Talentless Nana – 13 (Fin) – Friendship Is Tragic

Poor, poor Nana. She’s been so traumatized by her parents’ murder and by the idea drilled into her hear that it was All Her Fault, she’s never been able to trust anyone long enough to become friends. It never occurred to her that anyone would want to be her friend unless something was in it for them, and in any case she never felt she deserved one.

But Inukai Michiru is different. She may be in the dark about Nana’s murders, but one thing she’s sure of is that Nana didn’t kill her parents. The reason for her odd behavior of late wasn’t because she suspected Nana, but because she was wracking her brain for a way to convince Nana her parents deaths weren’t her fault.

When Nana realizes this, she’s overcome by a feeling she’s never experienced before: pure, real friendship. The next day there’s an outdoor market from the supply ship, and Nana is compelled to buy Michiru a gift. Kyouya notices Nana is acting like she has a crush, and she absolutely does have an incurable girl-crush on sweet, kind Michiru.

Nana ends up giving Michiru a cute dog pen, while Michiru gives her a frilly pillow so she’ll sleep better. The two haven’t been closer, and at no point during the day does Inner Nana come out to reveal she’s still just messing around with Michiru to keep her guard down. No, she’s straight up fallen for Michiru!

Like Kyouya, Jin notices Nana’s lack of usual focus and sharpness, but considers it a repaid debt for rescuing his kitty friend to warn Nana about Michiru being lured out to a secret meeting. Sure enough, Nana is confronted and slashed across the face by the real murder both Nana and Kyouya have been looking for.

While running to Michiru’s rescue, Nana gets an almost too-perfectly-timed call from her mentor and handler, Tsuruoka, whose very voice seems to flip a switch in Nana’s head and return her to Unfeeling Cynical Killer Mode. She’ll let the students keep killing and weakening each other…including Michiru.

However, despite Tsuruoka’s call that seems designed to get her back on track, Nana still all but abandons her mission by sacrificing herself to save Michiru from the killer, who we learn is the Astral Projector, Tsurumigawa Rentarou. She rescues Michiru just as Michiru is saying Nana will come save her!

Still, Tsurumigawa can’t ignore his instinct about Nana hiding a dark and tortured soul beneath her cute and bubbly exterior. And while he’s right about that, the bottom line is that Nana isn’t going to let him kill Michiru. She says some heartbreakingly awful things to Michiru about them not being friends to get her to flee.

Then we learn what Nana said to Kyouya before racing to save Michiru. She tells him Tsurumigawa is the killer, and tells him to look for his real body and stop him while she saves Michiru. In a cute moment, Kyouya tries to protest Nana taking the dangerous job, but both sides of the job are dangerous in this case!

Kyouya finds Tsurumigawa in the bathroom and chokes him until his projection dissipates…but the damage is done: Nana has been “butchered”, and more to the point, doesn’t really mind dying here and now in this manner, considering the things she’s done. So of course Michiru returns to her side and starts working her healing magic.

While being healed, Nana is too weak to speak and protest that Michiru is using up what’s left of her life to save someone who doesn’t deserve salvation or mercy. She’s right back to hating and devaluing herself. It’s a state Tsuruoka cultivated in order to facilitate her development into a tiny pink murder machine, and Michiru almost broke her out of it.

Wait, what is this “almost”? The death of Michiru hits Nana hard. Perhaps her sacrifice wasn’t in vain if Nana changes her ways and stops blindly following Tsuruoka and the Committee, who, if we’re honest, sure look like they were the ones who orchestrated the death of her parents, then blamed it on her as part of her hitgirl conditioning.

Michiru wasn’t just Nana’s first friend, she was her only friend, someone who loved her unconditionally and would probably go on loving her even if she knew of the horrors Nana committed. Assuming there’s a second season of Talentless Nana, Michiru will be sorely missed, but maybe her loss will help Nana escape the box in which others placed her and forge her own path.

Talentless Nana – 12 – Off Her Game

I like Michiru. She’s just so damn nice and good! So like Nana, I’m glad she’s not dead, only feverish and dehydrated. Unlike Nana, I don’t think liking or caring about Nana makes me weak or disrupts my Talented murdering spree.

