As I suspected, Shuka doesn’t want to have Kaname’s baby. She’s only naked because she was too tired to change into PJs after carrying him home and dressing his wounds. Fair enough…
As for the “family” she seeks, after a long time playing (and winning) solo, she now wants to create a guild of sorts within the game. Kaname is eager for allies (not to mention the saying about keeping your enemies closer) so he’s all for joining forces, much to Shuka’s delight.
Shuka believes the first step to being good partners is to become good friends, so she suggests a date in Shibuya the next day, when she wears the same red dress (she either really likes the dress or the show lacks the budget to put her in too many other outfits for too long).
In between doing date-y things, Shuka feeds Kaname more exposition about Darwin’s Game, or “D-Game” as it’s called in public (spreading info to non-players is a heinous breach of the rules). The episode kinda drags throughout the date…it’s just so talky and bland.
Even as a countdown begins for a special D-Game Treasure Hunt Event, Kaname is challenged to a fight by Inukai, a high school student a grade below him who is interested in fighting the noob who defeated the Undefeated Queen.
Kaname uses a stun gun and Inukai’s own warning about taking care of one’s phone, not to mention intervention from Shuka, to force Inukai to surrender. Then the Treasure Hunt begins, and since there are more players (300) than treasures to find, not everyone is going to survive.
Both gifted and cursed by immense natural athletic talent that made her peers resent her and take her for granted, Honoka turned down all the powerhouses and sought refuge at Aoba High, a prep school not too serious about sports, where no one knew who she was.
But when she tried out for the team, someone knew who she was, and was angry she didn’t give it her all. She makes Honoka spike a ball at her as hard as she can, knocking her down, but she gets up laughing, her suspicions confirmed. Her name is Kariu Rena, and she wants to play volleyball with Honoka.
For three years they played and had fun, but one thing that goes unmentioned is that the rift caused by her ankle injury wasn’t helped by the fact she never really caught up to Honoka’s level, and trying to stand beside her on a still-tender ankle felt impossible.
So Kariu said some very mean things and retired from the team, two actions she felt she could not undo, no matter how much she wanted to. She didn’t realize just how genuinely worried her friends were, and how they’d let her undo whatever she said or did if she’d just…play and be friends with Honoka again. It’s what everyone wants.
Hishiro’s role in the talk with Honoka is masterful, chronicling all the times she transferred and introduced herself with less and less enthusiasm, “giving up on knowing people” as her heart gradually numbed. The bond between Kariu and Honoka makes her jealous. She won’t let it crumble needlessly.
Kariu is caught listening in on Honoka, and maintains her stubborn iron guard. Oga remains to assure Honoka she didn’t mean the things she said (again), and Honoka is in agreement. Kaizaki, basically acting as Hishiro’s backup thus far, surveys his friends and Honokas; they’re all of the same mind. They give Kariu time and space, trusting her to show up for the tournament.
When she doesn’t, Hishiro is pissed, and vows to drag Kariu there if she has to. Yoake helplfully provides Kaizaki with Kariu’s address. An points out to Yoake that he’s getting more involved these days, because he likes how things are changing. So does she. Kaizaki & Friends exploits are changing them too.
Hishiro almost makes the rookie mistake of stating her name after ringing Kariu’s bell. Kaizaki shushes her and pretends to be a delivery man, Kariu answers the door, and they barge in. She’s in her tracksuit, with her uniform on underneath. It would appear their trust in her was not misplaced, only their confidence in her ability take the step of going to the tournament on her own. She’s still stuck at home.
Kariu calls Hishiro dense, that she can’t possibly understand how she feels, but Hishiro doesn’t care. Kariu’s her friend; she’s allowed to be worried about her. She’s come to fulfill her own selfish desire: to make Kariu play with Honoka again. She takes Kariu’s head in her hands and ask her what her selfish desire is.
