The Millionaire Detective – Balance: UNLIMITED – 11 (Fin) – The New Boss

“Final Boss” Shigemaru leads Daisuke and Haru on a wild goose chase to the bowels of the Kanbe summer home. There, they not only find the allodium lab and his father’s research data, but a secret underground tube train that shoots them all the way back to Daisuke’s house, where Shigemaru is waiting for them. That is, until Daisuke remarks that his father was left-handed and this guy is right-handed, and the gig is up.

“Shigemaru” removes his mask to reveal he was an imposter all this time. Grandma Kikuko sics the guy on Haru while she and Diasuke discuss the future of the world over a cup of tea. Gran considers Allodium too dangerous to allow in any other hands but the Kanbes; it’s why she had Daisuke’s mother killed and Shigemaru framed. Haru eventually brings down the imposter, but not before he gets a bullet in the thigh.

Haru’s victory, and the fact the imposter was not given orders to kill him, end up mattering quite a bit. Daisuke is ready to transfer the Allodium research to scientists around the world, but hesitates in the powerful presence of his grandmother. Haru ends up making the choice to transfer the data for him, but by pressing the button on accident as a result of slumping over Suzue’s control panel.

This was never about Daisuke defeating the final boss, or even taking his rightful place on the throne of the Kanbe Empire, but making that Empire his own. To that end, he rejected generations of secrecy and lets the spread of Allodium information take place…then arrests his granny.

Weeks pass, Haru recovers, but turns down a return to the First Division, citing he can be a detective and dish out justice no matter where he is. He and Daisuke then proceed to do just that, tracking down all criminal activity regarding Allodium and stopping it in its tracks, with the help of HEUSC and Daisuke’s Unlimited Balance (The Second Division misfits also get full access to HEUSC, and of course use it for silly things like porn and sweets). On Daisuke and Haru’s particular mission, Suzue is on a well-deserved vacation.

In a nice bit of series symmetry, Daisuke’s brash, expensive actions end up blowing up part of the Manhattan Bridge, and Haru, even wearing one of those ASV suits, finds himself hanging on a ledge. Last time Daisuke let him fall because he neither trusted nor thought he needed Haru. Now the two are partners and pals, so Daisuke offers his hand…only to playfully pull it back, letting Haru fall in the drink once again. Same action, completely different motivations.

Blending James Bond and Batman billionaire tech and backstory with procedural detective stories and a uniquely Japanese keiretsu element made for a sleek and entertaining eleven episodes. If you’re into any or all of those and love a good rich family drama mystery full of bodacious crime-fighting toys, Fugou Keiji is a solid viewing choice.

Season Average: 8.55

Fate / Zero – 21

I can only admire Fate/Zero for its willingness to include a little bit of everything for everyone in its Holy Grail War, and as it had already featured a dogfight between Archer and Berserker, it was only a matter of time before Saber got into a chase with Rider, she on her motorcycle and he and Waver on his giant chariot.

The resulting chase does not disappoint, as Saber squids fearlessly through traffic, pushing her steed to its mechanical limits before deciding Screw it, I’m bosozokuing this motherfucker. While I prefer the more classic look of her bike, it’s still hella cool she can soup it up the same was she can soup up her armor.

With only five episodes left (my how time flies) I wasn’t ruling out the possibility this would be it for Rider, but Saber is content to withdraw after destroying his chariot with Excalibur, after which Waver and Rider lament that they have to walk home; a not inconsiderable distance considering the speed and length of the chase.

And that’s pretty much the last of the levity in this episode, as things go visually and thematically super-dark from there. Turns out Rider didn’t kidnap Iri (didn’t seem very in-character); it was Kariya’s doing, using two command seals to A.) control Berserker and B.) disguise him as Rider. Kiritsugu tortures Kariya’s brother Byakuya but doesn’t get much out of him.

Kirei has been busy since killing Tokiomi; further exploring his capacity for “entertainment” by manipulating Kariya, using new Command Seals and his bloodlust for Tokiomi as bait. While this all makes sense, I wish we’d have been able to witness Kirei initially approach Kariya after healing him and his stint with Zouken. Instead, the plan came together entirely in the background and has to be swiftly explained after the fact.

Once Kariya is off to the church to duel with Tokiomi (by now very dead), Zouken reveals himself to Kirei. If there is one remaining bit of levity in this episode, it’s here, as Zouken, truly a top-class Master of Evil, seems to take a shine to Kirei. Kirei is understandably disgusted by the mere suggestion of being compared to scum like him.

But for once, Zouken is right: I have no doubt that after a few more decades of this kind of stuff, Kirei will be standing in the exact same place as Zouken, King of Shitbags – so shitty, he’s not sure what he wants more: to win the Grail War, or watch his son continue to suffer.

And does Kariya ever suffer. After entering the church and yelling at a corpse, he discovers Tokiomi is already dead, just when the deceased’s widow Aoi arrives, no doubt summoned by Kirei. It’s not what it looks like (that Kariya just killed Tokiomi) but it sure looks bad, and Aoi doesn’t go easy on Kariya, rejecting his excuses and condeming him for never having loved anyone, despite the fact he always secretly loved her.

Kariya is clearly not in a stable place mentally here, and that instability and the resulting breakdown is chillingly depicted with a series of blackout shots, tinged with flashes of him attacking Aoi (the dark church appearing bright beside the blackness), before returning to full vision of him slowly strangling her to death.

After that all Kariya can do is get up and stumble out, screaming and wailing incoherently; becoming more like his unhinged Servant all the time. And who enjoyed a prime vantage point for this macabre entire “play” up in the church balcony? Kirei, who along with Archer were watching and sipping wine the whole time. Kirei notes the wine tastes different; better. He wants to sample more.