Shoujo Shuumatsu Ryokou – 12 (Fin)

Aboard the derelict sub, the girls find a clean boat, chocolate…and a kind of patchwork history of everybody and everything that came before them, thanks to the camera auto-syncing with the monitors on the bridge. In addition to all the pictures they took, and those Hanakawa took before them, the camera is a veritable cornucopia of visual (and audiovisual) information.

The content ranges from simple images of life and death, to the reports of a school robotic research club, to news reports of a worsening geopolitical situation that leads to large-scale war and genocide. On the whole, though, Chito and Yuuri feel less lonely, now that they were able to watch how others lived.

Suddenly processing more information than they ever had before proves exhausting for the girls, who fall asleep under the consoles and dream of their escape from their town.

When Chito wakes, she’s too late to do anything about Yuuri getting swallowed up by a giant version of Cut. Chito suspects Cut might’ve been some kind of lure used by the bigger ones, but Cut’s body language suggests that’s not the case.

Chito runs through the submarine, desperate to find her one and only companion, and eventually emerges from the conning tower to find the Big Cut isn’t interested in eating living humans, and spits Yuuri out. It then transforms to reveal it’s a kind of semi-sentient mushroom.

The mushroom has a mix of good and bad news…though I guess it’s mostly bad for humanity. They are systematically ridding the earth of toxins leftover from the human population after it destroyed itself with war. Yuuri and Chito are the last two humans left, by the mushrooms’ reckoning.

All machinery will shut down around them, and after they’ve passed away, the world will enter a period of rest and inactivity, as the mushrooms hibernate. With that all said, mushrooms emerge from the nuclear missile tubes of the sub and they all ascend into the sky, likely to start “cleaning” the higher levels.

There’s not much for Chito and Yuuri to do but continue on their tour, with the goal of reaching the highest level. Even with their companion/pet Cut gone off with its brethren, Chito and Yuuri aren’t lonely, nor do they care if the world ends, because they have one another.

As with so much relating to this show, it’s simultaneously a deeply bittersweet ending, conveying the lesson to not be troubled by things life you can’t control (like the ending of the world) and take comfort in those you can—like who you choose to spend your days with.

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Shoujo Shuumatsu Ryokou – 11

In “CULTURE”, as Yuu feeds the “cut” bullets of increasing size, the girls roll into an armory, but Chito is far less interested in the tanks than a book lying on the ground. Titled “War and Human Civilization”, it’s written in English, which means even Chito can’t read it, calling them “letters from an old, far-off place.”

Considering the state of civilization in this show, that would seem to be something of an understatement. We build taller and taller buildings; Saudi Arabia is building one that will be 1km tall when finished. But we’re a long way from stacking cities on top of other cities like so many pizza boxes.

The book and its language, like the elaborate giant whirligig, are elements of human culture that should be preserved and understood if lessons are going to be learned by future generations.

It’s all well and good to feed an animal bullets, but to possess a book about how and why that animal can eat bullets—or detect where radio waves are originating—is even better.

Lessons of being mortally injured by falling objects or stray bullets led to the development of helmets, and in “DESTRUCTION” Chito gets and object lesson on why they still wear them even though there’s no one else around: their environment can be extremely hazardous at the drop of a hat…or bolt.

That bolt is the vanguard of a hail of shards of metal and machinery, as a gargantuan robot that could be a flesh-less warrior from the Seven Days of Fire plummets into a heap. The girls explore, and the cut shapes its body into a key of sorts to activate the robot. Yuu activates the first lever she sees, and a cruise missile is launched and detonates a few thousand feet away.

She presses another button, and the robot emits a laser beam that causes even greater destruction and widespread fires just off in the distance. Yuu starts laughing uncontrollably, saying it’s “fun”, but Chito gives her a closed-fist punch, telling her that nothing about this is funny. Yuu apologizes.

If they didn’t before, a first-hand demonstration of the destructive capabilities of civilization helps the girls to understand a little better why so much of the world is abandoned and in tatters. And yet there’s stuff all over the city and its environs that is still on, long after humans disappeared.

In “THE PAST”, Using their new pet as a guide, Chito and Yuri traverse a forest of windmills in, and come across a nuclear submarine. Again the animal creates a key out of its body, granting them access. The submarine may be beached, but it’s in working order, to the girls’ amazement.

It’s nuclear reactor seems to still be generating power (though I worry about radiation), while the girls traverse another forest within the sub on foot: a forest of what look like ICBMs.

Shoujo Shuumatsu Ryokou – 10

This week, the girls find a train, a radio signal, and a furry companion. As usual, they are absolutely dwarfed just by the vertical scale of the train, to say nothing of its length. Judging by the number of “robot corpses” strewn across its interior, it seems the design had to accommodate robots far bigger than humans.

After Yuuri experiences the boredom of waiting for the train to reach the destination, she and Chito do what I do when possible—head to the front. Yuuri points out that they’re going faster than usual because they’re moving on a moving train. It starts a fun discussion about the rotation of the earth and relative speed.

If there’s a commonality to these little talks it’s that it reveals both that Chito is very bright and just doesn’t have all the words needed to describe the scientific principles she understands, and Yuuri, while perhaps less bright, nonetheless comes to some perceptive conclusions of her own, despite having even less vocabulary than Chito.

At the end of the line they alight from the train and continue through another vast expanse of infrastructure. For a moment, Yuuri picks up something on the radio: what sounded like a sad song.

They look for a way to ascend to where the waves will be stronger, and happen to stop right on an ascending platform…only it either needs maintenance or wasn’t meant to convey humans and kettenkrads, because it moves extremely fast and stops on a dime.

That leads to a great bit of physical comedy as the girls and rig keep moving even when the platform stops; naturally, Yuuri lands on her feet. They’re met at the top by an eerily red sunset and a much clearer and more consistent transmission of the song, which is indeed sad, albeit very beautiful and moving in general, especially combined with the sad sunset.

I especially liked when the graininess of the radio feed gave way to a clear, crisp performance of the song. I just wished they could’ve tuned the radio to something more upbeat; they could’ve used some cheer after that last song.

When they come upon a massive hole—with another massive hole in the level above—Yuuri wonders if it was caused by the battle all the broken weaponry around them was used for. Chito surmises the hole predates the weapons, and that the hole was more recently merely a venue for a later battle. In any case, the image of a tank being repurposed as a fountain by nature and gravity is a sight to behold, especially when Yuuri literally soaks her head.

In what looks like a rocket tube, Yuuri finds a strange creature that neither she nor Chito can quite place, and so settle on “cat.” While they don’t mention it themselves, it very much also resembles those tall white idols they’ve encountered here and there. When the animal makes noise, the radio seems to translate it, even though the animal only seems to be repeating the girls with slight variation.

While the end of the train line and the sunset provided suitable ending points for the first and second vignettes, the third looks poised to continue, as the “cat” follows the girls, who decide to keep it with them for now. As Chito puts it, they’re always throwing things away or using them up, it’s nice to add something for a change.