Turns out, it’s the same thing; Kariu was just afraid it was too late to achieve, but it wasn’t. All their selfish desires align. All that’s left is to act. Kariu accompanies Hishiro and Kaizaki back to school. Kariu enters the gym, and the match. Honoka stops looking, as Hishiro puts it, “ugly” and “dead.” They play, and have fun, like they’ve played for three years.
They also lose, and are eliminated, and are officially done with high school volleyball for good. But as they both share a good cry behind the gym (with Hishiro sitting between them, a choice she initially regrets), Honoka makes it clear that winning without Kariu would not have been fun or made her happy. Losing is fine if it means she has Kariu back. And Kariu points out they can still play volleyball in college. Duh!
They exchange apologies before turning their gratitude and affection on Hishiro, who couldn’t be happier herself. She’d only just become friends with these two, and she was going to be damned if she was going to let their bond crumble. So she worked her butt off and it paid off marvelously, to the joy and relief of all. Stellar stuff.
Much like the way Kariu fell on her ankle, things have gotten very awkward between her and Honoka post-spraining. Kariu has elected to keep her distance, partly because she’s ashamed for what she said to her friend. Honoka sits with Hishiro, who instantly notices she’s looking “uglier” (due to the crying).
Inukai hates to see Honoka like this, wants to force Kariu to apologize; the more diplomatic Asaji holds him back. When two people on ReLIFEare out of balance, everyone is affected adversely. The question is, what to do about it?
Someone I didn’t mention above is Kaizaki, who all but sat out last week, and is paying the price for not being more attuned to things. He knows something’s up with Kariu, however, and thinks the best thing for it is to leave Oga alone with her and let youth do the rest.
In addition to placating Oga x Kariu shippers, Kaizaki also taps into Oga’s chivilrous nature, sticking around specifically to help Kariu walk home, and not leaving even when she yells at him. She’s not surrendering to his kindness here so much as cutting him some slack. It’s difficult and scary to be honest with one’s feelings, and the truth is she does appreciate Oga.
Two really great things about ReLIFE: it always finds ways to involve characters who aren’t in the present spotlight. Take Kaizaki and Hishiro, united in their need to figure out what’s up with their friends and what to do about it. Or take Yoake and An, who monitor Kaizaki’s talk with Hishiro. An grows closer and closer to Yoake as the conversation grows more personal and, well, dark.
The fact is, both Hishiro and Kaizaki ended up heeding peers’ demands they stay out of a bullying situation. Hishiro’s friend left school; Kaizaki’s senpai…well, it sure looks like something awful happened that scarred Kaizaki emotionally. Suicide, I’m guessing.
In any case, the discussion triggers that memory, and for a moment Kaizaki mistakes Hishiro for his poor doomed senpai, and embraces her tightly. Before he does, Hishiro is very concerned for Kaizaki, and comes this close to touching his face before he hugs her.
True to character, Hishiro doesn’t freak out by the close contact. On the contrary, I daresay she probably enjoyed it, as yet another step toward growing closer to others. But she’s not going to sit back and let what happened to her friend and Kaizaki’s senpai happen again. She wants “revenge”, against the mistakes of her own past self.
Neither she nor Kaizaki would have been able to act were it not for each other and their united front. Taking that next step to actively help your friends, without being asked or even when they specifically tell you not to do anything, is scary as well. They’re essentially each other’s courage.
Hishiro’s friend and Kaizaki’s senpai put Hishiro and Kaizaki before their own well-being and happiness, successfully compelling them to stifle their instincts to act. No longer. Hishiro and Kaizaki corner Honoka and get her to tell them what’s up.
In an interesting assist by Inukai, he tracks down Kariu and brings her to the closed door of the locker room where Honoka is talking with Hishiro and Kaizaki. The first thing Kariu hears shocks her, but not so much me: Honoka never wanted to play volleyball to begin with.
