Working!!! 3 – 09

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Working!!! starts off with a typical scene—Yachiyo talking about Kyouko to Satou while Souma smirks—with the added element of a rapt Popura. Turns out she’s noticing something different about the two, surprising Inami, who assumed Popura already knew Satou was in love with Yachiyo.

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One person who barely gets noticed ever is Otoo’s wife Haruna. Her almost nonexistent presence, and the fact she needs to be chained up in order to avoid losing her again, remains one of the more entertaining teritary characters in the show. Even better, ever since Otoo married her, his own presence has gradually diminished, making them a “stealth couple”, which considering how rarely they show up in the show, makes perfect sense.

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Another tertiary character who hasn’t appeared in a while is Minegishi, who comes to Wagnaria to report Yamada’s mom is “back on track” as one of Takenashi’s mom’s executive assistants (a job he lets slide involves assassination, among other things).

Souma sent a vague report about Takenashi and Inami to her, but Takenashi sends him away before he can mention something important to him. When he comes back to try again, he encounters Inami out back, and when he touches her to get her attention, something happens that hasn’t happened seemingly all season: she slugs someone.

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Minegishi runs off, and Inami is mortified and ashamed, but Takenashi is there to assure her that not only did Minegishi of all people deserve to be punched (and he actually enjoyed it due to his masochism) but it inspired Minegishi to seek out a punch he had missed: that of his ex-wife, Takenashi’s oldest sister Kozue. He rather embarrassingly re-proposes to her at work, and she says yes!

Besides all that, Takenashi takes Inami’s hands in hers, and when she doesn’t feel the compulsion to punch him, he takes it as evidence she’s still cured of her androphobia, and her fists merely struck someone who both deserved and didn’t mind being struck. It’s a nice acknowledgement of the progress she’s made personally, and in her relationship with Takenashi, even though neither of them have yet to be clear about their mutual feelings.

Minegishi comes back not to scold Inami, but to thank her, as well as to tell Takenashi that his mother, a powerful politician and VIP who is on the news (his co-workers never watch), is returning home, much to his consternation. Considering the myriad personalities of her kids, Mama Katanashi could be literally anyone…I look forward to meeting her and watching everyone I know bounce off of her!

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Charlotte – 05

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This week’s Charlotte begins with a rather unpleasant scene of Nao being dragged out of class and beaten behind the school by a mob of other girls. Yuu follows but doesn’t interfere, but what’s unclear is whether Nao is disappointed or glad about it. He presumes it’s what she gets for messing with people with her invisibility. He knows what it’s like to bear misdeeds; he’s perpetrated plenty of his own with his body-swapping.

And yet, while Yuu doesn’t play the role of the shining knight swooping in to save Nao from her tormentors, with or without his ability, Yusa and Joujirou both agree they’re “not an unpleasant couple to be around” due to their natural chemistry and spouse-like interactions. If they didn’t care about each other one way or another, they wouldn’t fight; that kinda thing.

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Nao believes the Council’s next target is up in the mountains near the city practicing his flying ability (the downside to the power is never mentioned). The best way she believes to do that is to set up camp and stake the place out indefinitely until they either spot him or he comes to them.

In the process of camping the group participates in typical group-bonding activites that take place during camping, like starting a fire, roasting corn, meat, and vegetables, playing video games, and stargazing. The latter is something only Nao and Yuu do, with the latter finding her alone listening to a group called ZHIEND, whose lead vocalist and composer is blind.

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In another indication Yuu and Nao are a somewhat fated couple, he gets the same feeling from the quiet music as she does: that of being in a vast, gorgeous, lonely open space. She even gifts him her music player, excited as she is to find a fellow fan. The music makes Yuu remember the face of girl who looks a lot like a younger Ayumi but who he doesn’t know, but he’s woken from the dream when it’s his turn to keep watch.

On the second night of the camping stakeout, Yuu and Jou bathe in the river, where Jou tells Yuu it’s best if he set romantic plans aside until two years from now, when they’ll lose their abilities. It makes me wonder if this show will let us see that future and how it changes these classmates and colleagues who are gradually becoming friends.

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It really is a journey-not-destination kind of episode, as the flying kid mission is wrapped up extremely easily. Yuu swaps bodies with him and ends up several thousand feet above the ground (an awesome sight, to be sure), and when he comes down softly but slightly banged up, less than a minute of convincing from Nao persuades the guy to stop using his ability.

