Kemono Jihen – 09 – Kabane the Casanova

After she was born and learned to control her golden webbing, Aya had been treated like a tool, and when she was insolent she’d be beaten “like banging on a piece of malfunctioning equipment”. Still, she knew Akio needed her so she was able to live in relative comfort with dresses and books. When Aya learned she had a brother, she imagined him to be like the Prince Charming in her book, taking her and their mother away to live happily ever after.

While a happy ending was deferred, it is still possible. Aya learns this when Shiki welcomes her into the hospital room where their mother is resting. Aya may think she’s a bad seed that should be “done away with” like the other kemono Akio created, but thinks Shiki won’t kill her simply because she looks like a little girl and speaks. But that’s not the reason.

Shiki does not detest Aya, he’s grateful to her for being with their mother and keeping her alive, even though she was all on her own while her big brother had run away and was living in comfort. When she hears Shiki and Aya talking together over her, she wakes up and opens her eyes, and the Tademarus are a family united for the first time. It’s perhaps the sweetest and most moving scene in the entire show, and it was the perfect payoff to the emotional stakes built up the last couple weeks.

Of course, Kumi now being alive and awake means Shiki has some things to think about, and is away for a week, causing Akira to frets and Kabane to bear an all-too-forced smile when asked how he feels about it. Shiki may have his family back and will need to help support them, he promises Kabane he won’t leave the agency before he helps Kabane find his family.

Unbeknownst to Shiki, Aya followed him to the agency and we see that her own style is quite a bit more…modern and mature (read: jailbait) than the frilly dresses Akio gave her. Her precociousness extends beyond wardrobe, however: she’s already planning to work with Granny at her clinic, with plans to start her own “kemonopathy” clinic using her healing webbing.

When Shiki begs Kabane to talk his sister out of this, as she’s only eight, he simply responds “If she has a power shouldn’t she use it?” It’s that cold, certain, honorable logic that draws Aya to Kabane’s side, and she declares him her boyfriend. Then Kon shows up, armed with the absolute worst timing—she had a week to see Kabane alone!

Just like that, Kabane has not one but two would-be lovers, who immediately exchange lightning glares. Inugami interrupts the spat to announce that they do have actual business to attend to: there have been reports of an invisible kemono ripping pieces of women’s faces off in stylish Harajuku.

The three who will go investigate are Kabane, Aya, and Kon, the latter relaxing her no-working-with-tanuki policy by declaring herself a mere “observer”. Really, she wants to closely observe Aya to ensure nothing happens, but it’s also never a bad idea to bring some kitsune muscle as backup.

After Kon’s failed attempt to impress Kabane by trying to order a cop around (Inari’s power doesn’t extend to her anymore), Aya ends up being the kemono’s next victim on accident when she pulls on her hair. Taking the form of a black smoke cloud filled with floating pieces of women’s faces she collected, the kemono’s story is pretty simple: she fell in love with a man who works in the area and wanted to look more human so he’d notice her.


When Kabane says love is about giving, not taking, the kemono is unconvinced, because Kabane has a girl on his arm. Instead she appeals to Kon, who looks like she’s in pain like her. She’s not wrong; ever since watching Kabane and Aya together she’s felt all “mushy” in the chest.  Being with Kabane has always been fun until now, and Kon blames Aya for making it not fun anymore.

Taking on her kitsune form, she tries to eat Aya, but only ends up biting Kabane’s arm. Then she runs off in tears. Aya uses her webbing to create a human body for the kemono, and referred her victims to the clinic where she’ll be able to heal him. Back at the agency, Akira is threatened by Aya’s frightening competence, while Aya thanks Kabane for protecting her with a smooch on the cheek.

Kabane may not quite understand love, romance, or jealousy, but he knows he and Kon didn’t leave things in a good place, so he rushes to the park where she lives and shakes her out of the tree (the gag about her never landing on her feet never gets old). Sure enough, Kon’s face is a mess of big soppy tears. She thinks Kabane must hate her for trying to eat the “bug-smelling girl.”

To Kon’s surprise, when Kabane takes her cheek in his hand, all the chest-mushiness goes away instantly. She sees that Aya wants to be Kabane’s “number one” because in Aya she sees herself having worked tirelessly to become Inari’s number one. Well, Kon wants to be Kabane’s number one, and asks what she should do to do that?

