How Heavy are the Dumbbells You Lift? – 07 – Meat on the Brain

With the gym closed, the girls decide to take Gina out for a welcome party. Hibiki recommends her brother’s yakiniku (BBQ) restaurant where she works part time. As they chow down, Machio and Satomi hover between them and us, explaining that while beef is a good source of protein for bodybuilders, the cut of meat and even its source determines how much you should eat.

When there’s a slowdown in work, Hibiki takes a load off and tucks into a multi-thousand-calorie meal. Gina believes this is Hibiki’s secret to, among other things, beating her at arm-wrestling: the same ability to consume huge amounts of muscle-building protein as a pro wrestler, only she enjoys doing so! Of course, it’s just Hibiki’s “cheat day,” but she won’t be able to slack off on the other days.

When the others ask why Hibiki has to work five days a week in addition to school and the gym, she says it’s to pay her monthly membership fees and for all the food she eats. Akemi informs her that thanks to her older sister, chairman of the board of their school, gym fees and other training-related expenses are covered by the school! That said, Hibiki still needs to pay for her own food.

While sitting in class and half-paying attention, Gina notices that Satomi has a beauty mark beneath her eye that she’s sure she’s seen before. Sure enough, a quick check of her phone confirms that Satomi is “Yulia Riko”, cosplay sensation. When she tells Satomi that she knows, Satomi assumes Gina wants something in exchange for her silence, as, in Gina’s words, she’s “suspicious of altruism.”

So Gina comes up with a worthy payment: she gets to spend the day with Satomi/Yulia, including a one-on-one photoshoot and sightseeing tour. When Satomi complains of soreness after a nice workout, Gina introduces her to the concept of active rest, which actually helps you recover from fatigue faster than the passive kind (i.e. sitting on your bum and swilling beer). It’s all about aiding circulation of blood (and thus oxygen) throughout the body.

Their active rest for the day takes the form of a brisk but comfortable jog that isn’t overdoing it and enables them to carry on a conversation, all the way to Akihabara. When Satomi hilariously asks the tourist if she’s going there to buy electronics, Gina responds that due to her love of all things Japanese (and a few things that aren’t like Hong Kong and yoga), she’s determined to become an idol…and she’s taking Satomi and her new friends along for the ride.

The public idol audition they end up competing in is judged by a director voiced by Yoshino Hiroyuki (nice cameo!) who is tired of normal-looking girls with a normal level of talent performing normally. That is, until the bikini-clad “Muscle Girls” arrive on stage, riding on the shoulders their burlier fellow gym members. All of a sudden, things are a bit too abnormal for the director…with emphasis on the ab!

Rather than sing, Gina and Ayaka deliver an impressive sparring demonstration, while Hibiki does bench presses with Akemi spotting. Their final act is Satomi, hiding her face behind a kendo mask, performing a perfect deadlift, the toughest and riskiest of the three major barbell exercises.

Despite enthusiastic applause by the crowd, they fail to make the cut…partially because they didn’t sing anything, but also because they were just way too weird. Normal, the director concludes, is fine after all. Too bad; I would have loved to see these guys on tour!

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Sousei no Onmyouji – 13

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Yes, this show is still around, and yes, I’m still watching! Who would have thought that Benio not only had an evil overpowered brother who needs to be defeated down the road sometime, but also both their parents were killed by an overpowered Kegare that’s the equivalent of an Arrancar in Bleach: a kegare with human (or humanoid) form. This girl just has the worst luck.

But hey, someone’s looking out for her, and that someone is Rokuro. After getting the lay of the land, he peaces out of Magano with Benio at his earliest convenience, since Benio is in no condition to fight.

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He uses a med-talisman on her, and she wants to head right back in there, but he tells her to eat first and cheer up, assuring her that her late parents would much rather she kept living than die trying to avenge them.

As he goes in to get a better idea of who they’re up against in Kamui, Benio actually listens to Roku and eats his stone-cold oyakodon, which actually isn’t that good at all, but Benio still scarfs it down. As she does, she really does cheer up, remembering all the positive reinforcement and support Rokuro has offered her over their time together.

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Back in Magano, Rokuro learns that Kamui is primarily concerned with being “entertained”, and with his demon gauntlet thingy, Rokuro seems able to provide the absolute minimum quantity of entertainment for Kamui to reconsider killing him quickly. Roku has potential, after all, and anyone or anything that can land a blow on Kamui is someone he isn’t in a hurry to kill. That would be boring!

