existential threats to society have been averted. And Inspector Tsunemori Akane will continue to not-smoke cigarettes and live a happy and virtuous live as one of the people who protect society, rather than the other way ’round.

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PSYCHO-PASS 2 – 10

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On this exciting episode of Rail Wars! Psycho-Pass 2, Kamui ‘gets to work’ on his largest operation yet: diverting several subway trains into an isolated area, giving him hundred of trapped, scared hostages whose psycho-passes he knows will rise due to the stress of the situation. He’s counting on it.

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He has no particular plan to ‘save’ this particular group of five hundred-odd passengers: they are merely a collective tool for him to get closer to Sybil, by overloading the system with a huge amount of Dominator discharges, and thus PP data, exposing a lower-security backup network which his team will hack to locate Sybil’s physical location.

Pretty intricate plan, but let’s not forget, he himself is a collective being, which explains why he’s okay with all the sacrifices. Well, that, and the fact that until the world is freed from Sybil, all of the people under her control are legitimate targets.

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Aoi and Naoto aren’t in this show to help out with the train, so it’s up to Akane to Do Something. Only Chief Kasei has placed her on standby in the wake of her grandma’s kidnapping. Togane, just barely keeping up his charade (or at least thinking he is), gets in her way, but doesn’t block her entirely.

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Togane lets her visit Kasei, who is really his mom. The Chief suggests Akane slake her restlessness by being a good little inspector and kill Kamui. Doing so would get rid of Sybil’s increasingly serious problem, and also would turn Akane into a criminal, at which point Sybil can finally judge her too.

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Interesting how Sybil doesn’t particularly care how Kamui is killed, but very much wants to go by the book where Akane is concerned. Kasei tries to ‘motivate’ Akane by reporting the sad news that her grandma was found beaten to death.

Learning of this certainly shakes Akane to the core, who starts screaming in the thankfully empty office. But after a quick chat with the Kogami in her head (?) she takes a deep breath and springs back into action. She’ll deal with the Kamui threat…her way.

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Akane and Kasei get into a meaty little philosophical debate that was once the norm of this show, during which Akane applies the Omnipotence Paradox to both Kamui and Sybil. Both entities are collective in nature and thus neither can judge the other without being judged itself. But Akane tells Sybil (not just Togane’s mom) that this is a perfect opportunity for it to ‘evolve’ beyond its flawed operation and false facade of perfection.

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Akane makes arguments Sybil can only refute by basically saying stuff on the level of “shut up, you don’t know us!”, but that’s not too surprising since A., it’s Togane’s mom and not all of Sybil addressing her in this instance, and B., Akane is one smart cookie. She drives really slow, though. 70 kph? C’mon, this is the FUTURE, not to mention an emergency operation…put your penny loafer down.

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Akane is so bright, that she basically does all the same work and thinking off-camera that we watched Mika do on-camera, only Akane does it properly and doesn’t settle on the conclusion that Kamui seeks revenge against the Togane Foundation. That’s right: Freckles’ research not only doomed her to spend the rest of her existence looking over her shoulder…it wasn’t even such great police work after all, at least not compared to what we’re used to from A-chan.

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Division 3 fails to carry out the Chief’s orders to blow up the trains Kamui and his people are on (killing the hostages in the process) because they acquired the bombs outside the law, giving them criminal coefficients and allowing Shisui to pick them off from above. Then Kamui releases the hostages, and Akane goes after him, but is blocked by Togane, whom she’s suspected all along. You can’t get one over on ol’ Akane, Son. Well, young Akane…

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And because this is such a popular underground junction, Kamui ends up crossing paths with the two. Here’s one guy trying to expose and destroy Sybil, another whose mom is part of Sybil trying to paint Akane black. Akane always finds herself caught between two very strange men, isn’t she? Well, that may be just one, if Kamui is successful in killing Togane. We only hear the trigger being pulled, so that’s hardly a certainty. In any case, it would certainly be meh ending for Togane.

