As Stiyl interrogates Lidvia and Biagio in the Tower of London (er, whoever they are), Touma lands in the Rhône River, right by the Pont Saint-Bénézet. Fortunately for him, an ally is on that bridge and jumps in the drink to save him.
That ally is the kind and lovely Itsuwa of the Amakusa Sect, who must change into skimpier clothes when her outfit is soaked by the rescue, leading to a couple of awkward scenes between her and Touma.
What connects Stiyl’s interrogation and Touma and Itsuwa’s advrentures in Avignon are The Right Hand of God, a group of individuals who have apparently successfully purged themselves of most of the original sin inherent in all humans, giving them some angelic powers.
Touma also learns that the Document of C is officially the reason for the demonstrations. Whomever has the relic wields more power than a president with Twitter, able to mold the masses into believing whatever they say, even if there’s no proof to back it up. In this case, they are being told the Academy City is evil and the source of all their ills.
Touma teams up with Itsuwa to locate the geoducts being used to remotely control the relic from the Vatican. In the process we once again witness the unique and charming Amakusa tradition of hiding magic in ordinary everyday objects like bottled water…or underwear.
Itsuwa’s attempts to render a geoduct inoperable are interrupted by a member of the Right Hand of God calling himself Terra of the Left. Despite the earthy name his attacks seem to be wind-based, but Itsuwa dodges and Touma nullifies the strikes with his Imagine Breaker.
Of course, it’s the same age-old problem with Touma: his power is almost strictly defensive; he can hold off Terra but can’t defeat him. Perhaps the addition of Tsuchimikado to Touma and Itsuwa’s ranks will help break the stalemate.
Here we are, back in Academy City. I remember most of the faces, as well as most of their connections. There’s yet another threat looming as a large and ominous protest by a religious group takes place all the way in Toulouse, France, and the worlds of magic and science seem to be teetering on the precipice of another nasty conflict.
Seemingly in the middle of it all is Kamijou Touma, he of Imagine Breaker—and eternal misfortune—fame. In less than two days he loses his wallet, gets bitten by Index, gets detention for a debate over bunny girls, gets beaned by a Fukiyose fastball, and then yelled at and attacked with lightning by Biribiri.
And all that turns out to be the least of his problems. An old lady who encounters Index later nabs Touma and takes him somewhere secluded at gunpoint. She’s part of Academy City’s governing board, and seems interested in Touma’s ability should the Orthodox Church be using the protests as a booster to “attack the world”, something to which the city would have to respond.
This old lady is then promptly shot by Tsuchimikado, who then whisks Touma off to France via supersonic jet and skydive, where he and Touma will recover a Roman Orthodox magical item called the Document of Constantine. It’s a good thing Tsuchimikado’s stepsister Maika is cooking for Index, because it doesn’t look like Touma will be home for a while…
On the streets of Academy City, Touma and Index meet Meigo Arisa, a street singer/songwriter with mysterious miracle-like powers. She wins an audition to become the “spokes-idol” for Endymion, a space elevator nearing completion. Touma protects Arisa as she’s pursued by both the church – who believe her to be a saint, and Ladylee Tangleroad, the CEO of the company that built the elevator who has been cursed with eternal life. She sends her employee, the militaristic music-deaf Shutaura Sequenzia to retirev Arisa seeking to use Arisa and the elevator to create a magical device that will end her life – destroying half the world in the process.
When Shutaura learns of Ladylee’s true plans she turns against her. With the help of his many friends, acquaintances, and one-time enemies, Touma and Index launch into orbit to reach the top of the elevator, where Arisa performs before a massive crowd. As the parties on the ground disable Endymion, Index disrupts Ladylee’s spell, while Touma convinces Shutaura not to kill Arisa, punching her in the process. It turns out Arisa was the manifestation of Shutaura’s own wish when she was aboard the doomed space plane piloted by her father. Arisa merges with Shutaura, who regains as Ladylee’s spell is destroyed, ending the crisis. Life returns to normal.
First things first: woe betide ye who attempt to watch this film as a newbie to the Index/Railgun franchise. Aside from having no idea why a normal guy like Touma keeps shrugging off multiple blows and severe burns to his body, and has a tiny bitey nun for a roommate, all of the dozens of cameos in the film will go right over their heads. We ourselves have a certain soft spot for the franchise, and so were eager to see what they could do with a feature-length film. The results were very ambitious, and we came away from the viewing feeling it succeeded insofar as it adapted the spirit of the show – magic vs. science – and was a most entertaining romp, complete with robot fights, mecha/car chases, and space battles, all taking place in gorgeous settings.