Next episode: Kariu/Honoka flashback! Till then, glad to see Kaizaki’s finger back on the pulse of things, and working so well with Hishiro. It’s been a joy watching these two grow as friends—and as people—side by side.
From the preview, I suspected for some reason that Tamarai Honoka would become interested in Kaizaki, but I was mistaken because I got his room confused with Inukai Akira’s, her childhood friend’s. That being said, Honoka does bond with Kaizaki a bit this week, as he becomes someone she’s comfortable confiding in on matters of volleyball, Kariu, and whether Onoya likes Oga (she doesn’t!).
And while ReLIFE continues its recent trend of focusing on a different character each week, this time Honoka, Kaizaki still gets a key scene in with Hishino, who expresses her envy of Honoka and Kariu’s close friendship. She also seems happy to walk to the station with Kaizaki, indicating her feelings for him are on a steady simmer in the background.
The foreground this week, however, is all Tamarai Honoka, Volleyball Ace. She’s painted as a victim of her own immense athletic talent, as her coach tells her she’s pivotal to the team (and worries she lacks “appetite”), and her teammates talk about her behind her back like she doesn’t have to actually work to be as good as she is.
Honoka is disheartened when she overhears those teammates, but when Kariu hears them, she storms into the locker room and sets them straight, as Honoka listens around the corner, so happy she has such a good friend, she can’t help but cry. Kariu is absolutely honest about her feelings toward Honoka, including occasional envy and frustration, but she still loves the girl.
Unlike Kariu, Honoka also has to deal with make-up tests after failing most of her midterms (which is how she comes to befriend Kaizaki), but her ever-loyal childhood friend Inukai Akira (whose older sister is the school nurse, as it happens) helps her study through the night.
Kaizaki is also studying, on his own, even, when Yoake calls to encourage him. An is with Yoake, causing Kaizaki to think the same thing I thought last week: Yoake and An like each other…right?
The intense studying results in Honoka passing her make-ups (Kaizaki, alas, does not), but she’s exhausted and pale, and even blacks out during practice. Not long after getting back up, Kariu has a spill of her own, trying to avoid a ball that wouldn’t have gone her way had Honoka not blacked out.
This episode is called “Rift”, and I assumed it meant some kind of rift between Kaizaki and someone else, but it turns out to be one between Honoka and Kariu, sparked by Kariu’s sprained ankle. Nurse Inukai estimates she’l need 2-3 weeks to fully heal, which Kariu takes to mean she’ll miss the last tournament they’ll play in high school. It’s a crushing blow.
But Honoka tries to be optimistic: if the ankle heals in two weeks, Kariu can play! Kariu rebukes her; even if it did, she can’t play without practice. And that’s when it comes out: Kariu says she’s not a “genius” like Honoka; she can’t just run out onto the court and ball like it’s nothing.
In this moment, Kariu is vulnerable and devastated and pissed off, and ends up saying the same things Honoka has heard from other teammates and friends—former teammates and friends—in the past, but never thought she’d her from Kariu, who made volleyball fun for her again.
And so the rift is open. Honoka has Inukai’s and Asaji’s shoulders to cry on, but that rift ain’t gonna repair itself. I’d say Kaizaki could moderate some kind of detente as he did with Hishiro and Kariu, but with Hishiro seemingly growing ever more enamored of him, he may have his own fish to fry.
Last week’s cliffhanger portended a rough road ahead for all parties involved, and a galaxy of possibilities in terms of if, and how, the conflicts would be resolved. But judging from the first four episodes, I was confident ReLife would resolve everything relatively quickly, but in the most narratively and emotionally satisfying way. The right way: no shortcuts, no lies, and no running away.
As it turns out, both Kaizaki and Kariu were knocked out by their fall down the stairs, so there was no immediate confrontation between them and Hishino. Instead, Kaizaki wakes up in the infirmary. Hoshino and her bag are gone, so the mystery of where she went and how she feels about what she saw is always hanging in the background, adding tension to an already tense scene.
