Majimoji Rurumo – 12 (Fin)

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“I want to wear that…”

Kouta and Rurumo’s romance was always simple and sweet, based on mutual kindness and fondness, with little in the way of serious drama getting in the way of their happiness. The only kink was Ruru’s training; to complete it Kouta would have to spend all of his magical tickets, whereupon his life would end. But that’s just not how things ended up working out.

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Look at this guy…working a job so he can surprise Rurumo. This is what a man is.

The tickets, in the end, kinda fell by the wayside, along with the vast majority of magical stuff; something I really didn’t mind at all. As much as I enjoy magical shows, I was more invested in the human relationship being cultivated than any magical bureaucratic nonsense going on in the background. The show seems to understand this as well, which is what makes Rurumo’s explanation of what the heck happened for most of the episode a pleasant surprise.

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*touch*

It all starts as New Year’s nears, and Kouta seeks something to present to Ruru as a token of his affection, and finds it in a rather expensive yukata rental he must work a part-time job to afford. First of all, kudos to Kouta: he’s become a fine young man, and his perverse tendencies have become almost as peripheral as the magic tickets. He can’t use those to make money, because it wouldn’t be a surprise.

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Sumiko does look good in a shrine maiden’s outfit, it must be said

He gathers the necessary funds,then falls asleep under the kotatsu, and the morning of New Year’s turns out to be the titular “Day Without Rurumo.” Kouta has no direct memories of Ruru, nor does his family or friends, though there are little clues here and there that tweak Kouta’s memory, though not long enough to fully remember her. This is a little alarming at first, but something about the way it was unfolding told us it would turn out alright in the end.

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Ruru’s awsome look of belated surprise

That turns out to be the case, as as soon as the clock strikes twelve—maybe a second or two before hand—Kouta remembers Rurumo, just as she’s passing him by in the yukata he bought her. New Year’s Eve happened to be the day of her “evaluation”, which meant everyone she knew had their memories temporarily wiped to avoid interference. What seemed like a huge dilemma turned out to be the magical equivalent of an annual review.

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Baaaaaw I’ll miss these two

When he hangs his wish to the future at the shrine, Kouta apologizes to Ruru for not being of any help whatsoever in her training, but the fact is, neither of them want the training to end, not just because it would kill him, but because they like being around each other and don’t want that to end. Like I said: simple and sweet.

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Majimoji Rurumo – 11

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This was a lovely, upbeat little episode, and a nice way to close out the “ordinary time” of the show before things are sure to go down in the last episode. The events of this week reinforce everything we know: that Rurumo has brought out the best of Rurumo, that Rurumo is fare more than her skill shortcomings, and they’ll always have each others’ backs.

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Those truths are reinforced through an unexpected vehicle: the occult club, seeking recruits and notoriety, enters a band competition, of all things. Not being musically gifted, the lads lean on Tanako, who recruits a crack musical group consisting of Sawashita (guitar/boobs), Inoue Sumiko (bass), Izumi Kyouko (drums), and herself (keyboard). Rounding out the all-girls band “FHK” is Rurumo.

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That’s another surprise: Rurumo has the voice of an angel. She even throws some work and goodwill Masako’s way by telling everyone she’s good at making clothes; she designs witch outfits to go with Rurumo’s get-up, and senpai writes more lyrics to Rurumo’s haunting tune. It’s a classic case of a plan coming together, and it was very enjoyable to watch.

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As it does come together, Ruru-chan notices Kouta is happy, and wonders why. He answers as you’d expect: he’s happy because she’s happy, and having fun doing something she’s never done. FHK is a little too good right off the bat but as soon as they have to perform on a stage Rurumo can’t do it, and Kouta, knowing it’s because she’s so naturally bashful takes her place, covering for her as best he can.

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Of course, Kouta can’t sing worth a damn and FHK washes out of the competition, but getting to the finals was a pretty big achievement, and in any case mission accomplished: the club got a lot more noteriety. Most of all, Rurumo and Kouta exhibit their great regard for one another. And no magic tickets are used! We’ll see how the last episode treats them.

