Cross Ange: Tenshi to Ryuu no Rondo – 12

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I believe for the first time on Cross Ange, we get an Ominous Bigwig Conference, held in a pleasant holo-environment. which shows that Julio, whose name Misurugi is now synonymous with ‘criminal’, is very far down on the food chain. In fact, all the various leaders seem to defer to the apparently brilliant mind of one Embryo, a bishounen and dandy who proposes three options for humanity: surrender to DRAGON (unthinkable); wipe out DRAGON (impossible)…or scrap the world as it currently is and start over.

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Tusk bugged this meeting, and relays their decision to Jill. She reorganizes the surviving mail pilots into new troops, putting a released Hilda in charge and throwing Salia in the brig for insubordination. She wants the girls on full battle alert; but she’s not so much concerned with more DRAGON attacks as imminent action by her superiors, in service of the ‘world-rebuilding’ decision that was made.

Before Ange jumps to and mans her bird, Ange wants answers, and Jill promised to give them. Jill insists they talk in the bath, since the revealing of secrets requires ‘total exposure.’ Call it ‘Q&A with T&A’.

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Jill starts at the almost folktale-sounding beginning, in which a ‘god’ (Embryo) found a way to end war and suffering by engineering the ability to use mana in humans. When non-mana infant girls were born, the myth that these girls were dangerous society-rejecting monsters was propagated, in order to give the rest of humanity a common group to hate and discriminate against. But along with Norma girls, there was a faction of ‘old-fashioned’ humans who rejected mana (Tusk’s fam), and they joined forces in a rebellion.

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The rebellion continues to this day, mostly quietly (though Tusk’s Ange-rescuing stunt was pretty high profile). But back then storming the palace netted them a ragnamail, prototype to paramail. That mail was Villkiss, but no one could pilot it until a Norma of royal blood appeared: Princess Elektra Maria von [German name]. But even she ended up failing; losing her right arm and her ring.

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— “AAAAUGH!” — “AAAUUUUUGH!”

Ange mentions this is all well and good though she’s not ready to join “Libertus” movement yet, if ever, because she kinda likes her life. She also thanks Jill, whom she now knows was once a princess like her, for showing her what a stuck-up spoiled brat she was. Of course, Ange is still a brat, but whatever.

She also asks: What about the DRAGONs? On queue, Vivian wakes up and her hammock snaps under her weight. She lumbers about the barracks, wondering why she feels so big and bulky (we initially only see her POV, not her body). Then Vivi catches a glimpse of herself in the mirror: She’s a DRAGON. How very Kafkaesque. When Emma and the bridge staff see her, they scream… but she screams too. It’s good to have a sense of humor about such things.

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The trio of Hilda, Roselie and Chris…back in the same frame together, if not back in bed

DRAGON-Vivi escapes to the sky, and hums Ange’s song until Ange sings back; the song transforms Vivi back into human form, where she’s sedated and taken away by Maggie, who I’m sure already knew about this, having been the former Arzenal commander. But Ange connects the dots, then runs to the giant pit of DRAGON corpses Jasmine is about to set ablaze.

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Ange’s comrades accompany her to the burning pile, in which they find human bodies amongst the DRAGON. So yeah, DRAGONs are people too, man…including the DRAGON Ange savagely beat to death, and all the others she’s wasted in the air. Suddenly Ange’s contentment with her life of killing DRAGONS and making money isn’t so easy. Furthermore, ex-brother Julio (wearing a scar from Ange’s attack) is coming for her…for all of them.

There were times this felt like a long chore of an infodump, but in the end I don’t think I absorbed too many answers, but rather just enough to pique my interest for the second half of the show. More questions obviously remain. And the little Vivian reveal / action piece was as adorable as it was significant to the plot. Ange thought she could live a simpler life in Arzenal, but she’s still a princess with a right arm and a ring. In this world, that means something.

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Pupa – 03

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We take another three-minute journey into the dark and twisted world of the Hasegawa siblings. We’ll assume the begining, in which Utsutsu’s head is chomped off by Yume, is followed either by a flashback or a dream of Yume’s, in which Utsutsu vows to protect her, letting her feast off his flesh in a dirty public bathroom so she won’t have to attack others. Now that’s brotherly love!

Whatever time it takes place in, it’s a suitably bleak and disturbing little scene that’s more than a little suggestive in its lead-in, what with all the proximity and panting. Kirino may have had her unpleasant moods, but Kyousuke certainly never had to worry about her taking bites out of him.


Rating: 6 (Good)

 

Pupa – 02

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Time for our weekly check-in on Utsutsu and Yume, and there’s even time for a little backstory, which is about what you’d expect to be these poor kids’ history: both they and their mother were beaten mercilessly by their scum of a father, and after their parents divorced their mother lost interest in parenting altogether and abandoned them.

So yeah, not exactly childhoods full of love, and yet they still love each other, and neither of them is a bloodthirsty demon, right? Until now, that is. Some “researcher” named Maria shows up to tell Utsutsu that his voice won’t reach hers, but then he finds Yume in the woods chomping on some random bit of person and they can understand each other perfectly.

Unfortunately for Utsutsu, her little sister’s actions are now being driven by animal instinct, so when she tells him ‘she wants more’, she means more meat, now, and Utsutsu gets a gaping neck wound as he’s the closest meat around. That can’t be good! We’re still not quite sure what to make of these comically short series, but it definitely has a macabre, Kafkaesque allure about it.


Rating: 5 (Average)