Meikyuu Black Company – 01 (First Impressions) – Report, Remind, Review

What am I doing, reviewing a show better suited for either Preston (fantasy) or Zane (comedy)? Because I have the fewest shows so far. See, I’m not like Ninomiya Kinji, who cares nothing for the equal distribution of labor. If he can stand at the top of a mountain and profit off everyone toiling below, by golly he’s going to put all of his energy into that venture.

This is to say, Kinji is a jerk. A BIG jerk. Like, it would be tiresome being around him. He doesn’t care; in his world he’s an “Ultra-Pro NEET” who made all his money by age 26 and is now dedicating the rest of his life to kickin’ back. I can’t say I blame him, nor that I can’t relate…but it does not mean I like the guy.

Of course, we’re not supposed to like him; he’s the most transparent of antiheroes, always making the wrong choices out of his own self-interest, only to immediately pay the price. There’s definitely a Wile E. Coyote aura about him, only his Road Runner is to live in this new world like he lived in the old one.

About this new world: it’s a rare-ish modern (rather than medieval / renaissance) fantasy setting, where adventuring has been replaced by corporate culture. Kinji, who already put in all the work he ever wanted to building his Ultra-NEET lifestyle, quickly tires of the drudgery and searches for the nearest shortcut.

He finds two: a secret passage to a deeper level of the mines where the mineral Demonite is purer and thus more valuable; and meets the hulking Behemoth Rimu (Misaki Kuno), who transforms into a horned girl when Kinji makes a deal to keep her fed if she helps keep him and his grudging associate (but not friend) Wanibe safe as they mine the ore.

Part of me feels a grim respect in watching Kinji sweatily chase the dream of his old world down. If the means make his end easier, they’re always justified. That includes a magical staff once crapped up by the likes of Rimu which he uses to enslave all of his co-workers into working nonstop until they start to keel over.

Naturally, the staff eventually breaks, and Kinji receives his comeuppance in the form of a good old-fashioned beatdown by the people he mesmerized. He deserved the beating…and getting bitten in the ass by Rimu, who is always hungry. But darn it all if as loathsome as Kinji is, it was fun watching him do bad things…and then have bad things happen to him. It was like watching the universe self-correct in real time.

Kinji also happens to be the most hard-working lazy do-nothing you can imagine. Despite the beating (and ass-biting) he received, I have no doubt he’ll dust himself off and look for the next get-rich-quick scheme, only to pour all of those riches into his ravenous behemoth girl, all while Wanibe face-palms in the corner. It feels like a dynamic with potential.

Kanojo mo Kanojo – 01 (First Impressions) – Good Faith Violation

Saki and Nagisa seem like nice people and are very cute, coming straight form the Quintessential Quintuplets school character design—not surprising as Tezuka Productions and director Kuwahara Satoshi helmed QQ’s first season. There’s another QQ connecting thread in a lad trying to juggle multiple relationships with very different personalities while also trying to figure out who he is.

The main problem is that our protagonist Naoya is a loud, unpleasant, incurable boob whose hollow-headedness and aw-shucks feigned righteousness aren’t nearly enough to excuse his conduct throughout this episode. Saki is clearly NOT into him dating someone else—Period! End of Story!—but he blows past her boundaries like a rom-com Tazmanian Devil, while also using the improbably keen and willing Nagisa as a cute prop.

In a just world, Saki and Nagisa would go off and be good friends together, leaving Naoya in punitive solitude to reflect on his many, many missteps. Instead the show seems primed to reward him again and again for his despicable behavior. We know from the jump that he mercilessly hassled Saki into agreeing to date him, as if the idea of “good old fashioned persistence” or “not taking no for an answer” were noble qualities in a young man.

To then present to Saki an almost comically ideal second girl he just met and corner her with the cruel ultimatum of “I’m either dating both of you or just her” just screams bad faith. Naoya can go on about being “upfront” and “honest” all he wants; bottom line is he’s a selfish jerk for putting Saki through everything he has. I just plain don’t like the guy, there’s no indication he’s going to become any more palatable. Even if he did, I’d resent the responsibility of nurturing his redemption foisted upon his girlfriends.

A anime that earnestly explores how three young people come to terms with their polyamory and navigate the difficult waters of that practice is an interesting, worthwhile concept. It doesn’t even have to take it super seriously! All I ask is that it approach that concept from a remotely informed angle, and not just freaking wing it. Or heck, at least be fair: have Nagisa or Saki present Naoya with a second boyfriend!

Instead, Girlfriend, Girlfriend, like its pushy MC, noisily demands we accept its non-negotiable, unreasonable, unbalanced, and above all disrespectful terms, for the sake of some kooky fun. I just don’t think I have the patience for it.

 

Oresuki – 03 – Bounce Back

When Sun, Himawari and Cosmos all arrive at the library at once, it’s clear that some shit is going to go down. Joro almost manages to slip out of it by revealing his darker side and calling out the two girls for using him as a convenient tool, not because he’s a dear childhood friend or cute kohai.