The obvious answer is to kiss Kabane, but not only does Kon not know that, but even if she did kiss him neither of them might understand what it means. They’re basically the most adorkably hopeless couple ever and I will never stop shipping them. I won’t deny Aya is both cute and capable, but she’s also way way way too young for Kabane. Also, Kon was first!

We get a nice scene of closure where Inugami helps Kumi arrange a memorial for all of her children who were killed. She ask him to keep it secret from Shiki and Aya, but in truth I think they’d understand her need to honor all of the life she created, as they’re in that group too.

Kon is realigning her primary allegiance from Inari to Kabane, but Aya once again beats her to Kabane’s arm at the agency. The two stare each other down once more, with Aya even telling Shiki he shouldn’t mind if she and Kabane married, since that would make them brothers. Akira, the Best Boy, finally steps in to break it down for Kabane: he can only have one lover, so he has to choose.

For Kabane, “lover” simply sounds like “one you love”, which he extends out to the terms “boyfriend” and “girlfriend”. As such, the one he chooses is Inugami, again failing to grasp the difference in kinds of love, and also shocking both Aya and Kon with his apparent confession to “preferring older men”. Inugami, meanwhile, obviously wants no part in a Kabane love polygon!

Kemono Jihen – 08 – A Sister Richer

Right in the middle of Shiki considering killing his Uncle Akio with neither Inugami nor Nobimaru not standing in his way, a filthy Akira emerges from the woods having pissed himself with fear. Then a whole mess of Akio’s kemono creations arrive, surrounding the area. Akio informs Shiki that while none of them can produce the golden webbing, they’re still smart and can even speak—in Kumi’s voice.

When the monsters start to rush everyone, Inugami steps in, but his arm is poisoned, keeping him from producing a gun. Hearing his mother’s voice tell him she loves him through all the monsters paralyzes Shiki. Kabane’s lights up as he draws close to Shiki and asks once more “How can I help?” Inugami has Akira freeze his arm, but they’re saved from the charging kemono by the little girl Aya, whom they listen to.

When we cut back to Kabane, he’s already demolished all of the dozens of kemono protecting Akio, leaving Shiki free to kill him, or otherwise ask Kabane to kill him. Kabane is simply “happy to help”, as there’s apparently zero psychological cost to the carnage he causes.

The thing is, Shiki no longer wants his uncle to die. He wants him to live with the torment of all the things he meant to leave behind erased, and dying many years from now a forgotten man with no legacy. Aya doesn’t want Akio killed either, and not for sentimental reasons: he knows the location of a certain cocoon.

A bitter Akio refuses to tell her, but fortunately for her Inugami & Co. are detectives. Aya has no leads, but with one call to Mihai, they get a location: the same secluded spring in a patch of skunk cabbage where Aya had Inugami heal his arm. Aya prepares to plunge in, but Shiki goes in her place; she’s just a little girl after all.

At the bottom of the spring, Shiki finds something he’d never expected: his mother, still alive, encased in the cocoon. A bodyguard kemono attacks him but he defeats it and surfaces with his mom. Aya reveals that she herself is the golden webbing, and created the cocoon to keep their mother alive.

When Akio tries to rant more about “nearing mass production”, Shiki knocks him out with a slug to the face. Aya and the still-unconscious Kumi pile in the car with Shiki, Inugami, Kabane and Akira and they head back to Tokyo. Kabane noticed Nobimaru slipped away at some point, but Nobi doubles back give Akio at taste of his kitsune flames.

With his mom alive and suddenly possessed of a little sister in Aya, Shiki’s had a considerable turnaround in his fortunes. But Kumi still won’t wake up, so Inugami takes her to a clinic in Tokyo run by a diminutive ohana-basan—who doesn’t seem to mind the after-hours visit when she learns it’s Inugami.

If Kumi woke up fully restored, she could presumably pick up where she left off before falling into Akio’s foul enterprising web. That could mean Shiki and Aya would go live with her, either in their hometown or Tokyo. If the latter, Shiki could still work at the agency and hang out with Kabane and Akira. But this is all academic. First Kumi must be revived.

Rating: 4/5 Stars

Kemono Jihen – 07 – The Spider with the Golden Silk

At Shiki’s request, the agency gang is off to his home village of Kinshigo, now that he’s ready to learn the fate of his parents. It’s bound not to be a pleasant stroy, but Inugami thinks it’s only right for Shiki to know if he wants to, and he does, for closure and to be able to move on.