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PSYCHO-PASS 2 – 09

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So, while it looks like Mika was S.O.L. last week, it turns out the world’s worst mother-son pair isn’t done with her. Kasei (actually Mrs. Togane) tells her the whole truth about Sybil being composed of the criminally asymptomatic, and Mika responds with applause, whether out of genuine admiration and approval or straight up primal fear. 

To drive point home that the Toganes aren’t the most savory sort, we’re treated to a flashback in which Sakuya’s mother provides him with puppies to slaughter.

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I’m sure many of you were waiting patiently for the proof that Akane isn’t actually a boy, and this week the show gives us a rare glimpse at her bod. Not sure why, as the closest she’s ever come to being portrayed as anything resembling a sexual being was when Shion hugged her once, but I often find it easier to think things through after a nice shower, and Akane definitely has things to think through.

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As she does, Dr. Masuzaki is killed, by a Dominator, while in custody. Mika suspects Sakuya had something to do with it, but is being forced to bear many a secret, including the fact that she’s now in league with people who are working to turn Akane’s hue black. Not that there’s anything she can do about it; she was never one to put her life before others, and she fell into their clutches fair and square. Every day she’s not dead is a victory for her.

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This week was also a return to the Psycho-Pass tradition of digging up the most effed-up scum of the earth who have way too much time and money on their hands, and are involved in some kind of bizarre ring involving humans, holos, and zoo animals.

Kamui is at this dinner, along with his host Kuwashima Koichi, a former classmate who transferred just before the plane crash who was later saved from latent criminality by Kamui. The whole night is really just an elaborate way of taking out trash that is no longer needed for their plans.

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Once that’s done, and an entire hall in Chiyoda goes up in flames, the MWPSB arrives right on queue, led by Akane. Kuwashima meets her there, as willingly as Masuzaki did, but he has a gift for her: the ear of her grandmother, the one person I suspected could raise her coefficient. Again, Mika knows Sakuya has something to do with it.

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Just as Mika dug up too much on Sybil to be left alone, so too has Akane with regards to Kamui. Kamui personally doesn’t seem to care one way or another, and actually wants her to “witness the judgment” that’s about to come. But the grandma thing sure makes it look like Kuwashima and Sakuya are in cahoots to mess with Akane, and I daresay they succeeded. Then again, I may be underestimating Akane’s grit.

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PSYCHO-PASS 2 – 08

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We get a double-helping of investigations this week, as Mika conducts her own from the MoE archives while Professor Saiga gets the straight story abotu Kamui Kirito from Dr. Mazusaki. Mika and Saiga learn the same thing by different methods: Kamui wasn’t just the only survivor, but the subject of an unprecedented medical procedure that implanted parts of all 184 of the children who died in the plane crash — including seven of their brains — into Kamui, resulting in a Sybil-proof “compound person.” The Togane Foundation holds all the patents for that procedure.

This collection of body and brain parts is a fascinating concept, and very much akin to Sybil’s own collection of brains. Kamui isn’t just one person anymore, you see; and he’s far more than the sum of those parts.

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Mazusaki takes full opportunity of his wise audience of Saiga (and Akane) and doesn’t hesitate to spill the beans, including his personal reason for believing in and supporting Kamui, who is essentially a Frankenstein’s monster. The reason is, Kamui showed him the way to clear his psycho-pass and saved him from ruin. That, and Kamui isn’t just after revenge, but the total upheaval of society, starting with Sybil’s downfall.

In an interesting scene with Saiga, Togane remarks that Saiga is the opposite of Kamui, in that he darkens rather than clears psycho-passes, which he deems more than a skill, but a talent. Because that talent deprives Saiga of his freedom in a Sybil-controlled society, Togane imagines it must be less than ideal for Saiga to have to depend on someone with an unusually clear psycho-pass — Akane. Saiga turns it around on Togane, who registered the highest crime coefficient of all time, now an enforcer beholden to the MWPSB.