That last-ditch effort fails when Pansy throws him under the bus, telling them he was trying to get her to date Sun while claiming to be on their side. Sun punches him for playing with the girls’ hearts, declares their friendship over, and carries him off.

It sure looks like this is curtains for Joro, and that all Pansy did was assist in this catharsis of misery. But when she mutters “have faith in me” to Joro on his way out, it becomes apparent there’s still more to this story yet to be explored.

Since there was a bystander in the library during the exchange, rumors spread and Joro is ostracized overnight, including having his indoor shoes bedazzled and a detailed golf course model placed on his desk, which is such a bizarre and random head-scratcher of a prank I couldn’t help but laugh.

With Joro out of the picture, Sun is free to spend the next week of lunch periods in the library with Pansy, unaware that she’s putting the finishing touches on her grand plan. It all starts by asking him, quite simply, why he tricked and entrapped Joro, using the feelings of Himawari and Cosmos as his tools in that venture.

And there it is: Joro, as we know, wasn’t the mastermind here, but neither was Pansy: it was Sun all along, sore over an incident years ago when a girl he liked asked him if he’d help her get with Joro. Sun was the one who put the girls up to confronting Joro about asking Sun about them. Joro played the part Sun knew he would (aware as he was about “dark Joro”) and he got his revenge.

Believing he’s all alone with Pansy, Sun doesn’t deny any of this, but proudly proclaims he was after revenge for “losing” to Joro back then, and again with Pansy. He’s also enough of a jerk that he threatens to “do whatever he wants” to Pansy without consequence, since they’re all alone.

Of course, they aren’t. Joro, whom Pansy summoned to the library a minute before Sun arrived, is a witness to her takedown and exposing of Sun as the villain. She threw Joro under the bus in the previous dust-up to give Sun the false sense that everybody was against Joro, when in fact she loves Joro and intended to clear his name.

Joro comes out of his hiding place at the perfect time, and tells Sun where he truly erred: in making light of the “birdbrained” two girls’ feelings for him in order to use them in his scheme to destroy him. A chastened Sun promises to apologize, and departs, and then Joro tells Pansy that her efforts don’t change the fact he hates her, and he won’t be returning to the library.

That’s when Pansy tells Himawari and Cosmos to come out of their hiding spot; unbeknownst to Sun or Joro, Pansy invited them to listen in on the truth of things.

In golf parlance, we can call this episode a major bounce back for Joro. Himawari and Cosmos apologize, the vandalism of his stuff ceases, and Sun confesses in front of the class, clearing Joro’s name to the whole school through the same rumor mill that sullied it.

That brings us to Joro and Pansy, and why the latter fell in love with the former. Turns out, it isn’t his “dark side” she necessarily likes, but the kind, hardworking side that waited by the north entrance to the gym after Sun’s game, standing there dutifully and waiting with his arms full of Sun’s favorite food.

What Joro remembers most about that day was the gorgeous, well-endowed, raven-haired maiden whose eyes met his and with whom he became transfixed, only to never see her again. The last twist is the most predictable lame: Pansy is that gorgeous maiden, and was simply hiding her looks behind a “plain girl” disguise.

While I understand this reveal was necessary, it was very clumsily done for a show that had just crafted such an intricate tapestry of romantic intrigue, and portrays Joro in a very poor light: someone who is now more or less on board with this “Hot Pansy” on the surface but is still confident he’ll never fall for the Pansy inside.

While the ball might’ve land in a bunker (more golf talk…sorry) at the end, after three (or more precisely, 2.85) strong episodes that subverted my expectations, Oresuki has earned some benefit of the doubt. Let’s see where this goes!

Oresuki – 02 – Golden Sombrero

You’d be forgiven for thinking that Joro’s thankless parallel missions to help both Cosmos and Himawari win the heart of the same guy would continue on for a number of episodes, but this week that’s just a small part of a much bigger picture, as the plot progresses farther than I could have anticipated. Lesser shows might’ve have kept the cupid act going longer, but Oresuki sweeps it all aside in favor of something new. It has more to say. Much more.

It also reveals something I touched on last week: the intentional repetition of situations and dialogue that lend the show an appealing poetic rhythm. While Cosmos and Himawari are equally terrible in executing the plans Joro lays out for them (due mostly to how nervous they get around Sun), their particular ways of bombing are both unique to their characters. It takes a lot of hands-on involvement from Joro to get the two definite dates with Sun.

But it’s not just the girls’ ineptness that makes things hard for Joro. Either consciously or not, Sun is simply hesitant to go on a date with either Cosmos or Himawari, and on Pansy’s urging, learns that there’s a girl Sun already likes. In a third “Darth Bench” scene, Sun confesses to Joro that he’s in love with Pansy, adding further complexity to an already unwieldy love polygon. His story is also very similar to the girls’, as there was a third exit from which he encounter Pansy, who encouraged him after seeing him cry.