After a little girl with pink hair gives Shiki a hard look (my first instinct, these two share mom), Inugami runs into his Uncle Akio, who tells Shiki that his parents are both dead. His father died before he was born, and his mother died when he was five. The reason he’s traumatized is that he walked in on her body at such a young age.

Having heard the news, Shiki returns to his friends to join them for ice cream, but even Kabane can tell he’s putting on a brave face, Akira tells him not to point that out so tactlessly, but Shiki can’t deny something is still troubling him. Enter Nobimaru, joining them at the bath, suggesting they go see the fireflies.

While Nobimaru is clearly still trying to trick Kabane out of his lifestone for Inari, that he takes Shiki into the woods helps trigger a memory involving a peculiar tree. This sets Shiki on a path of landmarks leading to a Creepy Shack, the very sight of his real trauma. It wasn’t seeing his mother’s dead body, but something far worse: her mother being forced to breed with a monster.

As Shiki recovers from the shock, Nobimaru inspects the now-empty shack, where there is still evidence of medical equipment and claw scratches. He recalls a report a year ago involving Shiki’s uncle, who was trying to make the local folktale about “golden silk” come true, which would expose kemono to the world, something both Inari and Inugami must prevent.

Still, Inugami kept Inari from “disposing” of Shiki’s uncle, knowing Shiki himself deserved to face him for what he did. When Inugami meets with Uncle Akio at his house (formerly Shiki’s parents’ house), he’s pleased to find Inugami is willing to spill the beans about his plan, because he doesn’t think what he’s done was wrong.

Shortly after he was born, Shiki came down with a nasty case of the Flu, and Akio coerced Kumi into horrific cross-breeding experiments with various kemono in the forest, hoping to find the pairing that would give them the legendary Healing Silk that’ll make them rich and make Akio famous. And while Kumi died in the process, Akio can report that he was successful in finding that pairing—no doubt the little girl is the result of that success.

Inugami happened to be recording Inugami’s confession/rant on his phone for Shiki to listen, and basically gives Shiki leave to do what he wants. Shiki grabs and suspends Akio from the neck with his silk, and out of deference for the years he took care of him, Shiki is willing to give his uncle a quick death.

While he has every right to make him suffer, there’s no escaping the fact that killing Akio will make Shiki a killer, and likely deprive that girl of her only guardian. Will Shiki follow through on his threat, or further weigh the enormity of his uncle’s crimes with the consequences of taking a life? We shall see.

Rating: 4/5 Stars

Ikebukuro West Gate Park – 10 – Moving Past the Hate

You have heard that it was said, “Eye for eye, and tooth for tooth.” But I tell you, do not resist an evil person. If anyone slaps you on the right cheek, turn to them the other cheek also.—Matthew 5:38-39

One day, a serious young woman named Hayama Chihiro approaches Makoto at his fruit stand, shows him a photo of a young man, and flatly asks him to ruin that guy’s knee. Makoto learns why: a year ago the young man, Otokawa Eiji, kneecapped her brother Tsukasa and robbed him.

For all of ¥3,000, Tsukasa’s dream of opening his own restaurant was crushed along with his knee. Since Eiji was a minor, he got seven months in juvie, and is now wandering free. Chihiro has been tailing “the beast”, as she calls him, ever since his release, and now wants him to suffer as her brother suffers. A knee for a knee!

Makoto remarks that if Chihiro were okay with Eiji’s knee being smashed, she’d be no less of a beast that her brother’s attacker. But as with so many other issues with Makoto becomes entangled, there is much more information to be learned before a final decision is made. To that end, he contacts one of his mates, Chief Rei.

When Rei calls back, Makoto has tracked down Chihiro, who is watching Eiji at an arcade. He lends her one of his earbuds and they listen together as Rei goes over the particulars of the crime. Eiji was being extorted by a group of bullies in high school, and was warned to secure the money (any amount) by the day after the attack, or they’d ruin his knee.

Eiji only attacked Tsukasa because he needed money to give to the bullies, but only he was convicted and sent to juvie for the attack, while the bullies only received a scolding. As Chihiro learns more about Eiji and the context of the attack, her once pure and unwavering hatred suddenly becomes diluted with pity for the kid’s situation, and guilt for nearly making it worse. Now she’s not so sure she wants Eiji attacked.

