Edogawa Jou and Arahabaki execute a plan to summon Kuzuryuu to further her plans for world conquest. Tamamo-no-Mae uses Kagami’s natural counter to defeat her, a barrier is cast upon the island, locking out Tsurugi and her brother, and Jou drugs Tama and “eats” her. Tamamo-no-Mae appears before Tama as a golem, and through Tama implores Sasami to save innocent lives by swearing to become Arahabaki’s priestess and earthly liason in the new world they’ll create.
Sasami is only stalling for time, as she has placed her entire house within Tama and is therefore within the island’s barrier. Kagami reveals she hid herself within Tamamo’s golem. She defeats her and undoes the damage done to the island, and Sasami and her house materialize. Tsurugi’s brother stops by to defeat Kuzuryuu as he tries to escape, and Jou and Sasami are thrown into the sea. They wash up on the shore and Sasami declares them friends, at least until the day Jou kills her.
At long last, here is our review for the final Winter finale, for a series that we’ve had trouble at times following along with due to all of the references to Japanese mythology, overt or otherwise, but this was a great episode that accomplished a lot more than we expected it to. It went in the not unpredictable direction of making Edogawa Jou a legitimate threat, while maintaining her new-found humanity, and therefore, our connection with her, right till the end. As opposed to being a random, one-dimensional evil threat, she is redeemed…mostly.
In one of her best moments, she confesses to Sasami she was a little scared of succeeding, because conquering the world would make her alone and unable to live as a normal human. Sasami’s desire to simply exist in the world she was born in, without any desire to lord over it, or any obligation to protect it; her desire to sleep in all day and goof off on the internet; her desire to make friends and share experiences – this desire is contagious. Her influence brought the Yagami sisters “down to earth”, so to speak, and it works for her would-be nemesis, too.
Rating: 9 (Superior)
- We liked how the scene in which Tamamo-no-Mae corners Tama as a Golem was done in a 16-bit JRPG style. She was a boss, after all.
- We weren’t sure who Tsurugi’s bro was supposed to be…but we probably would if we knew our Japanese gods and goddesses. In any case, his homing death beam is a nice piece of kit.
- Two aesthetic choices reminded us of Evangelion: first is Edogawa’s arm puffing up and then popping off; second is the scene where she and Sasami wash up on the shore, much like Shinji and Asuka in that famous final shot of EoE.
- A very nice touch with the ED: after a whole season of chatting, goofing-off and tone-deafness, the song is finally sung properly and in full. It’s actually quite a pretty song, and it was great to finally hear the whole thing! You can listen here.
Sasami plays a DVD in Kamiomi’s room entitled “The Sasami Watch Project”, in which he and the Yagami sisters tail Sasami around town as she runs assigned errands meant to embarrass her. The Sasami watching doesn’t remember. When Sasami in the DVD ends up at a VA show, all the attendees reveal they’re of the Tsukuyomi clan, including Sasami’s father, who removes the sarcoma that gave her a third arm. Tsurugi and Kagami intervene, defeating him. The watcher of the DVD turns out to be the Sarcoma in Sasami’s form. Tsurugi made the DVD to appraise her of the situation. Tsurugi hides it sarcoma in the body of Kagami’s pet rabbit, Meat, for safekeeping.
We find ourselves becoming very engrossed with this freewheeling, eclectic, downright loopy carousel of happenings that is Sasami-san@Ganbaranai. It presents a dizzying array of information at a very brisk pace, but manages to bring it all together at the end. It also makes brief synapses tricky. But the whole idea of having Sasami snoop on her brothers stuff – learning he and the sisters documenting her just as she documented her – only for her not to be Sasami at all, is quite a twist, and one that makes perfect sense once you go over everything that had happened. The video is clever in that it’s a prank, a piece of voyeurism, and a record of past events all wrapped into one. It was fun watching “Sasami” (really the Sarcoma) watch and get more confused.