Of course, it isn’t long before Kamui turns up the difficulty level a tick, and Rokuro is shot back and bloodied with ease. That’s when a reinvigorated Benio returns (albeit hopping on one leg) to relieve him.

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Benio certainly has a head full of steam, but it’s been abundantly clear for a while now that neither she nor Rokuro can accomplish much on their own; they have to combine their power in order to make progress.

And progress that make, as Rokuro catches Benio from out of the air, the two combine their spiritual energy (or whatever), her sword gets bigger and meaner, and they deliver an epically crushing blow to Kamui.

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Kamui survives, but a limb lighter, and decides he’ll withdraw for now and wait for these two to become stronger, or, if they produce a Miko, send him or her to face him. It doesn’t really matter, as long as he’s entertained.

I actually like the guy’s philosophy; it’s at least more interesting that just a mindless killing machine. Guy’s got a code, and he’s got priorities. He even remembered Benio’s ‘rents, and how they were one of his only victims who actually sacrificed themselves for someone else, namely their daughter.

Turns out the encounter between Rokruo+Benio and Kamui was all but set up by Arima, to further bring the two together, and you can hardly argue that it worked like a charm.

Benio wakes up in bed with Rokuro, in the lovenest Arima prepared for them, no more willing to follow through with the plans Arima made for them than before, but still no less grateful for Rokuro’s support. Her parents told her being scared is okay, because they’re not alone. And she’s not alone here.

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Sousei no Onmyouji – 12

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Rokuro and Benio’s relatively placid domestic life continues this week, with Rokuro working hard to control his gauntlet in the cellar while Benio prepares dinner.

Only “dinner” turns out to be your classic steaming purple witch’s brew, which all bad cooks throughout anime are able to replicate exactly. It would be one thing if that was the only point of the joke – but Rokuro goes too far in asking “what kind of family” Benio had that led to her thinking ohagi and curry, and Rokuro apologizes.

He’s also grateful Benio made him some goop, even if he can barely choke it down. He decides the only way they’re going to be able to live together is if they rotate cooking duties, and he believes he’s the better cook, and aims to prove it.

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Seems like a pretty tame episode, right? Well, I thought so too at first, but as soon as Benio went out running on her own, I almost immediately assumed a kegare would appear; one powerful enough that she couldn’t take it on alone, and requiring Rokuro to step out of the kitchen and let his culinary masterpiece go cold in order to rescue her, yet again proving that neither she nor he do well taking on foes by themselves, but fare far better when working as a single unit.

And that’s exactly what happens. But you know what? I’ve never had a problem with this show’s derivative-ness or predictability, because as I’ve stated in previous reviews, I like the slow but steady growth of Rokuro and Benio as twin protagonists of equal stature that I’ve come to be emotionally invested in. That, and the aesthetic, and the awesome soundtrack.

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Before Benio runs into the Kegare-of-the-Week, while on her run the talk of proper dinner and family sticks in her head, and she recalls the day six years ago when she watched her parents fighting and purifying Kegare, a duo like her and Rokuro, only with the same masks and twin swords. We also learn where she gets her love of ohagi from (her Dad).

Unfortunately, that’s also the day her parents were killed, by a Kegare that could talk, and offered her the grim choice of which parent he’d spare from death. Obviously, she couldn’t choose in the ten seconds he gave her, and he crushed them both.

And whaddaya know, that smart Kegare, known as Kamui, just happens to be the Kegare who crosses Benio’s path here. Not only that, he’s specifically searching for the Twin Star Exorcists. That’s a lot of coincidences!

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But whatever, Rokuro and Benio were only brought together because of a prophecy, and because the head honcho believes they’re fated to be together and conceive the Miko. By fighting Kamui alone to get revenge for her parents, Benio is going against that prophecy, as well as getting into the very same situation as six years ago: with Kamui giving her ten seconds to choose—only this time, it’s how he’ll kill her.

Naturally Benio isn’t going anywhere, but she can’t do anything here, so it’s up to Rokuro, who delivers a furious punch that blasts Kamui away long enough for him to cheer Benio up and tell her everything will be okay. They’re going home; she’s getting patched up; and then he’ll wow her with his gastronomic excellence.

But, of course, that one punch doesn’t keep Kamui down long. If anything, he’s only lightly annoyed a human was able to do such a thing to him. The fight isn’t over, but with Benio in such bad shape, how on earth is Rokuro going to be able to deal with him alone? More importantly, that oyakodon has to be stone-cold by now, right?

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