Now that Makoto knows Chihiro’s feelings on the matter, he wants to know those of Eiji’s victim, her brother Tsukasa. Makoto visits to their home under the guise of Chihiro introducing a new boyfriend. Chihiro’s reaction to Makoto’s suit is priceless. Tsukasa is voiced by Ishida Akira, a seiyu so very skilled at projecting the vulnerability of his characters and the weight they carry.

Tsukasa admits that for a long time he thought about finding and stabbing Eiji for what he did, but when he stops to think about what that would make him, his certainty and thirst for such revenge wavers just like his sister’s. Now he feels it would be better if he were to meet Eiji, look him in the eye, and talk to him about what happened.

If Tsukasa did that, he could learn whether Eiji was a “beast” or just a human (the vast majority of criminals being the latter). If he learned Eiji was the latter, his hatred would subside. Above all, Tsukasa doesn’t want to “stand in a  place of hatred” forever. He wants to move past it, and into “tomorrow.”

Tsukasa’s noble words move Makoto to arrange just such a meeting. In order to get Eiji to agree, he offers membership into the G-Boys. To both Eiji and Makoto’s surprise, Takashi shows up with a couple of his boys, as he’s curious to see how Makoto resolves this situation. He makes Eiji a G-Boy on the spot and promises he’ll never be hassled by his extorters again.

But first, Eiji must endure the trial of his life: sitting down across the table and looking the man he attacked a year ago in the eye. It’s a gloriously tense scene that grows more and more cathartic as Eiji and Tsukasa and Chihiro learn more about each other. The siblings learn that Eiji, like them, lost a parent at an early age, though they don’t sympathize with how he handled it. Eiji learns that his attack cost Tsukasa his dreams.

Finally, Eiji learns that nothing he says can undo or make up for what he did, any more than Tsukasa and Chihiro’s hatred or revenge exacted upon the pathetic Eiji will truly satisfy them. Chihiro’s description of how she “never gave in” to criminality as Eiji did due to her brother’s love and cooking is matched by Eiji’s description of all the un-scalable “high walls” he faced once outside of juvie.

Once the accusations and grievances have flown, the time comes for Eiji to accept that his wrongdoing will never disappear and think about what he can do from now on. Tsukasa reveals he knew all along Makoto was the famous troubleshooter, and thus had an inkling that a meeting like this was in the works.

The bottom line is, the meeting does work: Tsukasa has learned conclusively that Eiji is not a beast, and as such Eiji’s remorse will probably never disappear. Tsukasa then chooses to forgive him, and they shake hands while Makoto and Takashi exchange approving glances.

What Makoto accomplished by having the Hayamas and Eiji meet and talk things out amounts to what Chief Rei calls “restorative justice”, a reunion that serves both victim and perpetrator by aiding the former’s recovery and the latter’s rehabilitation. Knowing Makoto can pull such justice off without even knowing what it’s called, Rei is confident Ikebukuro can remain a safe and peaceful town.

Having passed his trial, Eiji is aided by the G-Boys, who convince his extorters to return all the money they stole from Eiji. No blows are landed or blood spilled, as the tacit power of the G-Boys community and its “King” is more than sufficient, proving the value of a well-balanced network of groups with shared interests as a deterrent to escalating violence.

Makoto continues to see the Hayamas, who plan to buy a food truck outfitted with equipment and modifications that will enable Tsukasa to stand less while cooking. They also plan to hire Eiji to work for them, since they’ll need help running the truck, and he needs a job. Who better to work for than the people you wronged, but ultimately forgave you? That cooperation will likely allow him to forgive himself one day.

That famous Matthew passage up top is highly instructive of how society can and often must go. In most cases, it isn’t productive for victims to vilify or dehumanize criminals who did them wrong, nor seek empty, self-defeating vengeance. Often there are humans on either side and beasts on neither, and understandings can be reached by direct interaction, learning from one another who they are and why things were done.

Often…but not always. Enter the unpleasant spectacle that follows the atmospherically moody but hopeful end credits. G-Boys and Red Angels are brawling in an alley, staining the streets with their blood. Still, I see this display not as a rebuttal or repudiation of the more peaceful and conciliatory tactics employed by Makoto.

Rather, this kind of scrimmaging is the inevitable other side of the double-sided sword: a scenario involving large groups of restless young people, each with their own histories. At some point they’ll grow large enough to butt up against the turf of another group, with the resulting enmity bringing out the beasts in everyone.