Also, despite more than half of this episode taking place within a previously-filmed video, we’re constantly diving into it, with the narrators Tsurugi and Kamiomi providing punchy commentary and criticism towards Kagami, who just barely manages to get the job done despite much dicking about and getting sleepy. If there’s a weak link to the episode, it’s Tama’s part of the story, in which she’s captured by aliens but eventually befriends them, helping them defeat government agents. It was fun and nutty and all, but pretty darned random and so irrelevant as to be a distraction to the A-story. Fortunately, the episode cut to Tama sparingly, while the much funnier Kagami had a wealth of lines steeped in dry, ascerbic wit.
Rating: 8 (Great)
Sasami types about her family, the Tsukuyomi clan, descended from the first human to have the power of Amaterasu. She was given intense training at a remote shrine to become the latest vessel for her powers, but she got sick of it and left with her brother. When a third arm comes out of her chest as she’s typing, it represents a part of her personality that was repressed as part of her training – a sense of desire. It tells her her brother has returned to the shrine. Sasami follows him, accompanied by the Yagami sisters, who destroy the shrine. Tsusugi reveals she is actually Amaterasu, and she and her “sisters” came into being because of Sasami’s wish. With that, Sasami learns she, not her brother, had Amaterasu’s power all along.
This episode finally provides some concrete context for what the hell has been going on in the first two. It contains a lot of exposition and backstory and revealed identities, but still contains just as much excitement and action as its predecessors. A ton of revelations are dished out, not the least of which is Tsurugi’s true identity as Amaterasu incarnate, and her sisters aren’t really sisters, but gods she created from parts of herself she tore off. Tsurugi, Kagami, and Tama are here because of Sasami. She desired a normal life free of the responsibilities of being a vessel Amaterasu’s powers, and they coalesced to protect that life.
Her brother was a MacGuffin all along, having no divinity at all. Instead, he remains her steadfast, loyal, obedient, loving brother, whose duty is to protect her from sadness and harm. Even knowing he has no divine powers, Sasami seems to give herself a kick in the pants and march outside to make her brother’s efforts worthwhile. It turns out a curse made her a hikikomori, so now she can go outside with ease. But how far will she “try at life” before she finds herself with responsibilities and duties once again? If that happens, the Yagami sisters will be there to stamp it out, preserving Sasami’s god-given right to be as lazy and useless as she cares to be.
Rating: 8 (Great)
Tsukuyomi Sasami (Asuma Kana) is a demanding hikikomori (shut-in) who has her faceless older brother Kamiomi do everything for her. When he goes to school, she uses the Oni-chan Kanshi (Brother Surveillance) System to keep tabs on him as he interacts with the three Yagami sisters – Tsurugi (Chiwa Saito), Kagami (Hanazawa Kana), and Tama (Nonaka Ai). When Sasami accidentally turns the world into chocolate, the three of them have to fight the chocolate and return the world to normal.
“Sasami@Unmotivated” is exceedingly bizarre and quirky, but also a heckuva lot of fun to watch, and beautifully rendered, with extensive use of watercolor washes for backgrounds and textures. We were reminded quite a bit of Arakawa Under the Bridge, and not just because Sasami’s brother is voiced by Whitey. Both revel in the absurd, whether it’s a shut-in girl being waited on hand and foot by her brother, or that he is absolutely devoted and obsessed with her, almost to a fault, or that the Sasami has a “brother surveillance system”, or the simple fact that the brother never, ever shows his faaaace. Perhaps most interesting: Sasami may have to stay inside to avoid altering the world.
And that’s only part of the nuttiness. For some reason, all the discussion of Valentine’s Day chocolates suddenly has the world itself turning to chocolate, much to Sasami’s dismay. And after Sasami hangs out with the colorful and eccentric Yagami sisters one by one (although really, everyone’s pretty equally eccentric here), they whip out superpowers and save the world by encasing Sasami in chocolate, which makes her brother ecstatic. Yup, it almost wouldn’t be a proper Shinbou joint without the complicated brother-sister relationship. Like we said, this looked great, sounded great, and moved at a good clip. We’ll see if this quality – and lunacy – can be sustained.
Rating: 7 (Very Good)