Despite the trained, hardened killer in Nana lamenting how much time she wastes tending to Michiru while Kyouya is distracted by the new killer, she simply can’t and won’t leave Michiru’s bedside, even when Sorano offers to take her place there so she can rest.

Michiru eventually comes to, and we learn her mishap in the shower wasn’t the result of foul play, but the limits of her own Talent. While Nana was gone, two cats came to Michiru’s dorm. One, unbeknownst to her, was really Jin, while the other had a nasty cut on its neck. Shortly after healing the cat, Michiru took a shower and suddenly blacked out.

When Michiru spots the cut on Nana’s hand from breaking into the cafeteria to help her, she tries to lick the wound away, but Nana stops her, angry that Michiru didn’t learn her lesson about overuse of her Talent. In the precious subsequent moments when the two girls are making fun of each other’s unkempt hair, Nana isn’t a killer and Michiru isn’t a target…they’re just good friends.

Meanwhile in the woods, Jin encounters Ishii’s killer, who remains a dark silhouette to us. Without judging their murders, Jin requests that they at least stop hurting animals. We also check in with the committee that sent Nana to the island. She has apparently exceeded their expectations, and they praise the man who trained her, Tsuruoka.

When Nana goes off to clean herself up, she struggles with her sudden conflict not just over whether she should kill Michiru, but whether Michiru is remotely deserving of death. At the same time, she fears what Tsuruoka’s reaction would be if he could see how far off her game she currently finds herself.

When Michiru insists Nana stick around so they can play shogi, Nana brings up the name “Hitomi” she saw in Michiru’s journal, saying she “heard Michiru’s inner voice”—which is true to a degree! Hitomi was a delinquent-ish classmate back on the mainland whose dog Michiru healed. Hitomi, in turn, protected Michiru from bullies.

Hitomi once asked Michiru if she could help her sick “mom”, and Michiru explained she couldn’t heal illnesses. That said, she realize she can help a lot more, so she starts going to the hospital and healing people until passing out like she did most recently in the shower. That’s when Hitomi visits her and reveals she was asking for herself; she has terminal cancer; her orange hair was only a wig.

Michiru feels terrible for “making” Hitomi come to school to rescue her again and again, but Hitomi assures her she did it because she wanted to—and because like everyone, even she felt lonely and afraid sometimes. She likens leaving the hospital to help Michiru to Michiru risking her health to heal people—”we know it’s bad for us, but it’s okay to live a little.”

Shortly after reuniting in the hospital, Hitomi passed away, but Michiru promised herself to never stop healing and helping others—better a short life full of good deeds than a long life of cautiousness. Nana is so overwhelmed by this story, she has to excuse herself.

Out in the hall, she collapses from the weight of what is now the greatest single threat to her resolve. She keeps staring at the text indicating Michiru’s “Potential Death Count” of over 150,000 souls, partly hoping seeing that number will snap her out of her conflict, and partly hoping it will go down or disappear entirely.

She didn’t want to get this emotionally invested in one of her targets, but she is. She didn’t want to doubt the committees estimates, but she does. There’s still time for the show to reveal that Michiru is a supremely deceptive, evil, nasty piece of work after all. I sure hope they don’t go there.

That would let Nana off the hook too easily. I, like her, want to believe Michiru is exactly who she seems to be. Not only that, Munou na Nana created something truly beautiful in Michiru the pure, irreproachable, virtuous angel puppy. I’d hate to see that beautiful thing destroyed.

Rating: 4/5 Stars

Talentless Nana – 11 – Proper Ventilation

Nana arrives late to the latest murder scene with Detective Kyouya already working the case. He questions those in the adjacent room: Muguo and three acolytes, whose talents are voice mimicry, astral projection, and magnetism. They apparently didn’t hear a struggle in the Ryuuji’s room last night.

Ryuuji’s girlfriend, Sorano Fuuko, is the most suspicious to us because she’s in the opening credits and also just framed suspiciously. Fuuko demonstrates her power to focus atmosphere into a powerful weapon on a willing (and invincible) Kyouya. She does it outside because she finds it hard to focus in a closed interior space.

