After their embrace, Rikka consults with Dekomori while Yuuta talks with Isshiki on how to proceed. Both are supportive. While walking home, after a couple failed attempts, Rikka successfully confess to one another and enter into a “lovers’ contract”. On coming home Touka takes Yuuta to a cafe, where she tells him she’s moving to Italy to train to be a chef, and their mother will be moving in with Rikka. The next day at school, Rikka’s mom appears with a lunch for her. Yuuta tells her to take off her eyepatch, but a heated exchange ensues. Yuuta doesn’t perform with Rikka for the festival. Later that night at the talent show, Rikka sings a song her late father liked, then removed her contact and eyepatch.
That was one hell of a hug last week. Yuuta’s first time hugging a girl, and Rikka’s first time hugging a guy. Considering their inexperience, it’s inevitable they’d have trouble figuring out how to proceed. And yet, they do a pretty damn good job of it, not spending episodes not talking or avoiding each other or falling subject to rivals – just walking home, getting stuck in the rain, grabbing a bite at EcDonalds (yeah that’s spelled right) and ending up under a bridge with a beautiful, romantic scene of the town-lit river. And they make their feelings known to each other. Yuuta definitely gets style points for preparing a confession as Dark Flame Master, and of course Rikka eats it up. Weights are lifted and everything’s peachy…until Rikka’s mom enters the picture.
Rikka’s mom…the one whose responsibility was to deliver the truth about her father in a timely fashion, but didn’t, resulting in a complete fiasco when Dad died. Rikka hasn’t forgiven her, and we don’t blame her. But we also understand Yuuta’s position: he can’t continue to enable Rikka to live in a fantasy world; she needs to turn the page and grow up. The time for that comes right quick too, as their honeymoon is tragically brief. In a rapid flashback of Things Not Going Well (when Yuuta presents Rikka with a lunch her mom made), we see them grappling roughly, so far removed by the day before, when she seemed so fragile she might break if he held her closer. But after that tantrum, when Rikka removes her eyepatch – her trusty armor against…something – in front of the whole school, it’s like a long-overdue first step towards adulthood.
Rating: 9 (Superior)
Rikka and Touka “do battle” in the lot where their house once stood, but Touka can’t get through to Rikka, who flees. Yuuta chases after her, and he finally finds her on the night train back home. She forgot her key and his family is all away, so the two spend the night at his place. Meanwhile Isshiki goes on a walk with Kumin, but he misinterprets her intentions. While in (separate) bed(s) trying to sleep, both Yuuta and Rikka are kept up by the possibility they may have a deeper bond than they thought…
Throughout the last couple episodes, Yuuta has felt compelled to come to Rikka’s aid and stay by her side, no matter how out of breath he gets. Part of him is doing this because he identifies with her Chuunibyou, having gotten it after feeling “left out” with his friends. Part of him wants to cure her. And then another part is totally into her, whether she’s acting like a kid or not. He and she are, as Isshiki said, high schoolers. Acting like the adults they’re becoming isn’t just about accepting the reality of lost homes and departed dads – it also means girlfriends and romance. While Yuuta finds himself in a most fortuitous situation – alone with Rikka in his house all night – he’s confused by how to proceed, and it seems would rather not want anything to…happen.
Not that it would; most of the time Rikka mistakes her racing heart for her instincts telling her the “goddess” or other “overseers” may be near. Yuuta remarks to himself she may not even be that conscious of the whole concept of love. But the fact of the matter is, the two have bubbling chemistry, and are very comfortable being around each other. So will Rikka ultimately come to escape her Chuunibyou through her strengthening bond with Yuuta? Or will Yuuta continue to “regress” back into Chuunibyou under her charm and influence? Or will this just be another case of nothing happening between two people who would seem to be a good match? What is that, some kind of KyoAni hallmark?
Rating: 8 (Great)
P.S. Isshiki’s little side-story involving Kumin was actually quite entertaining. We even felt for the guy when she left him a polite note telling him she’s going home ahead of him while he’s on the phone with Yuuta pleading for advice on how to…proceed.
Togashi Yuuta, over his eighth-grade fantasy obsession phase (which he calls “Eighth-Grade Syndrome or Chuunibyou), is hoping to start a new, normal life at his new high school, but immediately comes across Takanashi Rikka, a cute but eccentric girl who is still in the throes of Chuunibyou. What’s more, she heard him try to seal his alter-ego “Black Flame Master” and thinks it’s all very cool. He is forced to walk her new home, which happens to be the floor above where she lives, and then help move her stuff in. After dinner with his family, Rikka convinces him not to throw out his old life. He grudingly agrees.
Nazo no Kanojo X this is not, but we found the first episode a very charming and likable introduction to the unlikely couple of Yuuta and Rikka. For one thing, it focuses on these two and their interactions. It’s also nice to see teenagers interacting naturally and not blushing like tomatoes constantly. There’s a part of Yuuta who thinks Rikka is cute, but he’s embarrassed by all the nerdy nonsense she’s constantly spewing. For her part, Rikka is quick to befriend her “spiritual soulmate”, attempting to impress Yuuta by “opening” a train door with her mind, showing off her “Wicked Eye” (a contact) or winning him a free soda with a button-combo.
The two show great chemistry and promise, as Yuuta will no doubt try to juggle the new normal high school life – something he so desperately desires he enrolled at a different school from his middle school peers – with his unplanned relationship with this very odd girl. But he proves neither cruelly dismissive of Rikka nor totally opposed to playing along with her from time to time. As a KyoAni production, this series is suitably pretty and tight in its technical execution. We consider this a pleasant surprise and will stick with it.
Rating: 7 (Very Good)
Car Cameos: Incidental shots of a Daihatsu Conte and what looks like a Suzuki Wagon R Stingray (it’s very small)