Before Kariu comes to, Kaizaki pieces together what happened, and he remembers back when he was training at his job. When the woman training him started out-performing the men, they turned on her and started working to knock her down, sullying all the hard work they’d done to get to where they are.
Kaizaki remembers his trainer saying she wasn’t mad, but sad that they had given up trying to fight fair. Now we know one reason Kaizaki quit his job; rivals had twisted into vindictive enemies. It happens all the time.
Kaizaki knows this, because he’s 27. He’s lived ten years more life than Kariu or any of his other classmates. And so, without even thinking, when Kariu comes to he lectures her the way a 27-year-old would lecture a 17-year-old.
His own baggage comes into play, as he makes the connection between what the “filthy adults” stooped to at his workplace and what Kariu is doing; telling her he’s not mad, but “very, very sad”, and that she’s too young to be acting like this. Kariu blows up at him, caling him too self-righteous and too self-assured, considering they’re the same age. But much of what he said still hit home, even if it was delivered with a bit too much, shall we say, adult authority.
Kaizaki tells her what she’s overlooked: sure, she hasn’t been able to beat Hishiro or Honoka, but she’s still bettered herself. Her hard work wasn’t for nothing, and she shouldn’t give up. Not only that, she has the wrong idea about Hishiro, because they’ve barely ever spoken. Kaizaki delivers this advice knowing full well he himself gave up, but like both Hishiro and Kariu, he’s trying to change. And he is!
That wonderful exchange (with more baller work from Tomatsu Haruka) would be about all we could reasonably expect from a good episode…but this is a great episode, which means Hishiro is waiting at the gate when Kaizaki, and later Kariu, leave the infirmary.
Kaizaki initially lies about Kariu taking the bag because it was “dangerous to have it in the hall”, but changes his mind and tells the truth, remembering Yoake telling him not to clear all the thorns. Hishiro reacts as one would expect: with calm, cool logic. She doesn’t know the right answer, so she’ll ask Kariu upfront. (There’s also the matter of her heart panging when she saw Kaizaki hugging Kariu, but she wisely tables that issue for now).
Kaizaki may be hiding in the bushes to watch how it goes (with Yoake), but both of them stay out of it when Kariu comes out and sees Hishiro. Kariu doesn’t run, nor does she try to lie and say she doesn’t hate Hishiro, because at the moment, she kinda does.
The source of that hate had been cultivated each time Hishiro flashed her one of her scary mocking smiles, so when Hishiro assures her she never meant to mock her, and Kariu talkes Kaizaki’s advice and asks her to smile on demand, it dawns on her that she misunderstood; Hishiro is simply very socially awkward.
It was Kariu’s own issues with her than caused her to interpret it as mocking. Also, well, it really does look like she’s mocking her, but hey, that’s why you talk things out with people!
When Hishiro tells her all those smiles were meant to help them become friends, Kariu lets out a hearty laugh; part in relief, part in amazement. She also realizes Hishiro wasn’t ignoring her handshake, and when Hishiro puts out her hand this time, Kariu takes it and agrees to be friends…as long as it’s clear they’re also academic rivals.
That’s fine with Hishiro, who is so happy to have made a new friend, she smiles for real, surprising and dazzling Kariu in the process.
So, all’s well that ends well in the Kariu/Hishino Conflict! The operative word there being end, as the show had the guts to lay all the cards on the table and hash everything out in this one episode. Dragging out the misunderstanding would have only kept us from what are sure to be other great stories involving, say An.
I really enjoyed Kaizaki and Yoake celebrating like adults with beer and cigarettes, as Kaizaki gets a thank you from Kariu for ratting her out to Hishiro, realizing it was in her best interest. Kaizaki still isn’t sure he didn’t spare her the ugly truth about life, the truth he saw firsthand and drove him from the workplace.