Yet even this can be mitigated by those who lead these groups, namely Takashi and Kyouichi, sitting across a table, with mediators observing. Even if wars can’t be outright avoided, their duration and the amount of blood spilled can be minimized, as long as all concerned parties remember that they are all human, and always were.

Sword Art Online: Alicization – War of Underworld – 05 – The Eve of Reckoning

With a title like “The Night Before Battle”, it was clear there would be one more calm-before-the-storm episode before that battle took place, but in this case, it was not only earned, but welcome. After all, there a lot of reunions that need to happen before battle is joined. That starts with Alice’s protege Eldrie and her “uncle” Bercouli.

Eldrie is concerned about the dead weight that is Kirito, but Bercouli demonstrates that he’s still capable of defending himself through sheer willpower. That means he may yet come back to them, hopefully in their hour of greatest need. That’s coming soon, by the way—their forces are outnumbered more than 16-to-1.

Alice considers that perhaps Kirito can’t hear or react to her voice because she’s still suppressing her feelings, and that maybe a gesture of those feelings may finally wake him up. She comes close, but is interrupted by Tiese and Ronie, who heard Kirito was at the camp. I suppose kissing him wouldn’t have mattered; the conditions haven’t been met for him to come back yet.

The pages are beside themselves upon learning of Kirito and Eugeo’s fates, and Alice can’t help but notice they act as if they loved the boys. They rebut that assertion by saying they don’t deserve the right to say they love him, citing their traumatic experience that led the boys to break Axiom law to save them. Alice rejects their position, transforming to “peacetime” Alice Zuberg that would have been had she not been kidnapped.

Her lesson to the two is that bodies are unimportant compared to the hearts and their souls. If they feel they love someone, or that they can and should do something, they need not be ashamed to carry those feelings with pride. It’s something she learned from Kirito and Eugeo and is happy to pass on.

Alice is less enthused by Lady Fanatio carrying such feelings with pride, especially when she asks to see Kirito so she can “try various things” in an attempt to revive him. Alice betrays her own personal feelings for Kirito by barring Fanatio from seeing him. But such bickering has to wait; it’s time for the war council.

Administrator truly screwed the Human Empire in her management of their military forces. The remaining Integrity Knights must make do with what little they have and pursue a strategy of bottle-necking the enemy’s superior numbers in a narrow, barren ravine, hoping that location will also prove challenging to dark mages, who require material in order to cast their arts.

After saying what could be her final goodbyes to Kirito (leaving him in the pages’ care) and Eldrie, Alice mounts her dragon and the forces move into the ravine. The gate resolves, heralding the “Final Load Test.” The good guys are at a huge disadvantage against Miller’s massive forces.

I don’t doubt they’ll need to rely on a last-minute intervention from…someone; maybe Kirito answering the call in their greatest need, maybe Asuna, finally arrived in Underworld and ready to fight to save her fiancee. As for Alice…we just saw a lot of death flags… :(

Sword Art Online: Alicization – War of Underworld – 04 – I Don’t Want to Live In This Dark Territory Anymore

Before arriving in Underworld as Emperor Vector, Gabe has a vision of a girl he grew up with, and remembers his father talking about the location of the brain in humans compared to insects. I already didn’t like where this was going, because there’s little point in showing this guy’s past other than creeping people out even more than his desire to eat ALICE’s “sweet” soul.

Most of the tribes of the Dark Territory support Emperor’s decree for more “blood and terror”, except for Dark Knight Commander Vixur ul Shasta and his lieutenant/lover Lipia. Dark the Dark Territory may be, but they know delicate alliance between the tribes will be thrown out of balance and lead to ruin if they go all out against the Human Empire.

Lipia shares Vixur’s sentiments on this matter, but takes it upon herself to rectify it by waiting for Vector in his bedroom and attempting to assassinate him. He’s able to repel her attack, and after strangling her to death, her soul emerges from her forehead and he eats it, experiencing something he’s been yearning for since it happened just once more in his life, with his childhood friend Alicia.

It hapened after he killed Alicia when he drove a screwdriver too far into her ear, hoping to find her soul. Whether he was trying to kill her or not, he was extremely happy with the result, and sought to repeat it by doing it to many, many others. It helps that he’s voiced by the veteran Ishida Akira, who does “aloof, world-weary misanthrope” very well, but yeah…yet again we’re dealing with a straight-up sociopath and irredeemable bastard of an SAO villain. Would be nice if he had more…nuance.