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Majimoji Rurumo – 07

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Sometimes I know how I’m going to rate an episode right at its start, especially with beach episodes, which can be half-assed chores. So as with most other episodes of its ilk, a “5” or average score is a good early baseline. From there, it’s up to the episode to convince us to either raise or lower that 5.

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For the first three quarters of the episode, it was looking more like the latter: utterly boilerplate beach antics, complete with big bouncy boobs and male mischief. The only hint of originality was the fact that one notable character wasn’t wearing a swimsuit: Rurumo. Turns out she never bought one at the mall, possibly because she didn’t know she was supposed to.

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That proves key, as Chiro (one of the fanservice centerpieces in shellkini-clad human form) manages to find her a swimsuit that just so happens to be “The Legendary Swimsuit” the president of the Occult Club is searching for. It imbues its wearer with romantic assertiveness, and when a witch dons it, it also augments strength and speed.

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It comes up quick, but this is the turning point of the episode, because we know Rurumo harbors (and is trying to repress) feelings for Kouta, and we know Kouta is still invested in “reaching new levels.” This leads to Rurumo, under the influence of the swimsuit, making the first move on Kouta. Can Kouta resist? He can.

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Watching a slightly sunburnt Rurumo doze on the train home, Kouta admits to a certain degree of regret he didn’t let Rurumo “have her way”, but considering how he’s treated her so far in the show, it’s really, as he said earlier, “better this way.” If and when Rurumo plants her first kiss on his lips, he’d rather she do it while of sound mind and frail body, not under a spell with him trapped under a concrete tripod.

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After all that beach blandness, the episode finishes strong, reinforcing the show’s overarching premise that having Rurumo a persistent fixture in Kouta’s daily life continues to bring out the best in him. When push comes to shove, he can—and more to the point, wants to—set his hormones aside and do the right thing by her. And that’s what elevated this beach episode’s rating from the default of 5.

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Majimoji Rurumo – 04

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Just as I was complimenting MMR’s compact cast, this episode introduces three new characters, the girls of the disciplinary committee. It’s not as bad as all that, though; two of the three are little more than background, while the third, Inoue Sumiko, turns out to be a lot more interesting than the cliched imperious school busybody constantly adjusting her glasses.

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Don’t get me wrong: she is bossy and domineering, at school at least (though I didn’t notice an excessive amount of glasses-straightening); quite possibly to the point of overstepping her official bounds with regards to confiscating and destroying contraband ero literature, of which Kouta is known school-wide as a prolific wheeler and dealer. But here’s the thing: she’s not being a heel simply for being a heel’s sake—this is personal for her.

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Drawn far more straight, sturdy, and angular than the girls regarded as “hotties” in previous episodes, it’s made clear by several trips into Sumiko’s head that she harbors a deep resentment towards her peers, who never regarded her as a girl. None of the boys would even flip her skirt—once a source of pride, now fuel for her high school angst. But there was one boy who did flip her skirt, and isn’t shy about regarding her for being her: and that boy was Kouta.

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That’s right: in school they’re arch-nemeses, but in the real world their mothers are friends. They go way back. It would seem they live close by. If their families were more traditional, they may even have been betrothed to be wed by now. It occurs that were Rurumo not in Kouta’s picture, Sumiko would be the primary female interest in his life. Kouta’s tawdry rep precludes them appearing to get along in school, but they seem to get along just fine on the outside.

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By “getting along” I mean Kouta can earnestly compliment Sumiko’s cute clothes when she delivers cake to his house; she can put on Rurumo’s pair of “Glasses of Misfortune” and cling to him when rats appear (it was frogs for Rurumo), and then he can chase her down the street during which she gets drenched by various water sources. She may call him a pervert, but he’s her pervert. As for Sumiko herself, she was a pleasant surprise.

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Stray Observations:

  • Rurumo got the short shrift this week…and was almost done in by frogs!
  • Chiro can transform into a human girl. Not sure why, but it was the first time in 25 years that she did it, and she did seem to revel in it. Could come in handy later.
  • Again Kouta uses his magic selflessly…or at least semi-selflessly, as he can’t bear to have to report back to his buds that all of their accumulated treasures were cast into the incinerator.
  • I kinda want Kouta to ask Sumiko out (or vice versa).