Rakudai Kishi no Cavalry – 02

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It’s nice to see how well Stella and Ikki are already getting along even before their first day of school; it’s a testament to the equity and fairness with which they each treat each other. They’re both on first-name terms without any reservations, and Stella makes a habit of bringing up things like the possibility of indirect kisses as a big deal, but never once denies that she doesn’t mind such things, when sharing Ikki’s sports drink. She also insists on running the full 20km a day that he runs, which speaks to her competitiveness.

But this, like Asterisk War is still a harem, which means there will be plenty of competition for Ikki’s attention. The first to glom onto him is Kusakabe Kagami, who means to run the school newspaper and saw him fight. Whether you’re a boy or a girl, people dig ability, and it’s clear Ikki has skills, even if there’s no surefire way to evaluate it. Still, the way the six school reps will be chosen works in his favor: rather than assess people by their stats, everyone will be fighting for those spots.

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Kagami essentially fades into the background, however, when a petite silver-haired girl everyone calls “Lorelei” beckons to Ikki. As we gleaned from the cold open, she’s his little sister Shizuku, and the only member of his family who she believes really loves him. Because of that, on top of her sheltered, upper-crust upbringing, to her, that means she needs to show Ikki enough love to make up for all the family members who show none.

To Shizuku, that means French-kissing him in front of Stella and half the school. Now, this is some standard brocon incest ikkiness? On the surface, sure, but it’s nicely mitigated by two factors: Shizuku’s aforementioned strange upbringing, and the fact no one else, including Ikki, is okay with his sister Frenching him.

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Then a catfight breaks out between Shizuku and Stella, who draw their devices, but they get in trouble with the director and must clean all 27 of the school’s girls’ restrooms, which they do while exchanging insults about one another’s breast size and body type.

It’s petty, but it’s conflict born out of mutual misunderstanding. Shizuku doesn’t yet know the full extent of Stella’s bond with Ikki, and Stella doesn’t yet know why Shizuku is acting so possessive.

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That changes quick when Shizuku mentions that the rest of the Kurogane family has always treated Ikki like he didn’t exist, and she hates them for it. Stella, concerned and eager to learn more about her roommate (and master, a promise she hasn’t forgotten), wastes no time asking Ikki about it, and he’s very open about it: due to his lack of verifiable talent, he was shunned as the family’s black sheep. The ostracization was so bad, he once ran away from home into the brutal cold.

He was saved from death by his grandfather Ryouma—a samurai so famous even Stella knows the name—who told him to harness his frustration with being called the weakest or the worst; make that weakness a strength, and never give up or stop working to prove everyone wrong. Ikki then started to train alone—something Stella also did when she was younger. Thus Stella’s understanding of Ikki deepens, as does her affection.

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Those affections lead her to make a move on Ikki for the second week in a row, entirely on a whim while cooking. Her excuse is that a good servant must fulfill a master’s wishes before he even asks, but really, she liked what she saw and felt last week, and wants more. Ikki is understandably a bit on-edge about the whole thing—Stella is a knockout in her pink bikini (her concession to modesty and not letting things get too far too fast)—but lets Stella do what she wants to do, and tells her what she wants to hear.

A nice detail: when the newspaper girl Kagami put Ikki’s arm against her chest, Stella noticed, and so brings it up here, because it looked like Ikki liked it…and Stella wants Ikki to like when she does it. I loved the honesty and equity of this romantic encounter: both Stella and Ikki are getting something they want out of it…right up until Stella loses her top, which she didn’t want to happen. Scream; Slap; Womp-Womp.

Lastly, we come to the show’s ED, with all the girls in Ikki’s prospective harem lounging around nude in a bed of roses with their weapons, to the welcome eclectic tunes of ALI PROJECT.

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Pupa – 06

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This episode of Pupa takes a page from Steve McQueen, pointing its “camera” at a thoroughly disturbing scene and simply refusing to pan away; lingering on the scene long after the audience have had their fill of it (no pun intended); sucking them into the horror of the moment. This is three minutes of Yume eating the shit out of Utsutsu as they lie together in bed, presented without comment and with minimal dialogue.

The sounds of Yume eating are thoroughly disgusting (or oddly relaxing, if you have ASMR), and the scene manages to make three scant minutes feel like far longer. There’s more than a little sexual/incestuous subtext what with the siblings’ position in bed, the clothes strewn about on the floor, and Yume’s gentle cooing as she feasts. It’s all quite unsettling and gross…and it doesn’t give a shit.

But more than that, the three minutes illustrate how banal and workaday this whole process has become to the siblings, underlined by the lighthearted music that comes in at the halfway point. Utsutsu lets her eat him, day after day, so she won’t eat others, and he knows he’ll always heal. Just as Pupa is not the anime many were looking for (or necessarily deserved), the plight of the siblings may not be ideal…but they’re managing.


Rating: 6 (Good)