Gabe’s lieutenant (who gets a name this week: Vassago) is amused by how naturally and how well-suited for acting like an emperor his boss is. In a communication with Critter back IRL (where just two hours and change have elapsed), they are warned that if they’re killed in their current bodies, they won’t be able to return to the Underworld as superusers, but mere grunts. So for all intents and purposes, they’re mortal here.

Gabe goes ahead and warns his would-be future assassins by presenting the head of Lipia frozen in a block of ice. This throws Vixur into a fit of rage, but one of the dark mages poisons him before he can touch Vector. Somehow, he manages to overcome the poison and enter a kind of Overdrive mode, launching a suicide attack on Vector that ultimately fails.

Vixur ends up in a strange void where he learns Vector’s soul is “neither alive or dead”, which will make it hard for anyone to kill him. It sucks that seemingly the only two people who opposed Vector are immediately out of the picture.

Before joining the other knights in preparing their defense, Alice peeks over the suddenly crumbling Eastern Gate and spots the massive armies of the Dark Territory advancing. The Human Empire isn’t just, as Alice says, “out of time”, but they’re also very lacking in numbers, and even if they were to mobilize regular citizens, what hope to they have against vicious goblins, orcs, ogres, giants, and…er, pugilists?

We’ll just have to find out. Suffice it to say, I’ve seen enough from the perspective of the bad guys, who are, in true SAO fashion, the baddest bad guys to ever bad who need to get got in the worst way. I don’t like them; mission accomplished, show. Hopefully it returns to Alice’s POV, and/or gets around to updating us on Asuna’s status.

Shokugeki no Souma 3 – 13 – The God Tongue Officially Joins the Rebellion

…Aaaand we’re back. Good! I missed my Food Wars. The Fall cour of the third season ended with Erina learning that the irritating pest and hack chef Yukihira Souma’s father is none other than her beloved Saiba-sama.

Eishi gives a school-wide address about impending Advancement Exams that will no doubt drive this cour, and makes it clear in no uncertain terms that those who stray from Central’s edicts won’t make the cut. The morale among Polar Star’s ranks sinks at the news.

Erina, to her credit, doesn’t go on an “avoiding Souma” binge to forestall telling him what she’s learned. Instead, she comes to his room, in her nightgown, no less! She has something to say, wants Souma to hear it, and it can’t wait.

What she essentially tells him is that she’s lost. As God Tongue from a young age, tasting and cooking were merely tasks to be performed, and she never derived any fun from any of it…until on a rare day off she got to sample some of Saiba’s cooking. From then on, she got it: cooking could be fun and good enough to win over the God Tongue!

But not long after experiencing that fun, her father began her “education” in “good food is only what I say it is” culinary orthodoxy. She cannot easily cast aside that conditioning, even if she wanted to, and part of her understands the need for standards to be set and followed, even if Azami goes about it in far to harsh and oppressive a way.

As such, she’s torn between two opposing philosophies. Souma decides to try to put his finger on the scales, so to speak, and get back at her at the same time for telling him his food was disgusting the first time she tasted it. He wants to make something quintessentially Yukihira, to remind her of those fun yet refined flavors Azami tried to condition away, along with her passion for cooking.

Souma’s Polar Star peers worry he may be up to something, but Megumi assures them he’s on a mission to make her understand not only his philosophy, but all their philosophies. The rewards of “awakening” Erina to culinary freedom may be the key to Polar Star’s survival.

Souma ends up preparing a tempura egg rice bowl, the process for making which neither Erina nor the eavesdropping dorm-mates understand, until Souma lets them in on the secret: freezing the egg before coating and frying it. And not just any egg: a low-quality egg that was on sale at the local shops.

Not only does Souma achieve an aroma, texture and flavor that have Erina imagining countless tiny Souma-chickens gently pecking her naked body (yikes, that’s a foodgasm for the books), but he manages to debunk Erina’s firm belief that only the finest, rarest, highest quality ingredients can make a great dish. In this case, a finer egg would be too overwhelming due to the freezer’s effect on the protein.