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Mika continues to tap away in her archive alcove, and the more dirt she finds, the more she worries about her own psycho-pass getting clouded (a highly prescient concern). Akane and Togane then get a scene together after a false alarm at her apartment, where Togane tells her she’s a born detective, with all the pros and cons that comes with. It’s a pretty tense scene even though we know Togane won’ do anything (yet), just because we know how obsessed he is.

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What’s truly enlightening about this episode, though, is Mika proving her salt as an investigator, after so many weeks of incompetence. She connects Togane’s mother to Kamui and comes up with the conclusion that Kamui is seeking revenge against the Togane Foundation.

Knowing Togane Sakuya’s history with turning inspectors into enforcers, she also concludes that Akane is his next “experiment” (perhaps his toughest nut to crack yet). His goal is to turn her black, meaning Togane is just like Saiga in being the opposite of Kamui…only Togane turns people black for sport; Saiga does it unintentionally.

She wraps up her report with a recommendation to dismiss or suspend Tsunemori Akane, on the grounds that Togane’s fixation on her, as well as her reckless actions (which have, by the way, cost lives) represent an existential threat to the MWPSB that must be dealt with.

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Little did Mika know hitting “send” wouldn’t be sealing Akane’s fate, but her own.

Kasei summons her and congratulates her on her report, but also regrets to report that Mika stepped in the wrong shit and was led right into a trap designed to stamp out anyone who digs too deep into Sybil’s secrets. Togane sidles up behind her with a gun and restrains her, and addresses the chief as “Mom”. That’s right: Kasei is Togane’s mom, whose body died, but whose brain became a part of Sybil.

The mother lets the son do what he wants with Mika, which for Sakuya means using her as a guinea pig for the future eventuality of revealing the truth about Sybil to the public. Obviously, this is the absolute last thing a perfect citizen like Mika wants, and while I’ve never sympathized with her more than this week, part of me also thought “Well, that’s what you get for trying to get Akane fired behind her back!”

Had Mika gone to Akane instead of Kasei, she wouldn’t be in this predicament. But instead Mika stayed true to her character and fell victim to resentment and vanity. I haven’t said this before, and I still think she’s a tool, but still: Poor Mika!

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PSYCHO-PASS 2 – 07

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Psycho-Pass 2 follows an uncharacteristically indulgent episode with one that sets aside the guns, drones, explosives, and boats and gets down to the less shouty and visceral but arguably more interesting police work that’s necessary to learn about, find, and catch Kamui Kirito.

After showing us Mika grudgingly cleaning up area stress mess her superior made for her, we delve briefly into Akane’s own mind, where she shoots the breeze with an echo of her mentor Kogami, who reminds her of the basics of detection: being confronted with something impossible either means wrong assumptions…or insanity.

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Both he and Togane bring up the same possibility: the answers are probably closer than they think. I see Akane continues to light cigarettes, but we have yet to see her puff, unlike Shion, who wonders if Saiga is being so calm because he’s found out a way to stop Kamui. But Matsuda said nothing, so he’s got nothing; as long as Sybil continues to deem Inspector Shisui’s psycho-pass as clear, she — and by extension Kamui — can do as they please.

Speaking of psycho-passes…we finally meet a family member of Akanes, her grandma Aoi, whose hospital Akane rushes to when there’s a report of a medical drone malfunction. Aoi is fine, but encourages her as Kogami did in her head earlier, though in a different way. Her granny tells it like it is, and the way it is is that Akane always puts others before herself and understands the value of life; every life — to the point of neglecting or jeopardizing her own.

It makes Akane a tremendous cop, but it wouldn’t normally be the formula for a happy life, or even a clear psycho-pass. But Akane doesn’t  mind living in a crime scene or not having a boyfriend or putting in the work that’s needed.

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Her main frustration in life is probably having to serve under a system as fundamentally corrupt and flawed as Sybil, simply because the alternative is probably worse; the cure is worse than the disease. In this, she’s diametrically opposed to Kamui, who’s willing to do whatever it takes and sacrifice as much life as is needed to bring Sybil down.