After the demo, Kyouya goes off to ponder, while Nana checks out the crime scene. If Fuuko needed air, that explains the open window and bugs that got in the dorm, as well as the messy state of the place. Michiru tags along, and Nana senses something has been off about her since last night.

Nana is also surprised to find she can’t hold back her emotions when Michiru thoughtlessly talks about how great her parents are when Nana told her about her parents’ fate the previous night. The fatigue could well be getting to them both, but then Nana thinks she’s figured out the reason for Nana’s off-ness when the teacher comes by with a fresh uniform.

Kyouya told him to deliver it, and Nana recalls she had a bottle of poison in it. Thus she suspects Michiru is off because she found it, and like the incriminating photo of her, is torn between their genuine friendship and suspicions of her own.

When Kyouya suddenly appears, her fears seem to be confirmed, but the detective only wants Nana to accompany him for an interview with Fuuko, hoping her mind-reading will help him determine if Fuuko is telling the truth. Interestingly, at no point during their time with Fuuko does Nana consider this is why Kyouya brought her.

When he asks about Fuuko’s thoughts, Nana tells the truth: she wasn’t focused enough, but for what it’s worth, she doesn’t think Fuuko did it…yet. But when Kyouya starts piecing together the night of the murder in intricate detail, he ends up starting to convince her that it could be Fuuko. It’s great procedural stuff.

That brings Nana back to Michiru’s, as she didn’t like where they left things the last time they were together (Nana yelled at her and stormed off). Michiru is in the shower, so Nana searches her dorm for the poison. Instead, she finds Michiru’s open journal, which is full of beautifully pure, earnest entries about how much she loves and admires Nana.

I should know better considering her conditioning prior to coming to the island and, ya know, all the people she’s murdered, but Nana seems…chastened by this journal…even a little guilty for ever suspecting Michiru? No doubt those suspicions were somewhat influenced by Jin’s fake “Dark Michiru”.

Right on cue, Jin appears. Turns out he took the potion from Nana’s clothes before Michiru or Kyouya could find it. He’s determined to allow Nana to “keep swimming”, i.e. continue her mission until he can draw out more about the people she answers to.

Jin then forebodingly mentions how Michiru has been in the shower quite a long time, and takes his leave. Nana suddenly panics and rushes in the bath, where Michiru is slumped over the side of an overflowing tub. Could this be the end of dear, sweet Michiru? Was Nana snapping at her really their last interaction?

Something else to consider: Is this the act of the one who murdered Ryuuji, or did that last terse interaction drive Michiru to kill herself? We don’t know, and at the moment neither does Nana. From the first episode she’s prided herself on being on top of things with regard to who is up to what; it’s what any serial killer needs to be to avoid ending up caught or dead.

But at the moment Nana herself is a bit “off”—both unsure of the second murderer and morally conflicted vis-a-vis Michiru. It’s an intriguingly uncertain place for her to be with just two episodes remaining.

Talentless Nana – 10 – Just Your Typical Little Girl

When Nana breaks free of her icy anklet, Jin uses Moguo’s fire Talent to stop her in her tracks, but apologizes for going too far. Still, her phone’s “potential kill count” messages cause him to suspect she’s a “crusader” like someone from his class who believed he was sent to kill the “minions of Satan.”

Jin isn’t interested in using others’ Talents to force Nana to talk. He wants to patiently build trust with her, human to human, something he wasn’t able to do with his class, whom he dehumanized all too easily when he used their own Talents to kill them.

Badly burned and about to lose consciousness, Nana gives Jin a little of what he wants: insight into who Hiiragi Nana is. She tells him she had an older brother she was too young to remember, and a mother and father who were murdered one night by an Enemy of Humanity.

Before passing out, she smiles when he asks if she sees Talented as Enemies of Humanity, then he carries her back to the dorms, warning her that now that the bodies are starting to pile up, the psychopaths among the current class will soon “come out of the woodwork”. Basically, she’s not the only murderer on this island.

When Nana comes to it’s in Michiru’s dorm; Jin left her at her dorm and Michiru did what Jin knew she’d do: take Nana in and heal her. Michiru also mentions that an impostor went to class when she was too tired to go (due to Jin drugging her). Nana realizes if she’s more open with her traumatic past, her reckless actions will be more easily explained by her “noble vendetta.”

