Zombieland Saga – 06 – Not Ready to Be History

Let’s face it: as quirky and hilarious as Tatsumi is, he has technically been holding the zombie girls in a kind of servitude. As such, they find themselves compelled to rebel now and again, as Ai does when she sneaks onto the internet during Tatsumi’s long baths.

She lets the others in on her little act of resistance, and they even find a potential new gig for Franchouchou: the famous Saga Rock Festival. Here, the differing philosophies between Ai and Junko (already shown when Junko can’t quite keep up with Ai’s faster, more modern dance moves) are laid bare.

Junko thinks incremental improvement is better in the long run than aiming too high, while Ai’s past career and present purusal of the ‘net has taught her that you have to strike while the iron is hot; stiving for perfection is a luxury they can’t afford.

The next gig Tatsumi lines up for FSS is the kind of even that is commonplace in the present day for idols: a mini-concert followed by a swag sale and photo-op with fans (and yes, they have a good number of those now, as hilariously reported by an oddly kabukiesque Tatsumi).

Everything goes swimmingly—as their gigs tend to do—until its time for the picture-taking. Suddenly, Junko is completely out of her element. Idols in her time would never dream of closing the distance between their fans to such an extreme. She walks out of the job.

Because Junko and Ai are two idol veterans living in the present, they both believe they are right in their views on what an idol should and shouldn’t be. But because they’re from different eras, they end up clashing, and because they’re both stubborn, it flares into a lasting fight the other girls can’t extinguish.

Junko goes to the beach for contemplation, but Sakura catches up to her. That’s when Sakura learns why Junko is so loath to interact so closely with fans: it would be crossing a boundary and going against what she believes an idol is supposed to be: a timeless dream to aspire to, not a fallible chum.

That brings us to how Junko died: while on her way to her next gig, her plane crashed into the sea. Sakura’s death was presented as a joke, but Junko’s is treated far more soberly.

That brings us to the most tragic (and, incidentally, most metal) death to be revealed thus far: Ai’s. We learn what her fate was when Saki finds her cowering in a thunderstorm. Unlike Junko, in less than a year Ai’s Iron Frill was performing in front of tens of thousands in packed arenas. At her biggest show yet, which happened in an open-air venue, it started to rain.

One moment, she was lighting up the crowd with her energetic performance…the next, a lightning bolt zapped her into a cinder. Her charred remains, still holding her final pose, simply stood there in front of her stunned fans. It was a deeply traumatizing experience for all, and a national tragedy.

Most distressingly for Ai, it was history. She became history because of the completely bonkers, completely heartbreaking way her life was snatched away at the very height of her powers.

She may be deathly (undeathly?) afraid of lightning to this day, but she’s not ready to be history quite yet. She’s back, and she’s going to make the very most of it. I liked Sakura and Saki, who each heard the sad tales of Junko and Ai’s respective demises, meeting up when neither could sleep. After all, being told what they were told would unsettle anyone.

But neither of them have an answer for how Junko and Ai can make up. Right now, Junko isn’t even sure she can be in FFS, if they have to do things like the photo op. It’s as much a question of pride and identity as shyness. But by episode’s end, Tatsumi has already made another decision for them: he’s booked them for Saga Rock, just as they had intended to do anyway.

That means Ai will have to perform in an open-air venue, which literally killed her the last time she did it. Even worse? Her old group, Iron Frill, will also be there. Will they recognize her (if they’re even the same members, which is doubtful after ten years)? Will Junko participate? Can they find a way to put their generational differences aside? We shall see.

Really strong and emotionally resonant outing for Zombieland Saga, showing it can be just as adept at serious drama as madcap comedy.

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Zankyou no Terror – 05

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Despite the seemingly random (to the public at large) destruction and disorder they’ve caused, Nine and Twelve’s activities as Sphinx have been highly controlled at every level. They’re not launching their attacks to kill or even hurt people. They’re sending messages Nine hopes Shibazaki will pick up on.

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He does, but it leads him back to “old mistakes” and introduces the opportunity to make them all over again. But what neither Nine nor Shibazaki learn soon enough is that they’re no longer the only players on this board. The cat and mouse have been joined by another mouse, intent on stirring up shit and introducing chaos into what had thus far been a very orderly “courtship dance.”

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That new mouse is Five, a distinctive-looking woman whom Nine remembers from his flashbacks to the facility. Nine never sees Five’s face or hears her voice in the present, but he knows it’s her, because of what goes down this week. Namely, she Ruins Everything: his latest terror plot ends up an even bigger, smokier mess than the one Lisa made in their kitchen.