Which begs the question: What does Sybil make of all this? Akane confers with “Chief Kasei” to try to divine that. At this point in the case Akane is not in the mood for playing around; she flat out voices her suspicion Sybil is afraid to take action outside of normal operations, lest it reveal their weakness. Sybil is aware Kamui is unique, but because he’s not the kind of ‘unique’ that made, say, Mikishima an excellent candidate to join the Brain Trust.

When Akane tells her there’s no way to bring Kamui in By The Book, Kasei agrees, but she doesn’t want him brought in period. Sybil would prefer if Kamui quietly disappeared, and points out that Akane and Togane had the means to ‘deal with’ Kamui but refrained from doing so. But Akane isn’t killing anyone if she doesn’t have to. She promises Kasei she’ll arrest him lawfully and bring him to proper justice, not the shadowy, loose end-tying justice Kasei intimates.

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Speaking of Togane: As expected, Mika hasn’t shared her knowledge of his intense clandestine surveillance of Akane with anyone, and particularly not Akane, who remains a thorn in her bushy tail. Not that there’s no value in withholding knowledge and until she finds out more, but as she learns Togane was once an enforcer eighteen years ago, and every inspector he touched was declared a latent criminal and executed with Dominators, she may want to say something to someone soon.

Also,  Togane is totally on to her; both her unsettling of his quarters and the spilling of her drink suggests she may be a bit of a klutz.

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I mentioned the presence of nitty-gritty police work in this episode, and there’s plenty to be done. A lot of progress is made in the case, but that progress was unwittingly delayed by, yup, Mika, who simply sat on Hinakawa’s digital report on the pharmacist holo at the scene of Aoyanagi’s death. That holo was another aged-up version of a child who died on a plane crash fifteen years ago.

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Realizing how Hinakawa’s skills can aid in the case, Akane sets him to work aging up the 184 children (of the 201 passengers) who died on that flight. They also learn that the sole survivor of that plane crash was one Kamui Kirito. Boom.

After locating and inviting the doctor who treated Kamui to answer some questions, Akane tells Mika to look into Kamui’s treatment records to corroborate whatever the doc ends up giving them. Naturally, she pawns this work off on Hinakawa, who’s already got an all-nighter ahead of him.

But when Hinakawa hits a confidentiality wall and suggests it could be due to sensitive drug or medical tech patents, Mika recalls the name of one of the leading organizations in that field: the Togane Foundation. Uh-oh.

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The one tasked with talking with Dr. Masuzaki is Professor Saiga, which is, again, a wise choice on Akane’s part, because it affords us an always welcome Epic Old Guy Staredown, but Masuzaki is actually fine with telling Saiga everything, or at least something about Kamui. Heck, the Doc seems almost paternally proud of the kid.

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But just as Akane depends on the talents of Saiga and Hinakawa, Shion and Yayoi, Ginoza and Togane, and yes, even Mika (who’d be relegated making Starbucks runs if were her boss) in order to achieve her goal of bringing Kamui to justice, so too does Kamui rely on others to achieve his goal to bring Sybil down.

That’s made abundantly and shockingly clear, as is the earlier notion that “the answer is closer than we think”, as the aging up of the remaining 185 children reveals that dozens of holo-impostors of people Akane and the others know are already walking among them.

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PSYCHO-PASS 2 – 06

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Kamui is committed to discovering and exploiting every weakness in the Sybil System, and he continues to prove he’s exceedingly good at it, luring a large force of MWPSBers into an elaborate trap, perverting the same holo software used to “sanitize” military drone footage so operators’ Psycho-passes don’t get clouded.

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The facility is also a chance to test out his new convert, Former Inspector Shisui. One major weakness of Sybil is obviously the use of eyes. Granted, few people are able to perform successful eye transplant, if one does, one can control any Dominator as if he was an inspector. And while we saw what torturous ordeals Shisui went through in Kamui’s custody, here she’s actually grateful he took her eye. Among this guy’s many gifts and disciplines, add in psychological manipulation and infectious charisma.