Back home, there isn’t much pizza sauce left, and so Yuu gets his first tolerable meal frmo Ayumi in a long time. He also manages to convince her not to put it in everything, finally. But then Ayu starts coughing, and her temperature is 37.8, prompting Yuu to get her under a futon. Hopefully Ayumi doesn’t get sicker as a prelude to the awakening of her own power; but I’ll admit that’s not outside the realm of possibility.

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Charlotte – 04

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I don’t dislike baseball, and while I probably wouldn’t watch an anime exclusively devoted to it, I do enjoy the occasional baseball episode (it was one of my favorite DS9 episodes, simply because it’s so fun and feel-good).

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This week’s Charlotte was one of those, and it turned out a lot like “Take Me Out to the Holosuite”, which featured a ragtag team of Sisko’s crew (many of whom never played baseball) against a superior team—or in the case of Charlotte, a team with an ace who uses telekinesis to pitch perfect games.

They’re not just playing for pride, either: Nao gets the pitcher to agree never to use his power again if they lose; warning him that to do so would invite unwanted attention and ultimately capture by evil scientists. She also points out that he’ll lose the power, and thus any change of getting to the Bigs, once he grows up, but he seems undeterred.

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The game that unfolds is a bit of a circus, what with new Hoshinoumi transfer student Yusarin transforming into Mika, who has above-average athleticism baseball “game sense”, but is limited by Yusa’s weaker, slower body. Joujirou is predictably an asset in getting to first in record speed, but Nao has to record his at-bat with a high-speed camera to prove to the ump via instant replay that he was indeed safe. And, of course, Yuu switches bodies with an opposing batter while manning first base, with his repeated fainting confusing the ump to no end.

Finally, Nao calls upon Yuu in the most important at-bat; one in which a base hit will give them the win. Unlike his usual M.O. of sneaking around and swapping bodies, Yuu must face something head-on. He goes down 0-2 quickly, but realizing the gravity of his position, he valiantly fouls off pitches until the pitcher tries a new angle that results in a passed ball, scoring the two runs they need to win the game and the bet.

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This week’s challenge for the Student Council turns out to be a little more interesting than the one-dimensional producer targeting Yusarin, because the pitcher wasn’t cheating for personal gain; he wanted to take his team as far as he could because he wanted his friend, the catcher, who has excellent natural ability without the use of powers, to be noticed by scouts. Nao respects the guy’s selfless motives, but tells him there are other ways to do that; ways that won’t get him locked up and experimented on.

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Perhaps Yuu also learned the benefits of facing problems head on, which would serve him well in the unending battle to get his sister to stop putting pizza sauce in his meals. This is getting pretty ridiculous: I know he doesn’t want to hurt her feelings, but if he really doesn’t want pizza sauce in everything, he needs to confront her directly and tell her to please stop. I’m sure he could figure out a way to do it tactfully. Or better yet, have Yusa tell her for him! But not Mika. She’d probably spit in the food. ;)

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Charlotte – 03

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After another incident of Joujirou injuring himself while procuring lunch (the show already spent that nickel last week!), the StuCo gets a new lead: someone who can not only channel the dead, but also has the power of pyrokinesis. It turns out to be the idol we saw Ayumi watching, whom Jou is also enamored of: Nishimori Yusa (voiced by Uchida Maaya). With some more Yuu and Takajou teamwork (in which Nao gets cold-cocked and Yuu takes the brunt of Jou’s attack) they manage to find one of Yusa’s protectors, who take them to her.

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When Yusa goes into channeling mode she’s unaware of what’s happening, and the girl she channels is her late older sister, Misa, who was once an delinquent with Yusa’s present bodyguards. It’s Misa, not Yusa, who is able to control flame. But Yusa is in trouble: she accidentally ended up with an incriminating smartphone, and a producer is looking to wipe her off the map to protect its secrets.

Nao devises a plan whereby Misa takes over Yusa and acts tough like she’s killing all of the producer’s henchmen left and right, but all she does is lightly singe her two buddies in flame-resistant suits, while Jou, Yuu, and an invisible Nao make it seem like she also has The Force. The producer is scared off, almost too easily, but at the same time, after that demonstration, I’d be pretty freaked out too!

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After that, Nao insists Yusa transfer to Hoshinoumi; it’s only a matter of time before her powers manifest in public and she’s taken away by scientists and used up like just another human “battery.” Misa agrees it’s what’s best for her little sister, even if it means one day she’ll no longer be able to possess her. One of her buddies also takes the time to confess his feelings for her; feelings he wasn’t able to confess when she was alive. And of course, back home, Ayumi is over the moon that her brother is now classmates with “Yusarin.”

