The Rising of the Shield Hero – 22 – What Now?

Last week felt like a finale, but I’ve suspected for a while now we’re in for second season of Shield Hero down the road. With that in mind, it hardly comes as a surprise that this week’s episode slows things down substantially—a calm after the storm, if you will—with only three more episodes remaining this season.

Naofumi is summoned right back to Melromarc by the queen, who holds a party honoring their service as a front for a conference meant to ensure the four heroes reconcile and start working together. Raphtalia and Filo finally get the class upgrades they’ve so desperately needed (though they don’t get to choose their class, in part due to Filo’s cowlick). We also learn Mirelia is as fanatical about Fitoria as her daughter.

It doesn’t take long for bad actors to slip right back into bad habits, whether it’s a drunk knight spouting anti-demi vitriol and starting brawl in the banquet hall, to Malt–er, Bitch attempting to poison a pie meant for Naofumi’s party. It escapes me why she wasn’t simply banished from the palace.

Things don’t go any better in the closed-door session of the Four Heroes, with Mirelia mediating. Even though his name has been cleared, Motoyasu is still loyal enough to Bitch to declare Melty is lying about the poisoned pie, even though Bitch still has her slave crest and owned up to the crime.

That’s just a small taste of the inflexibility Naofumi faces. As Raph fights the drunken knight, and others start fighting each other, the other heroes only reluctantly spit out a bit of what they’ve learned about leveling up. The three heroes then turn on one another when they have opposing views about what’s most important when upgrading weapons, or the specific contents of their respective HUDs.

The bickering gets so bad Naofumi puts up his hands and leaves the room with no progress made and only a modium of intelligence learned. He can now, at least, tell Fitoria that he made an honest attempt to reconcile with them, and it went nowhere. There may just be too much bad history for them to cooperate except under the most dire circumstances, like the Pope’s attempted coup…or the next Wave.

What little insight Naofumi does gain he puts to immediate use, learning that he has to “believe in” the other heroes’ claims of a weapon-copying functionality in the for it to actually appear on his HUD. The other bit of news the Queen had for them is that the Cal Mira Archipelago has been “activated,” meaning all XP earned there is boosted for a limited time.

It’s a location someone as underleveled as Naofumi can’t pass up, even if it means crossing paths with the other heroes, so after bidding farewell to the Queen and Melty (for the second time in as many episodes), he tries out his new weapon-copying skill at Elhart’s shop (much to Elhart’s dismay) and the party heads out to the harbor where a ship will them to Cal Mira.

By request of Raphtalia, they make a detour to her home village, whose scant survivors have set up a cemetery on a seaside cliff. She pays respects to her departed friend Rifana and folks. Naofumi’s earlier offhand words about leaving her and Filo one day have also stuck with her, and she asks Naofumi straight-up not to leave her, as she doesn’t know what she’d do if he wasn’t in her world.

Naofumi promises, but he may not be able to control when his summoning is reversed, be it when the Waves are defeated or not. For now, he resolves to stay in this world as long as he is able, until Raphtalia and Filo find happiness—and not just the happiness of being beside him. In both cases, they have potentially happy futures without Naofumi: Raph in her village, with all the other survivors tracked down; Filo as the new Queen of her kind.

But that’s getting ahead of ourselves: it’s time for some serous leveling up. As is typical, Naofumi is given the short end of the stick when his private cabin is stolen by the other heroes and their parties, who arrived before him. But as chance would have it Naofumi and his party end up in the same room as the tough-looking but friendly male and female adventurers they met at Raph’s village.

Could these two potentially end up a part of Naofumi’s party, or are they merely two of the hundreds of rivals for that sweet Cal Mira bonus XP?

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Koi wa Ameagari no You ni – 05

When Yuuto shows up at the restaurant with a hamster but it’s his dad’s day off, Tachibana escorts him home, and is surprised to find the manager is not there, either.

Yuuto invites her in in his stead, and Tachibana takes full advantage of the opportunity to gather intelligence on her target. Placing her shoes right between his and Yuuto’s is enough to make her blush…Why, it’s like they’re already a family!

Kondou is always running himself down as a loser, but while much of the somewhat messy apartment kinda supports that claim, Tachibana finds Kondou’s “man cave” through a cracked door that betrays a passion for both historic literature and a writing bug she had no idea he had.

When Yuuto is hungry, Tachibana makes do with the paltry contents of the fridge to make omurice, something Yuuto likely doesn’t get often. As she cooks at the stove, she’s in pure heaven.

When Kondou returns home, Yuuto thinks it will be fun if Tachibana hid herself. But she’s still in earshot when Yuuto, almost unconsciously sensing Tachibana’s curiosity, talks to his dad in a way that gets him to reveal that besides his job, reading and writing, he doesn’t have much going on…though he did enjoy going on a movie recently.