As expected, Erina never actually says “delicious” as Souma bet he’d make her do, but he does remind her of Saiba, not just in his style of cooking, but how he talks about it. Cooking isn’t about following a book, it’s about taking risks. To paraphrase Julia Child, great cooking requires a multitude of failures. It takes risks that sometimes won’t pan out. And taking those risks is what makes cooking fun.

So even though Erina craftily takes her leave before giving Souma any answers about the taste of his bowl, the effects of the meal inspire her to call for all of Polar Star to assemble out front the next morning. It’s cold, and her first words to them are cold as well, rattling their cages before praising them for helping to teach her that not only is their value in cooking food that is “free”, but that such innovation-through-failure is essential to stave of culinary stagnation.

To that end, she challenges each and every Polar Star member to keep doing what they’ve been doing—cooking free food, failing, learning, and improving—and she’ll summon the full powers of her God Tongue to see to it each and every one of them pass the Advancement Exams. And so, Erina has officially taken a side against her Azami and Central.

I have no doubt that if the dorm-mates can cook food that impresses her, they’ll impress any and all impartial exam judges. The question is, how are they going to get non-Central-sanctioned food to the judges’ table? The Rebellion Continues…

Shokugeki no Souma 3 – 12

Here we are: at the midpoint of what I assume will be a 24/25-episode third season of Food Wars, and Souma has finally taken it on himself to challenge the First Seat of Totsuki’s Elite Ten.

But it wasn’t arrogance that led him to this position! What would you do if Tsukasa told you Nakiri Azami’s ultimate goal is to shut down every restaurant in Japan? Somebody has to take a stand, even if it’s foolhardy.

Despite the stakes, Souma remains calm and does his thing. I appreciated the meta nod to his bag of secret ingredients that have won him challenges in the past. He whips out a new one to use with the venison—sweet chestnuts—then cooks the meat in a seemingly very un-French way—with a charcoal brazier.

When his dish is complete, Tsukasa wonders who will judge it, clearly too focused on his cooking to notice the eavesdroppers in the hall. Souma, however, knew Megumi, Hisako and Erina were there all along, and encourages them to serve as judges.

Souma’s dish tears both Megumi and Hisako’s clothes off, and even Erina is pleasantly surprised; despite the charcoal, Souma used the bitterness of instant coffee to balance his dish, and it is presented in a way that barely passes the French cuisine test.

Then it’s time to taste Tsukasa’s dish—absolutely perfectly-cooked venison with two exquisite sauces—and it isn’t even a matter of clothes coming off or foodgasms…the girls are transported to an Eden-like dimension where they are one with the deer, the trees, and the sunshine.

So yeah…it was kinda silly to imagine Souma was never going to come anywhere close to beating Tsukasa, unless Tsukasa was jobbing. As much as they don’t want Souma working for Central, they have no choice but to pick Tsukasa’s dish as the winner; it’s just…better.

But hey, turns out Souma doesn’t have to work for Central even though he lost! He put up a good fight, and in the process demonstrated to Tsukasa that he’s far too wild and unpredictable to serve as his right hand. So he declares a draw and takes his leave. No harm, no foul!

With that, the episode moves on, with two quick, surprising wins for Megumi’s Cultural RS Nikumi’s Don RS. While sadly there wasn’t time to get into them in any kind of detail, it’s good to see that it isn’t just Souma and Ryo who can beat Central. The morale of the rebellion reaches a new high.

While celebrating Megumi’s win, Polar Star holds a grand tasting session for the God Tongue (much to her chagrin), but Hisako is nevertheless glad Erina’s fitting in with everyone (though someone needs to take that dour brown frock away from Erina and burn it, IMO).

Just when it looks like the episode will end on a happy upbeat note, Azami darkens Polar Star’s doorstep. He invites himself in, ignores demands to leave, and orders Erina to come with him. Erina almost starts to move reflexively, so completely has he conditioner her to obey, but he’s blocked by the other dorm members, Hisako, and even Fumio, who reveals Azami is a Polar Star alumnus.

Isshiki reports the results of his research on Nakamura Azami, and how he rose to Third Seat in his first year, First Seat in his second, and became a top star…until Senzaemon exiled him. Outnumbered, Azami takes his leave, but Souma follows him outside and asks, basically, why he hates Polar Star so much.

But Polar Star is nothing to Azami; neither love nor hate. He’s after bigger things. Besides, Polar Star’s Golden Age is long gone; during that time, Azami looked up to a senpai named Saiba Jouichirou. Azami’s revolution is meant to be the “salvation of the culinary world that ruined Saiba-senpai.”