But Yoake assures him he didn’t lie, either. There’s a happy median between blatant sugarcoating and outright nihilism. And even though Kariu won’t remember Kaizaki in a year, she’ll remember what he said to her if and when she runs into the same obstacles he did later in life. The episode closes with a triumphant shot of Kari sitting with Hishiro at lunch, the rest of the group happy and relieved. On to the next high school crisis!
ReLIFE takes things to the next level by delving deeper than ever before into a character other than Kaizaki, namely Kariu Rena. We’ve been able to infer since we met her that she considered her silver pin more than just a mark of status, with all of its perks and privileges, but a symbol that she was “good enough” to stand beside Oga.
It’s the kind of subject no one dare even bring up in her presence, but we’re privy to it because we’re in her head. She can’t hide how she feels there. But now Hishiro has the silver pin, and Hishiro is beside Oga and calling him “Kazu-kun,” while casting sneering, haughty, and/or victorious smirks at Kariu, as if to rub salt in the wound.
Obviously, it’s not Hishiro’s intent to antagonize Kariu—quite the contrary; she thinks she’s on the cusp of starting a friendship with her—but all that matters is how Kariu is interpreting Hishiro’s faces and overall behavior, and because Hishiro isn’t aware she’s doing any harm, she can’t stop the vicious cycle that builds and builds like a knot in Kariu’s stomach.
It’s not just Hishiro, either: Kariu would at least have a release valve in athletic greatness, but her friend Honoka beats her on the volleyball court as easily as Hishiro beats her in test scores. To make matters worse, it doesn’t seem like either girl exerted the slightest effort to best Kariu. They just did it.
When Oga, who is totally tone-deaf when it comes to matters of the heart, tries to invite Hoshino to eat with them, Kaizaki and An read the room and realize what a bad idea that is, since Kariu is right there, already staring daggers into Hoshino.
While Kaizaki handled that lunch situation about as well as he could, it doesn’t change the fundamental problem of Hishiro not wanting to be a loner but still eating totally alone. Kaizaki has to balance his desire to help Hishiro live a happier high school life while trying to stave off all-out war between Kariu and Hishiro.
All this is to say that Kaizaki cares. These “kids” he shares his life with day to day have become important to him; and thus his life starts to revolve around them. Yoake advises caution—sometimes kids need to fall and feel pain sometimes so they learn something—but welcomes Kaizaki’s newfound concern for his fellow man, something he didn’t really have as a NEET.
But all of Kaizaki’s progress is put into jeopardy when the tinderbox that is Kariu finally catches. In a moment when Hishiro is simply trying to reach out to her, Kariu storms off, but immediately afterwards sees Hishiro with Oga again, and wonders if she smiles at him like she smiles at Kaizaki.
Kariu’s frustration builds late at night while practicing in the gym, after Honoka leaves with her childhood friends and there’s no one around but herself and her thoughts. When she returns the gym key and finds Hishiro’s bag outside the lounge, she decides to steal it, just to try to get back some semblance of control; to, for once, hurt Hishiro, rather than the other way ’round.
Her caper doesn’t go so well, because Kaizaki happens to cross paths with her on the way to dropping off the study room key. Kariu tries to lie, but Kaizaki sees and recognizes Hishiro’s bag; the jig is up. Kariu tries to run, Kaizaki tries to stop her, and Kariu starts to fall down the stairs…
Just when I thought some weird looks from Hishiro were going to end up landing Kariu in the hospital or worse, Kaizaki puts his creaky old body on the line and makes a shoestring catch, only to end up falling with her the rest of the way.
Hishiro hears the crash and goes to investigate, and finds Kaizaki and Kariu huddled together on the bottom of the steps, with her bag in Kariu’s arm. Roll Credits.
While I’d like to think Kaizaki can call a time out and explain all of this, the fact of the matter is, the most logical explanation for what Hishiro sees is that Kaizaki and Kairu conspired to steal her bag together, which means they’ve got it out for her, which means Kaizaki never wanted to be her friend, putting all of his interactions with her in a new light. Hishiro is a bright kid but inexperienced in social skills, and may well believe the worst.