This scene with Sun features some subtle yaoi undertones, such that until he specifically said “girl” instead of the vaguer “someone,” I thought Sun might confess his love for Joro. Not only that, after the way Joro genuinely blushes when Cosmos and Himawari mentions his strong bond with Sun, I had to remind myself that Joro was interested (at least initially) in those girls…and hence not into Sun.

Joro refuses to help Sun with Pansy, claiming not to know her well enough (partly true, but also partly a lie) but when Sun brings up a baseball metaphor, Joro responds with advice as if it were about baseball and not love. Sun’s confession of love for Pansy ups the danger for Joro exponentially, since that bombshell renders not just one but both of his cupid missions futile.

When Sun sees Joro talking with Pansy about Sun, and Pansy gets angry for Joro cruelly pushing his friend on her when it’s him she loves,  he gets suspicious. But Pansy of all people bails Joro out, confirming Joro’s claim that they’re not close and were only talking about official school business.

Still, Joro keeps Cosmos and Himawari in the dark, clearly overestimating how much time he has before they find out on their own…which of course they do when Sun does the same thing to the two of them that they did to Joro: ask them to help him get closer to someone else…in this case, Pansy!

That brings us to the Golden Sombrero, a baseball term for when a batter strikes out four times in a game. In this episode, Joro strikes out once when he’s not entirely honest with Sun vis-a-vis Pansy, once when he’s callously dismissive of Pansy, and twice more when he tries to explain to Cosmos and Himawari why he kept Sun’s true feelings from them.

As a result of Joro’s Golden Sombrero, his friendships with both Cosmos and Himawari are in the toilet, all because he took Sun’s words about baseball literally and inadvertently advised him to do what he thought best, which was to ask the two girls he went on a date with about another girl. His friendship with Sun seems secure for now, but Joro is still keeping him in the dark about who Pansy really likes.

That brings us to his latest scheduled meeting with Pansy in the library after some time off, which I assumed was to get a possibly-still-suspicious Sun off their trail. Instead, Pansy comments about how “interesting” things have gotten now that Joro’s plans for the girls have gone up in smoke and the girls are now doing what Joro did for them: supporting someone they love in their quest to be with someone else.

Early in the episode, I wanted to take Joro to task for being so unceasingly hostile towards Pansy in all of their interactions, since we hadn’t really experienced enough of Pansy as a character to justify that attitude. And yet, here we are, with Pansy effortlessly manipulating people and having a gas doing it! She even brings Cosmos, Himawari, and Sun to the library in order to find out how much more interesting things can get.

While that final twist feels very Jerry Springer-esque, it’s entirely earned by the events that preceded it. Sun may be the school’s ace pitcher, but when it comes to twisting people into knots with change-ups and curveballs off the diamond, Pansy wins walking away!

Sousei no Onmyouji – 22

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This episode still had that zany fun factor that made it watchable, and it certainly seems to be (very gradually) setting up the next threats and opponents Roku, Benio & Co. will be up against.

But between the miasma, news of a “Dragon Spot” appearing, checking in on Arima and the 12 Guardians for a hot second, the appearance of two more bad guys—one of whom doesn’t speak and the other who’s just…bizarre—and the continued, but now less urgent mystery of who (or what) Sae is, this episode was also, at times, a bit of a disorganized mess.

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We meet our second Basara, Suzu, when she confronts a guy who shoved his lover into a group of kegare so he could get away. Man of the Year over here! We get it, SnO, the norms of this show are assholes. But Suzu, like Kamui, show’s she’s not just straight-up evil, so much as ravenously curious and unhinged, starting all of her lines in a measured, proper manner, then finishing them with a “wilder” dialect.

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But then…what is with all the theatricality? Was she once a human idol who turned into a Basara, I wonder? Whatever the case, she’s committed expressing herself; I admire that. Just as I continue to admire Mayura and her white hot pants participating in the battle instead of just cowering and waiting for rescue, which…aw dammit, she just cowered and waited for rescue…which comes not from Roku or Benio but Suzu.

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Upon experiencing Suzu’s strong, unique personality, Rokuro and Benio wear priceless expressions of bewilderment. Fortunately for them, Suzu isn’t interested in killing them or stirring up any trouble, only to observe and learn about them. Then yes, probably kill them.

After Suzu’s odd “hi!…bye!” encounter, the exorcists (wait, I thought Seigen couldn’t be an exorcist anymore. Which is it?) get to the matter at hand: sealing the “Dragon Spot” that’s basically a festering hole between this world and Magano.

Once Roku and Benio use Resonance, sealing the hole is a breeze, but the point is, it’s not the last one, and who knows where the next one(s) will show up, or when. Probably soon, and in the vicinity of innocent people. Plus some jerks, like that girlfriend-pushing guy.

Also, Sae was in the episode! Hi Sae! She’s cute…but yeah, still don’t know what’s up with her.

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