Erina peaked her head out at just the right time to hear that the chef she always admired and even loved has a son, and that son is Yukihira Souma. That knowledge should make the second half of the season interesting!

Shokugeki no Souma 3 – 11

Last week I pleaded for the show to do something, anything with Erina before the cour is out, and it seems like my prayers were answered … somewhat. She’s finally out of that horrid brown frock, back in uniform, and more importantly, outside the friendly confines of Polar Star.

Erina confides in Isshiki that she doesn’t expect her relationship with Alice to improve anytime because of the “horrible things” she did to her in the past, even though those things were done when she was under the absolute influence of Azami.

So it comes as a shock to the system when Erina arrives at the Shokugeki hall to find Alice telling Azami off right to his face, demanding he let Erina be her own person. Alice knows it wasn’t Erina’s fault she never got her letters, and never again wants her cousin in the postition where she can’t write back.

But this isn’t going to work if Erina herself doesn’t stand up straight and show her domineering creepfest of her father that she’s her own person. Alice can’t let her main rival be a cowering puppet!

The Alice-Erina interaction is wonderful, but things get even better and more complex when Yukihira and Megumi’s teacher is dismissed and replaced by First Seat Tsukasa Eishi. (Additionally, as Ryo was the only rep to beat Central, Azami quickly purges of the other 32 clubs and societies that lost in the first round.)

Tsukasa, wonderfully voiced by Ishida Akira, is the siren, if you will, who will bring the students to heel through their adoration of him; the class is understandably super-stoked to have the opportunity to learn from the First Seat.

Where things get interesting is when Souma volunteers to be Tsukasa’s teaching assistant, then proceeds to exceed Tsukasa’s expectations with the skills he honed at Shino’s, keeping up with the superfast pace of Tsukasa’s cooking.

The class is wowed, and frankly, I enjoyed Souma and Tsukasa—ostensibly an enemy—putting aside their differences to work some culinary magic in perfect harmony. As Souma says, it was fun!

Meanwhile, Erina has worked up the courage to return to scheduled classes, a big step forward and a relief to her admirers. In a scene that’s touching despite the blatant fanservice, Hisako remarks how she’s noticed a change in Erina.

Erina acknowledges is a result of witnessing all of the people, from those in RS’s to Polar Star, Souma, Ryo and Alice, standing up against her father, something she once thought impossible.

She’s now become worried less about how to please father and more worried about what she Nakiri Erina, wants to do with herself…something far beyond taking a side in Totsuki’s not-quite-dead Civil War.

Speaking of sides, Erina, Hisako, and later Megumi end up eavesdropping on an extended conversation in which Tsukasa offers Souma a job as his right-hand man, making him an official member of Central.

When Souma says he wouldn’t want to present Yukihira Diner’s cooking at Central, Tsukasa calmly reveals that such a thing wouldn’t be necessary, because Yukihira Diner’s cooking isn’t necessary.

All Tsukasa wants is Souma’s “supportive abilities” to help him refine his own cooking, while Souma’s cooking would presumably die off. Tsukasa, literally Number One at Totsuki, has no qualms exposing his boundless selfishness common in many elite chefs.

Souma doesn’t see the point if he can’t serve his own cooking, and says for all they know, Souma’s cooking is better than Tsukasa’s, to which Tsukasa responds with an informal challenge right then and there. If Souma wins, Tsukasa will surrender his First Seat to him. If Souma loses, the rest of his days at Totsuki will be spent as Tsukasa’s sous chef.

Tsukasa begins cooking immediately, and the smell of his venison is so invigorating, Megumi and Hisako—outside the classroom—have foodgasms without a bite! Even Souma hesitates in the presence of such superlative cooking skill—until he hears of Azami and Central’s ultimate plans.

Central aims to literally take over the Japanese culinary world, shutting down all restaurants deemed subpar, including Yukihira Diner. This isn’t just a silly little war within the school, it’s primed to become a nationwide battle between the monolithic empire of orthodoxy and the rebellion of independence an individuality.

Here’s the thing: I just don’t see Souma beating Tsukasa. Does that mean he loses and is forced to switch sides? If this is a conflict the effects of which will extend far beyond the school, will he instead choose exile? And since she’s been listening and watching this whole time, what will Erina decide to do?

LOL. Never change, Erina.