When the heat of the confined space is too much, Tachibana bursts forth and plops to the ground, surprising the dickens out of Kondou, who has no earthly idea what she’s doing in his house (nor does he ever get an answer, at least on-camera).

The harm of Yuuto’s little practical joke is seemingly compounded when he accidentally spills barley tea all over the back of her shirt, revealing her bra. However, even this is a win for the Kondou-crazy Tachibana, who gets to change into one of his big t-shirts; borrowing clothes is a big couple thing, after all.

Kondou is far more self-conscious about washing her shirt with his laundry, and takes it to the laundromat (yes…one shirt), but when it rains, Tachibana shows up with Yuuto and an umbrella to pick him up.

Tachibana uses this opportunity to tell him she wants to know more about him; that which she cannot glean merely by being in his apartment, cooking for his son, or wearing his shirt.

The last act takes place at the restaurant, and we get dual perspectives from Kondou and Tachibana, as he learns that it doesn’t take how-to books to get oneself on good speaking terms with one’s staff; one just needs to have a hamster, as all of them have had hamsters and are eager to dispense advice.

This irks Tachibana, who is trying to give the manager a note in private, but cannot because he’s constantly surrounded; suddenly Mr. Popular. She finally puts a stop to it by urging everyone to get back to work (only Kase remained in the kitchen; Tachibana’s interaction with him is mercifully brief and unremarkable this week).

Once alone with Kondou, she tells him the only source of info on caring for hamsters is her, and hands him the note: not a love letter but a list of supplies he’ll need. It’s a sweet, practical interaction, but also an instance of Tachibana acting swiftly and decisively to thwart any efforts to impede her progress with the manager.

Subete ga F ni Naru: The Perfect Insider – 03

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I went into this episode hoping for some answers but prepared for more questions, and got both. First, the indisputable answers: the figure in the wedding dress on the robotic cart is, in fact Magata Shiki. Magata Shiki is dead, and because her arms and legs were amputated, someone murdered her.

The rest—how she was murdered when no one went in her room, nor did she ever leave, in fifteen years—remains, well, a mystery. To say nothing of the identity and motive of the killer.

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As a result of encountering Shiki’s delimbed corpse, everyone, including Saikawa and Moe, are in a bit of shock; not knowing quite how they feel, let alone how they should feel. But Saikawa and Moe are also two uncommonly smart cookies, so they soon find a bit of solace from the horror before them in trying to unravel the mystery that comes with it.

The geography of the room and its apertures (one big, one small); the impeccably-kept surveillance tapes spanning a decade and a half (they didn’t rewind-and-reuse, like convenience stores); the custom security system called “Red Magic” that is so flawless, last week’s error seems planned; there’s a lot to sift through, and Saikawa attempts to do so; sucking down cigarette after cigarette in the process.

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Then Director Shindo arrives on the island via helicopter with Shiki’s younger (but notably more adult-looking) sister Miki, who is shocked to learn Shiki is dead. Moe, while going over in her head the part of her video conversation with Shiki relating to her feelings for Saikawa, thinks it somewhat coincidental that Miki, the last surviving Magata, should arrive around the same time her sister is found dead and mutilated.

For the record, we also learn how Moe met Saikawa (when she was a fifth grader) and why she developed feelings for him (he was the first adult she ever met who was smarter than her). The implication is, her towering intellect had made her hunger for stimulation; for a challenge.

While she initially hated Saikawa for being smarter, she clearly now sees him as a means for her to exercise her intellect. He expanded her humdrum world, by doing nothing at all but existing.

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It seems like Moe is about to mention something about her (deceased) parents, but Saikawa is concerned with how late Shindo is; when they return to the helipad, they find him dead from a knife to the back of the neck. It’s another surefire murder,  and just as Shiki never left her room, he never left the helicopter cockpit, and only used thumbs-up from inside. Perhaps the killer was there all along. But then what’s Mika’s part in all this?

Even more intriguing—and more than a little, well, wrong—is another monologue by the director accompanying another flashback (the one in the car last week was indeed a flashback involving a younger Shiki). This past Shiki is confirmed as only thirteen, but as he puts it, it’s “a long thirteen years”, in which she absorbed and retained everything she possibly could, and now wanted to “lose” something…which is pretty heavily implied to be her virginity.

It was up to Shindo, the adult in this situation, to put a stop to whatever was going on in the car and Ferris Wheel, but for various reasons, he couldn’t. Now both he and Shiki are dead; murdered…by who? How? Why? We’ll need quite a bit more ‘expository dialogue’ to find out.

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