This was an alright introduction of the fifth member of the main cast as displayed on the official promo art, and Uchida Maaya does a good job differentiating between the cutesy Yusa and the tough-as-nails Misa. But to be honest, there wasn’t much in the way of danger this week; everything just kinda worked out perfectly. for all involved Also, after just finishing the lovely Yamada/7 Witches, yet another instance of two people in one body feels a bit passe.

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Charlotte – 02

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Yuu’s first day at Hoshinoumi Academy is fairly eventful, as Joujirou demonstrates the incredibly destructive and unnecessary way he buys lunch. But while his demonstration and its resulting wounds is played for laughs (and it is pretty funny on its face), the show delves into darker territory with regard to the effects special abilities have on the people who possess them.

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But first, Nao and Joujirou show Yuu how they operate, using the location pinpointing and power identification skills of a “comrade” to locate ability users who, like Yuu, are up to no good. In this case, it’s the archery captain, who uses his “thoughtography” ability to produce images of girls in their underwear which he then sells…to help support his struggling family.

Nao and Joujirou put Yuu to work immediately, using his body-swapping ability to get the name of the culprit and foil his attempt to blackmail Nao (who is nonetheless flattered that the culprit thinks she’s attractive). It’s clear Yuu is a good fit, and that he’s now on the straight and narrow stopping people from going too far with their powers or using them for nefarious purposes.

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The StuCo he’s now in less about punishing the ability users and more about protecting them from themselves. Those who get discovered are often taken away by the powers that be to have their brains poked and prodded. Nao knows this because her own brother, the first youth who had a power awaken in them, underwent just that kind of intrusive experimentation, leaving him a husk of the person he once was.

The importance, and indeed nobility of The StuCo’s cause is underlined greatly when Nao brings Yuu to see her brother. At this point, Nao is used to him not reacting to anything, despite his hospital being in the most gorgeous, P.A.Works-y environment possible. She even buys lunch and eats it on the train like they’re on some workaday errand, not visiting her profoundly wounded brother.

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Her casual attitude may be Nao attempting to live as normal and happy a life as she can in her brother’s stead, because she managed to escape the same fate. But however you interpret it, it’s a brother-sister dynamic Yuu doesn’t repeated with him and his beloved Ayumi. While initially resistant to all the crazy crap going on at Hoshinoumi with Nao and Joujirou, perhaps Yuu will continue to be more smart with his powers and get with the program.

After all, as Nao says, any of them could be captured tomorrow and their lives and the lives of those they love irreparably ruined. For all its goofy or laughable moments, Charlotte doesn’t fail to bring the gravity either. That combo makes sense: for those with lives almost always on the brink and an ongoing mission that may not end until they lose their powers at adolescence, one must have fun, goof off, buy beef tongue and destroy a cafeteria now and then to maintain their sanity.

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Charlotte – 01 (First Impressions)

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What is it? Otosaka Yuu abuses his power to possess another person (for just five seconds at a time), which has twisted him into a kind of Yagami Light Lite, with troubling megalomaniacal and sociopathic tendencies and poor moral fiber. He cheats at both tests and in love, until he’s caught by a camcorder-wielding silverhair named Tomori Nao.

Nao, who can become invisible (but only to one person at a time) insists Yuu join her and her colleague Takajou (who can teleport, but never knows where he’ll stop) at Hoshinoumi Academy, a school specially suited to people with special powers like them. Facing expulsion at his present school and getting dumped by its idol Yumi, and faced with the enthusiasm of his little sister Ayumi, Yuu grudingly agrees to the transfer.

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Why should you watch? P.A. Works’ last effort that I watched, Glasslip, was a huge disappointment. Charlotte is much livlier, funnier, and flat-out better right out of the gate. Unlike a kid just dealing with teenage angst or longing, Yuu is a pretty confident dude, but also unprincipled, and selfish, literally causing traffic accidents to get a date with a girl. He’s the kind of swine you love to hate, like Light or Kanie from Amaburi. Yet I can’t help but root for him as I hope his new colleagues will work to reform his character somewhat.

The episode efficiently lays out the possibilities and limitations of his power, and the fact that if he could possess people as long as he wanted without them knowing, then he might be able to act so high and mighty and godlike. But he doesn’t. His power is half-baked, and so are those of his colleagues, so things can never quite get that out of control.

However, when they get a little out of control, such as when Takajou races around the city like a bull in a china shop chasing Yuu, or Yuu makes someone do something that causes a chaotic chain reaction, it’s great fun to watch. It’s also a just episode, in which Yuu gets all the misfortune coming to him…but doesn’t overdo it.