Michiru wants Nana to know she’s always there if she wants to talk. As Nana talks to her about how her house was broken into and her parents killed, Michiru exhibits all the qualities of an empathetic, caring, even loving friend. But after revealing Yuuka’s true colors, she can’t help but still wonder if even sweet Michiru has a dark side.

In the meantime, memories of that horrible night well up and haunt Nana. As she ponders her next move in her dorm, Jin pays her a visit. He agrees to return her phone to her if she’ll “share more of her soul” with him via more information about her past. Then Michiru shows up , and Jin disguises himself as the kitty Nana saved.

Michiru and Kitty!Jin listen as Nana gives details about what kind of “typical little girl” she was. She loved games of skill like Chess, Shoji, and Go, and was so good at them that other kids didn’t want to play her. She also made a mess of all the games in her rooms, and played long into the night, often slipping out past midnight to go to the konbini to buy manga, another passion.

Her parents always told her to make sure her window was locked, but one night she fell asleep without doing so, and that was all a burglar needed to gain entry. The next morning she found her parents brutally murdered, and she carried her father’s head out in public. Nana begins to break down over the guilt of being the reason the murderer targeted their house and got inside, but Michiru offers her hand in support.

At some point, Nana falls asleep at her desk, and wakes up the next morning to find Michiru sitting on her bed, awake and oddly alert. Before she can say anything, Kyouya bursts in and asks the two girls to come with him. There’s been another murder: a male student’s throat has been slashed, apparently by a sliding dorm window.

It’s clear Nana didn’t do it this time, which means there is indeed another murderer on the island. But who? The camera lingers on a girl with bangs and a pony tail whose eyes are always shut—according to MAL, her name is Sorano Fuuko. It could be her—whoever she is—or it could be someone else.

For all we know, it could even be Michiru, who may have left Nana’s dorm to kill after Nana fell asleep. That goes against everything we’ve learned about Micchy so far, but if this show has taught me anything, it’s not to trust anyone or anything!

Rating: 4/5 Stars

Talentless Nana – 06 – My Chemical Necro-mance

Convincing Michiru that the photo was just Tsunekichi’s dream is child’s play for Nana, who was ready to murder her if she showed any sign of being suspicious. Still, Nana knows that Talented’s abilities can evolve, and Michiru doesn’t mind sacrificing her lifespan to heal others, so she still plans to kill her later.

At Tsunekichi’s funeral—the first of those killed so far—Kyouya voices his intention to perform an autopsy, since the police aren’t coming to the island. Nana takes him aside and protests desecrating a classmate’s body, only for another classmate, the necromancer Kazama Shinji, pulls Tsunekichi’s corpse right out of the coffin, ready to ask it what really happened.

As Shinji declares he can draw out the dead’s memories and even use their Talent, his old friend Yuuka rushes to his side, arguing that he’s really a good guy. Nana then tosses a Hail Mary, declaring she can hear Tsunekichi’s soul suffering. This turns the class against the idea of continuing with the necromancy, and Shinji stands down.

Later that night Nana spots Shinji and Yuuka together, deeming them a close couple. Kyouya is also out patrolling, knowing that if there’s a serial killer out there they wouldn’t want someone with the Talent to make the dead incriminate them.

When Yuuka mentions a movie theater fire where Shinji’s hand was scarred by burns, Nana admits he’s probably a good guy, but “a mission is a mission”, so she kills him with a poison needle in his sleep the next day.

In order to do so without detection, she feigns exhaustion then slips out of the infirmary. While on her way back she discovers a cat stuck in a drain, which is actually lucky because Kyouya and Michiru are already in the infirmary before she can return to the bed. By putting the cat’s welfare first, she opens herself up to suspicion of killing Shinji, but also serves to further confuse Kyouya, noted cat-lover: how can anyone who helps cats be a serial killer?

Unfortunately, it’s again not Kyouya Nana has to worry about this week. When she tries to kill Yuuka with a needle in the night, she’s bashed on the head from behind…by Shinji. Turns out he doesn’t just look sickly; Shinji is an actual zombie, controlled all along by the real necromancer: Yuuka herself!