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It’s a another particularly shitty day for MWPSB, who are, after all, nothing but complacent, obedient pawns to Sybil. Even if the drones weren’t hacked and trying to kill them all, MWPSB doesn’t even have enough ammo to destroy them all. Rushing in there was a costly mistake; Division 3 is eviscerated. And we hardly knew thee…

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Back at HQ, the gang isn’t sitting still. Well, they are, but they’re tapping away at computers. Well, Saiga isn’t, but…hey, he’s the over-brains of the counter-hacking operation, planting the idea in Shion’s head that the key to stopping the drones is their own MPS operational servers. Saiga basically helps prevent a crisis from turning into an calamity, and if it wasn’t for Akane, he wouldn’t even be in that building.

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Naturally, Mika is utterly dismayed and appalled by Akane’s actions, most of all putting the safety of lowly enforcers before her own and going after Kamui herself; ushing to the forefront instead of staying back and delegating. It doesn’t help that recent events have had a somewhat clouding effect on Mika’s soul, to the point she mutters that she hopes Akane gets clouded.

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That’s after coming back from Togane’s quarters, where she found that he was taking constant measurements of Akane’s color. Togane can’t help himself when Akane has her back turned to him in the field. He’s astonished by how clear she is, even there, which, as he thinks to himself, makes him want to turn her black that much more. Clearly, Akane needs to watch this guy, but she’s given no indication of being anything other than totally in the dark regarding him. Mika knows something now, but I expect her to keep that knowledge to herself. Why help Akane out, and reward her for breaking the rules constantly?

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Oh, and if you like turn-off-your-brain action, you liked this episode. The running and jumping and shooting and exploding is virtually non-stop, with Akane right in the thick of it; she’s everywhere, kicking ass and taking names. The clever tactics used to bunch the drones together so their guns lock (a measure to avoid hitting one another) is a particularly neat little setpiece, though how Akane and the others survive an ammunition warehouse explosion is uncertain! Really, how are they not dead?

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As it turns out, Mika missed out on all the action, which was probably for the best, as she’d probably only issue orders that would have made the situation worse and cause the deaths of more enforcers and civilians. It’s also nice that Shion, Yayoi, Hinakawa and Saiga pay her no mind while switching off the holo overlays. Yes, it clouds a great many minds, but it also saves their lives. The righteous Mika has the usual arguments about how This Is Not How Things Are Done (clearly unfazed by the Chief’s shutdown last week), and Saiga tells her what we all want tell her: “Quit yer damn whining!” Some problems, he says, simply can’t be solved (or even understood, I’ll add) by doing things by the book.

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Kamui is one of those things. He’s a ghost to Sybil’s technology, and he’s also a cunning creature who’s been able to turn it around on itself almost every time. Now he has at least five Dominators, and the ability to use them all at any time. For her confrontation, Akane brings a real gun, but suddenly remembering Kogami, she can’t fire it, nor does she allow Togane to. Kamui gets away very slowly on his boat (named What Color, LOL), but the standoff ends with Akane still a Dominator in the clear, which she needs to continue to be if she’s going to stop Kamui.

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PSYCHO-PASS 2 – 05

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Man oh man, when Psycho-Pass is on, it is frikkin’ ON. This was one of those times. It had it all: turned inspectors, sketchy enforcers, brain-picking, inspector head-patting, attempted inter-office political wrangling, failed freaking tattling, and one more big MWPSB operation…which is exactly what Kamui wanted bearing down on his ostensible location on an isolated island used for military drone development and training. What could possibly go wrong?