We also dug the idea of dual heroines in Arisa and Shutaura. Looking back there were plenty of clues that they were pretty much the same person split in two: music was Arisa’s life, but Shutaura’s ears couldn’t even discern it; Arisa remembers nothing prior to three years ago; they both possess halves of the same blue bracelet. Arisa’s meteoric rise to fame reminded us of Ranka Lee’s similar arc in Macross Frontier, a series we kept thinking of due to the similar space opera-y milieu the film adopts in the second half. The film looked and sounded great, we had a lot of fun watching it. Had it run in a theater near us, we would have definitely felt we got our money’s worth.
Rating: 8 (Great)
The Sisters dissipate Accelerator’s storm, and Mikoto tells him she won’t let him kill any more sisters. When he’s about to attack her, a blood-soaked Touma stands up, walks to Accelerator, breaks his hand, and delivers a decisive blow to the face. Touma is hospitalized, and in the night, the MISAKA he saved visits him, saying the experiment has been cancelled. Mikoto visits him in the morning with cookies. Mikoto meets up with MISAKA, and learns that it may not be that hard for them to learn to be human beings and not just guinea pigs. Mikoto bakes homemade cookies for Touma, but misses her change to give them to him, but she does gets him to call her by her name.
And at long last, that squealing, tiresome little shit Accelerator is finally brought down to earth, just when he thought he was about to gain absolute power. And throughout the episode, we learn that people can move beyond what they were programmed to do. The Sisters were born and immediately ingrained with the idea that they only existed to be killed in service of elevating Accelerator to Level 6. It wasn’t that they didn’t want to live; it’s that it simply wasn’t an option they knew of. Now that Touma and Mikoto have treated them as humans and put their lives on the line for them, they can finally move beyond that laboratory programming and see themselves as human beings, and Mikoto’s sisters.
Similarly, Accelerator was brought up being told he was the most powerful, which meant he’d always run into conflicts with those who wanted to challlenge his power. So he was further instructed to achieve a level of power that no one would ever challenge; that’s how he’d validate his existence. The thing is, that was never going to be possible as long as Touma was around, and after Accelerator is soundly beaten by a Level 0, Touma’s prediction comes true and the whole program is scrapped. Unfortunately, after this ordeal Mikoto returns to being pretty much her usual tsundere self towards Touma – a little discouraging considering how productive their exchange was back on that bridge.
Rating:7 (Very Good)
- We get flashes of Accelerator’s childhood beford Touma does him in, but frankly we weren’t moved. Guy’s a dick.
- Touma’s esper power isn’t just Imagine Breaker; it’s the ability to endure epic beatings and lose almost all his blood and still be able to stand and punch people. All in all not a bad ability to have!
- We loved the little interlude in which Mikoto is worried about how her Sisters will adjust to suddenly having lives to live, only to have her thoughts interrupted by MISAKA swinging while standing and trying to brainwash an older sister to do whatever her younger sister says. They’ll do fine, with Mikoto’s help.
- Mikoto buys expensive cookies, but Touma isn’t shy about his view that they should really be homemade. See, he’s kind of a dick, too!
- We only catch the slightest glimpse of Index running down the hall, but she doesn’t get any lines. That’s fine with us…we really didn’t need to see a tiny nun biting a recuperating Touma’s head.
Neuhaus’s wife ends up at Shiemi’s place, where Shiemi takes care of and takes a liking to her. Rin & Co. learn Neuhaus that she’s a “quickened”or resurrected corpse possessed by a demon, but he didn’t do it. The Paladin gets wind of her and he and his men arrive to kill her, but Rin stalls him until he’s summoned back to the Vatican and met not by the Grigori, but by Ernest Frederick Aegin, who’s taken over with Yukio by his side.
My God, the volume of pseudo-religious political babbling that goes on in this episode brought back bad memories of the most tiring episodes of Index. This week a little bit of Gundam megalomania was sprikled in, with the new Phantom of the Opera (Frederick) revealing an enormous church armory that will be used as a base for a new offensive against the demons. The implication is that up until now the Vatican had only fought defense against Satan; he means to take the fight to them. But this week those larger considerations are only the bookends.
Michelle the spider-woman hangs with Shiemi until everyone descends on her quaint little garden wanting her head. Shiemi convinces Rin not to hurt her, though, and it’s her wishes that drive him to defend Michelle from August and his henchmen, though in vain, as Michelle ultimately takes a bullet for him. More importantly though, Yukio seems to have changed his allegience behind Rin’s back. The imminent face-off between brothers will either be as dull and predictable as another religio-political speech, or something more consequential and satisfying. Here’s hoping for the latter.