We see all the sides of him, like the side that sees Ayu as his only family and loves her so much he won’t tell her his omelette is too sweet.

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Why shouldn’t you watch? Like all previous P.A. Works, this show is gorgeous, and it got off to a great start, but if you still feel burned by Glasslip, I won’t begrudge you passing on another high school drama…is what I would say, only the drama so far is pretty pretty understated; in its place is just comeuppance and a healthy helping of comedy. If we’re just talking about Charlotte in a vacuum, its flaws are few.

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The Verdict: Charlotte gave us colorful, dynamic, flawed characters with clashing personalities, punchy dialogue, justice, and the usual P.A. Works dreamily beautiful yet everyday setting. It lured us in and held our attention throughout. Its superpowers are in-your-face and impactful without dominating the proceedings.

It also smartly set up the introduction of the fourth main character as the next target of the other three: the J-pop idol Nishimuri Yusa must be using her power in some underhanded way in order to achieve fame. I’m looking forward to the reveal of that power and watching Yuu clash with Yusa. This is a definite keeper.

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Sket Dance – 58

In the first part, Bossun tries out Chuu-san’s new invisibility draught, and it works. Chuu tells him it will last “two hours, easy”, so Bossun goes to town to put a scare into Himeko. When the potion starts wearing off prematurely, the nude Bossun starts to become visible from the top down, and Himeko and Switch must improvise to keep him covered up.

In the second part, Bossun tries out a new robotic power/fat suit designed by Switch called “Jubanni”, which responds to commands and learns to anticipate. However, when the suit starts to think for itself, it gains emotions, and almost gets Bossun killed.

In the world of Sket Dance, homeroom teachers can invent revolutionary potions and students can build sophistocated heuristic robosuits. And for good or ill, Bossun plays the guinea pig both times, while Himeko and Switch (and a chibi Roman) observe, snicker, and help out when they can, and care to. But no matter how far-fetched and ridiculous the situations of this show gets, as long as they’re humorous and entertaining, we don’t care.

Both verbal jokes and sight gags come fast and furious. The scenes of Bossun slowly becoming naked in public in particular are full of tension and gut-busting hilarity. Our only beef is that Himeko could have bought him some clothes at the department store, but maybe she was out of cash. We also like Himeko’s reaction when Bossun tells her she’s light as a feather. Compliments…will get you everywhere, m’boy!


Rating: 3.5

Aquarion Evol – 07

When Andy suggests the class change its seating chart, Amata ends up seated between Mikono and Zessica but closer to the latter. Andy is seated between Mix and a strange doll he claims belonged to a former student. After class Amata and Zessica end up locked out of the dorms, but they run into the doll, which is moving on its own, and freak out; Mikono sees them together and is displeased. It’s abductor Jin’s turn to attack Neo-Kowloon, and after her wavering heart negatively affects the union, Zessica is switched out for the doll, which it turns out has been held all along by an element named Yunoha, who is alive, but invisible. Her power shields Aquarion in invisibility, and Jin is defeated, though he was only controlling his mecha remotely.

We don’t really mind love triangles, with so much else in common with Macross Frontier, it was inevitable we’d run into a couple with this series; it’s just part of the territory. At least this week, a misunderstanding occurred and was cleared up. But Zessica is clearly starting to like Amata, so the tension between those two and Mikono will likely continue apace. Meanwhile, Mikono can’t stop thinking about Kagura. Whether that’s love or a crush or a brainwashing, we’ll have to see. Neither of these triangles really bothered us. But there was stuff this week that did, and it was enough to break this series’ perfect “4” streak at six episodes.

For one thing, while we like her invisibility power, the Yunoha character is a little moe. We already have a childlike character in the chairman: with Yunoha the series doubles down, and Yunoha’s voice is wayyyy more irritating, quite like Sae’s from Amagami SS. We also thought it was kind of silly to evacuate a city block, but let Aquarion use the buildings as cover. Aren’t those people’s homes and businesses? And all those roads will have to be re-paved…repaving ain’t cheap son. Unlike Rinne no Lagrange, this series has little or no regard for collateral damage, which is just a bit silly, considering Amata has the power of flight and could have drawn Jin’s fire away from the city. Ah well, perhaps they want to redevelop that particular district…


Rating: 3.5

Car Cameo: Cayenne and Shrade are rollin’ in a Ferrari California. Must be Shrade’s, ’cause I doubt Cayenne has that kind of coin. I mean, look at his clothes!