I still hope they can sort it out somehow, but it doesn’t look good. What started out as a sight gag (Hishiro’s funny faces) has turned quite dark and serious. But hey, I’m not complaining: this is some damn good high school drama, de-aging pill or no. Kariu’s seiyu Tomatsu Haruka deserves particular praise for her sympathetic performance.
Kaizaki may be Yoake’s project, but Kaizaki has made Hishiro his, with entertaining results. Her manner of returning 1,000 yen to him is nothing short of inspired, while her attempts to smile at Kariu end up giving the redhead the mistaken impression that Hishiro is looking down on her (figuratively).
The growing disconnect between Hishiro’s intentions and Kariu’s interpretations ends up being the primary driving force for an episode that’s otherwise pretty light. It goes without saying that despite his youthful looks, Kaizaki’s body is still every bit 27 years old, and his lack of warming up for a ball throw results in a paltry one-meter toss and lots of shoulder pain.
We also meet the childhood friend trio of Tamarai (Kariu’s athletic rival, but also friend), Inukai, and Asaji.
When trying to be friendly with Kariu, Hishiro only manages to add fuel to the fire that she somehow has it out for Kariu, not remembering her name and failing to shake hands properly, along with that creepy smile that is the envy of anime villains everywhere.
Kaizaki actually gets off to a great start in the 50m dash, but trips and falls hard, prompting health rep Asaji to princess carry him to the nurse; a demoralizing new low for Kaizaki, but thankfully school isn’t all about sports!
Things look up when Kaizaki learns Hishiro shares his route to school. When they arrive together, Kariu spots Hishiro smiling naturally (because she’s not consciously trying to smile), confirming her belief Hishiro is the type of girl who is mean to other girls but nice to the guys.
All the while, Kaizaki seems resigned to the fact no one will remember him in a year, so it’s not like he’s trying to start a romance with anyone. At home during his log entry, Yoake is glad Kaizaki is making faster progress than “Sample 001” in his first month of his ReLIFE.
At the moment, Yoake is more concerned about the cumulative emotional damage being done to Kariu, for which Kaizaki is indirectly responsible via his suggesting Hishiro smile more. Judging from those dead eyes, it doesn’t look like Kariu’s going to put up with Hishiro’s faces much longer.
As I wrapped up Flying Witch with these last two episodes on a Sunday afternoon, I noted how similar in speed and atmosphere my lazy day was to this final outing (alas, I did not explore a flying whale earlier). FW was fine on a Saturday, but I think Sunday is its perfect timeslot.
Episode twelve gets started with Mako simply organizing her things and trimming her broom, but she finds her old handmade robe from junior high, and decides it’s time to make a new one. Chito accompanies her for style tips (and navigation).
While on her trip, which serves as a kind of farewell tour to various parts of the town, Mako catches a glimpse of her heavily-drinking sister and an Inukai and Nao hard at work telling fortunes and delivering booze, respectively.
Back home, Mako tries to keep the fact she’s making a red robe for Chinatsu first a secret, but Chinatsu is too curious, and Mako doesn’t really see the harm in her knowing now rather than later.
That turns out to be a good move, since Chinatsu isn’t just handed a completed robe: she closely watches the process of making one, something she’ll want to do when she grows up in order to get the style she wants for cheap. Akane orders her robes online, because of course she does.
Akane also ends up treading on poor Inukai just as she’s closing up shop. Inukai is hesitant to hang out, but when Akane presents a fine bottle of sake, she sighs and drops her guard. These two have always been very Yin and Yang.
When Akane stumbles home, she finds one of Mako’s mandrake roots. While searching for another, Kenny discovers it’s being chewed on from below the earth by a blue earthfish, one of the more adorable creatures in FW to date.