It’s a great twist because like Nana I assumed she was Shinji’s super strong tomboy girlfriend, and her seiyuu Tomita Miyu really sold that presumed persona well. Yuuka revises her story about her date with Shinji at the movie theater. She was able to escape the fire, but he died saving everyone else. So she used her Talent to “bring him back”.

Now we know what she meant when she said the two of them were “stuck with each other!” As Yuuka and Shinji go back and forth with each other, Nana labels Yuuka as “insane”, likening the situation to split personality disorder.

Crazy or not, Yuuka isn’t ready to kill Nana yet, but it doesn’t take her long to pin all of the deaths so far on her. It’s unlikely Nana’s “Amateur Theater Hour” is going to work this time. She’s in quite a spot! So what does she do? Smirk an admit to killing them all.

I doubt even she knows quite how to proceed—perhaps by somehow exploiting Yuuka’s mental instability?—but one thing’s for certain: the mission can’t end like this. It’s her toughest spot yet, and I’m very interested to see how she wriggles out of it!

Rating: 4/5 Stars

Talentless Nana – 05 – Photo Finish

As evidenced when he immediately blackmails Nana into being his girlfriend, Hatadaira Tsunekichi is clearly a scumbag, and thus not really worthy of any sympathy. Of her victims so far, he’s the one least interested in being a hero. But he’s also a big ol’ weirdo!

Perhaps due to a life lived knowing what the future holds via photography, he’s adopted a habit of having dialogues with himself as he holds up his two hands. It’s not his scumbaggery, but his mental instability that makes him such a wild card for Nana’s plans.

Nana could have reasonably expected Tsunekichi to try to make an unsolicited move on her their “first night” together. Instead, he’s primarily concerned with keeping her holed up until the time of the damning P.E. shed photo arrives. Since he’s still alive in the photo, he feels untouchable enough to fall asleep with Nana in his room.

That’s when Nana watches his precog photography in action—it happens when he’s asleep—and one of them in particular makes her do a double take. She seemingly hides that photo but Tsunekichi finds it on her person. And as soon as I saw it—depicting her being strangled—I assumed she staged it so he’d believe he’d turned the tables in their future scuffle.

But even with such a predictable development, thinks don’t go exactly as planned for Nana in that P.E. shed. That boils down to her not being certain that the fate of the photos is inescapable. Tsunekichi can only take five future photos at a time, so who’s to say there isn’t another limit he hasn’t revealed? Nana changes the time on his watch to make him ten minutes late for the fated encounter, but he manages to free himself from her jump rope hold.

It turns out he’s “hyper-aware” of time and knew she changed his watch, but he assumed he’d was the one to pill her top off based on the photo of her being choked. Sure enough, it was a selfie she staged, and Tsunekichi didn’t notice it wasn’t one of his. Due to her her position on the floor, she was able to grab a poison needle that was out of reach when he first entered—and stick him with it, killing him.

But what of the real fifth photo she replaced with her selfie—the one that gave her a double take? As Nana says, that’s where “the real ordeal begins.” It’s a photo of Kyouya and Michiru entering the shed and discovering her with Tsunekichi on the ground. Naturally, Nana plays the victim, using school scuttlebutt that day about Tsunekichi calling her his girlfriend.

When Michiru is unable to find a wound or heal Tsunekichi , Nana details his attempted blackmail of her with what she says were nude photos of her. With a reliable ally (and surrogate to the rest of the class) in Michiru beside her, Kyouya’s alternative theories can only go so far, not matter how close they are to the reality of what happened.

Even so, Nana is sloppy, returning to Tsunekichi’s dorm and being caught there by Kyouya. Fortunately, at no point does he see the incriminating photos, but as we learn from both his and Nana’s inner monologue, he’s sharp enough to latch on to even her smallest mistakes.

Under the circumstances, it’s impossible for her to be perfect, but going forward she has to be as close to perfect as possible if she’s to succeed in the mission. Before she commits to doing so, another imperfection reveals itself: she only has four of Tsunekichi’s five genuine precog photos…the fifth one—the one we saw last week in the cafeteria—is missing.