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We start off where we left it last week: the site of a major MWPSB fuck-up and defeat. The gory scene — not to mention the way it went down, by MWPSB hands — is understandably a bit much for Mika, who retches and vomits into a sink, clearly scarred by the experience. Even so, her location near the bathroom turns out to be fortuitous, as she spots Togane pointing his Dominator at Akane. The reading? A puny, blindingly-clear 26. As Professor Saiga remarks quite hilariously while Akane is visiting to convince him to interrogate Masuda, Is Akane really human? I hope she turns out to be, because that’s what makes her so damn awesome.

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Okay, I feel a little bad for Mika, and the scene where Kunizuka tenderly pats her head (and said patting is covered by Multiple Camera Angles!) is pretty damned cutebut Mika is still The Worst until she inevitably proves herself otherwise at a later date.

As Professor Saiga remarks quite hilariously while Akane is visiting to convince him to interrogate Masuda, Is Akane really human? I hope she turns out to be, because that’s what makes her so damn awesome.

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Speaking of non-humans, Mika runs to mommy to tattle on Akane being so darned unorthodox. Standing at attention, Mika lays out a carefully-considered, comprehensive argument for why she believes Akane may require “treatment” or at least closer observation and a tighter leash…only to be totally shot down by Chief Kasei, who is very unimpressed and all like “Uh…And?”

What I hoped she’d say was, “Girl, you best GTFO and stop wasting my time before I throw a shoe at your scrawny ass.” Mika scurries away, and Kasei determines she’ll get “eaten alive.” It was just a flawless shutdown, in every way. I’m so glad Kasei is still around, and simultaneously on and most definitely not on Akane’s side.

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While poring over Masuda’s speeches with Shion, it doesn’t take a genius (not being sarcastic) like Saiga long to realize Masuda ain’t Masuda no more. He knows because the latest speeches don’t match the accomplished politician’s earlier balance and finesse with words, volume, and modulation. It’s as if he’s been replaced by a very good but still clear impostor.

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This Impostor gave the MWPSB the location of Kamui without anyone, even Akane, realizing he was a messenger to get them to come to the very place and time Kamui wanted them to be: the experimental drone testing facility. Here, Kamui unleashes his most brutally insidious weapon yet: hooking the deathbots up to everyone’s favorite new cell phone game. They play the crude 3D game with 8-bit sound effects with relish and glee, totally unaware they’re murdering real people.

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In last month’s Rundown I said Kamui may not be as brilliant as Makishima, but I think I need to revise that statement right now: Makishima’s crimes (or rather, his criminal facilitating) had a fairly linear structure, but Kamui’s got his tentacles in so many things at once, MWPSB doesn’t just look stupid or ineffectual, they look extremely vulnerable. Kasei is keeping Akane on the job and giving her a long leash because she and her brilliant, bizarre mind may be the MWPSB’s only hope of surviving. Sybil isn’t quite that vulnerable yet…but Kamui is just warming up.

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We close with certified non-genius Mika, who has, by way of rejecting her by-the-book upright citizen and intruding of Enforcer Togane’s private quarters, actually stumbled on something quite disturbing: Togane seems to be interested in Akane…very interested. While Saiga joked about her not being human, Togane my suspect she isn’t. Heck, he could think any number of things. He could even be…a Kamui mole. All I know is, the wall are closing in on Akane, Mika, everyone who wants to be on the right side of morality, as Kamui aims to bring the system they’re protecting to justice by the most deliciously dastardly means possible!

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PSYCHO-PASS 2 – 04

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“Look, we can do this the east way, or the adorable way.”

This episode didn’t just disrobe a mental health facility’s patrons of their clothes. It laid bare just how appalingly ill-informed, ill-equipped and ill-prepared the MWPSB is to do battle with this season’s Big Bad, Kamui.

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“Empirical data suggests the accuracy of my earlier contention that your weapons against me are without merit!”

Makishima Shougo facilitated latent criminals with the materials they needed to “thrive” so they could show him something; treating it almost like art. Kamui, on the other hand, is all cold, calculating science. He’s not necessarily interested in making a big loud fuss; rather, he’s content to stay on the sidelines as he uses citizens, enforcers, and inspectors as guinea pigs, with a particular focus on the possibilities of Dominators.