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Lisa was trying to make an honest effort to get Nine to no longer see her as useless, so she could stick around, as she has nowhere else to go. Nine is not happy to say the least that Twelve brought her home (I’m delighted, personally), but she’s too sick to be thrown out; even he’s not that heartless. But he does predict her getting tangled up with them can and will end badly.

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It can’t be understated how disruptive a force Five truly was this week; not bad, considering we mostly see her painting her nails. She negates Sphinx’s use of cell carriers by causing a wholesale cell blackout. She baits Nine with a fake backdoor then hacks into his computer. After the bomb is allowed to go off, she sends a mass text saying “I found you.” It really shakes up the status quo nicely.

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Meanwhile, Shibazaki has made the connection Nine wanted him to: the bombing targets were all big shots involved with the “Rising Peace Academy.” But targeting these people means he’ll have to investigate them, and they’re not the kind of people who want to be investigated, especially as some are cops themselves.

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So Shibazaki is again in a situation where he can’t help digging too deep until he angers the wrong people. Both he and Sphinx have been outmaneuvered and their agency curtailed. And Five, the one responsible, is right there in the office with him, smiling away. Does Five want to catch and/or hurt Nine and Twelve, or “help” them? I’m just hoping she doesn’t turn out to be one-note chaotic evil.

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Zankyou no Terror – 04

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“At the place where the king who solved the riddle received a scary prophecy, whose name would you carve on its entrance?” Let’s just say, if you’re a detective chasing Sphinx and don’t know anything about western mythology, you’re up a creek without a paddle. Shibazaki doesn’t have that problem. He’s locked in, or at least more locked in than anyone else on the case.

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He visits a town where one of the suspected culprits held a part-time job, not so much for answers, but to get a lay of the same land they saw; see the same sights and smell the same smells…to sweat the trivial details that could lead to a breakthrough. Sphinx won’t be defeated if their mind can’t be penetrated. Shibazaki is trying to get in, and he may well be the only one who can work at something approaching their wavelength.

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Shibazaki’s observations, intuition, and deductions were nothing short of brilliant this week; the rust has definitely been shaken off. But again, he finds the answer, but not the whole answer; he remains several moves behind. He doesn’t take one word or gesture for granted, which is why this time he knows it falls on them to stop the bomb, not merely find it, and certainly not storm what is believed to be the culprits’ hideout.

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Therefore, even when Shibazaki realizes one of the maxims carved into the temple at Delphi—“know thyself”—is directed at him (he did put his face out there and issue a challenge), and thus the password to stop the bomb is his own name, ‘shibazaki”, it isn’t enough for victory, because his superiors sent EVERYONE to catch the guys, which is the very “cheating” Sphinx warned them not to try. The bomb that goes off is a bomb of information: all of the documents related to he department’s investigation are released onto the web.

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Shibazaki figured out the first maxim was the password, but the other two maxims were also in play. “Nothing in excess” could be interpreted to mean “no storming our hideout with a cop army.” “Make a pledge and mischief is nigh” (i.e., “be careful what you promise”) is another stab at Shibazaki, who promised to bring Sphinx to justice. Shibazaki can know himself to a t, but if he can’t control the people around him, that justice will remain out of reach.

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This is all fantastic stuff, but that isn’t even the whole episode, as we also get a big development in Lisa’s story. Rendered up to this point as a coldly-discarded loose end, she’s run away from home and from her awful mom, which sounds like a good idea until you realize Tokyo is not the safest place for a young lady to stroll about. She’s first accosted by curs, then cops, and Twelve can’t help himself, even though Nine definitely can, and urges Twelve to stay away from her.

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Nine is right in that the more people you involve in your schemes, the greater the chance you’ll get caught, but Lisa is very much a ghost at the moment; a ghost only he and Twelve can see. I don’t think there’s any question that they can trust her, because she has literally no one else. Any shadow of doubt was erased when Twelve plucked Lisa from police clutches and onto the back of his motorcycle. Turns out someone would just take her away when she wanted them to.

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The pure, unbridled exhilaration and jubilation; the wind in her hair and the glowing skyscrapers flying by overhead; smiling and laughing out loud for the first time she can remember…why would Lisa ever betray the person who gave her that? I’m not saying there isn’t the potential for her to end up being their Achilles’ Heel (with Shibazaki as Paris delivering the arrow)…but who said the Sphinx can’t take a waif in?

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