It’s the photo of Nana pushing Nanao off the cliff, and it’s not in Tsunekichi’s dorm, nor did Kyouya find it. Nope, it’s kind, trusting Michuru who finds it on Tsunekichi’s person while trying in vain to heal him! I was expecting her to find the puncture wound and extract the poison, but it looks like the book on Tsunekichi is closed.

Finding the photo now puts Michuru square in the crosshairs…unless Nana can somehow convince her to keep quiet about it. Considering how sinister Nana’s aura is when she walks into the shed, you could assume Michiru’s time on this world grows short—especially considering she’d already fulfilled her task of compiling a list of the other students’ Talents.

Will Nana have to get rid of Michuru earlier than scheduled—or will she find another way to spin straw into gold? As always, I’m eager to find out!

Talentless Nana – 04 – A Useful Idiot

Nana contemplates her next target when the two class Gals pick on Inukai Michiru, the meekest, most guileless member of the class, with a love letter Nana knows is just a fake. Michuru spots a scrape on Nana’s leg and proceeds to reveal her Talent: a tongue that heals all wounds. It’s a scene that happens so suddenly you almost overlook the yuri/BDSM subtext.

Nana also determines that Michiru could cause the deaths of 150k (still not sure how that algorithm works), and thus as good a next target as any. The only problem is, Kyouya is still breathing down her neck. Nana decides she’ll play her part, first in informing poor Michuru that her after-school rendezvous will be a bust (the love letter was fake), then cheer her up with some lunch.

That night, Nana arms herself with an icepick to do the deed, but finds Kyouya sitting right outside her door, “guarding”, i.e. watching her out of “concern”, i.e. suspicion. She then proceeds to play loud music and sneak out her window—which she should have done in the first place! It appears as though Nana is going to stab Michiru in the back, and Kyouya hears a scream from Michiru’s dorm…but when he arrives, it is Nana on the floor with a stab wound.

She claims she heard the Enemy’s inner-voice and raced to save its target, Michiru. Detective Kyouya can use this latest incident and connect it to past info however he wishes, but everyone else in the girl’s dorm is immediately united behind Nana when they see what she did for Michiru.

Kyouya later considers that Nana could have stabbed herself—which of course she did—but Nana presents to him and everyone else a lie (an invisible monster) more feasible than the truth.

Kyouya’s lack of concrete evidence to support his accurate suspicions to a class now fully trusting of Nana essentially paralyzes him. His theories remain in his brain, harmless to her efforts. She’s even able to get Ice Prince and Fire Thug to agree on something: that SHE should be their new leader in Nanao’s stead. Since her self-inflicted attack is accepted as an attack by an invisible Enemy of Humanity, she can use them as cover for all subsequent killings. Nana is flying high—ultimately too high.

Her arrogance gets the better of her when she instructs an enthusiastically willing Michiru to talk with all of the other students and record their Talents in a book. This would seem to be a no-brainer considering what a Chatty Kathy Michiru is (and she can be offed when no longer useful), but the benefits are quickly nullified by an unexpected setback: Michiru’s probing tips off Hatadaira Tsunekichi, a psychic photographer who has acquired a photo of her killing him in the future.

Whelp, there’s the concrete evidence Kyouya needs so desperately to prove his suspicions! Thankfully for Nana, Tsunekichi comes to her first. He demonstrates with devastating accuracy that every photo he takes ends up happening without fail. Even when Nana changes her order, she ends up with a face-full of soba. Then he pulls out one more dagger: a photo of her shoving Nanao off the cliff.

This would put Nana in check, but for the fact that, as far as we know, only she and Tsunekichi have seen these photos. Tsunekichi also seems to have doomed himself: If there’s a photo of him being killed, and everything in his photos happens, then he must be resigned to die. So, will Nana succeed in killing him before anyone else sees the photos? Or will they be leaked, forcing her to use all her leader capital to defend herself?

It’s definitely a tricky new corner she’s been pushed into. Like Michiru, Nana considers Tsunekichi an imbecile, and I definitely can’t rule out her managing to outwit him and turn him into another victim of the Enemy. But his power exposes a huge flaw in her execution of this mission: Why the heck did she start killing anyone before she learned the powers of everyone? Assuming she gets out of this fix, what other surprise Talents could compromise her, all because she killed too fast?

Rating: 4/5 Stars