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Most. Worthless. Inspector. EVER.

“Ghost” is such a fitting term for him, because that’s what he remains in the minds of most MWPSB personnel, even after this week’s shocking events. He’s still treated like an apparition cooked up by a bunch of crazy people. Mika is so sure Kamui is just nonsense, and Eustress Deficiency is just an urban legend, that she simply stands outside the site of a hostage situation that escalates in horrific massacre. She literally does absolutely nothing in this episode, except jaw at Akane, stand around looking stupid, and worry about getting in trouble.

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Wonderful stuff, Metamucil!

Of course, that’s the way Kamui wants it. It’s as if he’s observing a group of rare animals that don’t fear man or even acknowledge his presence or existence. Their actions and protocols are utterly predictable, and he can work within and around them as conditions warrent with little or no fear of detection or reprisal.

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DIV 3 in the hizzouse

Just to underline just how bad things are, of the only two “good guys” (we use that term in a relative sense) who entertain the fact that Kamui even exists, one is a latent criminal locked in an isolation facility no one will talk to for fear of hue contamination. The other is the only person who will talk to him. And even Akane neatly fits into a part of Kamui’s plan, in that her sprawling investigation of his actitivies takes up most of her time this week, sidelining her from the central crisis.

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And then there’s Inspector Aoyanagi. I was pretty sure her nice chat with Ginoza was either a sign she’d soon turn into a latent criminal like him, or simple a death flag. Turns out it was both. It’s a shame we had so little time with her before she went, but she at least tries to go upholding her duty to protect the innocent. The only problem is, she fails to protect anyone, as they’re all ruled as targets for lethal elimination as soon as they’re released from captivity.

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That crazy old man went and made a latent criminality bomb out of people who were “fine” earlier that day, then manipulated the MWPSB into executing their own inspector as well as all of the hostages. And he did it all gladly, grateful as he was for Kamui “saving him” from a catatonic existence caused by eustress deficiency.

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It’s just a terrible, horrible, no good, very bad day for the MWPSB. What’s worse, just as Mika excuses her criminal inaction with “I wasn’t given instructions”, Division 3 are “just obeying orders.” They’re just cogs in the machine. But so were those random people buying drugs to regulate their mental state. Oh, but the MWPSB now has an “Assault Dominator” that can kill through walls! That just screams “bad idea.”

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Who knows, Akane…who knows?

Division 3, whom I don’t believe we hadn’t seen before, were sent to take over the case on Chief Kasei’s strict orders. When Akane arrives at the scene, it’s far too late to help anyone, and she’s just as sickened as I am by the spectacle before her. Worse still, she of all people knows this was another sweeping-under-the-rug job by Kasei. When faced with such situations, Sybil breaks its own rules with impunity, but the cache it’s amassed from perceived infallibility means nobody takes notice.

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Something like a dozen people died this week as a result of Kamui’s experiments, but this is far from over. Akane needs to find this creep soon, or a lot more are going to die in what he probably deems to be “the service of the greater good”, freeing humanity from the shackles of Sybil and its MWPSB minions. I’d also like to think this was a wake-up call for someone like Mika…but I’m not going to hold my breath!

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PSYCHO-PASS 2 – 03

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Not your ideal Friday.

I got into Psycho-Pass so recently, I ended up waiting negative-one week for the sequel a good chunk of its audience had been waiting over two years for. As a result, I didn’t have the same yearning or withdrawal, and so wasn’t as easy on the first two episodes, which while heady and intriguing, didn’t seem to quite match the power of the first season. If I’d had a longer break from the franchise, I can say with certainty those would have probably gotten 9s. That’s how arbitrary our rating system is!

