Shoujo Shuumatsu Ryokou – 07

While attempting to follow Ishii’s route to the ration production facility, Chito and Yuuri find themselves utterly lost in a labyrinth of pipes. Chito’s intense fear of heights rears its head, and naturally Yuuri has a little fun with that, as she doesn’t fear heights in the least.

Still, Yuu takes pity on Chito, lets her tie them together with rope (so either one of them will keep the other from falling, or they’ll both go down), and stays close during the scary bits. Even so, they have to find flat ground at some point; they’re getting tired and it’s getting dark.

While Yuuri is the one obsessed with foot, it’s Chito whose slighter weight breaks through a weak spot of the pipe, revealing a bright light that makes Chito look like she’s glowing (in a way, a callback to Yuu’s belief Chito resembled the gods whose idols populated the temple).

They enter the pipe and are treated to a well-lit route with arrow signs pointing in the right direction. Yuu whimsically suggests they “explore” by ignoring said signs, but Chito isn’t having it; wandering aimlessly will only make them hungrier and more tired, and they only come upon one last measly potato in what looks like a vast airpoinics bay.

The arrows lead deeper into the production facility where Chi and Yuu encounter heavy-duty industrial food production machinery that’s still operational, a testament to the now-long-gone people who designed and built the stuff.

It’s been a long time since Yuu not-so-playfully pulled a gun on Chi, leading me to wonder the next time she’d play with her only companion’s life. That comes when Yuu switches on the gigantic potato masher…when poor Chi is on the conveyor. She switches it off…then on again…then off again, and Chi makes her pay by roughly handling her cheeks.

Still, Yuu proves particularly useful this week, both with her courage in the pipe labyrinth and the highly detailed memories of baking with Gramps. That knowledge is put to use as she and Chi gather powdered potatoes, sugar, salt, and water, and start mixing and kneading ration dough.

The dough is cut into bricks and popped in the giant oven, and a bit later they’ve got a decent supply fresh rations, which pass the taste test with flying colors, even calling forth the girls’ patented “headmelt of satisfaction.”

With the Kettenkrad and nearly all sight of the outside world sidelined, this was all about Yuu and Chi on their own, giving each other a hard time but also having each other’s backs. While the rations won’t last forever, they’ll last a while (unless Yuu goes to town while Chi sleeps).

adding a welcome measure of optimism to the conclusion of an episode on the heels of last week’s failed flight. Better still, it was packed to bursting with wonderful Chi-Yuu banter and interactions. Honestly, I could listen to Minase Inori and Kubo Yurika read the phone book together.

Shoujo Shuumatsu Ryokou – 06

The girls are in a spot: a gear has snapped clean in two, stopping the Kettenkrad, and their “last tour” in its tracks. If they can’t get it going, their chances of survival plummet. Chito can’t get it going, and Yuuri won’t help (probably aware there’s little she can do). She just cheerfully sings a little song with one lyric: “hopeless, hopeless.”

Then Yuuri spots an airplane flying in the sky, and Chito spots a woman in a white coat running after it. Hope has arrived, in the person of Ishii, who has taken up residence in an old underground aircraft hangar.

Ishii is a quietly kind yet no-nonsense person. She knows she can’t live in the base forever, so she’s using the plans she’s found to design and build an airplane to fly to the next city (the plane seen in they sky was a prototype).

More than a base, the hangar appears to be some kind of repository of aeronautical history, and just as Chito and Yuuri may be the last two people operating a Kettenkrad, Ishii is possibly the last aeronautical engineer and aviator left.

The girls help Ishii compete construction of her plane, and in exchange, she provides them with food, shelter, a bath (aaaaahhhh) and the part and repairs needed to get their ‘Krad going again, thus probably saving both their lives.

The day of the flight comes, and there’s a sense of finality and longing for the status quo that’s about to be blown to bits by the winds of progress. It won’t stay warm and calm for long; Ishii has to launch now. And she’s glad she has human witnesses for what could be the last manned flight.

After all, it’s only history if someone besides the one making it saw and documented the event. The takeoff sequence is appropriately epic in its portrayal, as is the awe in the girls’ eyes as they watch Ishii achieve flight.

For a few magnificent moments, the plane soars majestically over one of the widest and clearest views of the city we’ve yet seen; loaded with enough fuel to fly 2,000km, more than enough to reach the nearest city, just visible from Ishii’s giant telescope.

But a few moments is all the plane gets; it breaks up in midair, the pieces pathetically plummeting to the ground far, far below. Chito collapses in reaction, but Yuuri spots Ishii in a parachute, slowly descending. She’s okay, but she failed.

Still, Ishii feels a great sense of relief, to the fact she even smiles, which Yuuri interprets as her finally “embracing the hopelessness” all humans in this wrecked world must embrace in order to keep going. She falls and falls and falls, perhaps to the lowest level, but there’s every reason to believe she’ll survive.

As for Chito and Yuuri, they load up on as many ration potatoes they can find and set off in their repaired Kettenkrad, bound for still higher levels of the city. They, like Ishii and Kanazawa, are also a part of history…likely the tail end of it. When they, and whatever other scattering of remaining humans, have passed on, there will be nobody and nothing left but the ruins.

Or maybe, just maybe, there’s hope somewhere out there, waiting to be found. And maybe Yuuri wants to be proved wrong.