Everyone wants to have a goal, or at least have a goal dropped into their laps, but the conditions encountered while attempting to achieve it can often serve to muddle or change that goal. Take the “New Gaz Empire”, a ragtag band the likes of which Chaika and the Acuras have not yet encountered on their travels. They want to restore the empire they were once a part of, but in the meantime they’re living as thieves and con artists to get by.
As soon as their way is barred, Tooru saw that they were trouble, as did we, but they turned out to be far less trouble than we thought, as their attempts to double-cross the Acura siblings fails spectacularly. Still, had naive Ol’ Chaika been alone she would have been robbed blind and possibly worse, demonstrating yet again that she’s lucky to have the others backing her up, not to mention leaving us curious how she managed to survive up to the point she met the Acuras.
For what it’s worth, I like the idea of the New Gaz Empire, and not just because they have an awesome name, but because they’re such a realistic example of how the best laid plans go awry, that noble intentions can be corrupted by the realization that ‘Hey, we’ve got numbers and weapons and mobility; let’s go to town!’ Through their complex encounter, Chaika & Co. show them that it’s not a path they can continue on forever; they need to get back on the high road.
For one thing, the thieves are easily defeated when they threaten Tooru and Akari, and they’re lucky the siblings are the forgiving type who stay their blades. Their own “Princess Chaika”, AKA Julia (with
Horie Yui Sadohara Kaori at the mic), also jumps right into a trap and incarcerated after tricking Chaika into staying the night so they can rob her. Despite being wronged, Chaika doesn’t hesitate in the least in ordering the Acuras to rescue her, even contributing a crucial assist with her silencing magic.
In this, Chaika’s behavior seems less like naivete and more like kindness, decency, and forgiveness, all qualities that can be as powerful as hammers and swords in the right situation. Those qualities may have convinced the New Gaz Empire to realign their goals. As such, Chaika isn’t just an inert variable passing through the countryside in blind pursuit of her own goal; she’s enacting tangible change, one ragtag band at a time. Note that this is supposedly the mission of Alberic’s squad, though all they’ve done is chase Chaika around.
- The scenes with Gillette & Co. seemed even more pointless than usual. All they established was that Alberic isn’t going to give up on pursuing Chaika (I already knew that), and that Vivi likes him (I really don’t care).
- Akari’s super-happy, friendly act in the back of the wagon had me wondering if it was Frederica in disguise again.
- Tooru, Akari, Chaika and Frederica show that they could made a legitimately good travelling performance troupe. Now they just need to do a J-pop video, Kyoukai-style. Yes, I would watch that.
- I understand the practical (and comedic) reasons for having the siblings quickly beat up all the thieves off-camera, but I still felt a bit cheated by the lack of on-screen action.