The fish are tricksters that eat rice crackers and turn red when they drink Akane’s offering of sake, but when everyone is asleep except Makoto, they start floating about like cute little round lanterns (or giant red fireflies). Just one of many things Makoto has seen, heard, and experienced to add to her first association report.
I can report that Flying Witch was an immensely relaxing and enjoyable magical realist slice-of-life anime: bursting with warm characters, sights, smells and tastes; perfect for a lazy weekend afternoon…or twelve! Part of me hopes this isn’t all the FW we’ll ever get.
All of the little adventures in FW form part of a bigger picture that’s always being added to. Chinatsu’s encounter with a real fox last week compels her to point out to her mom that the fox really says woof, not kon-kon, for her children’s book.
This also marks the return of Inukai in her day white, who was supposed to tell Makoto’s fortune but never got around to it.
Inukai frames the rest of the episode by using her stone-throw divination to tell fortunes for Makoto, Chinatsu, and Kei, which we anticipate will come true at some point, we’re just not sure when. We also get to see “Pretty Inukai” when the sun goes down.
Another return to a previous story point: Makoto’s garden, which is really coming along nicely, including the mandrake root Nao refused and continues to refuse, as politely as she can.
There’s also a nice little high school rooftop lunch scene, with Nao announcing she’s on a diet and Makoto being particularly grandma-like with sayings like “a healthy body makes a pretty girl” and “guys like girls with a little bit of fat.”
Nao meets Akane for the first time, though due to timing Akane mistakes Nao for Kei’s girlfriend when she wakes up to find them chatting happily.
Nao shoots the idea down so fast Kei actually seems hurt (especially since she calls him “that thing”, but the truth is the two do get along pretty well. And at any rate, Akane’s very unsubtle initial go-get-’em-tiger attitude is pretty funny.
After enjoying some of Makoto and Chinatsu’s massive crop of radishes (which Makoto believes might have weight-loss properties), Nao goes home, and everyone retires to bed, something strange happens: an animate paper crane enters Makoto, Chinatsu, and Kei’s rooms and summons them to the living room, P.A. style.
It’s Akane, who is jet-lagged, can’t sleep, and wants to give the three her traditional travel gifts, this time from Burkina Faso, and in an unexpected way, those gifts fulfill the fortunes Inukai gave Makoto and Chinatsu, just minutes before that day ended.
Makoto, Kei and Chinatsu attend the cherry blossom fair, eat many pleasant snacks, tour a haunted maze, and finally meet a strange-looking woman wearing a suspicious hooded full body coat reading fortunes by the road. The woman’s name is Inukai-san and it’s quickly revealed that Akane playfully changed her into a half-dog during the previous festival and Inukai is desperate to return to being fully human.
After a lengthy and roundabout introduction, Makoto agrees to help Inukai, but the magic is beyond her ability to undo. However, before everyone can get too upset, Akane shows up, explains that the whole mess is Inukai’s fault (due to being very drunk) and says the spell will wear off eventually. Everyone is sad but accepting, and Inukai flies off into the night.
As always, this week’s Flying Witch was packed with lovely details and little exposition. In one example, Mokoto mixes an interesting potion without explaining what she’s doing or how it would work — and the transformation process, which fails, happens entirely off-camera.
The resulting humor is pure deadpan, but soft, and the world-building is natural. It’s even more interesting in contrast with the opening act, which focuses on the cherry blossom fair itself, and is packed with the characters telling us about the fair, its food, and what they like about it.
Flying Witch continues to remind me of a travel show. The slow pace, pleasant suggestions about what I may like about its setting and people and why, just have that style.
Even without that unique style, it exudes pure charm and surprisingly witty dialog, often sneaked into the background: when we learn that Inukai is Kei’s type, only Makoto seems to notice, but neither she nor Kei are dominant in the frame, and her reaction isn’t given significant visual consideration. It’s subtle, natural, part of the flow. Awesome!