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Well, I can say with great pleasure that Psycho-Pass is officially back, baby…as if it had ever left (it hadn’t).  It gives someone like me who just got done watching the first season a couple weeks ago the impression that it’s back by leaning on all the knowledge I’ve amassed thus far. Frankly, I feel that someone watching this show without having that knowledge is still watching a pretty damn good show, but only a fraction as good if you knew what’s come before.

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Shashiing.

Those first two shots above are from a cold open that quickly and efficiently sketches out a little more about what kind of feller this Kamui is. For one thing, like previous Psycho-Pass baddies, he’s possessed of a very specific and detailed depravity, which is indeed depraved, even by the standards of our “unSybilized” world. Removing Inspector Shiui’s eye, then using it to aim her own Dominator at herself…that’s some twisted shit right there. And yet…somehow, he manages to clear her hue just by talking to her (and letting her bite his finger really hard…yuck!).

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OMG, academics, like, totally REEK, ‘n stuff! Ew. Ew.

The body horror isn’t the only thing that this episode brought back from the good ol’ days…this week Akane pays a visit to Professor Saiga Motherfucking Jouji, one of the coolest SOBs of the previous season. Having turned himself in for helping Kogami, he’s traded the verdant tranquility of his Fallingwater knockoff for a comparatively stark isolation cell. Shimotsuki Mika, who comes along because she’s curious what Akane’s up to now, perfectly sums up her character by covering her mouth and scurrying off at the first sight of the professor. It’s as if she’s allergic to the knowledge and wisdom of yore!

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Akane is not. I believe Mika’s scan of her in her messy flat read something like “38”, a ridiculously low Psychopass for someone who’s been through as much as Akane. She’s stuck between the possibility she’s gone insane and wrote “WC?” on her own wall (possibly while high on second-hand smoke) or the possibility a “ghost” invisible to technology did it without leaving a trace. Saiga can assure her of one thing: regardless of whether Kamui exists, the means to clear hues and write messages on walls without detection most certainly do, which means the answers are out there.

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Like Father…well, you know the rest of that.

Psycho-Pass Classic™ Move #3? Quality time Enforcer Ginoza, whom has fantastic chemistry with Div 2’s Inspector Aoyanagi. Just like his old man, now he has a bionic arm and drinks really old brown liquor in his U-neck and just generally seems to be in a better place. He was always so on-edge and anxious; covering his face like Mika did, too scared of clouding his hue to really live. Could it be he changed for the better? There’s certainly much less of a weight on his shoulders, that much is clear. Aoyanagi almost looks envious of his plight.

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The hits keep coming: Akane visits Chief Kasei to ask permission to investigate the Kamui Case. Now, you and I both know (or you better damn well i if you’re reading this) that Kasei is a freaking full-body cyborg and a direct liason to Sybil. Mika doesn’t have a fucking clue what’s going on between Kasei and Akane in this scene, but we do. That feeling of being in the know is quite…invigorating. While Ginoza was always cowed by Kasei (because like Mika, he just didn’t know the truth), Akane is almost not asking, but telling “her” that she’s taking this case. Kasei has no reason to stop her, because Kamui could be a grave threat to Sybil.

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Togame: Highest coefficient EVER. Gonna keep an eye on that (Sorry, Shisui!).

Mika dismisses the wide berth as favoritism. Mika is…kinda dumb so far. But she’s a perfect product of the system, as Akane once was. Also, we have the luxury of knowing Akane’s absolutely fuckin-A-right about Kamui really existing, even if he’s spoken of by Norma latent criminals as if he were some kind of prophet or savior. That Kamui managed to kill an enforcer, kidnap an Inspector, keep her Dominator active, and steal the impact absorber from a bomb-defusing drone…to what end God only knows.

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Meanwhile, Aoyanagi get’s a call from Shisui and agrees to meet her at some kind of combination pharmacy and internet cafe, where an old man is being crotchety and starts assaulting an employee. Yet the geezer’s clear Psychopass locks her Dominator, and starts to whale on her. Like Kamui, he wants to “save” everyone from Sybil, presumably starting with those who most directly carry out her will: the MWPSB.

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